[NetBehaviour] no-strings shakuhachi

[Alan Sondheim]

no-strings shakuhachi


http://www.alansondheim.org/thren34.jpg
http://www.alansondheim.org/nostrings.mp3

no-one listens to these pieces, no-one speaks, no-thing
no-strings in these pieces, no-comments, no-community
empty pieces *

* on Facebook or G+ please click 'like' etc. if you listen
to these pieces, else please do not click 'like' on these
pieces

* these pieces are no-string pieces for jiari shakuhachi
that are one piece swallows other pieces, arising and
dependent on revrev, pitch shift, power grid, calculus,
protocol, listening to no-string pieces, that is
no-breath pieces, that is jiari shakuhachi *

* today i realize i am invisible in every medium, hence
no-string shakuhachi, you will listen to no-breath jiari
shakuhachi, that is transformation, that is emptiness
dependent-arising, that is vac-kwak, no-breath no-strings


jiari shakuhachi playing for me, inward :: jiari, modern tuned
bore, wider, i think constantly of these modes, as i see them,
jinashi-jiari, * these pieces are no-string pieces for jiari
shakuhachi no-breath pieces, that is jiari shakuhachi *
no-string shakuhachi, you will listen to no-breath jiari



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[NetBehaviour] Waterways, Walks & Wi-Fi - Invitation

[Suzon Fuks]

Hi all!
 

I would like to share this info about the new work I have been co-creating
& experiencing for more than a year :-)
There is an online element which you can watch/participate in.

Looking forward to seeing you there, online or on site


 
Cheers  Suzon


 
 
*
FLUIDATA - Installation & Performance
*

 
 
James Cunningham & Suzon Fuks travelled 7500 km through Queensland
exploring creeks from tropical Cairns,through the mining towns and dusty
trails of the vast outback, collecting data and exploring physical &
digital connections to our environment.
The pair has returned to Brisbane to present an interactive art
installation called FLUIDATA, teaming up with Inkahoots and Matthew Davis.
 
 


Opening June 13th, 6pm. Exhibition runs June 13-20.
Live performances on 13, 19 & 20 June at 7pm
The Block, QUT Creative Industries Precinct, Kelvin Grove (Brisbane)
FREE ADMISSION
 
 


*
ONLINE PERFORMANCES: 13,19 & 20 June
Watch live on your computer http://water-wheel.net/taps/view/794
If not on East Coast Australia, check your local time here:
http://bit.ly/1Rc4IW0
*
 
 


#creekmemory #fluidata #waterwheel
If you have a creek memory to share, please tweet it with #creekmemory :)
 
 


*
MORE INFO: igneous.org.au/projects/fluidata
*





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Re: [NetBehaviour] 22 theses on art education

[Mab MacMoragh]

michael, apologies for late response, this is such a great project

i have shared your site in the moma courses online and on fb

mab

On Sun, May 24, 2015 at 8:44 AM, Michael Szpakowski  wrote:

> Hi all
>
> please take a look at this:
>
> http://www.22thesesonarteducation.org/
>
> and if you're so moved please register & post agrrements, disagreements,
> nuancing, crudifying, something else altogether:
>
> http://www.22thesesonarteducation.org/wp-login.php?action=register
>
> Or, if you'd prefer ,send me stuff in Word and I will set up an account &
> format for you
>
> warmest wishes to all
> michael
>
>
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[NetBehaviour] hands.gif

[James Morris]

from whence i workt in factree

http://jwm-art.net/art/image/hands.gif
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[NetBehaviour] backward greedy ann margret && boolean giraffes

[James Morris]

found this on my hdd, can't seem to find any online reference to it, 
can't be mine, too clever for me.



8<8<---8<---


/* boolean_giraffes.c

to compile in linux (etc)

gcc boolean_giraffes.c -lpthread -lm -o boolean_giraffes

and ./boolean_giraffes

TODO:   use backward greedy algorithm to compute sparse solution
to A x = b (hint: violently slide charm across floor).

*/

#include 
#include 
#include 
#include 
#include 

typedef bool Giraffe;


typedef struct Ann_Margret
{
Giraffe True;

pthread_t*  wayward_thread;
pthread_attr_t  wayward_attr;

double* CYN;

double x;
double b;

} Ann_Margret;


void* wayward_thread_entry_point(void* ptr)
{
Ann_Margret* black_tights = (Ann_Margret*)ptr;

while(black_tights->b < 100)
{
black_tights->CYN = &black_tights->b;
black_tights->x /= 2;
}

black_tights->True = false;
}


Ann_Margret* ann_margret_create(void)
{
Ann_Margret* am = malloc(sizeof(*am));
am->True = true;
am->x = 123.45;
am->b = -23.00442;
am->CYN = &am->x;

am->wayward_thread = malloc(sizeof(pthread_t));

pthread_attr_init(&am->wayward_attr);

pthread_attr_setdetachstate(&am->wayward_attr,
PTHREAD_CREATE_JOINABLE);

pthread_create( am->wayward_thread,
&am->wayward_attr,
wayward_thread_entry_point,
(void*)am );

return am;
}


int main(int argc, char** argv)
{
Ann_Margret* black_tights = ann_margret_create();

while(black_tights->True)
{
black_tights->CYN = &black_tights->x;
*black_tights->CYN = floor(black_tights->x);
black_tights->b += 0.001;
printf("%lf\n",black_tights->b);

}

return 0;
}
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[NetBehaviour] szpako plays Pop

[Michael Szpakowski]

https://www.flickr.com/photos/szpako/18165399402/
an homage
cheers,
michael


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Re: [NetBehaviour] Messing around with css3

[Gill Davies]

Nice one, Dave!  They're morally corrupt that lot.

On 28 May 2015 at 16:49, dave miller  wrote:

> Exploring an argument from many sides:
>
> http://davemiller.org/code/css3_test/monsanto.html
>
> Navigate using the arrow keys on your keyboard.
>
> Just experimenting
>
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[NetBehaviour] Messing around with css3

[dave miller]

Exploring an argument from many sides:

http://davemiller.org/code/css3_test/monsanto.html

Navigate using the arrow keys on your keyboard.

Just experimenting
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[NetBehaviour] degenerated - via up down from urban surfing sounds?

[if]

Hiyas,

Hope this finds you all well!

Getting a bit into degeneracy aesthetics practice searching from waves  
of skateboarding/urban-surfing, recordings or de-genrational  
frictions, doing exchanges timed by degenerated process of battery  
rundown periods, and degenerated if searches streams/movements.


Current sounds*:
http://degeneracy.5p.lt/up-down-from-degen-sounds

* Somehow disturbingly relaxing, no? (fell welcome to a person making  
these Your own..)


Have fun! (..and on this frequency - more will come!..)

ah^no1??
xx



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Re: [NetBehaviour] CHDH - EGREGORE SOURCE LIVE | REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)

[helen varley jamieson]

thanks, good to hear :)
i will install the software & check it out when i have time.

h : )

On 28/05/15 1:06 06PM, ~rybn wrote:
> hey helen
>
> just a quick feedback, it went really well for most users/audience.
>
> all performance data were recorded,
> the archive is accessible within the software itself.
>
> x
>
>
>
>
>
> On 25/05/2015 22:36, helen varley jamieson wrote:
>> this looks really interesting, but alas i will not be able to join at
>> that time. i'd be interested to hear how it goes from anyone who
>> catches it.
>>
>> h : )
>>
>> On 25/05/15 6:21 25PM, artkillart wrote:
>>> CHDH - EGREGORE SOURCE LIVE
>>> REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)
>>>
>>> The egregore - source instrument will be played live remotely by
>>> chdh for a one time only performance.
>>> To attend the show you only need a computer, the egregore software
>>> installed and an Internet connection.
>>> http://www.chdh.net/egregore_source_live.php
>>>
>>> _
>>>
>>> The source code of the "egregore" performance is made fully
>>> available as a software to download, or as a usb key. This remote
>>> performance aims to exploit the physical dispersion of this digital
>>> support, in order to develop a broadcasting structure for a
>>> networked audiovisual performance, played on Wed. 27th May 2015, 21H
>>> CEST.
>>>
>>> The multiple personal computers hosting the software constitute a
>>> distributed "stage", where the artists will be able to interpret
>>> "egregore" remotely by sending a data flow that activate the
>>> provided software. These control data are then stored on a server,
>>> and remain accessible and usable with the software.
>>>
>>> DETAILS
>>>
>>> - The instrument in your computer will receive in real time the
>>> control parameters played in Malakoff - France.
>>> - All the computing is done locally on your computer, therefore
>>> every resulting sound and video will be slightly different.
>>> - We have a chat for the audience to discuss in real time: #chdh on
>>> freenode.net 
>>> - The time is 21H CEST (UTC+2) and not 21H CET (UTC+1)
>>> - Your computer must be connected to Internet, and egregore - source
>>> must have access to port 80
>>>
>>>
>>> &&
>>>
>>> LOCAL / VENUES
>>>
>>> There is a few venues broadcasting the show in real time
>>> ПОДГОТОВЛЕННЫЕ СРЕДЫ
>>> - DIFF BAR - MOSCOW - RUSSIA
>>> DIFFUSIO #23 - PAD - ANGERS - FRANCE
>>> F/LAT - 1000 PLATEAUX - BRUSSELS - BELGIUM
>>> UCHRONIES - MALAKOFF - FRANCE
>>> LFO/TRANSISTOR - FRICHE BELLE DE MAI -
>>> MARSEILLE - FRANCE
>>> TETALAB - MIXART - TOULOUSE - FRANCE
>>> LABOMEDIA - ORLEANS - FRANCE
>>> METALAB - RETICULAR ART CENTER - ST ETIENNE - FRANCE
>>> ...
>>>
>>> If you plan to broadcast the show, contact us, we'll add your venue
>>> to the list
>>>
>>> _
>>>
>>> More informations :
>>> http://www.chdh.net/egregore_source_live.php
>>>
>>> Release & download :
>>> http://www.chdh.net/egregore_source.php
>>>
>>>
>>>
>>>
>>> ___
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>>> NetBehaviour@netbehaviour.org
>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>> -- 
>> helen varley jamieson
>> he...@creative-catalyst.com 
>> http://www.creative-catalyst.com
>> http://www.upstage.org.nz
>>
>>  
>>
>> Magdalena München - Erstes Treffen: 5-7 June 2015
>> 
>>
>>
>>
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>
>
>
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-- 
helen varley jamieson
he...@creative-catalyst.com 
http://www.creative-catalyst.com
http://www.upstage.org.nz

 

Magdalena München - Erstes Treffen: 5-7 June 2015


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[NetBehaviour] Mexico Suite

[{ brad brace }]

BOCHITO (All the VW Bugs in Oaxaca): And a Glimpse of
Gelatina

600+ page photo book depicting all the surviving VW bugs (cars) in Oaxaca City. 
First
introduced to Mexico in 1954, Volkswagen plants manufactured most of the 23 
million beetles
worldwide until 2003. Buy direct from the author/artist for superior quality .
http://bradbrace.net/buy-into.html

http://www.amazon.com/dp/B00VN0WVUS
http://www.amazon.com/brad-brace/e/B00AUYM02C

ANO NUEVO (monte alban)
They dress the stuffed man with old clothes from each member of the family. 
Then on new
year's eve at midnight they set it on fire: symbolizing burning the past and 
getting ready
to start a new year without bad memories of the past.
http://www.amazon.com/dp/B00W4IVA9G

PANTEON MUNICIPAL (puerto escondido cemetary)
6,000 pesos for pick-up, paperwork, and burial in a simple wood coffin
http://www.amazon.com/dp/B00W42ODXM

MEXICAN BRUSHWORK
undisputed masters of freehand sign painting
http://www.amazon.com/dp/B00W3RTW5C

PUERTO
eclectic puerto beach architecture
http://www.amazon.com/dp/B00W0IVM0C

CALACA
dancing skeletons
http://www.amazon.com/dp/B00W0F05U8

LE ATENDIO
cashiers' names from Chedraui store receipts
http://www.amazon.com/dp/B00W01KU2A

ALL THE DOGS IN PUERTO ESCONDIDO: and 9 fish tacos
exactly that
http://www.amazon.com/dp/B00W00ENYC

HISTORIA CALIENTES
[this Amazon version excludes 66 lovely mexican blue-duotone porn images: once 
again, it's
better to order direct: bbr...@eskimo.com http://bbrace.net/buy-into.html] but 
otherwise it
explores the odd disconnect between global fashion dictates and the typical 
Mexican female
anatomy... http://www.amazon.com/dp/B00VZ4HQLG

43: AYOTZINAPA (visual political ephemera from Oaxaca)
On September 26, 2014, 43 male students from the Raul Isidro Burgos Rural 
Teachers' College
of Ayotzinapa went missing in Iguala, Guerrero, Mexico. According to official 
reports, they
commandeered several buses and traveled to Iguala that day to hold a protest at 
a conference
led by the mayor's wife. During the journey local police intercepted them and a
confrontation ensued. Details of what happened during and after the clash 
remain unclear,
but the official investigation concluded that once the students were in 
custody, they were
handed over to the local Guerreros Unidos ("United Warriors") crime syndicate 
and presumably
killed. Mexican authorities claimed Iguala's mayor, Jose Luis Abarca Velazquez, 
and his wife
Maria de los Angeles Pineda Villa, masterminded the abduction.
http://www.amazon.com/dp/B00VTXIAMC

MEXICO DIARIES
Handwritten diaries from 6-month Mexican sojourn; includes color snippets from 
Indicaciones
boardgame.
http://www.amazon.com/dp/B00VRV76E4


MEXICO SUITE: all eleven volumes soon available for $1000US delivered on DVD or 
dropbox.

http://bradbrace.net/mx.html
http://bbrace.net/mx.html


/:b








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[NetBehaviour] Sonic Pattern and the Textility of Code, June 17th, Sheffield UK

[alex]

Sonic Pattern and the Textility of Code
Daytime symposium and evening performances
Sheffield, Wednesday 17th June 2015

This event is the second edition of an ongoing series, exploring
diverse viewpoints (weaving, knitting, live coding, mathematics,
generative visuals/music, and digital making) on how sound, image and
threads allow us to both sense the abstract and conceptualise the
tactile. This second symposium will focus on code as live material,
and material as coded form, exploring in new light thrown by artists
and makers increasingly using code in their practice alongside other
materials.

Symposium
10.30am – 5pm, Electric Works, Sheffield

Six speakers will address the theme from their different disciplinary
perspectives, confirmed so far (in alphabetical order):

* Theo Burt (http://www.theoburt.com/)
* Mattias Jones (http://madebyjones.tumblr.com/)
* Gemma Latham (http://gemmamaylatham.co.uk/)
* Sharon Mossbeck (http://sharonmossbeck.com/)
* Francesca Sargent (http://fo.am/kernow/)


Evening performances
>From 7:30pm, Access Space, Sheffield

Exploring the sonic pattern theme through an evening of intensive
patterned sound and light, including:

* Paul Wolinski (http://www.paulwolinski.co.uk/)
* Theo Burt (http://www.theoburt.com/)
* Tim Shaw (http://tim-shaw.net/) and John Bowers (http://jmbowers.net/)
* xname and Yaxu (http://xname.cc/phantasmata)

Sonic Pattern and the Textility of Code is co-curated by Karen
Gaskill, Crafts Council, and Alex McLean, University of Leeds.

Part of Sheffield Design Week. http://www.sheffielddesignweek.co.uk/

Made possible through funding and support from Crafts Council,
theUniversity of Leeds, the CCI Exchange, the EPSRC Communities and
Culture Network+ project “Inhabiting the Hack”, the AHRC Digital
Transformations Weaving Codes, Coding Weaves project, and the support
of Access Space, Electric Work, Danger Noise Audio and Sheffield
Design Week.
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Re: [NetBehaviour] CHDH - EGREGORE SOURCE LIVE | REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)

[~rybn]

hey helen

just a quick feedback, it went really well for most users/audience.

all performance data were recorded,
the archive is accessible within the software itself.

x





On 25/05/2015 22:36, helen varley jamieson wrote:
> this looks really interesting, but alas i will not be able to join at
> that time. i'd be interested to hear how it goes from anyone who
> catches it.
>
> h : )
>
> On 25/05/15 6:21 25PM, artkillart wrote:
>> CHDH - EGREGORE SOURCE LIVE
>> REMOTE PERFORMANCE - 27 MAY 2015 AT 21H CEST (UTC+2)
>>
>> The egregore - source instrument will be played live remotely by chdh
>> for a one time only performance.
>> To attend the show you only need a computer, the egregore software
>> installed and an Internet connection.
>> http://www.chdh.net/egregore_source_live.php
>>
>> _
>>
>> The source code of the "egregore" performance is made fully available
>> as a software to download, or as a usb key. This remote performance
>> aims to exploit the physical dispersion of this digital support, in
>> order to develop a broadcasting structure for a networked audiovisual
>> performance, played on Wed. 27th May 2015, 21H CEST.
>>
>> The multiple personal computers hosting the software constitute a
>> distributed "stage", where the artists will be able to interpret
>> "egregore" remotely by sending a data flow that activate the provided
>> software. These control data are then stored on a server, and remain
>> accessible and usable with the software.
>>
>> DETAILS
>>
>> - The instrument in your computer will receive in real time the
>> control parameters played in Malakoff - France.
>> - All the computing is done locally on your computer, therefore every
>> resulting sound and video will be slightly different.
>> - We have a chat for the audience to discuss in real time: #chdh on
>> freenode.net 
>> - The time is 21H CEST (UTC+2) and not 21H CET (UTC+1)
>> - Your computer must be connected to Internet, and egregore - source
>> must have access to port 80
>>
>>
>> &&
>>
>> LOCAL / VENUES
>>
>> There is a few venues broadcasting the show in real time
>> ПОДГОТОВЛЕ��ЫЕ СРЕДЫ
>> - DIFF BAR - MOSCOW - RUSSIA
>> DIFFUSIO #23 - PAD - ANGERS - FRANCE
>> F/LAT - 1000 PLATEAUX - BRUSSELS - BELGIUM
>> UCHRONIES - MALAKOFF - FRANCE
>> LFO/TRANSISTOR - FRICHE BELLE DE MAI -
>> MARSEILLE - FRANCE
>> TETALAB - MIXART - TOULOUSE - FRANCE
>> LABOMEDIA - ORLEANS - FRANCE
>> METALAB - RETICULAR ART CENTER - ST ETIENNE - FRANCE
>> ...
>>
>> If you plan to broadcast the show, contact us, we'll add your venue
>> to the list
>>
>> _
>>
>> More informations :
>> http://www.chdh.net/egregore_source_live.php
>>
>> Release & download :
>> http://www.chdh.net/egregore_source.php
>>
>>
>>
>>
>> ___
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>> NetBehaviour@netbehaviour.org
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>
> -- 
> helen varley jamieson
> he...@creative-catalyst.com 
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>
>  
>
> Magdalena München - Erstes Treffen: 5-7 June 2015
> 
>
>
>
> ___
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[NetBehaviour] International Conference on Live Coding, 13-15 July, Registration open

[alex]

First International Conference on Live Coding
ICSRiM, School of Music, University of Leeds
13th-15th July 2015

http://iclc.livecodenetwork.org/

We are happy to announce that registration for ICLC2015 is now open.

Live coding turns programming languages into live interfaces, allowing
us to directly manipulate computation via its notation. Live coding
has great potential, being used for example to create improvised music
and visuals, to allow developers to collaborate in new ways, to better
understand computational models by making fundamental changes to them
on-the-fly, and to find new ways to learn and teach programming.

Since the beginning of the TOPLAP movement in 2003 (building on an
extensive but hidden pre-history), live coding has grown fast,
attracting interest from many people in artistic, creative,
scientific, educational, business and mixed contexts. After a good
number of international events, the time is right to bring these
people together for an academic conference, exchanging ideas and
techniques, and enjoying dozens of peer reviewed papers and
performances. The conference will also open up the field for people
new to live coding, so they may develop and contribute their own
perspectives on this emerging field. Join us!

Registration is £80 (£50 concessions) for the three day conference
including lunches, evening events, and more.

See the website for details of the developing programme:

http://iclc.livecodenetwork.org/

And register here, completing both the on-line payment and registration forms.
http://iclc.livecodenetwork.org/registration.html

ICLC is organised by the Live Coding Research Network, which is funded
by the Arts and Humanities Research Council.

-- 
http://yaxu.org/
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