Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-05-05 Thread helen varley jamieson 

thanks :) & yes, you're probably right! lucky we don't mind being messy ...

On 4/05/12 10:27 PM, Annie Abrahams wrote:

perfect Helen

I guess it would become too messy for them (too real!) if they started 
to really experiment;


thanks
Annie

On Fri, May 4, 2012 at 8:54 AM, helen varley jamieson 
mailto:he...@creative-catalyst.com>> wrote:


i managed to write a blog post about it:

http://www.furtherfield.org/blog/helen-varley-jamieson/tate-webcast-disappoints-me



--


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz


___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-05-04 Thread Annie Abrahams 
perfect Helen

I guess it would become too messy for them (too real!) if they started to
really experiment;

thanks
Annie

On Fri, May 4, 2012 at 8:54 AM, helen varley jamieson <
he...@creative-catalyst.com> wrote:

> i managed to write a blog post about it:
>
> http://www.furtherfield.org/blog/helen-varley-jamieson/tate-webcast-disappoints-me
>
> (& i noticed just now that there are some spam blog posts there on the
> furtherfield site ... :()
>
> On 26/04/12 10:00 PM, Rob Myers wrote:
> > On 04/26/2012 08:55 PM, helen varley jamieson wrote:
> >> well, i just tried to watch tonight's live broadcast, but all i got was
> >> "This video is not available." i was told in the chat that i should be
> >> able to see it, that it had worked before for people in germany (a lot
> >> of youtube content isn't available to us deprived people in germany).
> >>
> >> there were only 3 comments from people in the chat during the
> >> performance (i was still there, trying different browsers, reloading,
> >> changing settings, to see if i could sneak in somehow)
> > Ah I remember helping present a Stelarc performance online at the ICA in
> > the mid-90s. We had more comments then. ;-)
> >
> > [This is totally different from saying "nothing is new" for a truly
> > marvelous reason that the margin of this page is too narrow to contain.]
> >
> > - Rob.
> > ___
> > NetBehaviour mailing list
> > NetBehaviour@netbehaviour.org
> > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> >
>
>
> --
> 
>
> helen varley jamieson: creative catalyst
> he...@creative-catalyst.com
> http://www.creative-catalyst.com
> http://www.make-shift.net
> http://www.upstage.org.nz
> 
>
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>



-- 
*Angry Men* la vidéo
https://vimeo.com/40534607
*Angry Women* take 5
https://vimeo.com/40947840

http://www.bram.org
___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-05-04 Thread helen varley jamieson 
i managed to write a blog post about it: 
http://www.furtherfield.org/blog/helen-varley-jamieson/tate-webcast-disappoints-me

(& i noticed just now that there are some spam blog posts there on the 
furtherfield site ... :()

On 26/04/12 10:00 PM, Rob Myers wrote:
> On 04/26/2012 08:55 PM, helen varley jamieson wrote:
>> well, i just tried to watch tonight's live broadcast, but all i got was
>> "This video is not available." i was told in the chat that i should be
>> able to see it, that it had worked before for people in germany (a lot
>> of youtube content isn't available to us deprived people in germany).
>>
>> there were only 3 comments from people in the chat during the
>> performance (i was still there, trying different browsers, reloading,
>> changing settings, to see if i could sneak in somehow)
> Ah I remember helping present a Stelarc performance online at the ICA in
> the mid-90s. We had more comments then. ;-)
>
> [This is totally different from saying "nothing is new" for a truly
> marvelous reason that the margin of this page is too narrow to contain.]
>
> - Rob.
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>


-- 


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz


___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-26 Thread helen varley jamieson 
On 26/04/12 10:00 PM, Rob Myers wrote:
> On 04/26/2012 08:55 PM, helen varley jamieson wrote:
>> well, i just tried to watch tonight's live broadcast, but all i got was
>> "This video is not available." i was told in the chat that i should be
>> able to see it, that it had worked before for people in germany (a lot
>> of youtube content isn't available to us deprived people in germany).
>>
>> there were only 3 comments from people in the chat during the
>> performance (i was still there, trying different browsers, reloading,
>> changing settings, to see if i could sneak in somehow)
> Ah I remember helping present a Stelarc performance online at the ICA in
> the mid-90s. We had more comments then. ;-)
>
> [This is totally different from saying "nothing is new" for a truly
> marvelous reason that the margin of this page is too narrow to contain.]
>
> - Rob.
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>


-- 


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz


___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-26 Thread Rob Myers 
On 04/26/2012 08:55 PM, helen varley jamieson wrote:
> well, i just tried to watch tonight's live broadcast, but all i got was
> "This video is not available." i was told in the chat that i should be
> able to see it, that it had worked before for people in germany (a lot
> of youtube content isn't available to us deprived people in germany).
>
> there were only 3 comments from people in the chat during the
> performance (i was still there, trying different browsers, reloading,
> changing settings, to see if i could sneak in somehow)

Ah I remember helping present a Stelarc performance online at the ICA in 
the mid-90s. We had more comments then. ;-)

[This is totally different from saying "nothing is new" for a truly 
marvelous reason that the margin of this page is too narrow to contain.]

- Rob.
___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-26 Thread helen varley jamieson 
well, i just tried to watch tonight's live broadcast, but all i got was 
"This video is not available." i was told in the chat that i should be 
able to see it, that it had worked before for people in germany (a lot 
of youtube content isn't available to us deprived people in germany).


there were only 3 comments from people in the chat during the 
performance (i was still there, trying different browsers, reloading, 
changing settings, to see if i could sneak in somehow) & then one 
comment about the Q&A from which i gather that it must have been 
pre-posted questions being asked to the artist & all in the broadcast, 
as there wasn't any other response in the chat.


did anyone else manage to access it?

h : (

On 23/04/12 10:51 PM, Annie Abrahams wrote:

hi I was at the last one with Jérôme Bell
a remake of one of his old performances (maybe even a recorded video)

the one good thing was they took the public in the chatwindow who 
asked questions serious



On Mon, Apr 23, 2012 at 10:44 PM, helen varley jamieson 
mailto:he...@creative-catalyst.com>> wrote:


thanks, it looks like an interesting project :)

i'm going to have a look at the event on thursday night see just
how groundbreaking it is ...


On 23/04/12 6:14 PM, Pall Thayer wrote:

http://www.eto.org.uk/etd/media/releases/pr009.htm

On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer mailto:pallt...@gmail.com>> wrote:

The description sounds a bit like the "Chaos in Action"
project in 1997.


On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson
mailto:he...@creative-catalyst.com>> wrote:

has anyone else had a look at this?

i'm a bit stunned that they are describing what sounds
like webcasting slightly augmented by social media as "an
entirely new mode of presentation" ... on their web site,
they even claim it as " the first artistic programme
created purely for live web broadcast."

where have they been for the last 15+ years i wonder???



-- 



helen varley jamieson: creative catalyst
he...@creative-catalyst.com  
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz



___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org 
http://www.netbehaviour.org/mailman/listinfo/netbehaviour




--
*Angry Men* la vidéo
https://vimeo.com/40534607

http://www.bram.org 




--


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz


___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-24 Thread marc garrett 
and...

we also know - BIG BUDGETS CREATE HISTORY!

;-)

Marc

> this is the time, these are the years: everyone "inventing" words and 
> saying "the first this", "the first that"
>
> we're losing our memories, now it can be done.
>
> and, in the age of p2p, of ubiquitous and of anonymous, gimme a good 
> budget for communication and i will reinvent history itself!
>
>
> xDxD.vs.xDxD
>
> On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer  > wrote:
>
> The description sounds a bit like the "Chaos in Action" project in
> 1997.
>
>
> On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson
> mailto:he...@creative-catalyst.com>>
> wrote:
>
> has anyone else had a look at this?
>
> i'm a bit stunned that they are describing what sounds like
> webcasting slightly augmented by social media as "an entirely
> new mode of presentation" ... on their web site, they even
> claim it as " the first artistic programme created purely for
> live web broadcast."
>
> where have they been for the last 15+ years i wonder???
>
>
>  Original Message 
> Subject:  BMW Tate Live Performance Room: Pablo Bronstein's
> Constantinople Kaleidoscope
> Date: Sun, 22 Apr 2012 12:00:11 -0400
> From: e-flux 
> 
> Reply-To: i...@mailer.e-flux.com 
> To:   pa...@blindditch.org 
>
>
>
> ef_bw_block.gif   
> April 22, 2012
>   ef_logo_big.gif
> 
> ef_dashed_line.gif
>
>   
>
>
>   Tate Modern
>
>
>   
> apr22_tatemoern.jpg
> 
>   
>
>
> *BMW Tate Live Performance Room: *
>
> *Pablo Bronstein
> /Constantinople Kaleidoscope/ *
>
> Online at www.youtube.com/tate
> 
> on Thursday 26 April at 20:00 BST
>
> *
> *
>
>
>   
> ef_dashed_line
> Share thisShare this on Facebook
> 
> Share
> this on Twitter
> 
>
>
>   
>
> BMW Tate Live Performance Room is a pioneering programme of
> live performances created exclusively for online broadcast,
> simultaneously reaching international audiences across world
> time zones.
>
> For the second performance in the BMW Tate Live Performance
> Room, Argentinean born artist Pablo Bronstein will premiere,
> /Constantinople Kaleidoscope/, an entirely new work made
> especially for the BMW Tate Live Performance Room. Involving a
> group of dancers, Bronstein will create a baroque trompe
> l'oeil stage set that exaggerates the perspective of the room
> with mirrored columns. Bronstein uses architectural design and
> drawing to engage with the grandiose and imperial past of the
> built environment and this preoccupation with form frequently
> extends into his live work.
>
> Audiences, who will only be able to view the performances on
> the internet, are invited to enter the online Performance Room
> via www.youtube.com/tate
> 
> at 20.00 hrs in the UK and exactly the same moment across time
> zones on the specified dates—16.00 hrs on the East Coast of
> America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia.
>
> The global audience are encouraged to chat with other viewers
> via social media channels and to put questions to the artists
> or curator following it using Tate's social media
> channels—twitter.com/tate
> 
> using #BMWTateLiveQ and facebook.com/tategallery
> .
>
> The BMW Tate Live Performance Room was inaugurated by French
> choreographer and dancer Jérôme Bel with the work
> /Shirtology@Tate /on 22 March/. /Artists Emily Roysdon
> ,
> Harrell Fletcher
> 
> and Joan Jonas
> 
> will also present works for the BMW Tate Live Performance
> Room in the coming months.
>
> On Thurs

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-24 Thread Simon Biggs 
...but this is the first time anybody has ever used telecommunications to make 
art!


On 23 Apr 2012, at 17:26, xDxD.vs.xDxD wrote:

> this is the time, these are the years: everyone "inventing" words and saying 
> "the first this", "the first that"
> 
> we're losing our memories, now it can be done.
> 
> and, in the age of p2p, of ubiquitous and of anonymous, gimme a good budget 
> for communication and i will reinvent history itself!
> 
> 
> xDxD.vs.xDxD
> 
> On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer  wrote:
> The description sounds a bit like the "Chaos in Action" project in 1997.
> 
> 
> On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson 
>  wrote:
> has anyone else had a look at this? 
> 
> i'm a bit stunned that they are describing what sounds like webcasting 
> slightly augmented by social media as "an entirely new mode of presentation" 
> ... on their web site, they even claim it as " the first artistic programme 
> created purely for live web broadcast."
> 
> where have they been for the last 15+ years i wonder???
> 
> 
>  Original Message 
> Subject:  BMW Tate Live Performance Room: Pablo Bronstein's 
> Constantinople Kaleidoscope
> Date: Sun, 22 Apr 2012 12:00:11 -0400
> From: e-flux 
> Reply-To: i...@mailer.e-flux.com
> To:   pa...@blindditch.org
> 
>   
> April 22, 2012
> 
> 
> 
> Tate Modern
> 
> 
>   
> 
> BMW Tate Live Performance Room:
> 
> Pablo Bronstein 
> Constantinople Kaleidoscope
> 
> Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST
> 
> 
> 
> 
> 
> 
> Share this
> 
> BMW Tate Live Performance Room is a pioneering programme of live performances 
> created exclusively for online broadcast, simultaneously reaching 
> international audiences across world time zones. 
> 
> For the second performance in the BMW Tate Live Performance Room, Argentinean 
> born artist Pablo Bronstein will premiere, Constantinople Kaleidoscope, an 
> entirely new work made especially for the BMW Tate Live Performance Room. 
> Involving a group of dancers, Bronstein will create a baroque trompe l'oeil 
> stage set that exaggerates the perspective of the room with mirrored columns. 
> Bronstein uses architectural design and drawing to engage with the grandiose 
> and imperial past of the built environment and this preoccupation with form 
> frequently extends into his live work.
> 
> Audiences, who will only be able to view the performances on the internet, 
> are invited to enter the online Performance Room via www.youtube.com/tate at 
> 20.00 hrs in the UK and exactly the same moment across time zones on the 
> specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline 
> Europe and 23.00 hrs in Russia.
> 
> The global audience are encouraged to chat with other viewers via social 
> media channels and to put questions to the artists or curator following it 
> using Tate's social media channels—twitter.com/tate using #BMWTateLiveQ and 
> facebook.com/tategallery.
> 
> The BMW Tate Live Performance Room was inaugurated by French choreographer 
> and dancer Jérôme Bel with the work Shirtology@Tate on 22 March. Artists 
> Emily Roysdon, Harrell Fletcher and Joan Jonas will also present works for 
> the BMW Tate Live Performance Room in the coming months.
> 
> On Thursday 31 May, American artist and writer, Emily Roysdon, explores the 
> intersection of choreography and political action through a collaborative 
> performance.
> 
> Harrell Fletcher's work often takes the form of socially engaged and 
> interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will 
> work with local amateur performers who ordinarily would not be seen by the 
> Performance Room's global audience. 
> 
> The final BMW Tate Live Performance Room in 2012 is by legendary performance 
> artist, Joan Jonas. Since the 1960s, she has been a major figure at the 
> forefront of explorations in film, new media and performance, transcending 
> genres to develop an influential practice rooted in space, movement, ritual 
> and gesture. 
> 
> This innovative format offers international audiences an opportunity to 
> experience performance works through an entirely new mode of presentation. 
> Each performance is archived and available to view online after the live 
> event.
> 
> BMW Tate Live is a four-year partnership between BMW and Tate, which focuses 
> on performance, interdisciplinary art and curating digital space. BMW Tate 
> Live: Performance Room is the inaugural strand of the partnership and 
> features five commissions in 2012.
> 
> BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and 
> Performance, Tate, and Kathy Noble, Curator of Interdisciplinary Projects, 
> Tate, assisted by Capucine Perrot, Assistant Curator, Tate and Julia Crabtree.
> 
> 
> BMW Tate Live Performance Room
> Forthcoming performances at 20.00 hrs BST
> 26 April, BMW Tate Live Performance Room: Pablo Bronstein, Constantinople 
> Kaleidoscope
> 31 May, BMW

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread Annie Abrahams 
hi I was at the last one with Jérôme Bell
a remake of one of his old performances (maybe even a recorded video)

the one good thing was they took the public in the chatwindow who asked
questions serious


On Mon, Apr 23, 2012 at 10:44 PM, helen varley jamieson <
he...@creative-catalyst.com> wrote:

>  thanks, it looks like an interesting project :)
>
> i'm going to have a look at the event on thursday night see just how
> groundbreaking it is ...
>
>
> On 23/04/12 6:14 PM, Pall Thayer wrote:
>
> http://www.eto.org.uk/etd/media/releases/pr009.htm
>
> On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer  wrote:
>
>> The description sounds a bit like the "Chaos in Action" project in 1997.
>>
>>
>>  On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson <
>> he...@creative-catalyst.com> wrote:
>>
>>>   has anyone else had a look at this?
>>>
>>> i'm a bit stunned that they are describing what sounds like webcasting
>>> slightly augmented by social media as "an entirely new mode of
>>> presentation" ... on their web site, they even claim it as " the first
>>> artistic programme created purely for live web broadcast."
>>>
>>> where have they been for the last 15+ years i wonder???
>>>
>>
> --
> 
>
> helen varley jamieson: creative catalyst   he...@creative-catalyst.com   
> http://www.creative-catalyst.comhttp://www.make-shift.nethttp://www.upstage.org.nz
> 
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>



-- 
*Angry Men* la vidéo
https://vimeo.com/40534607

http://www.bram.org
___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread helen varley jamieson 

thanks, it looks like an interesting project :)

i'm going to have a look at the event on thursday night see just how 
groundbreaking it is ...


On 23/04/12 6:14 PM, Pall Thayer wrote:

http://www.eto.org.uk/etd/media/releases/pr009.htm

On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer > wrote:


The description sounds a bit like the "Chaos in Action" project in
1997.


On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson
mailto:he...@creative-catalyst.com>>
wrote:

has anyone else had a look at this?

i'm a bit stunned that they are describing what sounds like
webcasting slightly augmented by social media as "an entirely
new mode of presentation" ... on their web site, they even
claim it as " the first artistic programme created purely for
live web broadcast."

where have they been for the last 15+ years i wonder???



--


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.make-shift.net
http://www.upstage.org.nz


___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread Simon Mclennan 
Where have they been for the last fifteen years? They have been in  
Bryant Park, Up the fundament of New York Fashion Week, selling cars..

On 23 Apr 2012, at 18:34, Eduardo Valle wrote:

When BMW meets Tate, state capitalism and private capitalism and  
the institutional delay


I'm feeling supersonic
Give me gin and tonic
You can have it all but how much do you want it? You make me laugh
Give me your autograph
Can I ride with you in your BMW?
You can sail with me in my yellow submarine
You need to find out
'Cos no one's gonna tell you what I'm on about
You need to find a way for what you want to say
But before tomorrow


Date: Mon, 23 Apr 2012 18:09:04 +0200
From: he...@creative-catalyst.com
To: netbehaviour@netbehaviour.org
Subject: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo  
Bronstein's Constantinople Kaleidoscope


has anyone else had a look at this?

i'm a bit stunned that they are describing what sounds like  
webcasting slightly augmented by social media as "an entirely new  
mode of presentation" ... on their web site, they even claim it as  
" the first artistic programme created purely for live web broadcast."


where have they been for the last 15+ years i wonder???


 Original Message 
Subject:	BMW Tate Live Performance Room: Pablo Bronstein's  
Constantinople Kaleidoscope

Date:   Sun, 22 Apr 2012 12:00:11 -0400
From:   e-flux 
Reply-To:   i...@mailer.e-flux.com
To: pa...@blindditch.org


April 22, 2012



Tate Modern




BMW Tate Live Performance Room:
Pablo Bronstein
Constantinople Kaleidoscope
Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST





Share this

BMW Tate Live Performance Room is a pioneering programme of live  
performances created exclusively for online broadcast,  
simultaneously reaching international audiences across world time  
zones.
For the second performance in the BMW Tate Live Performance Room,  
Argentinean born artist Pablo Bronstein will premiere,  
Constantinople Kaleidoscope, an entirely new work made especially  
for the BMW Tate Live Performance Room. Involving a group of  
dancers, Bronstein will create a baroque trompe l'oeil stage set  
that exaggerates the perspective of the room with mirrored columns.  
Bronstein uses architectural design and drawing to engage with the  
grandiose and imperial past of the built environment and this  
preoccupation with form frequently extends into his live work.


Audiences, who will only be able to view the performances on the  
internet, are invited to enter the online Performance Room via  
www.youtube.com/tate at 20.00 hrs in the UK and exactly the same  
moment across time zones on the specified dates—16.00 hrs on the  
East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs  
in Russia.
The global audience are encouraged to chat with other viewers via  
social media channels and to put questions to the artists or  
curator following it using Tate's social media channels—twitter.com/ 
tate using #BMWTateLiveQ and facebook.com/tategallery.
The BMW Tate Live Performance Room was inaugurated by French  
choreographer and dancer Jérôme Bel with the work Shirtology@Tate  
on 22 March. Artists Emily Roysdon, Harrell Fletcher and Joan Jonas  
will also present works for the BMW Tate Live Performance Room in  
the coming months.
On Thursday 31 May, American artist and writer, Emily Roysdon,  
explores the intersection of choreography and political action  
through a collaborative performance.


Harrell Fletcher's work often takes the form of socially engaged  
and interdisciplinary projects. On Thursday 28 June, for BMW Tate  
Live, he will work with local amateur performers who ordinarily  
would not be seen by the Performance Room's global audience.


The final BMW Tate Live Performance Room in 2012 is by legendary  
performance artist, Joan Jonas. Since the 1960s, she has been a  
major figure at the forefront of explorations in film, new media  
and performance, transcending genres to develop an influential  
practice rooted in space, movement, ritual and gesture.


This innovative format offers international audiences an  
opportunity to experience performance works through an entirely new  
mode of presentation. Each performance is archived and available to  
view online after the live event.
BMW Tate Live is a four-year partnership between BMW and Tate,  
which focuses on performance, interdisciplinary art and curating  
digital space. BMW Tate Live: Performance Room is the inaugural  
strand of the partnership and features five commissions in 2012.
BMW Tate Live is curated by Catherine Wood, Curator, Contemporary  
Art and Performance, Tate, and Kathy Noble, Curator of  
Interdisciplinary Projects, Tate, assisted by Capucine Perrot,  
Assistant Curator, Tate and Julia Crabtree.



BMW Tate Live Performance Room
Forthcoming performances

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread marc garrett 
yep...

hegemony, power & ignorance wrapped in glossy bliss - combined...

they should be ashamed of themselves.

marc

> The time of bullshit: when bullshitters and bullshit reigns supreme.
>
>
> Sent using BlackBerry® from Orange
>
> -Original Message-
> From: "xDxD.vs.xDxD"
> Sender: netbehaviour-boun...@netbehaviour.org
> Date: Mon, 23 Apr 2012 18:26:50
> To: NetBehaviour for networked distributed 
> creativity
> Reply-To: NetBehaviour for networked distributed creativity
>       
> Subject: Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo
>   Bronstein's Constantinople Kaleidoscope
>
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>


-- 
Other Info:

Furtherfield - A living, breathing, thriving network
http://www.furtherfield.org - for art, technology and social change since 1997

Also - Furtherfield Gallery&  Social Space:
http://www.furtherfield.org/gallery

About Furtherfield:
http://www.furtherfield.org/content/about

Netbehaviour - Networked Artists List Community.
http://www.netbehaviour.org

http://identi.ca/furtherfield
http://twitter.com/furtherfield

___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread Eduardo Valle 

When BMW meets Tate, state capitalism and private capitalism and the 
institutional delay

I'm feeling supersonic
 
Give me gin and tonic
 
You can have it all but how much do you want it?
You make me laugh
 
Give me your autograph
 
Can I ride with you in your BMW?
 
You can sail with me in my yellow submarine
You need to find out
 
'Cos no one's gonna tell you what I'm on about
 
You need to find a way for what you want to say
 
But before tomorrow

Date: Mon, 23 Apr 2012 18:09:04 +0200
From: he...@creative-catalyst.com
To: netbehaviour@netbehaviour.org
Subject: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's 
Constantinople Kaleidoscope


  

  
  
has anyone else had a look at this? 



i'm a bit stunned that they are describing what sounds like
webcasting slightly augmented by social media as "an entirely new
mode of presentation" ... on their web site, they even claim it as "

the first artistic programme created purely for live web broadcast."



where have they been for the last 15+ years i wonder???






 Original Message 

  

  Subject: 
  BMW Tate Live Performance Room: Pablo Bronstein's
Constantinople Kaleidoscope


  Date: 
  Sun, 22 Apr 2012 12:00:11 -0400


  From: 
  e-flux 


  Reply-To:
  
  i...@mailer.e-flux.com


  To: 
  pa...@blindditch.org

  








  

  
  
April 22, 2012
  
  


  


  

  
  
Tate Modern
  


  

  
  

  

  
  



BMW Tate Live Performance Room: 
Pablo Bronstein 

Constantinople Kaleidoscope 
Online at www.youtube.com/tate
  on Thursday 26 April at 20:00 BST


  
  

  

  


  

  
  

  


  


  Share this


  

  
  
BMW Tate Live Performance Room is a pioneering programme
  of live performances created exclusively for online
  broadcast, simultaneously reaching international audiences
  across world time zones. 
For the second performance in
  the BMW Tate Live Performance Room, Argentinean born
  artist Pablo Bronstein will premiere, Constantinople
Kaleidoscope, an entirely new work made especially
  for the BMW Tate Live Performance Room. Involving a group
  of dancers, Bronstein will create a baroque trompe l'oeil
  stage set that exaggerates the perspective of the room
  with mirrored columns. Bronstein uses architectural design
  and drawing to engage with the grandiose and imperial past
  of the built environment and this preoccupation with form
  frequently extends into his live work.
Audiences, who will only be able to view the performances
  on the internet, are invited to enter the online
  Performance Room via www.youtube.com/tate
  at 20.00 hrs in the UK and exactly the same moment across
  time zones on the specified dates—16.00 hrs on the East
  Coast of America, 21.00 hrs in mainline Europe and 23.00
  hrs in Russia.
The global audience are encouraged to chat with other
  viewers via social media channels and to put questions to
  the artists or curator following it using Tate's social
  media channels—twitter.com/tate
  using #BMWTateLiveQ and facebook.com/tategallery.
The BMW Tate Live Performance Room was inaugurated by
  French choreographer and dancer Jérôme Bel with the work 
Shirtology@Tate
  on 22 March. Artists Emily

Roysdon, Harrell

Fletcher and Joan

Jonas will also present works for the BMW Tate Live
  Performance Room in the coming months.
On Thursday 31 May, American
  artist and writer, Emily Roysdon, explores the
  intersection of choreography and political action through
  a collaborative performance.
Harrell Fletcher's work often

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread james 
The time of bullshit: when bullshitters and bullshit reigns supreme.


Sent using BlackBerry® from Orange

-Original Message-
From: "xDxD.vs.xDxD" 
Sender: netbehaviour-boun...@netbehaviour.org
Date: Mon, 23 Apr 2012 18:26:50 
To: NetBehaviour for networked distributed 
creativity
Reply-To: NetBehaviour for networked distributed creativity

Subject: Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo
 Bronstein's Constantinople Kaleidoscope

___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread xDxD.vs.xDxD 
this is the time, these are the years: everyone "inventing" words and
saying "the first this", "the first that"

we're losing our memories, now it can be done.

and, in the age of p2p, of ubiquitous and of anonymous, gimme a good budget
for communication and i will reinvent history itself!


xDxD.vs.xDxD

On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer  wrote:

> The description sounds a bit like the "Chaos in Action" project in 1997.
>
>
> On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson <
> he...@creative-catalyst.com> wrote:
>
>>  has anyone else had a look at this?
>>
>> i'm a bit stunned that they are describing what sounds like webcasting
>> slightly augmented by social media as "an entirely new mode of
>> presentation" ... on their web site, they even claim it as " the first
>> artistic programme created purely for live web broadcast."
>>
>> where have they been for the last 15+ years i wonder???
>>
>>
>>  Original Message   Subject: BMW Tate Live Performance
>> Room: Pablo Bronstein's Constantinople Kaleidoscope  Date: Sun, 22 Apr
>> 2012 12:00:11 -0400  From: e-flux 
>>   Reply-To:
>> i...@mailer.e-flux.com  To: pa...@blindditch.org
>>
>>   [image: ef_bw_block.gif]
>> April 22, 2012
>>  [image: 
>> ef_logo_big.gif]
>>   [image:
>> ef_dashed_line.gif]
>>  Tate Modern
>>[image: 
>> apr22_tatemoern.jpg]
>>
>>
>>  *BMW Tate Live Performance Room: *
>>
>> *Pablo Bronstein
>> Constantinople Kaleidoscope *
>>
>> Online at 
>> www.youtube.com/tateon
>>  Thursday 26 April at 20:00 BST
>>
>> *
>> *
>>
>>
>>   [image: ef_dashed_line]  Share this[image: Share this on 
>> Facebook][image:
>> Share this on 
>> Twitter]
>>
>> BMW Tate Live Performance Room is a pioneering programme of live
>> performances created exclusively for online broadcast, simultaneously
>> reaching international audiences across world time zones.
>>
>> For the second performance in the BMW Tate Live Performance Room,
>> Argentinean born artist Pablo Bronstein will premiere, *Constantinople
>> Kaleidoscope*, an entirely new work made especially for the BMW Tate
>> Live Performance Room. Involving a group of dancers, Bronstein will create
>> a baroque trompe l'oeil stage set that exaggerates the perspective of the
>> room with mirrored columns. Bronstein uses architectural design and drawing
>> to engage with the grandiose and imperial past of the built environment and
>> this preoccupation with form frequently extends into his live work.
>>
>> Audiences, who will only be able to view the performances on the
>> internet, are invited to enter the online Performance Room via
>> www.youtube.com/tateat
>>  20.00 hrs in the UK and exactly the same moment across time zones on the
>> specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in
>> mainline Europe and 23.00 hrs in Russia.
>>
>> The global audience are encouraged to chat with other viewers via social
>> media channels and to put questions to the artists or curator following it
>> using Tate's social media 
>> channels—twitter.com/tateusing
>>  #BMWTateLiveQ and
>> facebook.com/tategallery
>> .
>>
>> The BMW Tate Live Performance Room was inaugurated by French
>> choreographer and dancer Jérôme Bel with the work *Shirtology@Tate *on
>> 22 March*. *Artists Emily 
>> Roysdon
>> , Harrell 
>> Fletcherand
>>  Joan
>> Jonas will 
>> also present works for the BMW Tate Live Performance Room in the
>> coming months.
>>
>> On Thursday 31 May, American artist and writer, Emily Roysdon, explores
>> the intersection of choreography and political action through a
>> collaborative performance.
>>
>> Harrell Fletcher's work often takes the form of socially engaged and
>> interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will
>> work with local amateur performers who ordinarily would not be seen by the
>> Performance Room's global audience.
>>
>> The final BMW Tate Live Performance Room in 2012 is by legendary
>> performance artist, Joan Jonas.* *Since the 1960s, she has been a major
>> figure at the forefront of explorations in film, new media and performance,
>> transcending genres to develop an influential practice rooted in space,
>> movement, ritual and gesture.
>>
>> This innovative format offers international audiences an opportun

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread Pall Thayer 
http://www.eto.org.uk/etd/media/releases/pr009.htm

On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer  wrote:

> The description sounds a bit like the "Chaos in Action" project in 1997.
>
>
> On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson <
> he...@creative-catalyst.com> wrote:
>
>>  has anyone else had a look at this?
>>
>> i'm a bit stunned that they are describing what sounds like webcasting
>> slightly augmented by social media as "an entirely new mode of
>> presentation" ... on their web site, they even claim it as " the first
>> artistic programme created purely for live web broadcast."
>>
>> where have they been for the last 15+ years i wonder???
>>
>>
>>  Original Message   Subject: BMW Tate Live Performance
>> Room: Pablo Bronstein's Constantinople Kaleidoscope  Date: Sun, 22 Apr
>> 2012 12:00:11 -0400  From: e-flux 
>>   Reply-To:
>> i...@mailer.e-flux.com  To: pa...@blindditch.org
>>
>>   [image: ef_bw_block.gif]
>> April 22, 2012
>>  [image: 
>> ef_logo_big.gif]
>>   [image:
>> ef_dashed_line.gif]
>>  Tate Modern
>>[image: 
>> apr22_tatemoern.jpg]
>>
>>
>>  *BMW Tate Live Performance Room: *
>>
>> *Pablo Bronstein
>> Constantinople Kaleidoscope *
>>
>> Online at 
>> www.youtube.com/tateon
>>  Thursday 26 April at 20:00 BST
>>
>> *
>> *
>>
>>
>>   [image: ef_dashed_line]  Share this[image: Share this on 
>> Facebook][image:
>> Share this on 
>> Twitter]
>>
>> BMW Tate Live Performance Room is a pioneering programme of live
>> performances created exclusively for online broadcast, simultaneously
>> reaching international audiences across world time zones.
>>
>> For the second performance in the BMW Tate Live Performance Room,
>> Argentinean born artist Pablo Bronstein will premiere, *Constantinople
>> Kaleidoscope*, an entirely new work made especially for the BMW Tate
>> Live Performance Room. Involving a group of dancers, Bronstein will create
>> a baroque trompe l'oeil stage set that exaggerates the perspective of the
>> room with mirrored columns. Bronstein uses architectural design and drawing
>> to engage with the grandiose and imperial past of the built environment and
>> this preoccupation with form frequently extends into his live work.
>>
>> Audiences, who will only be able to view the performances on the
>> internet, are invited to enter the online Performance Room via
>> www.youtube.com/tateat
>>  20.00 hrs in the UK and exactly the same moment across time zones on the
>> specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in
>> mainline Europe and 23.00 hrs in Russia.
>>
>> The global audience are encouraged to chat with other viewers via social
>> media channels and to put questions to the artists or curator following it
>> using Tate's social media 
>> channels—twitter.com/tateusing
>>  #BMWTateLiveQ and
>> facebook.com/tategallery
>> .
>>
>> The BMW Tate Live Performance Room was inaugurated by French
>> choreographer and dancer Jérôme Bel with the work *Shirtology@Tate *on
>> 22 March*. *Artists Emily 
>> Roysdon
>> , Harrell 
>> Fletcherand
>>  Joan
>> Jonas will 
>> also present works for the BMW Tate Live Performance Room in the
>> coming months.
>>
>> On Thursday 31 May, American artist and writer, Emily Roysdon, explores
>> the intersection of choreography and political action through a
>> collaborative performance.
>>
>> Harrell Fletcher's work often takes the form of socially engaged and
>> interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will
>> work with local amateur performers who ordinarily would not be seen by the
>> Performance Room's global audience.
>>
>> The final BMW Tate Live Performance Room in 2012 is by legendary
>> performance artist, Joan Jonas.* *Since the 1960s, she has been a major
>> figure at the forefront of explorations in film, new media and performance,
>> transcending genres to develop an influential practice rooted in space,
>> movement, ritual and gesture.
>>
>> This innovative format offers international audiences an opportunity to
>> experience performance works through an entirely new mode of presentation.
>> Each performance is archived and available to view online after the live
>> event.
>>
>> *BMW Tate Live is a four-year partnership between BMW and Tate, which
>> focu

Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread Pall Thayer 
The description sounds a bit like the "Chaos in Action" project in 1997.


On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson <
he...@creative-catalyst.com> wrote:

>  has anyone else had a look at this?
>
> i'm a bit stunned that they are describing what sounds like webcasting
> slightly augmented by social media as "an entirely new mode of
> presentation" ... on their web site, they even claim it as " the first
> artistic programme created purely for live web broadcast."
>
> where have they been for the last 15+ years i wonder???
>
>
>  Original Message   Subject: BMW Tate Live Performance
> Room: Pablo Bronstein's Constantinople Kaleidoscope  Date: Sun, 22 Apr
> 2012 12:00:11 -0400  From: e-flux 
>   Reply-To:
> i...@mailer.e-flux.com  To: pa...@blindditch.org
>
>   [image: ef_bw_block.gif]
> April 22, 2012
>  [image: 
> ef_logo_big.gif]
>   [image:
> ef_dashed_line.gif]
>  Tate Modern
>[image: 
> apr22_tatemoern.jpg]
>
>
>  *BMW Tate Live Performance Room: *
>
> *Pablo Bronstein
> Constantinople Kaleidoscope *
>
> Online at 
> www.youtube.com/tateon
>  Thursday 26 April at 20:00 BST
>
> *
> *
>
>
>   [image: ef_dashed_line]  Share this[image: Share this on 
> Facebook][image:
> Share this on 
> Twitter]
>
> BMW Tate Live Performance Room is a pioneering programme of live
> performances created exclusively for online broadcast, simultaneously
> reaching international audiences across world time zones.
>
> For the second performance in the BMW Tate Live Performance Room,
> Argentinean born artist Pablo Bronstein will premiere, *Constantinople
> Kaleidoscope*, an entirely new work made especially for the BMW Tate Live
> Performance Room. Involving a group of dancers, Bronstein will create a
> baroque trompe l'oeil stage set that exaggerates the perspective of the
> room with mirrored columns. Bronstein uses architectural design and drawing
> to engage with the grandiose and imperial past of the built environment and
> this preoccupation with form frequently extends into his live work.
>
> Audiences, who will only be able to view the performances on the internet,
> are invited to enter the online Performance Room via 
> www.youtube.com/tateat
>  20.00 hrs in the UK and exactly the same moment across time zones on the
> specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in
> mainline Europe and 23.00 hrs in Russia.
>
> The global audience are encouraged to chat with other viewers via social
> media channels and to put questions to the artists or curator following it
> using Tate's social media 
> channels—twitter.com/tateusing
>  #BMWTateLiveQ and
> facebook.com/tategallery
> .
>
> The BMW Tate Live Performance Room was inaugurated by French choreographer
> and dancer Jérôme Bel with the work *Shirtology@Tate *on 22 March*. *Artists
> Emily 
> Roysdon
> , Harrell 
> Fletcherand 
> Joan
> Jonas will 
> also present works for the BMW Tate Live Performance Room in the
> coming months.
>
> On Thursday 31 May, American artist and writer, Emily Roysdon, explores
> the intersection of choreography and political action through a
> collaborative performance.
>
> Harrell Fletcher's work often takes the form of socially engaged and
> interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will
> work with local amateur performers who ordinarily would not be seen by the
> Performance Room's global audience.
>
> The final BMW Tate Live Performance Room in 2012 is by legendary
> performance artist, Joan Jonas.* *Since the 1960s, she has been a major
> figure at the forefront of explorations in film, new media and performance,
> transcending genres to develop an influential practice rooted in space,
> movement, ritual and gesture.
>
> This innovative format offers international audiences an opportunity to
> experience performance works through an entirely new mode of presentation.
> Each performance is archived and available to view online after the live
> event.
>
> *BMW Tate Live is a four-year partnership between BMW and Tate, which
> focuses on performance, interdisciplinary art and curating digital space.
> BMW Tate Live: Performance Room is the inaugural strand of the partnership
> and features five commissions in 2012.*
>
> *BMW Tate Live is curated by

[NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope

2012-04-23 Thread helen varley jamieson 

has anyone else had a look at this?

i'm a bit stunned that they are describing what sounds like webcasting 
slightly augmented by social media as "an entirely new mode of 
presentation" ... on their web site, they even claim it as " the first 
artistic programme created purely for live web broadcast."


where have they been for the last 15+ years i wonder???


 Original Message 
Subject: 	BMW Tate Live Performance Room: Pablo Bronstein's 
Constantinople Kaleidoscope

Date:   Sun, 22 Apr 2012 12:00:11 -0400
From:   e-flux 
Reply-To:   i...@mailer.e-flux.com
To: pa...@blindditch.org



ef_bw_block.gif 
April 22, 2012
	ef_logo_big.gif 


ef_dashed_line.gif




 Tate Modern



apr22_tatemoern.jpg 
 	



*BMW Tate Live Performance Room: *

*Pablo Bronstein
/Constantinople Kaleidoscope/ *

Online at www.youtube.com/tate 
 on 
Thursday 26 April at 20:00 BST


*
*



ef_dashed_line
Share thisShare this on Facebook 
Share 
this on Twitter 





BMW Tate Live Performance Room is a pioneering programme of live 
performances created exclusively for online broadcast, simultaneously 
reaching international audiences across world time zones.


For the second performance in the BMW Tate Live Performance Room, 
Argentinean born artist Pablo Bronstein will premiere, /Constantinople 
Kaleidoscope/, an entirely new work made especially for the BMW Tate 
Live Performance Room. Involving a group of dancers, Bronstein will 
create a baroque trompe l'oeil stage set that exaggerates the 
perspective of the room with mirrored columns. Bronstein uses 
architectural design and drawing to engage with the grandiose and 
imperial past of the built environment and this preoccupation with form 
frequently extends into his live work.


Audiences, who will only be able to view the performances on the 
internet, are invited to enter the online Performance Room via 
www.youtube.com/tate 
 at 
20.00 hrs in the UK and exactly the same moment across time zones on the 
specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in 
mainline Europe and 23.00 hrs in Russia.


The global audience are encouraged to chat with other viewers via social 
media channels and to put questions to the artists or curator following 
it using Tate's social media channels—twitter.com/tate 
 using 
#BMWTateLiveQ and facebook.com/tategallery 
.


The BMW Tate Live Performance Room was inaugurated by French 
choreographer and dancer Jérôme Bel with the work /Shirtology@Tate /on 
22 March/. /Artists Emily Roysdon 
, 
Harrell Fletcher 
 and 
Joan Jonas 
 will 
also present works for the BMW Tate Live Performance Room in the coming 
months.


On Thursday 31 May, American artist and writer, Emily Roysdon, explores 
the intersection of choreography and political action through a 
collaborative performance.


Harrell Fletcher's work often takes the form of socially engaged and 
interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he 
will work with local amateur performers who ordinarily would not be seen 
by the Performance Room's global audience.


The final BMW Tate Live Performance Room in 2012 is by legendary 
performance artist, Joan Jonas.**Since the 1960s, she has been a major 
figure at the forefront of explorations in film, new media and 
performance, transcending genres to develop an influential practice 
rooted in space, movement, ritual and gesture.


This innovative format offers international audiences an opportunity to 
experience performance works through an entirely new mode of 
presentation. Each performance is archived and available to view online 
after the live event.


/BMW Tate Live is a four-year partnership between BMW and Tate, which 
focuses on performance, interdisciplinary art and curating digital 
space. BMW Tate Live: Performance Room is the inaugural strand of the 
partnership and features five commissions in 2012./


/BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art 
and Performance, Tate, and Kathy Noble, Curator of Interdisciplinary 
Projects, Tate, assisted by Capucine Perrot, Assistant Curator, Tate and 
Julia Crabtree.



/*BMW Tate Live Performance Room
**Forthcoming performances at 20.00 hrs BST
*26 April, BMW Tate L