[NetBehaviour] CASITA BOILER: twenty-three volumes

[{ brad brace }]

'm a 27 yo pretentious, aloof, disinterested cynic - and I'd
like to be your roommate. I'm also honest, polite, clean,
and prefer to work out differences by speaking like an adult
- with mutual respect. I recently moved to the Portland area
to transfer schools - I'm studying studio art. I'm a
veteran, so if hanging an American flag up offends you, I'm
probably not your guy. I'm a smoker, but I'd prefer a
situation where there's no indoor smoking - I don't mind
weed though. I love pets. I work in security installation
and service. I'm the guy who puts in burglar and fire
alarms. It's nothing romantic, but it pays the bills.
Speaking of bills, I'm budgeting to spend about 800 a month
- so please be around that ballpark.

I'm looking for something quiet in the city of Portland,
with a safe parking area for my car, space to set up an
easel and work on paintings, and roommates who at least keep
the dishes washed.

If I sound like I might be a good fit for you, shoot me a
text and I'll give you a call after work. Looking to move
sooner rather than later, and I know how long these things
can take sometimes.


METADATA CASITA BOILER:
Entrenched Codes of Silent
Vivienda Clasificados (Exfiltration Series)

Residual/Digital PRAYER MATS:
(Unfulfilled Floorplans to the Promised Land)

VOL 1 http://www.amazon.con/dp/B00HATOMI0
VOL 2 http://www.amazon.con/dp/B00HBGLMVM
VOL 3 http://www.amazon.con/dp/B00HMGUZ4Q
VOL 4 http://www.amazon.con/dp/B00HZ6HM26
VOL 5 http://www.amazon.con/dp/B00HZ6HJHY
VOL -> 23
{ buy all 23 volumes direct-from-artist for $1000 }
{ buy 100 volumes direct-from-artist for $2000 }

an illustrated domestic installment-novel (archive):
an exercise in run-around justification:
residual history:

[the difference between results obtained by observation and by computation
from a formula or between the mean of several observations and any one of them]

ten 66-inch-long exquisitely designed boiler/filler pages of received/random
transcriptions from ETAOIN SHRDLU with near-greyscale imagery and three-color 
body-type!

[history supplies little beyond a list of those who have accommodated themselves
with the property of others]

http://www.bbrace.net/forrent.html
http://www.bradbrace.net/forrent.html
http://www.bradbrace.net/ppp/ppp.html
http://www.bradbrace.net/wordpress/
http://www.bbrace.net/wordpress/
http://issuu.com/bradbrace

graphic design, photography, artist publication, metadata, boilerplate, serial 
novel,
residual real estate, private archive, digital prayer mats, mystical meditation,
exfiltration series, promised land, floorplans, vivenda clasificatos, casita 
boiler,
random runaround, residual history


CASITA BOILER
CASITA BOILER: Entrenched Codes of Silent
Vivienda Clasificados (Exfiltration Series)

an illustrated domestic/historical installment-novel (archive):


http://issuu.com/bradbrace
http://www.bbrace.net/forrent.html
http://www.bradbrace.net/forrent.html
http://www.bbrace.net/ppp/ppp.html
http://www.bradbrace.net/ppp/ppp.html

METADATA CASITA BOILER:
Entrenched Codes of Silent
Vivienda Clasificados (Exfiltration Series)

Residual/Digital PRAYER MATS:
(Unfulfilled Floorplans to the Promised Land)

VOL 1 http://www.amazon.con/dp/B00HATOMI0
VOL 2 http://www.amazon.con/dp/B00HBGLMVM
VOL 3 http://www.amazon.con/dp/B00HMGUZ4Q
VOL 4 http://www.amazon.con/dp/B00HZ6HM26
VOL 5 http://www.amazon.con/dp/B00HZ6HJHY
VOL -> 23

an illustrated domestic installment-novel (archive):
an exercise in run-around justification:
residual history:

[the difference between results obtained by observation and by computation
from a formula or between the mean of several observations and any one of them]

ten 66-inch-long exquisitely designed boiler/filler pages of received/random
transcriptions from ETAOIN SHRDLU with near-greyscale imagery and three-color 
body-type!

http://issuu.com/bradbrace
http://www.bbrace.net/forrent.html
http://www.bradbrace.net/forrent.html
http://www.bbrace.net/ppp/ppp.html
http://www.bradbrace.net/ppp/ppp.html
http://www.bradbrace.net/wordpress/
http://www.bbrace.net/wordpress/


graphic design, photography, artist publication, metadata, boilerplate, serial 
novel,
residual real estate, private archive, digital prayer mats, mystical meditation,
exfiltration series, promised land, floorplans, vivenda clasificatos, casita 
boiler,
random runaround, residual history





/:b



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[NetBehaviour] The Large Hall Turned Me Inside Out

[Alan Sondheim]

The Large Hall Turned Me Inside Out

http://www.alansondheim.org/arche0.jpg
http://www.alansondheim.org/arche.mp3
http://www.alansondheim.org/arche.png

k1% well, the large hall was recorded
ksh: well,: not found
k2% the large hall was recorded with a variety of reverse
reverberation
ksh: the: not found
k3% then the recording was recorded with inverse dynamics
ksh: syntax error: `then' unexpected
k4% well, the recording was reversed
ksh: well,: not found
k5% the amplitudes were controlled throughout
ksh: the: not found
k6% the large hall turned inside-out
ksh: the: not found
k7% time reversed its ruly stream
ksh: reversed: not found
0.00s real 0.00s user 0.00s system
k8% my organs and nerves covered the outside of my body
ksh: my: not found
k9% a brutal and painful skin
ksh: a: not found
k10% inverted skin and my screams entered my limbs
ksh: inverted: not found
k11% someone fucked my cock and electrified my brain
ksh: someone: not found
k12% i'm sure all of this happened in real life and real time

somewhere i've forgotten who i am

ksh: im sure all of this happened in real life and real time
somewhere ive: not found
k13% no idea what to do but i'm making babies all around

the room's fucked my nerves and organs nothing's left
room's stopped all of this

ksh: no: not found
k14% or did it, no it didn't

or maybe it did, this is what happens when you swallow

yourself

you're just about dead, not a bad option

ksh: or: not found
k15% at least not now, not a bad option at all
at: You do not have permission to use at.



.


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Re: [NetBehaviour] neoscenes - live for le placard: basilisk ...

[helen varley jamieson]

+1 :)


On 9/10/16 8:14 00PM, John Hopkins wrote:
> On 09/Oct/16 03:59, ruth catlow wrote:
>
>> Is it against the spirit of the thing to make recordings?
>
> sometimes -- there is the "you had to be there" concept for live
> performative events and happenings and such, but these days I often
> will record my outgoing stream partly simply because I can (with
> Nicecast), and partly to be able to listen later and consider
> improvements on the next improv, and then to document the creative
> output -- although documentation does carry that onerous burden of
> sucking energy out of a be-here-now intention.

-- 
helen varley jamieson
he...@creative-catalyst.com 
http://www.creative-catalyst.com
http://www.upstage.org.nz

*Magdalena München - In Between - 14-16 October, München
*
/frauen - theater - performance/

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[NetBehaviour] Open call: Leap Second Festival 2016

[noem...@gmail.com]

:60
Leap Second Festival
CALL for WORKS


Leap Second Festival 2016

Open call: Projects and works lasting one second or less.

Submission deadline: 24.12.2016

Contact info: leap...@noemata.net


The festival takes place New Year's Eve, 31th December 2016 23:59:60 UTC on
the extra leap second squeezed in between 2016 and 2017. During this second
all the projects and works will be exhibited, performed, and executed.


LEAP SECOND FESTIVAL 2016: "JUST A SEC..." - AN UNTIMELY INTERVENTION

For the 2016 festival we are looking for works that emphasize a
collaborative, experimental, project-based approach that in various ways
embed the leap second idea and function as events in themselves. With its
awkward and impossible format, the focus of the festival is a questioning
of art and its appearance, materiality, objecthood, phenomenology, or their
negations or impossibilities, leading to an exploration of media in search
of itself as an appearing/disappearing form or questioning/rejecting it.

How can an artistic practice catch/reflect/express such a precarious
situation, an uncertain non-event, an immaterial/virtual moment, an
untimely, unsuitable intervention? And how can it challenge exhibition
models and force new ways of disseminating works?

We're also looking for projects and works exploring deviation, glitch, and
wobble; interventions in and hacking of the machination of time; reality
check and celebration of natural cycles alining systemic/conceptual cycles;
precarity as an unpredictable and insecure condition of a technology of
time and production affecting material/physical and social/psychological
welfare; a marginal and intermittent existence, short and discontinuous,
autonomous and freely self-inserted/-exploited/-realized/-precarizated;
untimely art, out of time, out of order, out of line, a defiant leap.


ABOUT

The Leap Second Festival is a distributed, decentralized event for art,
technology and precarity, coordinated on the net. This is the third
festival in the series. The festival is held on leap seconds announced by
IERS (International Earth Rotation and Reference Systems Service). The
previous festivals in 2015 and 2012 saw more than 100 works worldwide, from
split-second videos, audio and musical works, to conceptual- and
instructional art, network- and timespecific performances, and sculpture.
The festivals have support from the Arts Council Norway.

The Leap Second Festival 2012 and 2015 catalogues are available at
http://noemata.net/leapsec26/ and http://noemata.net/leapsec/


Deadline submission: 24.12.2016

Leap Second Festival 2016: 31th December 23:59:60 - 1st January 2017
00:00:00 (UTC)

Contact/Submit proposal: leap...@noemata.net


ORGANIZERS

Ars Publica/noemata - http://www.noemata.net
BrowserBased group - http://www.browserbased.org
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