Re: [NetBehaviour] Embodiment and Social Distancing

[Alan Sondheim via NetBehaviour]

I remember Tina La Porta's early work as well - amazing group of people
here in Projects!

Best, Alan

On Tue, Oct 13, 2020 at 12:59 PM Tina La Porta 
wrote:

> My essay Internet Art During a Time of Social Distancing is included in
> the Journal of Embodied Research:
>
> Embodiment and Social Distancing: Projects. Journal of Embodied Research,
> 3(2): 4 (27:52). DOI: https://doi.org/10.16995/jer.67
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-- 
*=*

*directory http://www.alansondheim.org  tel
718-813-3285**email sondheim ut panix.com , sondheim ut
gmail.com *
*=*
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[NetBehaviour] Embodiment and Social Distancing

[Tina La Porta]

My essay Internet Art During a Time of Social Distancing is included in the 
Journal of Embodied Research:

Embodiment and Social Distancing: Projects. Journal of Embodied Research, 3(2): 
4 (27:52). DOI: https://doi.org/10.16995/jer.67 
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[NetBehaviour] ~~wards, qin improvisation

[Alan Sondheim]

~~wards, qin improvisation

http://www.alansondheim.org/wards.jpg qin
http://www.alansondheim.org/wards.mp3 sound

I hadn't played the quqin for several months; one has to come to
it, I think, at least for me, in the proper state of mind. This
is the older of my two instruments, some centuries old, unsigned,
originally designed for silk strings. I keep the metal strings
tuned low. I try I want (not I desire) to keep to its nature as
well. I love this improvisation. There's a slight ringing on one
of the harmonics due to the nature of the glass table I use for
the qin. The table was originally for packages and down in the
lobby of the building we live in. It was being thrown out, and
we had another rescue. It's the perfect length. We found an old
chair from around 1850 maybe that's the perfect height. Stephen
Dydo brought the qin to life. Originally, I asked the luthier
Candelario Delgado to make a tuning apparatus which was
non-traditional but worked for a long time. Dydo restored the
original, including adding two legs which had disappeared a
long time ago, before I had it. As I've written before, I found
the instrument in New Hampshire at an antique shop for eighteen
dollars. When I left the proprietor asked what I wanted that old
board for. I improvise only on it; I don't read qin notation. I
listen a lot to qin music, I've know qin players, including Fred
Lieberman, who was partly responsible, I think, for introducing
the instrument to the United States. He told me I'd never learn
to play it. Stephen Dydo has been amazingly generous and helpful
and I've learned to play it. I have to add, not all the way up
the scale, and my right hand fingers don't hold the traditional
postures. I have to also add I've had it for half a century and
we accommodate each other. The improvisation is called 'wards'
because it's inwards, outwards, upwards, downwards, forwards,
backwards, but mainly in wards. Any relationship to asylum wards
is coincidental, hopefully, enjoy. The Album Stephen and I did
together for ESP, Dragon and Phoenix, issued by ESP-Disk, is
available online. It's described and can be purchased at
http://www.espdisk.com/5019.html . Thank you!

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Re: [NetBehaviour] NetBehaviour Digest, Vol 1048, Issue 1

[Danielle Imara via NetBehaviour]

Re: Dead Artist Desert Trailer Park
This sounds amazing. I love this idea and if I was on the same continent I
would go. If I ever am, I will.

New Topic

New Y micro-movie: https://vimeo.com/458585865
To break the monotony of working from home, Brener and Imara seek the
perfect time to party online. They debate sunrise, sunset, choreography and
communication at a 3000 mile distance. Fairy lights, window dressings, and
wooden floors feature as extras in this ode to an online celebration.
Filmed via Zoom in London and New York.
It's the 4th in a series of Y micro-movies

On Tue, 13 Oct 2020 at 11:08, 
wrote:

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>1. Dead Artist Desert Trailer Park ({ brad brace })
>2. Generated from YouTube Debris and #biennaleNO (Alan Sondheim)
>
>
> --
>
> Message: 1
> Date: Mon, 12 Oct 2020 06:46:21 -0700 (PDT)
> From: { brad brace } 
> To: Bj?rn Magnhild?en 
> Cc: nettime announce , nettime-...@nettime.org,
> nettime-...@nettime.org, nett...@kein.org,
> fluxl...@yahoogroups.com,
> NetBehaviour for networked distributed creativity
> , Spectre
> 
> Subject: [NetBehaviour] Dead Artist Desert Trailer Park
> Message-ID:
> 
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> #biennaleNO
>
>  warfare, empire, government expansion, resources exploitation,
> ecological exhaustion, consumption and the manufacture of needs
>
> -.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-,-^-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
>
>  spirit, appetite, faith, emotion, intuition, will, experience...
>
>
>
> D E A D - A R T I S T   D E S E R T   T R A I L E R - P A R K
>  _
>
>   offers scholarships and studio-space
>for qualifying applicants
>   contact: bbr...@netcom.com for info
>
>   =+=
>
> T h e   n i g h t   h a s   b e e n   d e m o l i s h e d ,
>
>  b u t   t h e   d e s e r t   p r e v a i l s .
>
>   =-=
>
>   As time goes by, it is the established patterns of thought, the known
> arguments, the self-perpetuating truths which become the principal
> defenders of the structures in place. ..The active vocabulary needed to
> question, even to simply discuss them, has withered away.
>
>
> | The Dead-Artist Desert Trailer-Park is located in the American
> | Southwest Desert. I basically inherited (after paying back-taxes)
> | an isolated, derelict trailer-park which is being
> | transformed without the interference  of cultural bureaucrats
> | into a working resource for creative pursuits. The financial
> | overhead is practically non-existent; creative applicants are
> | told the location of the Trailer-Park and given written
> permission
> | to abide there. Usually some structural and creative contribution
> | is made to the Park during your stay. No application fees,
> slides,
> | references, or resumes are required or desired. A questionnaire
> is
> | sent to all applicants. The current residents will invite new
> | applicants to visit. APPLICATIONS FOR THE NEXT SEASON ARE BEING
> | PERUSED NOW; an electronic response is preferred.
>
>
>
> =-=-=v-=-==-=-=-=-=-=-v=-=v=-===-=-=vv-=-=-=v-=-=-vv=-v-==-=-=-=v=-v-=-v-v
> only the artists capable of dragging the mystic power out of themselves
> seem able to work productively within the breakdown of our society...
>
>
>
>
>
> *
>
>
>
> Al-Shira-al-jamanija
>
>
>
> Burning-Man Event
>
>
> --
>
> Message: 2
> Date: Mon, 12 Oct 2020 13:34:48 -0400 (EDT)
> From: Alan Sondheim 
> To: NetBehaviour for networked distributed creativity
> 
> Subject: [NetBehaviour] Generated from YouTube Debris and #biennaleNO
> Message-ID: 
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>
> Generated from YouTube Debris and #biennaleNO
>
> https://biennale.NO
> #biennaleNO
> http://www.alansondheim.org/metube.jpg
>
> 1. MODERN
>
>  m f+a+r+s+emarNa()  ( ) emrN ( ) em rN rN ( ) a+l+e+r+b+y+ m
> f+a+r+s+emarNa()  ( ) emrN ( ) em rN rN
>
> ( ) a+l+e+r+b+++tm
> ( ) FY!+a+r+hz+ ( ) emarNa ( ) (