[NetBehaviour] Patrick Tresset exhibition PV and conversation with Dr Nick Lambert

2017-10-11 Thread Irini Papadimitriou
Dear All

I am very pleased to announce our new exhibition, Whilst we were here... by
Patrick Tresset, which opens at Watermans on Wednesday 18 October.

I hope you can join us for the launch event.

*In Conversation: Patrick Tresset and Dr Nick Lambert *
Wednesday 18 October, 6.30-8.30pm
FREE
Please book your place on
https://www.watermans.org.uk/events/patrick-tresset-in-conversation-with-dr-nicholas-lambert/

The conversation will take place in the theatre and will last approximately
45 minutes, followed by drinks in the gallery.
In partnership with the Computer Arts Society

Artist Patrick Tresset and Dr Nick Lambert (Head of Research at Greenwich
Peninsula's Ravensbourne and lecturer in Digital Art and Culture at
Birkbeck College) will discuss Tresset's work creating theatrical
installations using robots, including the new work presented in his new
exhibition at Watermans.

Best wishes
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] V Digital Design Weekend

2017-09-19 Thread Irini Papadimitriou
Dear all



I wanted to share with the programme for this year's V Digital Design 
Weekend, taking place on Saturday 23rd and Sunday 24th September, so very soon!

As every year, the event is taking over the Museum to present contemporary 
digital art and design, engage participants and visitors in conversations, 
share processes and explore how design, technology and creativity can help 
bridge ideas, generating new relationships between people, cities, environments 
and more.
You can find out more about the Digital Design Weekend in this link:
http://www.vam.ac.uk/blog/network/digital-design-weekend-2017

The full programme is listed here:
https://vanda-production-assets.s3.amazonaws.com/2017/09/19/13/03/53/86060b37-bb90-4c09-95bb-34ade429215f/VANDA%20DDW.pdf

And if you want to register for a reminder nearer the time, we have a page on 
eventbrite: 
https://www.eventbrite.co.uk/e/va-digital-design-weekend-2017-tickets-37206658116

All events are free and drop-in.
I hope you can join us!

All the best
Irini

Irini Papadimitriou
Digital Programmes Manager
Department of Learning
V
South Kensington
London SW7 2RL
T: 020 7942 2258
M: 07986 347 922

Working days: Monday, Tuesday and Thursday


The Pink Floyd Exhibition: Their Mortal Remains
Until 15 October 2017 at V South Kensington
Presented by Pink Floyd, the V, and Iconic Entertainment Studios
Sound Experience by Sennheiser
Book now on vam.ac.uk/exhibitions/pink-floyd
See the exhibition for free if you join as a V Member vam.ac.uk/members

Michael Morpurgo: A Lifetime in Stories
Until 25 February 2018 at V Museum of Childhood
Admission free

Keep in touch
Sign up for V e-newsletters vam.ac.uk/content/email/signup
Become a fan on Facebook.com/VictoriaandAlbertMuseum
Follow us on Twitter.com/V_and_A and instagram.com/vamuseum/

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[NetBehaviour] Esther Rolinson in conversation with Douglas Dodds, the V's Senior Curator of Digital Art | Watermans

2017-05-28 Thread Irini Papadimitriou
Dear all

I hope you can join us for the launch event of our new exhibition,
Gravitate by Esther Rolinson at Watermans, and special event in partnership
with CAS; artist Esther Rolinson and Douglas Dodds, the V's Senior
Curator of Digital Art, will discuss Rolinson's new exhibition, in which
her drawings and light installation Flown will be exhibited together for
the first time.
The exhibition opens on Wednesday 7 June.

The conversation will take place in the theatre and will last approximately
45 minutes, followed by drinks in the gallery. All are welcome - please
book your free ticket on our website.


*Gravitate Exhibition Launch Event*Wednesday 7 June, 6.30-8.30pm
Theatre, FREE
Bookings:
https://www.watermans.org.uk/events/esther-rolinson-in-
conversation-with-douglas-dodds-senior-curator-of-digital-art-at-the-va/
<https://www.watermans.org.uk/events/esther-rolinson-in-conversation-with-douglas-dodds-senior-curator-of-digital-art-at-the-va/>

Gravitate gives insight into Rolinson’s meditative drawing process in which
she explores sensations, structures, movements and connections. Hand-made
pencil drawings on paper are often digitally manipulated to experiment with
forms in light and colour, and simple combinations of lines are repeated
building up complex forms. Rolinson's construction rules are a method of
disassociating from conscious thoughts and allowing spatial patterns and
movements to emerge. Some of these works conclude like solved puzzles,
whilst others have the potential to grow infinitely.
Her installations are immersive, extendable structures that can be adjusted
to fit diverse environments from light festivals to art galleries.  In 2016
she was awarded The Lumen Global Digital Arts Prize Sculpture and 3D Award,
and the first prize at the inaugural International Art CHI Exhibition,
Computer and Human Interaction Conference, San Jose, California for Flown
developed in collaboration with artist and programmer Sean Clark. Examples
of Esther's drawings and prints have been acquired by Victoria and Albert
Museum, London.

Best wishes
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Objects of Transcendence opens tomorrow, 20th January - Watermans

2017-01-19 Thread Irini Papadimitriou
Dear all

I hope you can join our drinks reception this Friday, 20th January, for the
launch of the new exhibition at Watermans, Objects of Transcendence.

Objects of Transcendence looks at how the object can transcend its
individual meaning to make a social or political comment. It brings
together the work of leading contemporary artists Ele Carpenter, Jeremy
Hutchison, Jasleen Kaur and Matthew Plummer-Fernandez.

The exhibition explores how each of the artists focuses on materiality in
their own art practices and how the language emerging from the object can
draw our attention, challenging our way of seeing reality, and rewarding us
with new perspectives on a range of contemporary issues. From portraits
built from Amazon's purchase-behaviour algorithms to everyday items bathed
in radioactivity, this is an exhibition that will spark new ways of
thinking.

Objects of Transcendence continues until 5 March.
More information: https://www.watermans.org.uk/events/objects-of-
transcendence/

Best wishes
Irini



-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Objects of Transcendence opens 20th January - Watermans

2017-01-11 Thread Irini Papadimitriou
Dear all

Our next exhibition, Objects of Transcendence, opens at Watermans on Friday
20th January, 6.30-8.30pm with a drinks reception and a chance to talk to
the artists about their work.

Objects of Transcendence looks at how the object can transcend its
individual meaning to make a social or political comment. It brings
together the work of leading contemporary artists Ele Carpenter, Jeremy
Hutchison, Jasleen Kaur and Matthew Plummer-Fernandez.

The exhibition explores how each of the artists focuses on materiality in
their own art practices and how the language emerging from the object can
draw our attention, challenging our way of seeing reality, and rewarding us
with new perspectives on a range of contemporary issues. From portraits
built from Amazon's purchase-behaviour algorithms to everyday items bathed
in radioactivity, this is an exhibition that will spark new ways of
thinking.

The exhibition continues until 5 March.
More information:
https://www.watermans.org.uk/events/objects-of-transcendence/

I hope you can join us for the opening launch.

Best wishes
Irini
-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Technology is Not Neutral Symposium - 3 Dec

2016-11-26 Thread Irini Papadimitriou
Dear all

I hope you can join us for the Technology Is Not Neutral symposium at
Watermans next Saturday. The event is free, but booking is required.
Please see below for the schedule and info.

Best wishes
Irini
-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk

*Technology is Not Neutral **Symposium*
3 December 2016
Watermans, London
Free, booking required
https://www.watermans.org.uk/events/technology-is-not-neutral-symposium/

Symposium schedule:
11.00  Welcome
Chair: Irini Papadimitriou
11.10 - 11.40 Gordana Novakovic: Introduction to the project
11.45 - 12.15 Melanie Lenz
12.20 - 12 50 Julie Freeman
12.50 - 14.10 Lunch and gallery break
Chair: Gordana Novakovic
14.15 - 14.45 Hannah Redler
14.50 - 15.20 Josephine Berry
15.25 - 16.00 Cornelia Sollfrank (via Skype)
16.00 - 16.30 Coffee break
Moderator: Bronac Ferran
16.30 - 18.00 Plenary discussion with speakers, artists, and audience

The 'Technology Is Not Neutral' project was inspired by the desire to
counteract the frequent under-representation of the achievements of women
in the field of digital art. Whereas the touring exhibition showcases the
quality and diversity of the work of female digital artists, this symposium
addresses the causes and effects of the problem, and opens up a space for
challenging the status quo and the presumptions on which the history of
digital art is written.

 Many of the causes of the current situation are not specific to the area
of female digital art, but are also linked to the wider socio-political
effects of technology, and technology, as the project title declares, is
not neutral. The speakers, all female, will include curators, digital
artists, media activists, academics, and feminists, and will therefore
offer a variety of perspectives relevant to the central issue. The
questions addressed may include, among others:

- How does the current state of affairs affect female digital artists and
their practices?

- Has there been any improvement in the representation of women in digital
art since the discipline began?

 - What are the approaches and strategies that they apply to engage with
these issues, and which are most effective?

 - What is the relevance of cyberfeminism today to female digital artists?

 - Are female digital artists facing a glass ceiling syndrome, so common in
many other professions, when it comes to curating major exhibitions and
evaluating and documenting the past?

 The closing plenary session of the symposium will offer a space for
artists, speakers, and the audience to review and discuss the experiences
and lessons from the symposium and the exhibition. This structured
discussion will also act as a starting point for the project to formulate
and disseminate a strategic guide for the future development and promotion
of women working in the digital arts.

 Speakers:
 Dr Josephine Berry, Goldsmiths University of London, http://www.gold.ac.uk/
cultural-studies/staff/berry-josephine/
 Melanie Lenz, Curator of Digital Art, V
 Julie Freeman, artist, http://www.translatingnature.org/
 Hannah Redler, art curator, https://theodi.org/team/hannah-redler
 Dr Cornelia Sollfrank, artist and Cyberfeminism pioneer
http://www.artwarez.org/ (Cornelia Sollfrank will join the symposium online)
 Bronac Ferran, writer, curator and researcher, http://www.boundar
yobject.org/
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[NetBehaviour] Technology Is Not Neutral and Digital Weekender | Watermans 12 & 13 November

2016-11-09 Thread Irini Papadimitriou
Dear all

I hope you can join us this weekend to celebrate the opening of our new
exhibition, Technology Is Not Neutral and our annual festival of digital
performance, including installations, performance, games, talks and
discussions.

Please see below for the list of events.
For times and bookings, please visit:
https://www.watermans.org.uk/weekender/digital-weekender-2016/

Best wishes
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk


*WATERMANS' DIGITAL WEEKENDER 2016*


*Technology Is Not Neutral exhibition tour with the artists and
curators*Saturday
12 Nov, 5-6PM, Free, no booking required

*Followed by exhibition launch drinks, 6.30-8pm*Technology Is Not Neutral
targets the frequent under-representation of the achievements of women in
the field of digital art by highlighting the contribution of female artists
in shaping what digital art is today. The curatorial concept focuses on a
diversity of approaches and methodologies including sequencing of bacteria,
robotic performance, data as an artistic medium, biologically inspired
simulation, site specific online transmission, digital print, kinetic art,
telepresence, social media activism, drone choreography, brainwave art and
hacking reality.

*Symposium: Digital Performance Today: Cutting Edge Avant-Garde or Cultural
Mainstream?*
Saturday 12 November, 11.00 – 17.00, Free, booking required
For this year’s Digital Weekender Symposium we’ll be looking at the
practice and applications of digital performance today. Featuring practice
and research demonstrations, talks, round tables, provocations and coffee
sessions, the Symposium will ask how the field of digital performance has
developed over the last decade.


*DREAMS REWIRED, Manu Luksch, Martin Reinhart, Thomas Tode*
Sun 13 November, pls check website for bookings
DREAMS REWIRED traces the desires and anxieties of today’s hyper-connected
world back more than a hundred years, when telephone, film and television
were new. As revolutionary then as contemporary social media is today,
early electric media sparked a fervent utopianism in the public imagination
– promising total communication, the annihilation of distance, an end to
war. But then, too, there were fears over the erosion of privacy, security,
morality. Using rare (and often unseen) archival material from nearly 200
films to articulate the present, DREAMS REWIRED reveals a history of hopes
to share, and betrayals to avoid.

*The Phrontesterion: EEG and Dreamachine sonified, Luciana Haill*
Sat 12 & Sun 13 November, pls check website for times, Free
In this interactive, participatory artwork the Brainwaves of participants
are monitored whilst experiencing a hypnotic light sculpture ‘The Dream
Machine’ and creating the phenomena Flicker.

*the 4th floor, Kaffe Matthews*
Saturday 12 November, 8PM
Half price (£4) ticket offer with code DIGITALHALF (please input code
before you select your tickets)
The first woman to receive the Edgar Varèse professorship at TU Berlin,
Kaffe Matthews returns to the stage with a new performance, making massive
beats from tiny elements weaving architectural rhythms that never conclude.
http://www.kaffematthews.net/

*The Cube, Simon Wilkinson AKA Circa69*
Sat 12 & Sun 13 November, pls check website for times and bookings
Created by artist Simon Wilkinson, AKA CiRCA69, The Cube combines virtual
reality, live performance and kinaesthetic effects to tell the story of a
mass disappearance that happened in Idaho in 1959. You awake to find
yourself sitting at a table across from a stranger; you have no idea how
long you have been asleep or where the rest of the group has disappeared to
as you consider the question. www.circa69.co.uk

*A Moment of Madness, The Other Way Works*
Sat 12 & Sun 13 November, pls check website for times and bookings
On the eve of the vote on radical new legislation to combat climate change,
the revelation of a politician’s clandestine rendezvous threatens to
destroy the coalition and scupper the bill. Your job is to make sure this
doesn’t happen. Stay in your vehicle. Report everything.
www.theotherwayworks.co.uk

*Q Session with The Other Way Works*
Sun 13 November, Free
Do you make interactive theatre or real-world games? Do you work with
technology in your creative practice? Would you like to? Come along to this
Q Session with Katie Day, theatre maker and producer and John Sear,
developer and game designer and find out more about how they’ve brought
their two practices together to create their new immersive experience ‘A
Moment of Madness’.


*Trust: Mixed Reality, Kate Genevieve*
Sat 12 & Sun 13 November, pls check website for times, Free
This one-on-one Mixed reality experience is an experiment in trust and
contact. Using head goggles, multi-sensory illusion and affective touch,
visitors are invited into an exploration of inter-perso

[NetBehaviour] Opening event: Building the Bridge between Science and Art CAS Lecture | Morphogenetic Creations by Andy Lomas

2016-06-08 Thread Irini Papadimitriou
Dear all

We are very pleased to be launching our new exhibition, Morphogenetic
Creations by Andy Lomas, with a special lecture and exhibition tour in
partnership with the Computer Arts Society.

Building the Bridge between Science & Art - D'Arcy Thomson and On Growth
and Form
A lecture by Matthew Jarron
Wednesday 15 June, 6.45pm, Watermans
Followed by a tour of the Gallery Exhibition ‘Morphogenetic Creations’ with
artist Andy Lomas at 7.30pm
https://www.watermans.org.uk/events/building-the-bridge-between-science-art-darcy-thompson-and-on-growth-form/


I hope you can join us.

Best wishes
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Altered Landscapes symposium - art and human rights

2016-05-12 Thread Irini Papadimitriou
Dear all

I thought some of you might be interested in this symposium coming up at
Watermans.

As part of the Altered Landscapes exhibition programme, we are very pleased
to announce a symposium to discuss issues of displacement and migration,
exploring how art can catalyse debate around human rights and create a
dialogue around these issues.

Speakers include international artists May Abdalla and Juan delGado,
curator and Co-Director of Culture+Conflict Michaela Crimmin and Áine
O’Brien, Co-Director of Counterpoint Arts.

The discussion will be chaired by Saphia Crowther, editor at Amnesty
International.

Altered Landscapes Symposium
Saturday 21 May
14.00-18.00
Watermans
More information and bookings:
https://www.watermans.org.uk/events/altered-landscapes-symposium/

The symposium will be followed at 6.30pm by a screening of Syrian short
films in partnership with Bidayyat for Audiovisual Arts.
The screening is free and tickets do not need to be booked.
For the full list of films, please visit:
https://www.watermans.org.uk/events/syrian-short-film-screenings-part-of-altered-landscapes/

Altered Landscapes is supported using public funding by the National
Lottery through Arts Council England. Artist Juan delGado has been awarded
an INSIDE commission from New Art Exchange and DASH. INSIDE is a Disability
Arts commissioning programme led by DASH with funding from Arts Council
England.

I hope you can join us.

Best wishes
Irini


-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Production Methods by Executive Chair at Watermans

2015-10-28 Thread Irini Papadimitriou
Dear all

I wanted to share info for our new exhibition at Watermans, which opens
very soon. I hope you will get a chance to visit.

We have a special event on Saturday 14 November as part of the Digital
Performance Weekender, as well as a series of free workshops collaborating
with the artists for a new artwork. Please see info below. Fell free to
share with anyone who might be interested to join us.

*Production Methods *
By Executive Chair
Friday 6 November - Sunday 10 January
Watermans
Special event: Saturday 14 November, 18.30-21.00, as part of Digital
Performance Weekender
http://watermans.ticketsolve.com/shows/873541456/events?show_id=873541456

Whether you have had a job for life, are on a zero-hours contract or are an
unpaid intern, Production Methods will seem familiar to all that have ever
worked. It gives an unsettling sense of scale forcing us to look upwards to
the boss or "the management" and beyond to the infrastructure and digital
technologies that influence so many of our waking and working hours.
Throughout the space office furniture and the remains of a bankrupt
business sit, the workers are absent, perhaps fired by group text message?

When visiting the gallery it might be buzzing with energy, and words, or
lying dormant waiting for the start of the business day. The boxes that
dominate the space are the kind hastily packed with possessions and
clutched by a worker just made redundant; containing within them the
promises and produce of marching progress, these boxes also serve as the
site of artistic production. And the gallery will be re-energised, a
business founded anew through a group of new economy workers who will bring
the space to life through a programme of participatory public workshops.

Production Methods brings together curatorial insights, sculptural
critiques and playful interventions into the infrastructure of financial
markets, the polemics and semantics of outsourced public services and the
diffuse boundary between work and life.

*Executive Chair* are artists Haydn Jones, Fabio Lattanzi Antinori,
Jonathan Munro working with curator Ozden Sahin. The group examines the
worlds of work and finance and how art and technology can be used to cast a
light on the diffuse boundary between work and life. They make playful,
challenging and engaging installations and sculptures that examine complex
personal, governmental and organisational relationships.

http://executivechair.co

A series of five free participatory workshops will allow members to engage
with the project and collaborate with the artists for the production of a
new artwork and/or publication for the exhibition.

Workshop Dates: Saturdays, 31 October, 7, 14, 21, 28 November, 14.00-17.00,
FREE
Bookings:
http://watermans.ticketsolve.com/shows/873541300/events?show_id=873541300

All the best
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Bodies of Planned Obsolescence: Digital performance and the global politics of electronic waste

2015-07-04 Thread Irini Papadimitriou
Dear all

I am very pleased to announce our new exhibition at Watermans, Bodies of
Planned Obsolescence: Digital performance and the global politics of
electronic waste.

The exhibition is the result of an amazing journey and a collaborative
research project that started in London, continued to Lagos and Hong Kong
and came to an end in London this week.

Bodies of Planned Obsolescence is an art-science research project that
engages with the global economy of discarded electronics. Old computers and
other electronic appliances from countries in the West, including the UK,
are often exported to West-Africa and China. As part of the project, an
international group of artists, cultural theorists and scientists followed
this global stream of waste to Nigeria, Hong Kong, and the UK, and took
part in e-waste recycling labour on dumps and in factories in these places.

In a journey filled with piles of all sorts of electronic materials and
devices, from old flat screen TVs to computers and household appliances;
keyboards and other plastic shells; CDs, DVDs and their boxes; cables and
other peripherals, the research group spent a few (adventurous!) days
working at an e-waste dump site connected to the Alaba market in Lagos, an
enormous market in the western outskirts of Lagos which includes one of the
biggest used electronics trading sites in Nigeria. Following Lagos, the
group travelled to Hong Kong, where they participated in electronic waste
recycling labour, dismantling computers and monitors, but where they also
explored the consumer world and trade at used and new electronics markets.
During the last part of their research, the group spent a week working
together at Watermans and exploring e-waste recycling sites around London.

Bodies of Planned Obsolescence forms a platform for artists and academics,
but also looks to open public debate and discussions around the
problematics of e-waste.
'Bodies of Planned Obsolescence' is funded by the Arts and Humanities
Research Council (AHRC) and The Royal Central School of Speech and Drama,
University of London.

http://www.e-waste-performance.net
http://www.watermans.org.uk/exhibitions/exhibitions/bodies-of-planned-obsolescence.aspx

The exhibition will be open from 5-24 July and on Saturday 4 July, there
will be a public event from 2-6PM and great opportunity to meet and chat
with the participants, Dani Ploeger, Shu Lea Cheang, Neil Maycroft, Chris
Williams and Hannah Millest, who will be sharing their experiences and
research.

I hope you can join us!

All the best
Irini


-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] The Stuff of Machines by Dani Ploeger | Watermans

2015-06-10 Thread Irini Papadimitriou
Dear all

I hope you get a chance to visit our new exhibition, The Stuff of Machines
by Daniel Ploeger, which opens tonight at Watermans.
This exhibition is linked to Bodies of Planned Obsolescence: Digital
performance and the global politics of electronic waste, a research project
and group show which will follow in the gallery from 4-24 July (
http://www.watermans.org.uk/exhibitions/exhibitions/bodies-of-planned-obsolescence.aspx
).

All the best
Irini

The Stuff of Machines
Dani Ploeger

PV: Wednesday 10 June, 6.30-8.30PM - all welcome!
Exhibition continues: 11- 25 June

For the past three years, Dani Ploeger has exposed his body to the stuff of
techno consumer culture, ranging from brand-new objects of desire in
British and American shopping malls, to the debris of discarded electronic
devices on dumps and recycling sites in Nigeria and Hong Kong.

The Stuff of Machines brings together recent performance, installation and
interactive work that explores and subverts the expectations and dreams
surrounding everyday technologies, through an engagement with their
materialness in connection to bodies: parts of old televisions were
installed in the artist's abdomen, tablet computers wrapped in sheet metal
are left to charge forever, a petrol generator powered a computer inside a
transparent box with the artist inside, and a magnified infected wound
documents electronic waste recycling labour on a Nigerian dump site.
Meanwhile, visitors are invited to lick an iPad to indulge in their own
techno consumer fetishism.
www.daniploeger.org
http://www.watermans.org.uk/exhibitions/exhibitions/the-stuff-of-machines.aspx

The Stuff of Machines is linked to Bodies of Planned Obsolescence: Digital
performance and the global politics of electronic waste, a research project
and group show which will follow in the gallery (
http://www.watermans.org.uk/exhibitions/exhibitions/bodies-of-planned-obsolescence.aspx
).
Bodies of Planned Obscolescence is funded by the Arts and Humanities
Research Council (AHRC) and The Royal Central School of Speech and Drama,
University of London. Grant reference: AH/L01582X/1


-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Subject: Re: Art That Makes Itself symposium and preview

2015-05-14 Thread Irini Papadimitriou
Hello John

We are filming the symposium so it will be available in a week or so. I
will post the link once online.

All the best
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk




 Date: Wed, 13 May 2015 08:10:15 -0700
 From: John Hopkins chaz...@gmail.com
 To: netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] Art That Makes Itself symposium and
 publication preview
 Message-ID: 55536957.5080...@gmail.com
 Content-Type: text/plain; charset=windows-1252; format=flowed

 Irini --

  This is a reminder for our symposium this Saturday, I hope you can join
 us.
 
  *Brown  Son:  Art That Makes Itself*
  *Symposium*
  Saturday 16 May, 2pm - 6.45pm

 Are you streaming this?

 jh


 --
 ++
 Dr. John Hopkins, BSc, MFA, PhD
 grounded on a granite batholith
 twitter: @neoscenes
 http://tech-no-mad.net/blog/
 ++

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[NetBehaviour] Art That Makes Itself symposium and publication preview

2015-05-13 Thread Irini Papadimitriou
Dear all

This is a reminder for our symposium this Saturday, I hope you can join us.

*Brown  Son:  Art That Makes Itself*
*Symposium*
Saturday 16 May, 2pm - 6.45pm

*Bookings:*
http://watermans.ticketsolve.com/shows/873530584/events?show_id=873530584

Concerns of different generations, tribes and networks who make up digital
culture, the challenges and opportunities for making and conserving
generative artworks and rapid developments in digital image-making since
the late 1960s are among the themes of a symposium on 16 May coinciding
with the Art That Makes Itself exhibition at Watermans.

Speakers include computer art pioneer *Frieder Nake*, Professor of
Cognitive Science Sussex University *Margaret Boden*, digital
archaeologist *Jim
Boulton*, artists *Paul and Daniel Brown*, lecturer in Performance  New
Media at Hull University *Maria Chatzichristodoulou*, Senior Curator at
Victoria  Albert Museum *Douglas Dodds*, CAS chair and Lecturer in digital
art and culture *Nick Lambert*, writer on design and innovation *Nico
Macdonald*, artist and computer art pioneer *Ernest Edmonds* and artist *Alex
May*.

This event is organised in association with the Computer Arts Society.

The symposium will be followed by the peview of a *new publication; Art
That Makes Itself, Brown  Son – Purveyors of Digital Images since 1968*.
The publication has been designed by Daniel Brown and edited by Bronaċ
Ferran, with newly commissioned texts from Grant Taylor, Douglas Dodds,
Golan Levin, Jim Boulton, Peter Fowler and Maria Chatzichristodoulou with
accompanying artworks and new writing by Daniel and Paul Brown and a
foreword by Irini Papadimitriou. The book preview will take place at the
close of the symposium.

For more information about the exhibition please visit:
http://www.watermans.org.uk/exhibitions/exhibitions/brown---son-art-that-makes-itself.aspx
http://www.brown-and-son.com

All the best
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS

Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020

www.watermans.org.uk
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[NetBehaviour] Brown Son: Art That Makes Itself - Symposium and Book Launch

2015-04-29 Thread Irini Papadimitriou
Dear all

I hope some of you will be interested in our forthcoming Brown  Son: Art
That Makes Itself symposium and publication launch at Watermans on Saturday
16 May.

The symposium and publication coincide with the first joint show by Paul
and Daniel Brown, Art That Makes Itself, which is currently on display at
Watermans until the 31st May, and will bring together leading artists,
academics and writers across the digital art generational divide.
A keynote talk will be given by one of the earliest computer art pioneers
Frieder Nake introduced by Dr Nick Lambert, chair of the Computer Arts
Society and throughout the afternoon a series of presentations and
discussions will take place on the subject of art that makes itself and the
challenges of creating, conserving, collecting and containing this within
the context of an ongoing digital revolution.

You can find the full programme and info about how to book here:
http://watermans.ticketsolve.com/shows/873530584/events?show_id=873530584

We look forward to seeing you there.

For more information about the exhibition please visit:
http://www.watermans.org.uk/exhibitions/exhibitions/brown---son-art-that-makes-itself.aspx
http://www.brown-and-son.com

*Also, coming up at Watermans: *
*A Basic Introduction to Generative and Code Art*
*Led by Paul Brown *
Tuesday 12 May. 11-4pm
FREE, but booking required (max 10 participants, 17+ yrs)
http://watermans.ticketsolve.com/shows/873532249/events?show_id=873532249

Best wishes
Irini

-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS
Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020
www.watermans.org.uk
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[NetBehaviour] Networked Bodies: Digital Performance Weekender | Watermans 7-9 November

2014-10-17 Thread Irini Papadimitriou
Dear All

I am very pleased to announce Networked Bodies, a long weekend of
performances, talks, installations and workshops, exploring networks and
networked performance practices at Watermans.

I hope you can join us!

All the best
Irini
-- 
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS
Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020
www.watermans.org.uk




*NETWORKED BODIESDigital Performance WeekenderFriday 7 – Sunday 9 November
2014Watermans *

*Programme of events: *
http://issuu.com/mirena/docs/networked_bodies_programme_a2c24d4f34fbef

*Bookings: *
http://watermans.ticketsolve.com/shows/873523000/events?show_id=873523000

Networks are at the heart of how we live today. Networks generate
transnational zones of action, bring together communities, circulate
knowledge and information, expand spheres of influence, contaminate ideas,
germinate exchanges, foster innovation, and facilitate distribution of
power. However, networks are unfairly distributed and closely monitored.
Geopolitical injustices and dominant political and economic forces mean
that networks can foster segregation, facilitate hyper-centralized forms of
citizen surveillance and control, fragment living space and experience.
These developments of the network society generate social tensions, which
invest the task of understanding networks in their many manifestations
–including cultural ones– with social and political urgency.

Networks, despite many past promises of disembodiment and internationalism
through the obsolescence of both bodies and geographical boundaries –
promises now widely perceived themselves as obsolete – are still
experienced by subjects that remain both embodied and geographically
situated (Cohen, 2012: 11) As Cohen argues, not only are networks firmly
connected to material bodies and physical geographies, but they also play
“an increasingly significant role in constructing embodied experience”
(ibid), by both empowering and configuring the “networked self” (ibid: 12).

In Networked Bodies at Watermans we want to explore networked performance
practices with a view to considering how they transform live (embodied,
disembodied and trans-bodied) performance practices. We are keen to
consider the many, increasingly well documented, exciting possibilities
these present to live performance, as well as their potential downsides.
Speaking for the devil (so to speak), we ask: do these practices raise any
ethical concerns through the use of surveillance and control, fragmentation
of space and experience, alienation or even exploitation of their
participants? Networked Bodies will aim to look beyond shiny appearances
and into the –occasionally dirty– folds of the networks (and the bodies).


Curated by Maria Chatzichristodoulou (aka Maria X) and Irini Papadimitriou


*Participating artists: *Invisible Flock, Stanza, Annie Abrahams, Camille
Baker,  Norah Lorway, Jo Scott, Chisato Minamimura in collaboration with
Nick Rothwell  bodydataspace, Kate Sicchio  Nick Rothwell, Fabio
Lattanzi Antinori  Louise Ashcroft, Suzon Fuks, Steve Dixon, Julian
Maynard Smith (Station House Opera), Maria Oshodi (Extant), Prof. Susan
Broadhurst, Daniel Ploeger, Ellen Harlizius-Kluck, Rachel Jacobs (Active
Ingredient), Tim Murray-Brown  Jan Lee, Christina Papagiannouli, Evi
Stamatiou, Helen Varley Jamieson, Miljana Perić  Vicki Smith, Joel Cahen,
Garrett Lynch, Joseph Hyde with Phill Tew  bodydataspace, Kasia Molga 
Adrian Godwin, Ka Fai Choy, Jennifer Lyn MoroneT Inc, Alex May, Nina Kov in
collaboration with COLLMOT Robotic Research Group, Exploring Senses CIC.
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[NetBehaviour] Digital Design Weekend at the VA

2014-09-09 Thread Irini Papadimitriou
Dear all

I am very pleased to share with everyone the programme for this year’s
Digital Design Weekend at the VA. This year we are inviting participants
and audiences to explore digital value, cultural value and 'making' value. I
hope you can join us in a weekend of collaborating, networking, sharing
ideas, expertise and practice.

​

All the best

Irini



Digital Programmes Manager

Department of Learning

VA

South Kensington

London SW7 2RL

T: 020 7942 2258



*VA Digital Design Weekend*

*Saturday 20 – Sunday 21 September*

10.30–17.00

Free, drop-in, no booking required



Take part in a weekend of free events and collaborative making activities
exploring physicality and digital value, coinciding with the London Design
Festival at the VA.

*Event page and full programme: *

http://www.eventbrite.co.uk/e/va-digital-design-weekend-tickets-12772016445

http://www.vam.ac.uk/whatson/event/3404/digital-design-weekend-4853/

http://www.vam.ac.uk/whatson/media/uploads/files/Digital_Design_Weekend_Programme_-_Online_2.pdf




*Participants and projects*

*Paolo Cirio, (W)orld Currency: t*his artwork illustrates a global currency
through the creative formulation of an equation and a trading algorithm for
the currency exchange market.

*James Bridle, A Quiet Disposition: Remembrancer: *an evolving database of
news reports about unmanned aerial vehicles. The Remembrancer, named after
the City of London Officer charged with reporting to Parliament, is a daily
newspaper generated from the AQD database by movements in the London Stock
Exchange, connecting and implicating other datasets by its operation.
*Commissioned
by the Open Data Institute as part of Data as Culture.*
*Fabio Lattanzi Antinori supported* *by Bare Conductive, **Data
Flags*: generative
data driven sound installation where large scale screen-printed reactive
surfaces explore the invisible patterns of financial algorithmic trading.

*Heidi Hinder, Money No Object: *explores a new significance for material
and physical currencies in an increasingly immaterial digital world, where
smart payment transactions are imperceptible, but human emotions,
creativity and culture, retain value that money can’t buy.

*Open Collaborative Making: A Digital Perspective *​publication distributed
for free at Open Collaborative Making.

Edited by Jon Rogers, Irini Papadimitriou and Andrew Prescott. Design by
uniform.net. Funded by Arts Humanities Research Council.

*Flora Bowden  Dan Lockton, Drawing Energy  Powerchord: *exploring our
relationships with energy in everyday life, through visualisation
and sonification.

*Dean Brown (Fabrica), THE 7 LAMPS OF MAKING: *Does the future of making
have philosophical roots in 19th century Arts  Crafts Theory?

*The Restart Project: b*uilding tools to measure the environmental impact
of our community repair events called Restart Parties. Help us conceive of
ways of showing the amount of waste we divert as we help you fix your
laptop, mobile or kettle.

*Daniel Ploeger, Janet Chan and Jelili Atiku, Back to Sender (2014) 
Digital Performance and the Politics of Electronic Waste: *trategies in
performance and digital art to engage with the political, sociological and
ecological issues around electronic waste in countries that export (UK) and
import (Nigeria and China) used technology.

*Knyttan and Common Works: *pioneering the democratisation of
manufacturing, giving people the opportunity to design the things they buy.

*THE UNSEEN, AIR: *the AIR collection, involving wind reactive ink, changes
colour upon contact with the air around us. It is intended to reveal the
unseen turbulence surrounding the human as it goes about its environment.

*Nelly Ben Hayoun, Designer of experiences SETI Institute and guest
scientists, Disaster Playground (A Preview):* future outer space
catastrophes and the design of procedures to manage them and assess the
risks.

*Raphael Kim, Biohack the Economy: *Looking at possible roles of technology
and micro-organisms in shaping our socio-economy, narrated through hands-on
biological experimentation and set building.

*Sitraka, Time Conditioning: *a series of 'handicap devices' that speculate
on our ability to manipulate and slow down our perception of time.
 *Open Collaborative Making: *open lab with projects exploring data in
meaningful ways. Projects/participants include: Weather data 
Choreography with The Met Office, readysaltedcode  guests, Microsoft
Research, BBC RD Playlister Fob  Perceptive Radio, Jon Rogers/University
of Dundee, Aurora Wearables internet-connected spacesuit with Jon
Spooner/Unlimited Theatre  Exeter College, Uniform physical weather apps,
REACT prototypes, AHRC Digital Transformations showcase, Penguin Random
House YourFry: a meeting of text and technology, Remixing weather forecasts
by Natasha Trotman, James Parr and many more.

*Tine Bech, Can a statue be playable? *new digital materials used with
traditional aesthetics of visual art to create sculptural interactivity