Re: [NetBehaviour] Spring 2020 collection - Undocumented events and object permanence

2020-03-29 Thread Bjørn Magnhildøen via NetBehaviour 
Thanks, Ruth, glad you enjoy it, nice to hear!

-- Bjørn



On Sun, Mar 29, 2020 at 1:36 PM Ruth Catlow via NetBehaviour <
netbehaviour@lists.netbehaviour.org> wrote:

> So much to enjoy here Bjørn: )
> including this from our very own M
> https://noemata.net/ueop/work.php?no=246
>
> I especially appreciate the poetic (non-enterprise) performance and
> framing of the blockchain based certification of the existence of the work.
>
>
> On Sat, Mar 28, 2020 at 12:05 PM Bjørn Magnhildøen via NetBehaviour <
> netbehaviour@lists.netbehaviour.org> wrote:
>
>> Undocumented events and object permanence
>> - An online exhibition series thematizing documentation, conservation,
>> (false) memory, (art) object, phenomenology, and blockchain certification.
>>
>> The Spring 2020 collection is ready!
>>
>> https://noemata.net/ueop/1-20.php
>>
>> The exhibition contains 63 works submitted between January and March 2020.
>>
>> Participating artists
>> Acoustic Mirror, Bruce Barber, Arlen Barrera Leyva, sohil bhatia,
>> Lawrence Bird, Alessa Brossmer, Ana Buigues, Cyborg Art Collective, sajjad
>> dadpour, desire_direct, Reynald Drouhin, Jõrn Ebner, Siegmar Fricke /
>> Pharmakustik, Mr. G, Benna Gaean Maris, Marko Gaertner, Diana Galimzyanova,
>> Max Herman, Max Herman & Michael Szpakowski, Jinu Hong, Brenda Hutchinson,
>> Danielle Imara, marcela jardon, Yejin Stephany Lee, Jan Robert Leegte,
>> Zhongkai Li, Tatjana Macic, Aaliyah Marsh, Konstantina Mavridou & Silvia
>> Gatti, Zsolt Mesterhazy, Jeff Ostergren, Bya de Paula, Milos Peskir, Daniel
>> Pinheiro, pitscher, Theodora Prassa, Stefanie Reling-Burns, Natallia
>> Sakalova, SLIDERS_lab [Frédéric Curien, Jean-Marie Dallet], Alan Sondheim,
>> Anthony Stephenson, Elle Thorkveld, Christian Tiedeman, Jordan Topiel Paul,
>> Jurgen Trautwein, A. P. Vague, Thomas Valianatos, Emilio Vavarella, Juri
>> Wennekes, Paul Wiegerinck, William Wolfgang Wunderbar, and [anonymous]
>>
>> The collection is notarized and certified on the bitcoin blockchain with
>> the hash key of the zip of the collection embedded in the transaction. It
>> means there's a public stamp referring to it, a proof-of-existence, since
>> the hash-key is unique. So, the undocumented events and objects of the
>> collection are then nonetheless proven to exist, which was partly the
>> point, to assert an existence of the otherwise non-documented and
>> non-documentable. In various degrees the works reflect this. In other
>> words, blockchain is used as an archive, museum or a similar function for
>> conservation of works, but without containing or revealing them - its only
>> function is to certify their existence when asked.
>>
>> Priest: Although it is midnight I see the form of a man, a faint form, in
>> the light there. If you are spirit, who are you?
>> Spirit: I am the ghost of Tsunemasa. Your service has brought me.
>> Priest: Is it the ghost of Tsunemasa? I perceive no form, but a voice
>> from a recording.
>> Spirit: It is the faint sound alone that remains.
>> Priest: O! But I saw the form, really.
>> Spirit: It is there if you see it.
>> -- Tsunemasa Noh play
>>
>> Note the spirit's uncertainty as to his own success in appearing. The
>> priest wonders if he really saw anything. The spirit affirms that 'The body
>> was there if you saw it.'
>>
>> Next edition will be the Summer collection, with a deadline in 20 June. A
>> call for it will be sent out later.
>>
>> For more info
>> https://noemata.net/ueop/
>>
>> The project is organized by Noemata.
>> ___
>> NetBehaviour mailing list
>> NetBehaviour@lists.netbehaviour.org
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>
>
> --
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts
> Lab
> +44 (0) 77370 02879
>
> *Furtherfield *disrupts and democratises art and technology through 
> exhibitions,
> labs & debate, for deep exploration, open tools & free thinking.
> furtherfield.org 
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologies research hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is 
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Company No.7005205.
>
> Registered business address: Carbon Accountancy, 80-83 Long Lane, London,
> EC1A 9ET.
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
___
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Re: [NetBehaviour] Spring 2020 collection - Undocumented events and object permanence

2020-03-29 Thread Ruth Catlow via NetBehaviour 
So much to enjoy here Bjørn: )
including this from our very own M
https://noemata.net/ueop/work.php?no=246

I especially appreciate the poetic (non-enterprise) performance and framing
of the blockchain based certification of the existence of the work.


On Sat, Mar 28, 2020 at 12:05 PM Bjørn Magnhildøen via NetBehaviour <
netbehaviour@lists.netbehaviour.org> wrote:

> Undocumented events and object permanence
> - An online exhibition series thematizing documentation, conservation,
> (false) memory, (art) object, phenomenology, and blockchain certification.
>
> The Spring 2020 collection is ready!
>
> https://noemata.net/ueop/1-20.php
>
> The exhibition contains 63 works submitted between January and March 2020.
>
> Participating artists
> Acoustic Mirror, Bruce Barber, Arlen Barrera Leyva, sohil bhatia, Lawrence
> Bird, Alessa Brossmer, Ana Buigues, Cyborg Art Collective, sajjad dadpour,
> desire_direct, Reynald Drouhin, Jõrn Ebner, Siegmar Fricke / Pharmakustik,
> Mr. G, Benna Gaean Maris, Marko Gaertner, Diana Galimzyanova, Max Herman,
> Max Herman & Michael Szpakowski, Jinu Hong, Brenda Hutchinson, Danielle
> Imara, marcela jardon, Yejin Stephany Lee, Jan Robert Leegte, Zhongkai Li,
> Tatjana Macic, Aaliyah Marsh, Konstantina Mavridou & Silvia Gatti, Zsolt
> Mesterhazy, Jeff Ostergren, Bya de Paula, Milos Peskir, Daniel Pinheiro,
> pitscher, Theodora Prassa, Stefanie Reling-Burns, Natallia Sakalova,
> SLIDERS_lab [Frédéric Curien, Jean-Marie Dallet], Alan Sondheim, Anthony
> Stephenson, Elle Thorkveld, Christian Tiedeman, Jordan Topiel Paul, Jurgen
> Trautwein, A. P. Vague, Thomas Valianatos, Emilio Vavarella, Juri Wennekes,
> Paul Wiegerinck, William Wolfgang Wunderbar, and [anonymous]
>
> The collection is notarized and certified on the bitcoin blockchain with
> the hash key of the zip of the collection embedded in the transaction. It
> means there's a public stamp referring to it, a proof-of-existence, since
> the hash-key is unique. So, the undocumented events and objects of the
> collection are then nonetheless proven to exist, which was partly the
> point, to assert an existence of the otherwise non-documented and
> non-documentable. In various degrees the works reflect this. In other
> words, blockchain is used as an archive, museum or a similar function for
> conservation of works, but without containing or revealing them - its only
> function is to certify their existence when asked.
>
> Priest: Although it is midnight I see the form of a man, a faint form, in
> the light there. If you are spirit, who are you?
> Spirit: I am the ghost of Tsunemasa. Your service has brought me.
> Priest: Is it the ghost of Tsunemasa? I perceive no form, but a voice from
> a recording.
> Spirit: It is the faint sound alone that remains.
> Priest: O! But I saw the form, really.
> Spirit: It is there if you see it.
> -- Tsunemasa Noh play
>
> Note the spirit's uncertainty as to his own success in appearing. The
> priest wonders if he really saw anything. The spirit affirms that 'The body
> was there if you saw it.'
>
> Next edition will be the Summer collection, with a deadline in 20 June. A
> call for it will be sent out later.
>
> For more info
> https://noemata.net/ueop/
>
> The project is organized by Noemata.
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>


-- 
Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts
Lab
+44 (0) 77370 02879

*Furtherfield *disrupts and democratises art and technology through
exhibitions,
labs & debate, for deep exploration, open tools & free thinking.
furtherfield.org 

*DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 technologies
research hub

for fairer, more dynamic & connected cultural ecologies & economies now.

decal.is 

Furtherfield is a Not-for-Profit Company Limited by Guarantee

Registered in England and Wales under the Company No.7005205.

Registered business address: Carbon Accountancy, 80-83 Long Lane, London,
EC1A 9ET.
___
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[NetBehaviour] Spring 2020 collection - Undocumented events and object permanence

2020-03-28 Thread Bjørn Magnhildøen via NetBehaviour 
Undocumented events and object permanence
- An online exhibition series thematizing documentation, conservation,
(false) memory, (art) object, phenomenology, and blockchain certification.

The Spring 2020 collection is ready!

https://noemata.net/ueop/1-20.php

The exhibition contains 63 works submitted between January and March 2020.

Participating artists
Acoustic Mirror, Bruce Barber, Arlen Barrera Leyva, sohil bhatia, Lawrence
Bird, Alessa Brossmer, Ana Buigues, Cyborg Art Collective, sajjad dadpour,
desire_direct, Reynald Drouhin, Jõrn Ebner, Siegmar Fricke / Pharmakustik,
Mr. G, Benna Gaean Maris, Marko Gaertner, Diana Galimzyanova, Max Herman,
Max Herman & Michael Szpakowski, Jinu Hong, Brenda Hutchinson, Danielle
Imara, marcela jardon, Yejin Stephany Lee, Jan Robert Leegte, Zhongkai Li,
Tatjana Macic, Aaliyah Marsh, Konstantina Mavridou & Silvia Gatti, Zsolt
Mesterhazy, Jeff Ostergren, Bya de Paula, Milos Peskir, Daniel Pinheiro,
pitscher, Theodora Prassa, Stefanie Reling-Burns, Natallia Sakalova,
SLIDERS_lab [Frédéric Curien, Jean-Marie Dallet], Alan Sondheim, Anthony
Stephenson, Elle Thorkveld, Christian Tiedeman, Jordan Topiel Paul, Jurgen
Trautwein, A. P. Vague, Thomas Valianatos, Emilio Vavarella, Juri Wennekes,
Paul Wiegerinck, William Wolfgang Wunderbar, and [anonymous]

The collection is notarized and certified on the bitcoin blockchain with
the hash key of the zip of the collection embedded in the transaction. It
means there's a public stamp referring to it, a proof-of-existence, since
the hash-key is unique. So, the undocumented events and objects of the
collection are then nonetheless proven to exist, which was partly the
point, to assert an existence of the otherwise non-documented and
non-documentable. In various degrees the works reflect this. In other
words, blockchain is used as an archive, museum or a similar function for
conservation of works, but without containing or revealing them - its only
function is to certify their existence when asked.

Priest: Although it is midnight I see the form of a man, a faint form, in
the light there. If you are spirit, who are you?
Spirit: I am the ghost of Tsunemasa. Your service has brought me.
Priest: Is it the ghost of Tsunemasa? I perceive no form, but a voice from
a recording.
Spirit: It is the faint sound alone that remains.
Priest: O! But I saw the form, really.
Spirit: It is there if you see it.
-- Tsunemasa Noh play

Note the spirit's uncertainty as to his own success in appearing. The
priest wonders if he really saw anything. The spirit affirms that 'The body
was there if you saw it.'

Next edition will be the Summer collection, with a deadline in 20 June. A
call for it will be sent out later.

For more info
https://noemata.net/ueop/

The project is organized by Noemata.
___
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