[NetBehaviour] legal turbulence hindering uk drones

2015-05-25 Thread James Morris
Sooner or later there will inevitably be a case when the privacy of a 
celebrity is invaded, a drone crashes and kills someone, or a 
householder takes the law into their own hands and shoots a drone down



http://www.wired.co.uk/news/archive/2014-02/20/shoot-down-drones
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[NetBehaviour] CHDH - EGREGORE SOURCE LIVE | REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)

2015-05-25 Thread artkillart
CHDH - EGREGORE SOURCE LIVE
REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)

The egregore - source instrument will be played live remotely by chdh
for a one time only performance.
To attend the show you only need a computer, the egregore software
installed and an Internet connection.
http://www.chdh.net/egregore_source_live.php

_

The source code of the egregore performance is made fully available as
a software to download, or as a usb key. This remote performance aims to
exploit the physical dispersion of this digital support, in order to
develop a broadcasting structure for a networked audiovisual
performance, played on Wed. 27th May 2015, 21H CEST.

The multiple personal computers hosting the software constitute a
distributed stage, where the artists will be able to interpret
egregore remotely by sending a data flow that activate the provided
software. These control data are then stored on a server, and remain
accessible and usable with the software.

DETAILS

- The instrument in your computer will receive in real time the control
parameters played in Malakoff - France.
- All the computing is done locally on your computer, therefore every
resulting sound and video will be slightly different.
- We have a chat for the audience to discuss in real time: #chdh on
freenode.net http://webchat.freenode.net/?channels=%23chdh
- The time is 21H CEST (UTC+2) and not 21H CET (UTC+1)
- Your computer must be connected to Internet, and egregore - source
must have access to port 80




LOCAL / VENUES

There is a few venues broadcasting the show in real time
ПОДГОТОВЛЕННЫЕ СРЕДЫ http://soundartist.ru/ps-07/-
DIFF BAR - MOSCOW - RUSSIA
DIFFUSIO #23 http://f-o-r-m-e-s.blogspot.fr/- PAD - ANGERS - FRANCE
F/LAT http://f-lat.org- 1000 PLATEAUX - BRUSSELS - BELGIUM
UCHRONIES - MALAKOFF - FRANCE
LFO/TRANSISTOR http://lfofablab.org- FRICHE BELLE DE MAI - MARSEILLE -
FRANCE
TETALAB http://www.tetalab.org/- MIXART - TOULOUSE - FRANCE
LABOMEDIA http://labomedia.org- ORLEANS - FRANCE
METALAB http://metalab.fr/- RETICULAR ART CENTER - ST ETIENNE - FRANCE
...

If you plan to broadcast the show, contact us, we'll add your venue to
the list

_

More informations :
http://www.chdh.net/egregore_source_live.php

Release  download :
http://www.chdh.net/egregore_source.php


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Re: [NetBehaviour] CHDH - EGREGORE SOURCE LIVE | REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)

2015-05-25 Thread helen varley jamieson
this looks really interesting, but alas i will not be able to join at
that time. i'd be interested to hear how it goes from anyone who catches it.

h : )

On 25/05/15 6:21 25PM, artkillart wrote:
 CHDH - EGREGORE SOURCE LIVE
 REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)

 The egregore - source instrument will be played live remotely by chdh
 for a one time only performance.
 To attend the show you only need a computer, the egregore software
 installed and an Internet connection.
 http://www.chdh.net/egregore_source_live.php

 _

 The source code of the egregore performance is made fully available
 as a software to download, or as a usb key. This remote performance
 aims to exploit the physical dispersion of this digital support, in
 order to develop a broadcasting structure for a networked audiovisual
 performance, played on Wed. 27th May 2015, 21H CEST.

 The multiple personal computers hosting the software constitute a
 distributed stage, where the artists will be able to interpret
 egregore remotely by sending a data flow that activate the provided
 software. These control data are then stored on a server, and remain
 accessible and usable with the software.

 DETAILS

 - The instrument in your computer will receive in real time the
 control parameters played in Malakoff - France.
 - All the computing is done locally on your computer, therefore every
 resulting sound and video will be slightly different.
 - We have a chat for the audience to discuss in real time: #chdh on
 freenode.net http://webchat.freenode.net/?channels=%23chdh
 - The time is 21H CEST (UTC+2) and not 21H CET (UTC+1)
 - Your computer must be connected to Internet, and egregore - source
 must have access to port 80


 

 LOCAL / VENUES

 There is a few venues broadcasting the show in real time
 ПОДГОТОВЛЕННЫЕ СРЕДЫ
 http://soundartist.ru/ps-07/- DIFF BAR - MOSCOW - RUSSIA
 DIFFUSIO #23 http://f-o-r-m-e-s.blogspot.fr/- PAD - ANGERS - FRANCE
 F/LAT http://f-lat.org- 1000 PLATEAUX - BRUSSELS - BELGIUM
 UCHRONIES - MALAKOFF - FRANCE
 LFO/TRANSISTOR http://lfofablab.org- FRICHE BELLE DE MAI - MARSEILLE
 - FRANCE
 TETALAB http://www.tetalab.org/- MIXART - TOULOUSE - FRANCE
 LABOMEDIA http://labomedia.org- ORLEANS - FRANCE
 METALAB http://metalab.fr/- RETICULAR ART CENTER - ST ETIENNE - FRANCE
 ...

 If you plan to broadcast the show, contact us, we'll add your venue to
 the list

 _

 More informations :
 http://www.chdh.net/egregore_source_live.php

 Release  download :
 http://www.chdh.net/egregore_source.php




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-- 
helen varley jamieson
he...@creative-catalyst.com mailto:he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.upstage.org.nz

 

Magdalena München - Erstes Treffen: 5-7 June 2015
http://www.themagdalenaproject.org/en/content/magdalena-m%C3%BCnchen

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[NetBehaviour] production preparation, Palmyra

2015-05-25 Thread Alan Sondheim



production preparation, Palmyra

http://www.alansondheim.org/survive5.png
http://www.alansondheim.org/eguitclar.mp3
 - - electric guitar + Bb clarinet

preparation of production
production of preparation

1. I don't have names for the pieces at this point.
2. Pieces are 4' or under.
3. Pieces are the Shorter Discourses of the Buddha.
4. Production of production and preparation of preparation.
5. Instrument names are not names.
6. I don't have the order down at all.
7. My nails are strong and my fingers supple.
8. Yet my nails are strong and my fingers supple.
9. The qin, at any moment, out of tune.
10. Viola bowing leaves a lot to be desired.
11. Alpine zither and electric guitar = rough on fingers.
12. Risky gamble of maverick clarinet.
13. Balance Azure singing with embedding and clarity.
14. Cords, chords, and braid = sonic sheaves.
15. Sound remaining, for a moment, after I die.
16. The unclarity of the sound remaining.
17. Today I practice jinashi shakuhachi, alto clarinet,
clarinet, electric guitar, viola, anything to keep myself
moving. These are the best for the fingers and lungs.
Tomorrow the sazs, pipa, oud, Alpine zither, qin, others
that building on the simpler architectures of the western
lands. I read myself into a state of forgetting. How to
name the pieces, order them, keep them to the assigned
limits as if they were born to the length of a shorter
older singing. How to ignore the screams outside the
window here, now, as if what mattered only were internal
resonances, murmurings of the worlds, skies elsewhere,
and my thinking all through this, summed up in one word,
Palmyra.

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