[NSP] Re: KVR online

2011-06-29 Thread Steve Bliven
For a brief summary of the story;
http://en.wikipedia.org/wiki/William_Dixon_manuscript

Best wishes.

Steve


On 6/29/11 2:00 PM, Francis Wood oatenp...@googlemail.com wrote:

 
 On 29 Jun 2011, at 18:06, Julia Say wrote:
 
 I see the copy digitised was donated to NLS by Dorothea Ruggles-Brise - she
 of 
 pulling Dixon out of the flames fame.
 
 
 Not famous enough for me to have heard of her . . .  so what's the rest of
 this interesting story?
 
 Francis




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[NSP] Cocks Bryan Book for sale

2011-05-12 Thread Steve Bliven
   Posted on the Chiff  Fipple Used Instruments Board by flutemaker Casey
   Burns;
   [1]http://forums.chiffandfipple.com/viewtopic.php?f=35t=82144
   Am selling my old copy of The Northumbrian Bagpipes by Cocks and
   Bryan, published by the Northumbrian Pipers Society in 1975
   There are a few handwritten notes inside, and the cover is faded some
   and there are the occasion dirt and oil stains (this lived in my
   workshop). Otherwise in good shape.
   $100 plus postage
   Email me at [2]caseyburnsflu...@gmail.com if interested
   Disclaimer: I know nothing more than what is posted here.  I'm passing
   it on to the list on the chance that someone might be interested.
   Best wishes.
   Steve --

References

   1. http://forums.chiffandfipple.com/viewtopic.php?f=35t=82144
   2. file://localhost/net/people/lute-arc/caseyburnsflu...@gmail.com


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[NSP] Re: Tweaking pennywhisle to NSP F+ pitch?

2011-01-31 Thread Steve Bliven
   Matthew -
   Check the following on Chiff  Fipple whistle forum
   [1]http://forums.chiffandfipple.com/viewtopic.php?f=1t=70731hilit=no
   rthumbrian
   It's from Jerry Freeman, whistle tweaker and maker, talking about how
   he set up some whistles to fit with Chris Ormston and Andy May's pipes.
   Best wishes.
   Steve
   On 1/31/11 5:01 PM, Matthew Boris [2]matthew_p...@hotmail.com
   wrote:
At the Potomac piper's gathering a few weeks back, I noticed that
   few
   folks had instrument set up to jam with the NSP players in their
   F+
   sets, except for one pennywhistle player.  Is there any standard
   way to
   play in F+ on a tinwhistle?  Is it best to get an F whistle (low
   or
   high), take off the head, trim a bit of the top of the body so you
   can
   slide the head tighter?  Or do the same on a C whistle to sharpen
   your
   F scale (the three fingers down pitch)?  Or do folks do the
   opposite
   and get a 'whistle that can play a G scale and pull the head out
   to
   bring the G down to F+?
   
   Any advice on how to go about this, and which marques of 'whistle
   are
   easiest to modify?  Strings instruments are easy to play in F+
   with,
   clearly, though for my concertina it'd take a pretty specific
   re-tune
   to play F+!
   
   -Matthew
   --
   
   
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   --

References

   1. 
http://forums.chiffandfipple.com/viewtopic.php?f=1t=70731hilit=northumbrian
   2. file://localhost/net/people/lute-arc/matthew_p...@hotmail.com
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[NSP] Re: Slowing down tunes

2010-11-06 Thread Steve Bliven
Pardon my butting in here, but the program Bill was advocating is
Transcribe!  Trial version available at
www.seventhstring.com/xscribe/overview.html

Looks to be a very useful program as it allows not only slowing down the
sounds, but also a graphical analysis of the notes (particularly useful with
mouth-blown instruments but also to analyze gracings and other
articulation).

Best wishes.

Steve


On 11/6/10 1:20 PM, Anthony Robb anth...@robbpipes.com wrote:

 
Hello Colin
I seem to remember Bill Ochs at Killington this year demonstrating
software which can slow down normal recordings whilst keeping pitch
intact. Perhaps you could contact him: [1]b...@pennywhistle.com and
spread the word if I'm right.
Thoroughly agree about abc being useful too, it's certainly better than
nowt!
Cheers
Anthony




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[NSP] Re: NSP duet with other instruments

2010-02-08 Thread Steve Bliven
And apparently agony

Best wishes.

Steve


On 2/8/10 3:30 PM, gibbonssoi...@aol.com gibbonssoi...@aol.com wrote:

In a message dated 07/02/2010 13:39:07 GMT Standard Time,
i...@gretton-willems.com writes:
 
  But did you know that a recent survey showed that 96.83%
  of people who say that they don't like Wagner's operas have never
  actually
  heard or attended one? ;-)
  Cheers,
  Paul Gretton
 
Doing it this way saves an awful lot of time!
 
 
 
John
 
--
 
 
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[NSP] Re: Mr. Bewick, Rats and Inverted Bags

2010-01-28 Thread Steve Bliven
This made the rounds awhile back but also shows the origins
www.youtube.com/watch?v=eKdGO8OeaZI

Best wishes to all (except those partially covered with latex - those
deserve what they get)

Steve


On 1/28/10 4:58 PM, Anita Evans an...@evansweb.co.uk wrote:

 I picked this at random on youtube, but it illustrates the bag origins
 very nicely I think
 
 http://www.youtube.com/watch?v=Eob8pDcXhV4




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[NSP] Re: NSP oil for pipes and key pads

2010-01-13 Thread Steve Bliven
OK Tom Childs, happy you asked?

Best wishes.

Steve


On 1/13/10 7:07 AM, Jim Grant j...@millgreens.f2s.com wrote:

 - it's the smell of the stuff, isn't it? Snotomer is an anagram of Rot
 m' nose, a Georgian oath.Jim
 
 
 tim rolls BT wrote:
 I'd guess it's been around since Tudor times,
 there is the urban myth that Henry VIII wrote
 Greensleeves..
 
 Tim
 
 - Original Message - From: Francis Wood
 oatenp...@googlemail.com
 To: Richard York rich...@lizards.force9.co.uk
 Cc: julia@nspipes.co.uk; NSP group nsp@cs.dartmouth.edu
 Sent: Wednesday, January 13, 2010 11:05 AM
 Subject: [NSP] Re: NSP oil for pipes and key pads
 
 
 
 On 13 Jan 2010, at 11:01, Richard York wrote:
 
   Julia, I love this word snotomer but confess I haven't met it
 before,
 
 You haven't played the nose-flute, then?
 
 Francis





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[NSP] Re: [nsp] file

2009-11-01 Thread Steve Bliven
On 11/1/09 9:17 AM, Julia Say julia@nspipes.co.uk wrote:

 Anyone wanting a simple abc conversion program might like to consider
 abcexplorer - 
 can't remember the URL, but Google would find it. It's free and does a
 reasonable 
 job. It's player has drone settings although they're a trifle tricky to find.

For single tunes (and a really bad midi reproduction) the abc converter at
the concertina net is handy.  www.concertina.net/tunes_convert.html

Best wishes.

Steve




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[NSP] Re: Northumbria Pipe Course 11-16 October - Places available

2009-08-12 Thread Steve Bliven
In any case, the course has now received considerably more advertising than
it might otherwise have  Clever marketing strategy on someone's part.
g

Best wishes.

Steve


On 8/12/09 8:42 AM, Francis Wood oatenp...@googlemail.com wrote:

 [SNIP]

 I have no connection with the event this year, but would encourage any
 potential participant to  sign up for this excellently organised
 course. A good learning opportunity and wonderfully friendly.
 
 Francis

 - Original Message - From: rosspi...@aol.com
 To: nsp@cs.dartmouth.edu
 Sent: Wednesday, August 12, 2009 12:41 PM
 Subject: [NSP] Re: Northumbria Pipe Course 11-16 October - Places
 available
 
 
 
 I wonder if this advert for a privately run course is allowed on this
 list. This is a course that is not run by the NPS but for the benefit
 of the person who is running it who although taking the risk and time
 to organise it is also taking any profit that may arise.
 CR
 
 
 -Original Message-
 From: suzefis...@aol.com
 To: nsp@cs.dartmouth.edu
 Sent: Mon, 10 Aug 2009 15:24
 Subject: [NSP] Northumbria Pipe Course 11-16 October - Places
 available
 
 
 There are still a few places left on this course, if anyone is
 interested in attending or would like some more information please
 contact me offlist.
 Thanks
 Susan.
 
 2nd NORTHUMBRIA PIPING WEEK
 
 Sunday 11th ­ Friday 16th October 2009
 
 A residential piping course suitable for all playing levels (except
 absolute beginners) based in a licensed hotel in Whitley Bay.
 
 Tutors for the week include
 Andy May, Chris Ormston,
 Chris Evans.
 Plus other guest tutors and performers.
 
 Limited accommodation for non-playing partners.
 Some non-residential playing places will be available.
 
 Costs: Tuition (over 5 days), events, outings etc.
 Includes lunch, tea and coffee ­
 £230 per player
 (individual lessons may be available at extra cost)
 
 Accommodation ­ BB £140 - £245 for 7 nights
 (depending on level of facilities chosen)
 
 
 Evening meals at participants¹ expense
 
 Part-week bookings will be considered.
 
 For further details and an application form contact:
 Susan Craven
 166 Plessey Road, BLYTH, N¹land NE24 3JA
 07764 483595 suzefis...@aol.com




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[NSP] NSP and pop music

2008-12-03 Thread Steve Bliven
   Greetings -
   Got a call today from the Museum of Fine Art in Boston where they are
   teaching a course on the use of traditional instruments in pop music.
   They were specifically looking for examples where bagpipes were used in
   widely recognized pop songs.  I could recall some instances where Loud
   Highland Bagpipes and Uilleann pipes were involved but nothing off-hand
   for NSP (other than Ryofu and let's not go there again.).
   Appreciate any input related to NSP - and any other types while you're
   at it.
   Best wishes.
   Steve   --


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[NSP] Re: The great choyte debate redux

2008-08-25 Thread Steve Bliven

On 8/25/08 9:03 AM, Matt Seattle [EMAIL PROTECTED] wrote:

 Following from this and Ian Lawther's remarks on Chris Ormston at
Killington, I would venture the heretical and dangerously unpopular
view that an 'average' musically literate audience is more educated and
open-minded than an 'average' piper. I do think there is a place for
'piping-as-social-inclusion' but I also despise the inverted snobbery
that sometimes goes along with it. A more realistic attitude recognises
excellence as a desirable and praiseworthy goal, even if only attained
by a few.

Two pennies from a lurker

Having seen many of the North Hero/Killington concerts up close, I must
agree with Ian's and (some of) Matt's comments.  In concerts over the years,
both Chris and Matt have provided what I'd label as social inclusion tunes
(e.g., Stranger on the Shore and Hey Jude) that have brought smiles to
the faces of both the general audience and the piping audience.  However,
I've seen the non-piper audiences respond with great pleasure and joy to
variation sets; partly because of astonishment that anyone could play so
many notes so fast (and clean) but also, from my perspective, how the
imagination and talent of the musicians could deconstruct and reconstruct
the tune, keeping it recognizable, in so many ways, thereby keeping it
interesting - and indeed challenging.

I can't go so far as to suggest that the average general audience at the
Gathering is more educated and open-minded than the average piper there,
but maybe that's because the event draws a higher class of piper g But
I will agree that the average audience is not necessarily put off by a
musically coherent variation set.

There have been a few instances of because I can sets (not, of course, by
anyone mentioned here or readers of this list) that got to be pretty dry,
sterile examples of digital dexterity with minimal residual musicality, but
those have been far between - and frankly I think both the pipers and the
audience recognized them for what they were.

That's my story and I'm sticking to it.

Best wishes.

Steve




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[NSP] Re: Extended chanter key positions

2007-11-01 Thread Steve Bliven
on 11/1/07 12:26 PM, Gibbons, John at [EMAIL PROTECTED] wrote:

 You could have separate chanters for each note, avoiding messy multiple
 key clusters, also enabling playing of chords. You could optimise the
 reed for each note. Fit them all in a box fed by a compressor and you
 might be getting somewhere...
 
 John

Or have an entire orchestra, each member with a one-note chanter.  Kind of
like the bell-ringers that that are defrosted and put out to public each
Christmas

Best wishes.

Steve



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[NSP] Re: Extended chanter key positions

2007-11-01 Thread Steve Bliven
on 11/1/07 2:26 PM, Philip Gruar at [EMAIL PROTECTED] wrote:

 There was a 19th century Russian aristocrat, can't remember who just
 off-hand (he may even have been 18th century) who had an orchestra of his
 serfs, all blowing just one note each on long trumpets (or may have been
 hunting horns). They gave concerts to the master's guests.

I wonder if the decline in the Russian aristocracy led to a decline in the
number of serfs available, leaving only a couple to play along.  Thus the
invention of drones...

Best wishes.

S.O.B.



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[NSP] Re: German Bagpipe For Sale

2006-12-11 Thread Steve Bliven
Apologies for cross-posting:

I am posting the following for a friend; I have not played or even seen
these pipes.  Send me a note off list for contact info.

Best wishes.

Steve


German Schaferpfeife for sale.  For pictures, see
www.sackpfeifen.de/diy_bags_d.htm  (scroll down to Schaferpfeife for
Clifford).

Made by Thorsten Stoye.  Key of G.  Plumwood, with boxwood details.
Mouth-blown.  Half-closed fingering.  2 thumbholes, 2 right pinky holes.
Pipes will produce 18 notes with cross fingering.  Plastic Chanter reed,
drone reeds are cane.  Chanter sound resembles Swayne pipes.

Includes hard plastic gun case, extra reeds, Bernard Boulanger Tutorial book
and CD and other various music.  All original owner's manual info
included.

In excellent condition.

-



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[NSP] Re: Preserving the tradition...a non-traditional approach.

2006-11-02 Thread Steve Bliven
on 11/2/06 3:03 PM, Colin at [EMAIL PROTECTED] wrote:

 This debate reminds me all too much of something that happened back in the
 60's in the folk scene when a fellow called Bob Dylan did the second half
 of his show with an electric guitar and half the audience walked out (I was
 there).


Who's this Dylan guy?  Must be Irish.

Best wishes.

Steve



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