[NetBehaviour] A Propos John Skelton

[Alan Sondheim]

A Propos John Skelton

http://www.alansondheim.org/ran19.jpg

Zork bork floor cork dork York

rugado brush metal reply to be Bridal Seattle Smeagol me giggle
broccoli you're calling Crawford

recording cycling tackling vocalink walkling
dog howling jackling markling
Angela Met gala

Mac Jack Flag tack back rack attack Pack Peak Park makes pay my
bike tick make Bank Marsh baby by Checkmate

mixmag take plank tight baked Meats bake a quick break.
Pickle wickle pickle tickle nickel pickle.

I quelling mailing swelling or telling blogging making legging
flagging flailing slowly yelling at selling felling
Belling

snuggie an aching of pegging slagging
can get. Chica Mala chica Chickamauga flu chicken balls give

Jamal Abu Shikamaru do barbecue polish move you Molly woo Jacob
marcoux.
Flagging tracking smacking

banging wanking Chain Gang singing yanking cranking blanking
nangi gang hanging chain pranking pranking.

Man Band canned and fan
Jan hand land in ran Clan Zane

playing cleaning may ring wing Ming Jiang build-a-figure Leo
Higley la la. Dwayne

goflingo Slingo Bingo lingo jingle
lingle Mingo dingo Fringe bins

hinged men's Quinn's
Blends Jensens dinge Finn's cringe cringe.

Hedge pads Lads feds kids
Ned's meds Red Sand Wedge wedge zedge hey it's
Edge had sheds LEDs Reds heads Heads veg.

bore Clark Fork Norfolk Mark
torque caloric stroke short pork.

Right angle side mango Pango triangle angles
angle.

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Re: [NetBehaviour] [faces-l] gender, feminisms, queer studies

[isabelle arvers via NetBehaviour]

Hi,

thank you for this amazing archive,
best

Isabelle Arvers
[image:
http://www.isabellearvers.com/wp-content/uploads/2013/03/animLogo.gif]

Isabelle Arvers
Curator, art critic and artist
+33 661 998 386
http://www.isabellearvers.com
Director of Kareron www.kareron.com
twitter: @zabarvers
youtube.com/zabarvers
https://vimeo.com/isabellearvers
Skype ID: zabarvers


Le lun. 18 mars 2019 à 10:23, AGF poemproducer  a
écrit :

> hi all, in case it interests you, huge ebooks archive ;O
>
> gender, feminisms, queer studies
> https://drive.google.com/drive/folders/19pGxfy4vbRyUkdxb8DJnkkqEFwMepGun
>
> love
> agee
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> sound & curation
>
> AGF: @poemproducer
> http://process.poemproducer.com/
>
> www.antyegreie.com
> www.poemproducer.com
> https://soundcloud.com/agf-antye-greie
> https://agf-poemproducer.bandcamp.com/
>
>
> DOCUMENTATION: #sonicwilderness #nusasonic
> "a line of women in the rice field,
> sonifying the mathematics of labour, rows, mud and space”
> nusasonic.poemproducer.com
>
> AGF & Various ::: DISSIDENTOVA
> http://dissidentova.poemproducer.com/
> https://agf-poemproducer.bandcamp.com/album/dissidentova
>
> #unlisteningwhitefeminism
> https://soundcloud.com/ctm-festival/unlisteningwhitefeminism
>
> ZANSUSPENSION w Afghan performance artist Kubra Khademi
> https://vimeo.com/channels/poemproducer/240798694
>
>
> ___
> faces-l mailing list
> face...@lists.servus.at
> https://lists.servus.at/mailman/listinfo/faces-l
> http://faces-l.net
>
___
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Re: [NetBehaviour] gender, feminisms, queer studies

[Renee Turner]

Wow… that’s awesome. Thanks!

Renée Turner 




> On Mar 18, 2019, at 10:23 AM, AGF poemproducer  wrote:
> 
> hi all, in case it interests you, huge ebooks archive ;O
> 
> gender, feminisms, queer studies
> https://drive.google.com/drive/folders/19pGxfy4vbRyUkdxb8DJnkkqEFwMepGun
> 
> love
> agee
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> sound & curation
> 
> AGF: @poemproducer
> http://process.poemproducer.com/
> 
> www.antyegreie.com
> www.poemproducer.com
> https://soundcloud.com/agf-antye-greie
> https://agf-poemproducer.bandcamp.com/
> 
> 
> DOCUMENTATION: #sonicwilderness #nusasonic
> "a line of women in the rice field, 
> sonifying the mathematics of labour, rows, mud and space”
> nusasonic.poemproducer.com
> 
> AGF & Various ::: DISSIDENTOVA
> http://dissidentova.poemproducer.com/
> https://agf-poemproducer.bandcamp.com/album/dissidentova
> 
> #unlisteningwhitefeminism
> https://soundcloud.com/ctm-festival/unlisteningwhitefeminism
> 
> ZANSUSPENSION w Afghan performance artist Kubra Khademi
> https://vimeo.com/channels/poemproducer/240798694
> 
> 
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour

___
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[NetBehaviour] gender, feminisms, queer studies

[AGF poemproducer]

hi all, in case it interests you, huge ebooks archive ;O

gender, feminisms, queer studies
https://drive.google.com/drive/folders/19pGxfy4vbRyUkdxb8DJnkkqEFwMepGun

love
agee














sound & curation

AGF: @poemproducer
http://process.poemproducer.com/

www.antyegreie.com
www.poemproducer.com
https://soundcloud.com/agf-antye-greie
https://agf-poemproducer.bandcamp.com/


DOCUMENTATION: #sonicwilderness #nusasonic
"a line of women in the rice field, 
sonifying the mathematics of labour, rows, mud and space”
nusasonic.poemproducer.com

AGF & Various ::: DISSIDENTOVA
http://dissidentova.poemproducer.com/
https://agf-poemproducer.bandcamp.com/album/dissidentova

#unlisteningwhitefeminism
https://soundcloud.com/ctm-festival/unlisteningwhitefeminism

ZANSUSPENSION w Afghan performance artist Kubra Khademi
https://vimeo.com/channels/poemproducer/240798694


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[NetBehaviour] i hate war but i hate our enemies even more

[marc.garrett via NetBehaviour]

i hate war but i hate our enemies even more

Now available for direct ordering and/or free download…

i hate war but i hate our enemies even more
Heath Schultz & Becky Nasadowski

Arranged from a partisan perspective in the era of the uprising, i hate
war, but i hate our enemies even more is an unconventional textual
object that uses détournement, collage, and experimental writing against
reactionary liberalism, capitalism, and white supremacy.

Critical theory, police propaganda, militant cinema, country songs,
activist histories, and white reactionary protests are used as raw
material to stage ideological juxtapositions. George Wallace speaks to
Stokely Carmichael in Watts. Radio Raheem hears conservative country
music through his boombox while telling the story of Love and Hate.
Darren Wilson supporters share the stage with Al Sharpton. Peter
Watkins’ Communards sing La Marseillaise and Bill Withers sings
Grandma’s Hands in the same set.

In these conjunctions, we find the reproduction of struggle and the
potential for short-circuiting the reproduction of white supremacy. This
book aims to enact a critical theory of the spectacle as it joins the
practical movement of negation within society.

Biography: Heath Schultz is a research-based artist and writer. His work
addresses questions of institutional critique, activism, contemporary
politics, and the political efficacy of art. He is an assistant
professor of art at the University of Tennessee at Chattanooga.

Becky Nasadowski is a designer and design educator at the University of
Tennessee at Chattanooga. Her research takes a critical,
multi-disciplinary approach to design, contextualizing the field within
discussions of race, gender, and class.

PDF available freely online: http://www.minorcompositions.info/?p=937

Ordering Information: Available direct from Minor Compositions now.

Official release to the book trade in September 2019.

64 pages
Trim: 5.5 x 8.5
UK: £13 /US: $17
ISBN 978-1-57027-360-5

Released by Minor Compositions, Colchester / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing
from autonomous politics, avant-garde aesthetics, and the revolutions of
everyday life.

Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info | minorcompositi...@gmail.com___
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[NetBehaviour] Call for applications: Open Space Curatorial Residency, Istanbul, 2019

[marc.garrett via NetBehaviour]

Open Space Curatorial Residency, 3 August – 30 September 2019
Application deadline: Thursday 2 May 2019, 23:59 BST

To apply, download the application form and guidelines here:
https://www.openspacecontemporary.com/projects/residency/

Open Space welcomes applications from curators for the first Open Space 
Curatorial Residency, a new, two-month curatorial residency taking place in 
Istanbul between August 3-September 30. This residency will give one emerging 
curator, with 1-3 years of professional experience, the unique opportunity to 
spend eight weeks in Istanbul, working with artists, curators and art 
organisations to develop a new project that will be presented in Istanbul and 
London in Autumn 2019.

Following their selection by an international jury, the curator will be hosted 
by the Huma Kabakci Collection and Open Space team members in Istanbul. They 
will gain special access to the Collection and its archives, and will 
participate in a dynamic weekly schedule that will include research, site and 
studio visits, presentations, and workshops, in collaboration with acclaimed 
Istanbul art institutions.

The resulting project, which can take the shape of an exhibition, publication 
or discursive event, will draw on the curator’s experience of the Huma Kabakci 
Collection and their exchanges with Istanbul-based artists, curators, 
researchers and institutions. Open Space will also encourage curators to 
consider Open Space’s 2019 programme theme “Space without spaces” which aims to 
address a number of pertinent contemporary issues ranging from global matters 
such as the hardening of borders in an uncertain political climate, when 
developing their proposal. The project will be presented in Istanbul in 
September 2019 and in London in November 2019. The residency includes travel, 
accommodation and living costs.

The international Jury for the 2019 Open Space Curatorial Residency is: Alessio 
Antoniolli (Director, Gasworks & Triangle Network), Julie Lomax (CEO, a-n 
Artist Information Company & Chair of The Showroom), Kathy Noble (Curator and 
Manager of Curatorial Affairs, Performa), Bige Örer (Director Istanbul 
Foundation for Arts and Culture (IKSV), Director, the 2019 Istanbul Biennial), 
Inês Geraldes Cardoso (Head of Programming and Production, Open Space) and Huma 
Kabakci (Founding Director, Open Space).

Initiated by Inês Geraldes Cardoso, Open Space Head of Programming & Production.

How to apply
Applicants can download guidelines and the application form from the Open Space 
website here. Completed applications and any queries should be emailed to Inês 
at: i...@openspacecontemporary.com with the subject line Open Space Curatorial 
Residency 2019. Application deadline is May 2, 2019, 11:59pm BST.

About Open Space
Open Space is a peripatetic arts organisation that supports emerging creative 
practices and promotes dialogue in the arts through an annual programme of 
projects in unexpected spaces. Since its inception Open Space has collaborated 
on various projects and organisations including Alt, Artkurio, Block Universe, 
IKSV, Open Dialogue Istanbul, The Art Department and SALT. Previously Open 
Space Contemporary, Open Space has re-launched in 2019 with its first annual 
programme and a new visual identity: openspacecontemporary.com.___
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[NetBehaviour] 'Artistic Shadow Libraries' at Find the File Festival in Haus der Kulturen der Welt (HKW), Berlin

[marc.garrett via NetBehaviour]

Find the File, Festival, 21-24 March 2019
Berlin Haus der Kulturen der Welt

The research project Creating Commons (Felix Stalder, Cornelia Sollfrank, 
Shusha Niederberger), based at the Zurich University of the Arts is invited to 
present first results of its research as part of the festival Find the File. 
The festival is a discursive music festival that explores questions arout 
collecting and archiving music, in discussions, concerts and installations. It 
is about what new possibilities and challenges have arisen for archives with 
the digital, and how new forms of knowledge can develop through the collecting 
activities of 'amateurs'. Last but not least, questions of accessibility will 
also be addressed.

Creating Commons is involved with two contributions:

1) Artistic Shadow Libraries
Video installation, Creating Commons
For the entire duration of the festivals in the foyer of the HKW

The interview montages show artists who create web archives as aesthetic 
commons practices: the art wiki monoskop, the no budget avant-garde archive 
UbuWeb, the online libraries arg and memoryoftheworld.org, and 0xdb.org, a 
database of 15,000 films. Through technical infrastructures, communities and 
mutual negotiation of terms of use, these 'shadow libraries' provide access to 
cultural goods – autonomous, collaborative, free. In times of progressing 
enclosures, they thus make an undogmatic as well as precarious contribution to 
wide accessibility and collaborative production of cultural memory.

2) Enter and Revive: Conditions for Accessibility and Reuse, Diskussionsrunde
Sunday, 24 March 2019, 17:00
Guests: Diane Thram (musik anthropologist, Rhodes University), Marisella Ouma 
(Intellectual Property Consultant), Cornelia Sollfrank (artist and researcher), 
Gregory Markus (RE:VIVE, The Netherland Institute for Sound and Vision)
Moderation: Florian Sievers

Archives and collections are increasingly making an effort to not only document 
the past but also to make their stock of material available for people to 
revive and experience, for the purposes of artistic- and knowledge creation. 
However, granting access to archival material implicates many legally and 
historically sensitive issues: What sort of tasks, what responsibilities do 
archives as well as archive-remixers have regarding provenance research, 
participation and accessibility? What practical examples are there for how to 
release the tension between reactivation and original context, reuse and author 
rights? What role does the immaterial character of music and sound play here? 
In what way can archival work become a commons-building exercise?

LINKS:
Find the File Programm:
https://www.hkw.de/en/programm/projekte/2019/find_the_file/find_the_file_start.php

Installation Artistic Shadow Libraries:
https://www.hkw.de/en/programm/projekte/veranstaltung/p_149235.php

Diskussionsrunde zu Accessibility and Reuse mit Diane Thram, Marisella Ouma, 
Gregory Markus und Cornelia 
Sollfrankhttps://www.hkw.de/en/programm/projekte/veranstaltung/p_148796.php
Find the File is part of the project The New Alphabet:

[German[
Find the File, Festival, 21.-24.3.2019
Berlin Haus der Kulturen der Welt

Das Forschungsprojekt Creating Commons der Zürcher Hochschule der Künste (Felix 
Stalder, Cornelia Sollfrank, Shusha Niederberger) ist eingeladen, im Rahmen des 
Festivals Find the File am Haus der Kulturen der Welt in Berlin erste 
Ergebnisse ihrer Forschung zu präsentieren. Das Festival ist ein diskursives 
Musik-Festival, das in Diskussionen, Konzerten und Installationen Fragen nach 
dem Sammeln und Archivieren von Musik nachgeht. Es geht darum, welche neuen 
Möglichkeiten und Herausforderung für Archive mit dem Digitalen entstanden 
sind, und wie sich neue Formen von Wissen durch die Sammeltätigkeit von 
„Amateuren“ entwickeln können. Nicht zuletzt werden auch Fragen der 
Zugänglichkeit adressiert.

Creating Commons ist mit zwei Beiträgen beteiligt:

1) Artistic Shadow Libraries
Videoinstallation, Creating Commons
Während der gesamten Dauer der Festivals im Foyer des HKW

Die Interview-Montagen zeigen Künstler*innen, die Web-Archive als ästhetische 
Commons-Praxis schaffen: das Kunst-Wiki Monoskop, das no budget 
Avantgarde-Archiv UbuWeb, die Online-Bibliotheken Arg und 
memoryoftheworld.org und 0xdb.org, eine Datenbank mit 15.000 Filmen. Mittels 
technischer Infrastrukturen, Communities und gegenseitigem Aushandeln der 
Nutzungsbedingungen gewähren diese „Schatten-Bibliotheken“ Zugang zu 
kulturellen Gütern – autonom, kollaborativ, kostenlos. In Zeiten 
fortschreitender Einhegung leisten sie so einen ebenso undogmatischen wie 
prekären Beitrag für Zugang zu und gemeinschaftliches Herstellen von 
kulturellem Gedächtnis.

2) Enter and Revive: Conditions for Accessibility and Reuse, Diskussionsrunde
Sonntag, 24. März 2019, 17h
Gäste: Diane Thram (Musikethnologin, Rhodes University), Marisella Ouma 
(Beraterin für geistiges Eigentum), Cornelia Sollfrank 

Re: [NetBehaviour] gender, feminisms, queer studies

[marc.garrett via NetBehaviour]

Hi Agee,

Brilliant!

Will explore immediately :-)

wishing you well.

marc

‐‐‐ Original Message ‐‐‐
On Monday, 18 March 2019 09:23, AGF poemproducer  wrote:

> hi all, in case it interests you, huge ebooks archive ;O
>
> gender, feminisms, queer studies
> https://drive.google.com/drive/folders/19pGxfy4vbRyUkdxb8DJnkkqEFwMepGun
>
> love
> agee
>
> sound & curation
>
> AGF: @poemproducer
> http://process.poemproducer.com/
>
> www.antyegreie.com
> www.poemproducer.com
> https://soundcloud.com/agf-antye-greie
> https://agf-poemproducer.bandcamp.com/
>
> DOCUMENTATION: #sonicwilderness #nusasonic
> "a line of women in the rice field,
> sonifying the mathematics of labour, rows, mud and space”
> nusasonic.poemproducer.com
>
> AGF & Various ::: DISSIDENTOVA
> http://dissidentova.poemproducer.com/
> https://agf-poemproducer.bandcamp.com/album/dissidentova
>
> #unlisteningwhitefeminism
> https://soundcloud.com/ctm-festival/unlisteningwhitefeminism
>
> ZANSUSPENSION w Afghan performance artist Kubra Khademi
> https://vimeo.com/channels/poemproducer/240798694
>
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour


___
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[NetBehaviour] MediaArtsHistories and Futures :: International, low-residency, Master of Arts

[marc.garrett via NetBehaviour]

MediaArtsHistories and Futures International - low-residency – Master of Arts – 
Starts September 2019

Deepening praxis and critical comprehension of the digital
developments
in contemporary art

An interdisciplinary field at the intersection of art, science,
technology and the humanities, MediaArtHistories examines scientific
discovery and technological innovation emerging in art praxis, as well
as the genealogies of their historical development and context. At a
time when digital technologies are fundamentally revolutionizing the
very ways in which we communicate, interact, and perceive images, the
MediaArtHistories program trains students from diverse backgrounds to
critically analyze the plethora of visual media cultures of today.

CONTENT

Courses cover Media Art genres such as Net, Telematic and Genetic Art
as well as the most recent reflections on Nano, Bio and Transgenic
Art, Video Games, Computer Graphics and Animation, Virtual Reality,
Augmented Reality, and Intelligent Environments, Hacktivism and Tactical Media,
Performance, Glitch Art, Hybrid Art and Robotics. MediaArtHistories
offers a basis for understanding the evolutionary history of media,
from historic examples such as the Laterna Magica and Mechanical Automaton
of the 17th century, to computer art at the earliest stages of the
Internet in the mid-Twentieth Century and the algorithmic art of today. Special
attention is given to the challenges of documentation and preservation
of these born-digital, ephemeral and multifarious works. Explored in
depth are key methods and theory from Digital Humanities, Image Science,
Media Archaeology, Sound Studies, the Intellectual History of Science
& Technology, and Digital Gender Theory. Excursions, and on site faculty
seminars, introduce students to the main cultural heritage
institutions in the field, such as Ars Electronica and ZKM, archives such as the
Archive of Digital Art (ADA www.digitalartarchive.at), festivals such as
Transmediale, and the Media Art market.

The program is a two-year low-residency, either 90 or 120 ECTS Master
degree offered in English. In addition to individual study and project
work at your home location, students gather 2-3 times a year for
intenseseminar modules with internationally renowned media artists and
scholars. These enriching sessions take place at Danube University or
another European location relevant to the community of media art, such
as Linz, Austria as well as Karlsruhe and Berlin, Germany.

BRAIN TRUST
MediaArtHistories program faculty include: Irina ARISTARKHOVA, Andreas
BROECKMANN, Andres BURBANO, Sean CUBITT, Oliver GRAU, Monika
FLEISCHMANN, Francesca FRANCO, Darko FRITZ, Jens HAUSER, Kathy Rae
HUFFMAN, Erkki HUHTAMO, Ryszard KLUSZCZYNSKI, Andreas LANGE, Martina
LEEKER, Christopher LINDINGER, Wolf LIESER, Roger MALINA, Lev
MANOVICH,Nat MULLER, Gunalan NADARAJAN, Frieder NAKE, Jussi PARIKKA, Christiane
PAUL, Ana PERAICA, Margit ROSEN, Christopher SALTER, Paul SERMON,
Edward SHANKEN, Jeffrey SHAW, Christa SOMMERER, Morten SONDERGAARD,
UBERMORGEN, and others.

Since its beginnings in 2006, Danube University’s prestigious
MediaArtHistories MA has offered its students both a deeper critical
comprehension and a practical orientation regarding the most important
developments of this most contemporary art, by building on its faculty
network of renowned international theorists, artists, and curators.
These faculty come from across the globe to give seminars during the
modules held at Danube University, and from their home universities
maintain through online network and project collaboration
individualized instruction with students throughout the program.
www.mediacultures.net/mah

STUDY in EUROPE
The low-residency modularized teaching system allows working
professionals to maintain their usual employment, and gives students
entering directly after a Bachelor degree the opportunity to gain
valuable career experience while they study. Modules take place on the
main campus and at the Center for Image Science housed at the Göttweig
Abbey. The Danube University is located in the UNESCO World Cultural
Heritage “WACHAU” and offers a spectacular backdrop for learning
and living. The Department for Image Science holds important resources of the
field like the largest international Archive of Digital Art:
www.digitalartarchive.at and the MediaArtHistories Conference Archive
www.mediaarthistory.org/maharchive and integrates its cutting-edge
research projects into teaching.

STUDENTS
International students to our program have come from locations
including Austria, Australia, Brazil, Canada, China, Egypt, Germany,
Iceland, Japan, Jordan, Korea, Mexico, Russia, Spain, Ukraine, and
USA. Alumni of the program are employed not only as freelance curators,
creative designers or working artists, but also at renowned cultural
sector institutions like: Austrian National Library, Süddeutsche
Zeitung, Chicago Art Institute, Deutsche Kinemathek, ETH Zürich, Ars
Electronica, ITAU