[NSP] Re: Tune Information

2010-09-28 Thread Richard York

  Kettle Drum  is in the 1650 Playford's Dancing Master, for one.
Dunno about its actual origins, but that's a collected and published 
source for it.

 Best wishes,
Richard.

On 28/09/2010 15:53, Greenley, Gordon wrote:

Does anyone have any information on the origins of the following tunes?

  * Because he was a bonny lad
  * Golden eagle
  * Gentle maiden
  * Kettle drum
  * Holmes' fancy
  * Hazlewood
  * My home

Many thanks



Gordon Greenley

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[NSP] Re: Tune Information

2010-09-28 Thread Gibbons, John
Was the 'Kettle Drum' in the query referring to the D dorian  Playford tune, or 
the G major Scottish polka - in one of Matt's Piper's Pocket Books? 

John 

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
Richard York
Sent: 28 September 2010 16:19
To: Greenley, Gordon; NSP group
Subject: [NSP] Re: Tune Information

   Kettle Drum  is in the 1650 Playford's Dancing Master, for one.
Dunno about its actual origins, but that's a collected and published 
source for it.
  Best wishes,
Richard.

On 28/09/2010 15:53, Greenley, Gordon wrote:
 Does anyone have any information on the origins of the following tunes?

   * Because he was a bonny lad
   * Golden eagle
   * Gentle maiden
   * Kettle drum
   * Holmes' fancy
   * Hazlewood
   * My home

 Many thanks



 Gordon Greenley

 --


 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html







[NSP] Re: Tune Information

2010-09-28 Thread Marianne Hall
   Gentle Maiden is, I believe, an Irish tune.  Maureen (or Mavourneen)
   is the flower of Killarney, and fairest of all to me. The flowers that
   bloom in Killarney are never as fair as she et cetera.
   Marianne.
   From: g.e.green...@aston.ac.uk
   Subject: [NSP] Tune Information
   To: allerwa...@hotmail.com
   Date: Tue, 28 Sep 2010 16:54:21 +0200
  -  The attached message is an automatically
  -  generated copy of mail delivered to marianne.h...@tinyworld.co.uk


   --Forwarded Message Attachment--
   Date: Tue, 28 Sep 2010 15:53:36 +0100
   To: nsp@cs.dartmouth.edu
   From: g.e.green...@aston.ac.uk
   Subject: [NSP] Tune Information
   Does anyone have any information on the origins of the following tunes?

 * Because he was a bonny lad
 * Golden eagle
 * Gentle maiden
 * Kettle drum
 * Holmes' fancy
 * Hazlewood
 * My home

   Many thanks



   Gordon Greenley

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[NSP] Re: Tune Information

2010-09-28 Thread Ann Sessoms
   Hazlewood was written by Roy Hartnell and published in The Jack
   Armstrong Tune Book in 1995 by Rossleigh Music, Newbiggin-by-the-Sea.

Date: Tue, 28 Sep 2010 15:53:36 +0100
To: nsp@cs.dartmouth.edu
From: g.e.green...@aston.ac.uk
Subject: [NSP] Tune Information
   
Does anyone have any information on the origins of the following
   tunes?
   
* Because he was a bonny lad
* Golden eagle
* Gentle maiden
* Kettle drum
* Holmes' fancy
* Hazlewood
* My home
   
Many thanks
   
   
   
Gordon Greenley
   
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[NSP] Re: Tune Information

2010-09-28 Thread Julia Say
On 28 Sep 2010, Ann Sessoms wrote: 

Hazlewood was written by Roy Hartnell and published in The Jack
Armstrong Tune Book in 1995 by Rossleigh Music, Newbiggin-by-the-Sea.

It was also in the 1982 book published by Jenny Armstrong., but as Hazelwood.

Holmes Fancy first appears in Peacock's Tunes, published 1801, as Holme's 
Fancy, 
but is a keyless tune so could be much older.

My Home comes from our kilted brethren: typing it into google in inverted 
commas 
followed by Highland pipe tune gave me more links than I could be bothered to 
follow.

Julia



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[NSP] Re: The Golden Eagle

2010-09-28 Thread GibbonsSoinne
   Thanks for the hint, Matt.

   I went back and found it in Ryan's Mammoth Collection - I'd missed it
   before.



   For those that don't know this collection, it was published 'about
   1883' in Boston, Mass.

   The Golden Eagle certainly doesn't sound like it was written too long
   before that, with all the chromatic bits.

   But lots of tunes like that were written on both sides of the Atlantic
   in the mid 19th C.



   John



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