[PD] A list of live electroacoustic ensembles

2014-05-02 Thread eldad tsabary
Hello all,

If you're in a live electronics ensemble or know of such an ensemble that is 
not on this list http://bit.ly/1pyfyVJ, it'd be super nice if you could add it 
here (in the additions tab). 

The list includes electroacoustic ensembles and mixed ensembles that have a 
substantial live, communal (3 performers minimum) electroacoustic component 
(laptop, tablet, analog synth, DIY, etc.)

Many thanks 
Eldad

--

Dr. Eldad Tsabary, Assistant Professor
Electroacoustic Studies, Music Department
Director, Concordia Laptop Orchestra
Concordia University, Montreal
President, Communauté électroacoustique canadienne / Canadian Electroacoustic 
Community
eldad.tsab...@concordia.ca
514-848-2424 #5163 (office)
514-884-8902 (cell)___
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[PD] Blind dates, Animals, Spectrograms, and things of that nature...

2014-04-07 Thread eldad tsabary
This Thursday (April 10th) at 7 PM, Concordia Laptop Orchestra (CLOrk) closes 
its season with show of visual music

The program includes the following pieces:

1. Blind Date with Dan Toren and Sharon Hawk Hochma
* have you ever brought a laptop orchestra to a blind date?

2. Andrew's Gem 
* follow the triangles, circles, and squares (knock, knock, Neo)

3. Zoology
* CLOrk's animal kingdom (hacuna matata)

4. Spectrology: Deliberate Disguises 
* The story as told by CLOrk

5. Beating Around the Bush
* Times are a-changin (and so do bpms)

Address:
Concordia University's Music Department
MB building
1450 Guy Street
8th floor, room 245
Montreal QC

Date: 10 April 2014
Time: 7 PM
Free admission
Facebook: https://www.facebook.com/events/1411225589144671/

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[PD] [PD-announce] Light, Sound, Drinks at the Phi Centre, tomorrow (Thursday, March 20th, 8PM)

2014-03-19 Thread eldad tsabary
English follows

Le département de musique de Concordia University présente une soirée 
d'expérimentation sonore pour célébrer l'arrivée du printemps. Entre la lumière 
et l'obscurité, les sons électroniques de Concordia Laptop Orchestra 
s'amalgameront aux musiciens de l'orchestre. Les membres de l'audience auront 
l'occasion de voir leur portrait se concrétiser à travers les sons de ces 
collaborations.

Eldad Tsabary et Liselyn Adams animeront cette expérimentation pédagogique à 
travers l'improvisation, les compositions collaboratives, et la technologie 
innovatrice afin de construire des pièces combinant l'instrumental, les voix et 
les sons électroniques ainsi que leurs procédés. Ces expériences sonores nous 
mèneront vers une nouvelle direction en cette nouvelle saison.

ENTRÉE LIBRE
Portes: 19h / Spectacle: 20h (90 min)
http://phi-centre.com/fr/evenements/id/equinoxeprintemps
Facebook: https://www.facebook.com/events/641765782526675/

407, rue Saint-Pierre
Montréal, Qc, Canada
H2Y 2M3

Le spectacle comprendra:
La pièce Sparks par Pouya Hamidi: http://youtu.be/qOM9g-2pH00
Pièces pour un ensemble mixte (instruments acoustiques et électroacoustiques): 
https://soundcloud.com/clork-1/improv-w-bradyworks-doug-van-1
Kick-ass beats: https://soundcloud.com/clork-1/ass-kicking-1-with-occasional
et de plus

Le bar sera ouvert tout au long de la performance.
Venir tôt pour avoir une bonne place

--

Concordia University’s department of music presents an evening of sound 
experiments to celebrate the arrival of Spring. In the equilibrium between dark 
and light, the electronic sounds of the Concordia Laptop Orchestra will join 
players from the contemporary music ensembles in play. Audience members will be 
able to have their portraits painted in sound and enjoy the spontaneous results 
of a fresh collaboration.

Eldad Tsabary and Liselyn Adams will animate this pedagogical experiment using 
improvisation, collaborative composition, and innovative technology to build 
pieces that combine instrumental, vocal and electronic sounds and processes, 
taking us in new directions for a new season.

FREE ADMISSION
Doors: 7 PM / Show: 8 PM (90 min)
http://phi-centre.com/en/events/id/springequinox
Facebook: https://www.facebook.com/events/641765782526675/
407, rue Saint-Pierre
Montréal, Qc, Canada
H2Y 2M3

The program will include:
Pouya Hamidi's Sparks: http://youtu.be/qOM9g-2pH00
Mixed ensemble pieces with CCE and CLOrk: 
https://soundcloud.com/clork-1/improv-w-bradyworks-doug-van-1
Kick-ass beats: https://soundcloud.com/clork-1/ass-kicking-1-with-occasional
And more

There will be table-seating and a bar throughout the show. Come early!




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[PD] Noisemakers needed - tomorrow, Open House at Concordia University (Montreal)

2013-11-08 Thread eldad tsabary
Hello all, 
This Saturday (9 Nov) there will be an Open House at Concordia University 
(Montreal), during which there will be an open electroacoustic jam session at 
the reverberant south-eastern stairway of the John Molson (MB) building (1450 
Guy Street, 8th floor).

Come, bring friends (any time between 10AM and 3PM) with your laptop, analog, 
or acoustic sound makers and a cable from your device to XLR, 1/4 TRS, or TS 
(we have some, but if you have one, please bring it). 

All sound producing things are welcome—from a good-ol' laptop through hardware 
synthesizers, to conventional musical instruments, voice, pots and pans, and 
circuit bent toys. There are no stylistic limitations, anything goes so long as 
we listen to each other.

There is no need to RSVP, just show up at the MB's 8th floor this Saturday , 
November 9th, at any time between 10 AM and 3 PM
Contact me if you have questions
Hope to see you there
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[PD] [PD-announce] Concordia Electroacoustic Studies - a 2 minute video

2013-07-12 Thread eldad tsabary
http://youtu.be/veaq_9XUAV0

Check it out, spread the word

Electroacoustic Studies (EA) at Concordia immerses students in the world of 
sound perception, creation and capture. Whether live or in the studio, the EA 
program explores the infinitely complex, invisible domain of sound, helping 
students to really hear and to use the well-equipped facilities for their own 
compositions, performances and recordings. The Concordia Laptop Orchestra and 
frequent opportunities to work collaboratively with other artists in music, 
media, video, dance, animation and theatre make EA one of the most active 
communities on campus. Watch this video to see how leading faculty inspire 
students to navigate and innovate in a genre that is constantly redefining 
itself.

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[PD] Stravinsky, Barber, CLOrk(?)

2013-03-15 Thread eldad tsabary
Stravinsky, Barber, CLOrk(?)
The Concordia Laptop Orchestra (CLOrk) and Orchestre symphonique de l'Isle 
(OSI) will premier the piece Creation for orchestra and laptop 
orchestra(Tsabary, 2013) in a concert also featuring Stravinsky's Petrushka, 
Barber'sAdagio for Strings and Castelnuovo-Tedesco's Concerto for Guitar and 
Orchestra, Op. 99. Creation will be conducted by Cristian Gort (OSI) and Eldad 
Tsabary (CLOrk) and Castelnuovo-Tedesco's piece will feature guitarist Étienne 
Guérin. 

When: Saturday, March 23, 2013, from 8 to 10 p.m. (EST)

Where: Oscar Peterson Concert Hall (7141 Sherbrooke St. W.), Loyola Campus, 
Montreal QC

Tickets: $22 for adults and $11 for children and studnets, available at the 
door.

CLOrk's members in this performance are Pat De Luca (soloist, lights), Charles 
Bale, Michaël Bresse, Joe Browne, Regy Guzman, Jared Jukes, Reg Kachanoski, 
Marco Liy, Marguerite Luu, Ryan McNabb, Michael Palumbo, Perry Pilloy, Edan 
Scime Stokell, Evan Stepanian, Ryan White, and Simon White. Comprised of 
students in the Department of Music's Electroacoustic Studies (EaSt) program, 
CLOrk specializes in networked and multidisciplinary performances. It has 
performed locally and telematically with various jazz, chamber, and laptop 
ensembles worldwide and collaborated with dancers and video artists. This is 
CLOrk's premier collaboration with a symphonic orchestra. CLOrk's sound is 
characterized by wide textural and dynamic ranges and rich, glitchy rhythms. 
The orchestra consists of 15-25 performers and is guided by soundpainting 
conduction.

Related links:
Orchestre symphonique de l'Isle
Concordia Laptop Orchestra (CLOrk)___
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[PD] [PD-announce] Concordia Laptop Orchestra and Acoustic Friends - Liveware! This Thursday (March 7th @ 7P)

2013-03-04 Thread eldad tsabary
Concordia Laptop Orchestra and Acoustic Friends - Liveware!

 

Thursday, March 7th, 2013 @ 19:00

Concordia Music Department

John Molson School of Business

1450 Guy St., 8th floor, room 245

Also webcast (see below)

Free admission!

 

This Thursday at 7 PM, come join Concordia Laptop Orchestra (CLOrk) for a 
casual evening concert with some excellent pieces by Michaël Bresse, Joe 
Browne, Michael Palumbo, and Ryan White, plus a closing CLOrk beat-jam.

 

Each piece utilizes the laptop orchestra medium in a very different manner:

 

In Michaël Bresses’s piece, the laptop orchestra will explore texture and space 
under his conduction.

 

In Joe Browne’s piece, bass trombonist Felix Del Tredici will interact as 
soloist with the laptop orchestra and with snippets of his own live sounds 
processed and spatialized in 8 channels.

 

In Michael Palumbo’s piece only one computer will play a sound, but 20 people 
will shape and transform it.

 

Ryan White’s meditative piece with Christian Brun del Re (drums) will utilize 
the laptop orchestra as a glitch percussion ensemble.

 

CLOrk’s beat jam is like… Mouse on Mars meets Autechre meets Tam Tams Montreal.



The show will be webcast (audio) at 

http://mixlr.com/eldad-tsabary or http://pdradio.listen2myradio.com/ (plan B)



Check CLOrk out:

CLOrk’s sounds: https://soundcloud.com/clork-1/

CLOrk’s videos: http://tinyurl.com/cl47htd



Facebook event:http://www.facebook.com/events/148884571939776/ 

Current CLOrk members:

Lyndsie Alguire, Charles Bale, Philippe Blanchette, Michaël Bresse, Joseph 
Browne, Stephanie Colbourn, Pasquale De Luca, Alexis Dionne, Byron Edelmann, 
Frankie Fiore, David Fiorentino, Christopher Gorman, Regynald Guzman, Jared 
Jukes, Reginald Kachanoski, Megan Keenan, Marco Antonio Liy Menor, Marguerite 
Luu, Ryan McNabb, Keith Odell, Michael Palumbo, Pierre Perry Pilloy, Edan Scime 
Stokell, Evan Stepanian, Michael Sullivan, Ryan White, Simon White, Eldad 
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[PD] [PD-announce] (a correction) Concordia Laptop Orchestra + UCSDUCI's Transcenders + Edinburgh's Mustek @ the Birmingham Network Music Festival

2013-02-22 Thread eldad tsabary
A correction: the performance will be available online @
http://pdradio.listen2myradio.com/
Thanks!


Dear Friends

Concordia Laptop Orchestra will perform this Saturday morning (sometime between 
11:00 AM to 12 PM EST) at the Birmingham Network Music Festival with two 
acoustic ensembles in three locations: The Transcenders @ UC San Diego and 
Irvine and Mustek @ Edinburgh (29 performers in total).

You are invited to experience the performance in one of the following options:

1. in 8 channels at Concordia Music Department (John Molson building, 1450 Guy 
Street, 8th floor, room 245, Montreal)
2. in 4 channels at the Birmingham Network Music Festival (The Edge, 79-81 
Cheapside Digbeth, Birmingham, UK B12 0QH)
3. Online (audio) at  http://mixlr.com/eldad-tsabary

The telematic ensemble will perform the piece Small World Network (2013), 
created for this event 
See program notes here: 
http://networkmusicfestival.org/programme-2/performances/clork/

Summary:
A performance by a telematic mixed ensemble (29 players) including Concordia 
Laptop Orchestra @ the Birmingham Network Music Festival

Datetime: 
Sat, March 23rd 11:18 (approximate time… )
The concert begins at 10 AM EST (7 AM PST, 3 PM GMT)

Location:
Montreal, San Diego, Irvine, Edinburgh, Birmingham,  online

Performers:

Můstek  @ Edinburgh, Scotland
Lauren Sarah Hayes  piano
Christos Michalakos drums

The Transcenders@ UC San Diego
Elisabet Curbelosoprano/piano
Marcelo F. Lazcano  guitar
Joshua Charney  piano
Mark DresserBass
Jon Forshee Guitar
Judith Hamann   Cello
Michael Ricca   Audio
Yeung-ping CHEN Network

@ UC Irvine
Jared Mattson   Guitar
Jonathan MattsonDrums
Martim Galvão   Percussion
Juan David RubioPercussion
Shih-wei Wu Bassoon

CLOrk   @ Montreal QC
Perry PilloyLaptop
Simon White Laptop
Marco Liy   Laptop
Frankie Fiore   Laptop
Keith Odell Laptop
Byron Edelmann  Laptop
Alexis Dionne   Laptop
Chris GormanLaptop
David FiorentinoLaptop
Charles BaleLaptop
Michael Palumbo Laptop
Evan Stepanian  Laptop
Joe Brown   Laptop
Reg Kachanoski  laptop
Eldad Tsabary   Director / conductor

Email me for more details
Cheers
Eldad

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[PD] [PD-announce] Concordia Laptop Orchestra + UCSDUCI's Transcenders + Edinburgh's Mustek @ the Birmingham Network Music Festival

2013-02-21 Thread eldad tsabary
Dear Friends

Concordia Laptop Orchestra will perform this Saturday morning (sometime between 
11:00 AM to 12 PM EST) at the Birmingham Network Music Festival with two 
acoustic ensembles in three locations: The Transcenders @ UC San Diego and 
Irvine and Mustek @ Edinburgh (29 performers in total).

You are invited to experience the performance in one of the following options:

1. in 8 channels at Concordia Music Department (John Molson building, 1450 Guy 
Street, 8th floor, room 245, Montreal)
2. in 4 channels at the Birmingham Network Music Festival (The Edge, 79-81 
Cheapside Digbeth, Birmingham, UK B12 0QH)
3. Online (audio) at  http://mixlr.com/eldad-tsabary

The telematic ensemble will perform the piece Small World Network (2013), 
created for this event 
See program notes here: 
http://networkmusicfestival.org/programme-2/performances/clork/

Summary:
A performance by a telematic mixed ensemble (29 players) including Concordia 
Laptop Orchestra @ the Birmingham Network Music Festival

Datetime: 
Sat, March 23rd 11:18 (approximate time… )
The concert begins at 10 AM EST (7 AM PST, 3 PM GMT)

Location:
Montreal, San Diego, Irvine, Edinburgh, Birmingham,  online

Performers:

Můstek  @ Edinburgh, Scotland
Lauren Sarah Hayes  piano
Christos Michalakos drums

The Transcenders@ UC San Diego
Elisabet Curbelosoprano/piano
Marcelo F. Lazcano  guitar
Joshua Charney  piano
Mark DresserBass
Jon Forshee Guitar
Judith Hamann   Cello
Michael Ricca   Audio
Yeung-ping CHEN Network

@ UC Irvine
Jared Mattson   Guitar
Jonathan MattsonDrums
Martim Galvão   Percussion
Juan David RubioPercussion
Shih-wei Wu Bassoon

CLOrk   @ Montreal QC
Perry PilloyLaptop
Simon White Laptop
Marco Liy   Laptop
Frankie Fiore   Laptop
Keith Odell Laptop
Byron Edelmann  Laptop
Alexis Dionne   Laptop
Chris GormanLaptop
David FiorentinoLaptop
Charles BaleLaptop
Michael Palumbo Laptop
Evan Stepanian  Laptop
Joe Brown   Laptop
Reg Kachanoski  laptop
Eldad Tsabary   Director / conductor

Email me for more details
Cheers
Eldad

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[PD] [PD-announce] Fwd: [cec-c] Live Telematic Jam Tonight!

2013-02-07 Thread eldad tsabary
Hi all, 
The live telematic laptop jam will webcast 6:15-6:45 on NAISA radio
http://www.naisa.ca/webcast/



Begin forwarded message:

 From: Julian Brooks jbee...@gmail.com
 Subject: [cec-c] Live Telematic Performance Tonight!
 Date: 7 February, 2013 11:14:13 AM EST
 To: pd-annouce pd-annou...@iem.at, eightycolumn 
 eightycol...@multiplace.org, cec-confere...@googlegroups.com, 
 livec...@toplap.org
 Reply-To: cec-confere...@googlegroups.com
 
 Dear all,
 
 This evening (Thursday 7th February)
 
 6 - 6.45pm EST / 11 - 11.45pm GMT
 
 There will be a live telematic performance with a concurrent internet 
 audio-stream kindly provided by NAiSA
 
 Featuring:
 CLOrk (Montreal, CA)
 Members of The Cybernetic Orchestra (Hamilton, CA)
 Julian Brooks (HELOpg) UK
 
 Live Coding, Improvisation, Text Scores, Beats and Pieces and other 
 telematically induced weirdness.
 
 All welcome so please bring your ears along and join us if you are feeling so 
 inclined:
 
 http://www.naisa.ca/
 
 -- 
 You received this message because you are subscribed to the Google Groups 
 CEC-Conference group.
 To unsubscribe from this group and stop receiving emails from it, send an 
 email to cec-conference+unsubscr...@googlegroups.com.
 For more options, visit https://groups.google.com/groups/opt_out.
  
  

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[PD] online video conferencing

2013-02-06 Thread eldad tsabary
Hi all,
I am looking for an accessible way to do a video conference with multiple 
parties (4 or 5) for a telematic performance.
The bandwidth is there and visual latency is not an issue in this case. 
Any ideas about a stable platform for this would be greatly appreciated.

In the past I worked with Access Grid, which was quite stable, but is very 
tricky to install on Snow Leopard and doesn't work at all on Lion and later. It 
still works on Windows, but not all the parties can get a Windows system,
Google Hangout should work (I haven't tested it yet) but it doesn't allow you, 
to my knowledge, to separate the video windows and reorganize them on the 
screen.

There are some paid cloud-conferencing services that can work for this, but as 
far as I know they work on subscription. If you know of such a service that 
allows renting a video conferencing service temporarily that could be helpful 
too.

Many thanks for any help
Eldad


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Re: [PD] online video conferencing

2013-02-06 Thread eldad tsabary
This is an awesome tool
Do you know their costs?
Thanks
Eldad



On 2013-02-06, at 7:04 PM, Pagano, Patrick wrote:

 Look at IOCOM 
 
 Sent from my iPhone
 
 On Feb 6, 2013, at 6:02 PM, eldad tsabary tazberryd...@gmail.com wrote:
 
 Hi all,
 I am looking for an accessible way to do a video conference with multiple 
 parties (4 or 5) for a telematic performance.
 The bandwidth is there and visual latency is not an issue in this case. 
 Any ideas about a stable platform for this would be greatly appreciated.
 
 In the past I worked with Access Grid, which was quite stable, but is very 
 tricky to install on Snow Leopard and doesn't work at all on Lion and later. 
 It still works on Windows, but not all the parties can get a Windows system,
 Google Hangout should work (I haven't tested it yet) but it doesn't allow 
 you, to my knowledge, to separate the video windows and reorganize them on 
 the screen.
 
 There are some paid cloud-conferencing services that can work for this, but 
 as far as I know they work on subscription. If you know of such a service 
 that allows renting a video conferencing service temporarily that could be 
 helpful too.
 
 Many thanks for any help
 Eldad
 
 
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[PD] data structures in abstractions

2012-11-27 Thread eldad tsabary
Hello all
Is there a way to include a data structure graphical shape (filledpolygon for 
example) inside an abstraction's graph on parent?
I saw that when trying to add a graph on parent in the data window it messes up 
everything.
Thanks
Eldad



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Re: [PD] data structures in abstractions

2012-11-27 Thread eldad tsabary
Great
It works fairly well with graph on parent of the subpatch (datawindow)
However, if I try to make the entire patch into an abstraction and have a graph 
on parent of the main window containing the graph from the subpatch it doesn't 
work so well.
It seems to display in another patch but buggy, and it also doesn't allow me to 
drag and drop the polygon joints.
Do you know if this should work and how?
Many thanks again
Eldad




 

On 2012-11-27, at 3:09 PM, Jonathan Wilkes wrote:

 - Original Message -
 
 From: eldad tsabary tazberryd...@gmail.com
 To: pd-list@iem.at
 Cc: 
 Sent: Tuesday, November 27, 2012 1:48 PM
 Subject: [PD] data structures in abstractions
 
 Hello all
 Is there a way to include a data structure graphical shape (filledpolygon 
 for 
 example) inside an abstraction's graph on parent?
 I saw that when trying to add a graph on parent in the data window it messes 
 up 
 everything.
 Thanks
 Eldad
 
 Hi Eldad,
  You have to adjust the x range and y range in the canvas properties to 
 be in
 agreement with the x and y size in the canvas properties.  So if x size is 
 85, make
 the range 0 to 84, and do a similar process for the y.
  I think it's done this way for Put menu arrays where you would have a 
 different
 y range depending on the situation.  However, drawing instructions like 
 [plot] give the
 ability to scale the values of a scalar to some screen pixel range so I don't 
 get why
 this range business is part of the canvas properties (or the canvas class 
 for that
 matter).
 
 -Jonathan
 
 
 
 
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Re: [PD] data structures in abstractions

2012-11-27 Thread eldad tsabary
Thanks Jonathan
You are a magician. You said it works, so now it does no bugs.
The only thing I can't get rid of is the datawindow name appearing in the graph 
on parent. No matter how many times I turn it off, once I save it and load it 
again, it comes back on.
The name of the main graph on parent does not show, only of the subpatch
I attached the abstraction here
Cheers
Eldad






randomPolygon.pd
Description: Binary data


randomPolygon-help.pd
Description: Binary data



On 2012-11-27, at 11:11 PM, Jonathan Wilkes wrote:

 - Original Message -
 
 From: eldad tsabary tazberryd...@gmail.com
 To: pd-list@iem.at
 Cc: 
 Sent: Tuesday, November 27, 2012 10:31 PM
 Subject: Re: [PD] data structures in abstractions
 
 G reat
 It works fairly well with graph on parent of the subpatch (datawindow)
 However, if I try to make the entire patch into an abstraction and have a 
 graph 
 on parent of the main window containing the graph from the subpatch it 
 doesn't work so well.
 It seems to display in another patch but buggy, and it also doesn't allow me 
 to drag and drop the polygon joints.
 Do you know if this should work and how?
 Many thanks again
 Eldad
 
 Works for me-- I don't get any difference between gop subpatch (or nested 
 subpatches)
 vs. gop abstraction.  I can click and drag the joints the same as before.
 
 What is buggy?
 
 -Jonathan
 
 
 
 
 
 
 
 On 2012-11-27, at 3:09 PM, Jonathan Wilkes wrote:
 
 - Original Message -
 
 From: eldad tsabary tazberryd...@gmail.com
 To: pd-list@iem.at
 Cc: 
 Sent: Tuesday, November 27, 2012 1:48 PM
 Subject: [PD] data structures in abstractions
 
 Hello all
 Is there a way to include a data structure graphical shape 
 (filledpolygon for 
 example) inside an abstraction's graph on parent?
 I saw that when trying to add a graph on parent in the data window it 
 messes up 
 everything.
 Thanks
 Eldad
 
 Hi Eldad,
   You have to adjust the x range and y range in the canvas properties 
 to 
 be in
 agreement with the x and y size in the canvas properties.  So if x 
 size is 85, make
 the range 0 to 84, and do a similar process for the y.
   I think it's done this way for Put menu arrays where 
 you would have a different
 y range depending on the situation.  However, drawing instructions like 
 [plot] give the
 ability to scale the values of a scalar to some screen pixel range so I 
 don't get why
 this range business is part of the canvas properties (or the 
 canvas class for that
 matter).
 
 -Jonathan
 
 
 
 
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[PD] [PD-announce] Free events: Wed, Oct 17th - Adam Basanta talk (CESSA) / Panel about Ryoji Ikeda's work (DHC/ART)

2012-10-15 Thread Eldad Tsabary
Hi all,

Concordia Electroacoustic Studies Student Association(CESSA) is hosting a guest 
lecture by Adam Basanta this coming Wednesday at 5 PM at Concordia University. 
MB Building, 1450 Guy Street; Room 8.245; Montreal, Quebec. 
The place to B!

See the blog for info: http://cessa.music.concordia.ca/blog/?p=826
and Facebook event page: http://www.facebook.com/events/397739270297758/

The talk will be followed by a goodie-assisted reception / hang-out 

Once your brain and belly are filled up you are also invited to join a panel 
discussion about Ryoji Ikeda's work at the PHI Centre, starting 7 PM with four 
panellists: Sha Xin Wei,  Gisèle Trudel, Eldad Tsabary, Yan Breuleux
Location:  PHI Centre , 407, rue St-Pierre, Montreal

See info here: http://www.dhc-art.org/en/events/dissections-ryoji-ikeda 


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[PD] Wireless MIDI sync via OSC (on PD) - a video tutorial

2012-08-30 Thread Eldad Tsabary
Hi all,

Recently I created a wireless OSC/MIDI sync setup on PD for Concordia Laptop 
Orchestra (inspired by David Ogborn's work with the McMaster Cybernetic 
Orchestra), which may be of interest to others who are looking for a fairly 
accessible way to make beat-based music with a laptop ensemble.

The tools include a master metronome, and a step sequencer which allows 
creating and performing beats with sampled sounds in real time as well as 
converting the OSC-based metronome to the more standard MIDI sync (therefore 
allowing typical widely-used sequencers on the same wireless sync setup). When 
configured patiently, this setup proved to be extremely stable.

Here's a fairly straight-forward video tutorial on how to set such a network 
connection up and how to use these tools.
http://youtu.be/liqOkAEEUL0

Let me know what you think.

Cheers
Eldad




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[PD] Filter / array

2012-08-19 Thread Eldad Tsabary
Hi all,
Does anyone know if the object [filtersme2~] which is listed as an extended 
object for array-controlled audio filter exists somewhere?
If not, do you know of another existing filter with this kind of versatility 
(and ease of use)?
Thanks
Eldad


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[PD] variable number of outlets/inlets

2012-08-10 Thread Eldad Tsabary
Hi,
How does one create an abstraction with a variable number of outlets (depending 
on the number of arguments)?
Thanks
Eldad


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[PD] [PD Announce] Hug The World with Us - A Telematic Jam Session for Deep Wireless (May 1st)

2012-04-29 Thread Eldad Tsabary
Please spread the word...

This Tuesday, May 1st 15:00 - 21:00 (Montreal time)
A webcast on NAISA's Radio
As part of Deep Wireless 2012 Festival

Hug the World is a 6-hour-long worldwide telematic jam session, organized at 
Concordia Electroacoustics as part of the NAISA's Deep Wireless Festival 2012. 

The Jam session includes performances of artists from 50 locations around the 
world, including US, Canada, Costa Rica, Mexico, Argentina, Brazil, Chile, UK, 
Ireland, Netherlands, Italy, Germany, Denmark, Norway, Sweden, Spain, Greece, 
China, Japan, Australia, and New Zealand. 

Audience around the world is invited to join the event's webcast on the Deep 
Wireless Radio (http://www.naisa.ca/webcast/index.html) or locally at 
Concordia's Music Department (see address below) 

The theme of Deep Wireless 2012 is Freedom. 

When: Tuesday, May 1st, 2012, from 3:00 pm to 6:00 pm (Eastern time, GMT-4), 
you may use time zone converter to find out your local time 
(http://www.timeanddate.com/worldclock/converter.html)

Where: MB Building, 8th floor MB8.245 
Concordia University,
1450 Guy Street T

Potential performers include: Alessandro Fogar,Bernardo Piñero, Bridges Ben, 
Budhaditya Chattopadhyay, Byron Dean, C.R. Kasprzyk, Chusé Fernández, Claudio 
Rivera-Seguel, Constantine Katsiris, Damaris Baker, Dan Godston, Das Bluul, 
David Ogborn, Doug Van Nort, Ede Cameron, Eliana Rosales, Elizabeth De Vegt, 
Ernesto Romeo, Florian Hartlieb, Gerardo Della Vecchia, Gregory Emfietzis, Gro 
Sarauw, Guillaume Loizillon, Hans Clebsch, Ian Whalley, Ian and Laura Birse, 
Ivan Sanchez, Ivan Zavada, Jeffrey Sinibaldi, Jennifer Ruzicka, Jimmy 
Miklavcic, Joel Ong, Johannes Bergmark, john sobocan, Jon Aveyard, José (Tuti) 
Fornari, Juan A. Romero, Juan De Cicco, Judy Dunaway, Julian Brooks, Julian 
Scordato, Kieran Ruffles, Lukas Simonis, marcella mandanici, Marcos Fernandes, 
Martin Back, Michael Palumbo, Roger Mills, Natalia Pajariño, Norah Lorway, 
Pablo Anglade, Per Platou, Pierre Jolivet, Pierre Massat, Raphael Roter, Raúl 
Minsburg, Ricardo Dal Farra, richard moule, Robert MacKay, Sally McIntyre, 
Scott Colburn, Sharon Stewart, Stefan Smulovitz, Stelios Giannoulakis, Steven 
Hall, Travis Johns, Ximena Alarcon, and others.

Organizers: 
Eldad Tsabary, Concordia University
Darren Copeland, NAISA
Nadene Thériault-Copeland, NAISA

Technical and organizational assistance:
Joe Browne, Elena Stoodley, Ricardo Dal Farra

Our Facebook Page: http://www.facebook.com/events/389324054446220/ 
Announcement on Concordia's website: 
http://music.concordia.ca/news-and-events/events/hug-the-world-telematic-jam-session.php
Deep Wireless Festival: http://www.naisa.ca/deepwireless/

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[PD] [PD-announce] Dance, Music, Laptop Orchestra (Ⓓ☊∈∀)

2012-04-03 Thread Eldad Tsabary
Ⓓ☊∈∀ 
Dance, Music, Laptop Orchestra

This Wednesday 4/4 at 5PM, Concordia Electroacoustics and Dance students 
collaborate in an afternoon dance show featuring a series of one-minute long 
dance/EA pieces by advanced students and a performance of Concordia Laptop 
Orchestra (CLOrk) with dance.

The Orchestra performance will feature group-beat-making through CLOrk's 
proprietary OSC/MIDI WLAN-Sync (programmed in PD).  

The audience is invited to walk inside the performance area, among the dancers 
and live musicians, during the show. 
Snacks will be served.

Admission is free
Wednesday April 4th 2012 @ 5PM 

Address: 
Black Box studio (265), 
7th floor, John Molson (MB) Building 
Concordia University
1455 Guy Street (corner de Maisonneuve W.) 
Montreal QC Canada
Guy-Concordia Metro

The show is organized by Concordia's Contemporary Dance and Music departments

Including pieces by:
Chris Gorman, Jared Jukes, James Piggott, Greg Marino, Patrick McDowell, Ryan 
White, Ryan McNabb, Elena Stoodly, Bobby Lehoux, Michael Baker, Kevin KcDonald, 
Karim Lakhdar, Daniel Kaga, Frankie Fiore, Marguerite Luu, Suki Benning, David 
Fiorentino, Camilo Gidi, and Charles Bale

Dancers:
Sophia Wright, Auja Ragnarsdottir, Pascale Yensen, Greg Selinger, Levana 
Prud'homme, Emilia Gallo, Maxine Segalowitz, Olivia Filippo, Aditi Dixit, 
Melinda Ellerton, Laura Battcock, Breanna Harvey, Michaela Gerussi, Vero Dalo, 
Veronique Ranger, Tanya Cyr, Emmalie Ruest

Concordia Laptop Orchestra:
Michael Baker, Jeffrey Clifford, Pat De Luca, Frankie Fiore, Sophie Genest, 
Camilo Gidi, Kevin Jamey, Karim Lakhdar, Emily Laliberte, Fernando Leppe, Kevin 
McDonald, Kris McDougall, Ralph Nakhle, Andy Poblete, Elena Stoodley, Stephen 
Trepanier, Justin Trubiano, and Matt Wood

Organizers: 
Prof. Silvy Panet-Raymond (Dance) 
Prof. Eldad Tsabary (Electroacoustics) 

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[PD] [PD-announce] Come Jam with us, wherever you are: A call for performances

2012-02-07 Thread Eldad Tsabary
A call for telematic performances for Deep Wireless Festival X, 1 May 2012

We are looking for individuals and ensembles from around the world to perform 
over the Internet on May 1st 2012 as part of the 10th anniversary of Deep 
Wireless, organized by New Adventures in Sound Art (Toronto).

The performances will be part of a webcasted six-hour-long, worldwide jam 
session, which will be coordinated from the music department at Concordia 
University in Montreal. 

Performers are invited from everywhere around the world, as long as they have 
access to high-speed broadband Internet and do not mind performing at 
potentially strange hours of the day (or night). 

Additionally, for a collaborative telematic piece titled “Hug the world,” 
proposals are particularly encouraged from Asia, Africa, South America, 
Australia and New Zealand, and as far north and south in the globe as possible.

The programming theme for Deep Wireless 2012 is Freedom and we ask participants 
to consider what that means from their cultural and artistic perspective.

Experience with telematics is not required!

How to propose:
Send an initial expression of interest to hugtheworld2...@gmail.com 
Please include the following details in your email:
Location
Ensemble size
Ensemble type (live electronics, laptops, instruments, etc.)
Experience with telematics and jacktrip
Any questions you have
You will receive additional information about logistics, training, testing, and 
performance times, etc.

If this is of interest to you, you are encouraged to communicate with us as 
early as possible. It will assure proper consideration and preparation of 
logistical matters on both ends.

About the festival:
Founded in 2002, Deep Wireless Festival of Transmission Art is an annual 
festival based in Toronto that celebrates the endless possibilities of wireless 
and other forms of transmission in the arts. 
http://www.naisa.ca
 

Electroacoustics @ Concordia University:
http://music.concordia.ca/

Organizers:
Eldad Tsabary (Concordia University), Telematic jam session coordinator
Darren Copeland (NAISA), Artistic director
Nadene Thériault-Copeland (NAISA), Managing director


Acma-l Mailing List
http://list.waikato.ac.nz/mailman/listinfo/acma-l
ACMA Web site  http://www.acma.asn.au/
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Re: [PD] PD on iPhone

2011-10-09 Thread Eldad Tsabary
Thanks all
Any quick guidelines on how to get it done with RJDJ?
Happy thanks giving
Eldad


On 2011-10-09, at 1:01 PM, Hans-Christoph Steiner wrote:

 
 I'll second using the rjdj app on iPhone, for Android, use PdDroidParty.  
 PdDroidParty on Android looks to be the best mobile Pd dev platform these 
 days.
 
 http://mccormick.cx/projects/PdDroidParty/
 
 .hc
 
 On Oct 9, 2011, at 11:13 AM, Eldad Tsabary wrote:
 
 Hello
 Does anyone here have experience with getting PD to work on iPhone or 
 Android (using libpd or something else?)
 Thanks
 Eldad
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 As we enjoy great advantages from inventions of others, we should be glad of 
 an opportunity to serve others by any invention of ours; and this we should 
 do freely and generously. - Benjamin Franklin
 
 


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[PD] Last chance to register to Understanding Visual Music 2011 (register by August 19th)

2011-08-16 Thread Eldad Tsabary

*Registration is open (free) for Understanding Visual Music 2011*

Registration is now open for the Understanding Visual Music conference 
at Concordia University in Montreal on 26/27 of August 2011. *Register 
to reserve a seat until August 19th!*


Register here: http://uvm2011.hexagram.ca/registration.html

**

*Description*

A two-day conference focused on developing an understanding of the 
practice of visual music, its definition, related creative and 
perceptual considerations, current trends, technological innovation, and 
possible future directions.


The event will take place on Friday the 26th and Saturday the 27th of 
August 2011 and will include paper sessions, panels, and creative works 
presentations.


**

*Featured presenters, curators, and artists:*

Jean Gagnon, Jean Piché, iota center, Dennis Miller, and Lumínico

**

*Paper presenters: *

Brian Evans, Angus Forbes, Mark Franz, Adrian Freed, Andrew Hill, 
Randolph Jordan, Jaroslaw Kapuscinski, Laurie Radford, Lewis Sykes, Jan 
Thoben, Adam Tindale, Ewa Trebacz, Luigi Allemano, Joseph Hyde, Eleni 
Michaelidi, and Xárene Eskandar


**

*Artists:*

Jean Detheux, Dennis Miller, Jane Cassidy, Emilie LeBel, Alison Loader, 
Samuel Pellman, Jean Piché, Insook Choi, Maura McDonnell, Joseph Hyde, 
Mark + Laura Cetilia, Bruno Degazio, Terry Gambarotto, Patrick 
Saint-Denis, Jaroslaw Kapuscinski, Julien-Robert Legault Salvail, Donna 
Hewitt, Angus Forbes


*Background*

The term visual music is a loose term that describes a wide array of 
creative approaches to working with sound and image. It may refer to 
visualized music in which the visual aspect follows the sound's 
amplitude, spectrum, pitch, or rhythm, often in the form of light shows 
or computer animation, while in other instances it may refer to image 
sonification in which the audio is drawn from the image in some 
fashion. Sometimes visual music describes a non-hierarchical correlation 
between sound and image, in which both are generated from the same 
algorithmic process, while in other instances, they are layered without 
hierarchy or correlation altogether. Both sound and image may be 
presented live, fixed, or as part of an interactive multimedia installation.


More information is available on the conference website: 
http://uvm2011.hexagram.ca


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[PD] 60x60 Canada 2011 @ Toronto Electroacoustic Symposium Today

2011-08-10 Thread Eldad Tsabary

*60x60 Canada 2011 @ Toronto Electroacoustic Symposium*

*Artscape Wychwood Barns, 601 Christie Street, Toronto
Today August 11^th 2011, noon***

**

The 2011 Canadian 60x60 mix will be presented on August 11^th 2011 at 
noon as part of the Toronto Electroacoustic Symposium (TES) at the 
Artscape Wychwood Barns, 601 Christie Street, Toronto.


60x60 contains 60 works from 60 different composers. Each composition 
is 60 seconds (or less) in duration sequenced together to create a one 
hour performance. Highlighting the work of a great many composers, 60x60 
testifies to the vibrancy of contemporary composition by presenting the 
diverse array of styles, aesthetics and techniques being used today.


60x60 was founded in 2003 by Rob Voisey and was presented in close to 
300 concerts, dance shows, and multimedia installations worldwide. The 
Canadian 60x60 is a project organized by Vox Novus in collaboration with 
the Canadian Electroacoustic Community (CEC), containing 60 compositions 
by 60 different Canadian composers.


The current presentation at TES will be hosted by Tova Kardonne using 
the traditional 60x60 format: a fixed media presentation of the pieces 
synchronized with a large analog clock.


Information about TES is available here:
http://cec.sonus.ca/events/TES/2011/

Information about 60x60:
http://www.voxnovus.com/60x60.htm

For more information you may contact:

Eldad Tsabary, Director
Canadian 60x60
canadian60...@gmail.com mailto:canadian60...@gmail.com

*60x60 Canada 2011*

1. Gustav Ciamaga - It's About Time Again
2. Tova Kardonne -- defibrilla
3. Soressa May Gardner - but for a moment
4. Sarah Boothroyd -- You
5. Matthew Reid - Four About Four -- ONE
6. Jackson Darby - Not Reason But Habitual
7. Adam Basanta - Singular Plural
8. Michael Baker - wire forest, wooden sea.
9. Victor Manuel Garibaldi - Elitism 2
10. Emilie Payeur - Short Study
11. David Kettle - Mayor Ford
12. Stephen Rieck -- DTHR
13. Neil T. Griffith - 1 minute about time - Alice Nocturnal
14. Brian Quaye - The African Piano Student
15. Ambrose Pottie -- Geoffrey
16. Edan Scime Stokell - This Is A Box - Quodlibet 2010
17. Paul McFetridge -- Experiencer
18. James Finnerty - Tines Machine
19. Steve Lalonde -- Immanentisme
20. Yota Kobayashi -- Kakusei
21. Jeremy Hiebert -- Geometric
22. Luke Scriver - Brass Monks
23. Peter Cavell -- Credo
24. Scott M2 - Cloud Seven
25. Florence Masson -- Granulated
26. Rose Bolton - Shoreditch Distant Memory
27. William J. Blakeney - Saint's Rest II
28. Pierre Desmarais - déluge 1 -- flémèche
29. Zoe Bacchus - Cellular Activity
30. Keri Matthews - Aqua Build
31. Teresa M. Connors -- Memory
32. Steven Naylor - Revisit 1-11: piandora
33. Paradise Lust -- Destiny
34. Mark Prier -- Sorry
35. Nicholas Dorian Schofield - Boo Radley's Eulogy
36. The Dry Heeves - My Voice Cracks When I Get Too High
37. Ede Cameron - bldr_suft
38. Meat Cove Choir -- Tether
39. Mescaline Worms -- Foreplay
40. Mark Hannesson -- ninpt
41. Vulva Underground -- Clitorectomy
42. Eldad Tsabary  Yifat Cohen - Heart-Lung Machine
43. Sebastien Lavoie - Tribal Motor
44. Irfon-Kim Syed Ahmad - Rotor Fine
45. Max Evans - Beside the Landscape Scattered Everywhere
46. Guillaume Côté -- Manipulations
47. Alexander B. Matthew - Dark Twiller
48. Sylvi macCormac - WHEEL: Voices of People with Dis Abilities
49. Anthony St.Pierre -- Wailings
50. Caleb Cobell - Pacific Standard Time
51. Nimalan Yoganathan - Where does time go? (For Nina Simone)
52. Daryn Bond - bound(somewhat)determined
53. Michael Davis - Nancarrow's Dream
54. Samuel Macklin - D60
55. Kye E. Marshall - -40
56. Jonathan Desjardins - Steel wool study #5
57. Georges Forget - En l'air
58. Eric Boivin - Ghost train
59. Kenneth Babb - Spring Rain - A Free Form Haiku
60. ilkim tongur - DoubleBass

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[PD] Registration is open (free) for Understanding Visual Music 2011

2011-07-28 Thread Eldad Tsabary

*Registration is open (free) for Understanding Visual Music 2011*

Registration is now open for the Understanding Visual Music conference 
at Concordia University in Montreal on 26/27 of August 2011. *Register 
early to reserve a seat!*


Register here: http://uvm2011.hexagram.ca/registration.html

**

*Description*

A two-day conference focused on developing an understanding of the 
practice of visual music, its definition, related creative and 
perceptual considerations, current trends, technological innovation, and 
possible future directions.


The event will take place on Friday the 26th and Saturday the 27th of 
August 2011 and will include paper sessions, panels, and creative works 
presentations.


**

*Featured presenters, curators, and artists:*

Jean Gagnon, Jean Piché, iota center, Dennis Miller, and Lumínico

**

*Paper presenters: *

Brian Evans, Angus Forbes, Mark Franz, Adrian Freed, Andrew Hill, 
Randolph Jordan, Jaroslaw Kapuscinski, Laurie Radford, Lewis Sykes, Jan 
Thoben, Adam Tindale, Ewa Trebacz, Luigi Allemano, Joseph Hyde, Eleni 
Michaelidi, and Xárene Eskandar


**

*Artists:*

Jean Detheux, Dennis Miller, Jane Cassidy, Emilie LeBel, Alison Loader, 
Samuel Pellman, Jean Piché, Insook Choi, Maura McDonnell, Joseph Hyde, 
Mark + Laura Cetilia, Bruno Degazio, Terry Gambarotto, Patrick 
Saint-Denis, Jaroslaw Kapuscinski, Julien-Robert Legault Salvail, Donna 
Hewitt, Angus Forbes


*Background*

The term visual music is a loose term that describes a wide array of 
creative approaches to working with sound and image. It may refer to 
visualized music in which the visual aspect follows the sound's 
amplitude, spectrum, pitch, or rhythm, often in the form of light shows 
or computer animation, while in other instances it may refer to image 
sonification in which the audio is drawn from the image in some 
fashion. Sometimes visual music describes a non-hierarchical correlation 
between sound and image, in which both are generated from the same 
algorithmic process, while in other instances, they are layered without 
hierarchy or correlation altogether. Both sound and image may be 
presented live, fixed, or as part of an interactive multimedia installation.


More information is available on the conference website: 
http://uvm2011.hexagram.ca


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[PD] Reminder (18 June deadline) Call for papers and works - Understanding Visual Music

2011-06-13 Thread Eldad Tsabary

*Understanding**V**I**S**U**ALMusic 2011*

*Hexagram-Concordia Centre for Research Creation in Media Arts and 
Technologies*


*in collaboration with the Department of Music*

*CONCORDIA UNIVERSITY*

Montreal - Canada

August 26th and 27th, 2011

**

CALL FOR PAPERS AND CREATIVE WORKS

*_DESCRIPTION_*

A two-day conference focused on developing an understanding of the 
practice of visual music, its definition, related creative and 
perceptual considerations, current trends, technological innovation, and 
possible future directions.


The event will take place on *Friday the 26th and Saturday the 27th of 
August 2011* and will include paper sessions, roundtable discussions, 
and creative works presentations.


We are inviting researchers to present studies that address visual 
music's multiple definitions and dimensions, questions around visual 
music aesthetics and meaning, hierarchy and correlation of sound and 
image in this context, and the audience's perception thereof. Artists 
are also invited to propose visual music presentations -- both live and 
fixed. Attendance is required in both cases.


**

*_SUBMISSION PROCEDURES_*

*Paper presentation*: please use the *online submission engine *at 
http://uvm2011.hexagram.ca/ to send:  [1] an *abstract* (250 words or 
less)**and [2] a *short biography *ready for printing (250 words or 
less). Additionally send [3] *a 3-page CV as a PDF file *to 
uvm2011.concor...@gmail.com mailto:uvm2011.concor...@gmail.com.


*Visual music presentation*: please use the *online submission engine 
*at http://uvm2011.hexagram.ca/ to send: [1] the title of your *piece, 
duration*, indication whether the presentation will be *live or fixed*, 
[2] a *short description* of the proposed piece (250 words or less), [3] 
a *short biography *ready for printing (250 words or less), and [4] 
*detailed technical needs*. Also include [5] *links to audiovisual 
sample material* hosted in a *non-expiring URL* (for this reason, please 
do not send your audio-visual material using /yousendit/ or any similar 
applications, and do NOT send your audio-visual material by email) and 
[6] send a *3-page CV as a PDF file* to uvm2011.concor...@gmail.com 
mailto:uvm2011.concor...@gmail.com.


*_SESSION FORMATS_*

*Paper presentations*: each paper will be presented in person by the 
author for approx. 20 minutes followed by 5-10 minutes of discussion.


*Visual music presentations*: creative works presentations will take 
place in a visual music show that will conclude the colloquium and 
between paper sessions throughout the day.


*Roundtable discussion[s]*: an hour-long open discussion on key issues 
related to the main theme of the colloquium.


*_DATES_*

- *Deadline *for reception of proposals: *June 18th, 2011*

- *Notification* of acceptance: *June 30th, 2011*

- *Confirmation of attendance* by artist/researchers: *July 20th, 2011*

- *Colloquium* UVM2011: *August 26th-27th, 2011*

*_UVM-2011 ORGANIZERS _*

Ricardo Dal Farra (co-director)

Eldad Tsabary (co-director)

Luigi Allemano (collaborator)

*_CONTACT, INFORMATION and ABSTRACTS:_*

Email: uvm2011.concor...@gmail.com mailto:uvm2011.concor...@gmail.com

UVM2011 website: http://uvm2011.hexagram.ca/

*Understanding**V**I**S**U**ALMusic 2011*

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[PD] Call for papers and works - Understanding Visual Music

2011-05-18 Thread Eldad Tsabary

*Understanding**V**I**S**U**ALMusic 2011*

*Hexagram-Concordia Centre for Research Creation in Media Arts and 
Technologies*


*in collaboration with the Department of Music*

*CONCORDIA UNIVERSITY*

Montreal - Canada

August 26th and 27th, 2011

**

CALL FOR PAPERS AND CREATIVE WORKS

*_DESCRIPTION_*

A two-day conference focused on developing an understanding of the 
practice of visual music, its definition, related creative and 
perceptual considerations, current trends, technological innovation, and 
possible future directions.


The event will take place on *Friday the 26th and Saturday the 27th of 
August 2011* and will include paper sessions, roundtable discussions, 
and creative works presentations.


We are inviting researchers to present studies that address visual 
music's multiple definitions and dimensions, questions around visual 
music aesthetics and meaning, hierarchy and correlation of sound and 
image in this context, and the audience's perception thereof. Artists 
are also invited to propose visual music presentations -- both live and 
fixed. Attendance is required in both cases.


**

*_SUBMISSION PROCEDURES_*

*Paper presentation*: please use the *online submission engine *at 
http://uvm2011.hexagram.ca/ to send:  [1] an *abstract* (250 words or 
less)**and [2] a *short biography *ready for printing (250 words or 
less). Additionally send [3] *a 3-page CV as a PDF file *to 
uvm2011.concor...@gmail.com mailto:uvm2011.concor...@gmail.com.


*Visual music presentation*: please use the *online submission engine 
*at http://uvm2011.hexagram.ca/ to send: [1] the title of your *piece, 
duration*, indication whether the presentation will be *live or fixed*, 
[2] a *short description* of the proposed piece (250 words or less), [3] 
a *short biography *ready for printing (250 words or less), and [4] 
*detailed technical needs*. Also include [5] *links to audiovisual 
sample material* hosted in a *non-expiring URL* (for this reason, please 
do not send your audio-visual material using /yousendit/ or any similar 
applications, and do NOT send your audio-visual material by email) and 
[6] send a *3-page CV as a PDF file* to uvm2011.concor...@gmail.com 
mailto:uvm2011.concor...@gmail.com.


*_SESSION FORMATS_*

*Paper presentations*: each paper will be presented in person by the 
author for approx. 20 minutes followed by 5-10 minutes of discussion.


*Visual music presentations*: creative works presentations will take 
place in a visual music show that will conclude the colloquium and 
between paper sessions throughout the day.


*Roundtable discussion[s]*: an hour-long open discussion on key issues 
related to the main theme of the colloquium.


*_DATES_*

- *Deadline *for reception of proposals: *June 18th, 2011*

- *Notification* of acceptance: *June 30th, 2011*

- *Confirmation of attendance* by artist/researchers: *July 20th, 2011*

- *Colloquium* UVM2011: *August 26th-27th, 2011*

*_UVM-2011 ORGANIZERS _*

Ricardo Dal Farra (co-director)

Eldad Tsabary (co-director)

Luigi Allemano (collaborator)

*_CONTACT, INFORMATION and ABSTRACTS:_*

Email: uvm2011.concor...@gmail.com mailto:uvm2011.concor...@gmail.com

UVM2011 website: http://uvm2011.hexagram.ca/

*Understanding**V**I**S**U**ALMusic 2011*

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[PD] [PD-announce] Call for papers and works - Understanding Visual Music

2011-04-18 Thread Eldad Tsabary

*Understanding**V**I**S**U**ALMusic 2011*

*Hexagram-Concordia Centre for Research Creation in Media Arts and 
Technologies*


*in collaboration with the Department of Music*

*CONCORDIA UNIVERSITY*

Montreal - Canada

August 26th and 27th, 2011

**

CALL FOR PAPERS AND CREATIVE WORKS

*_DESCRIPTION_*

A two-day conference focused on developing an understanding of the 
practice of visual music, its definition, related creative and 
perceptual considerations, current trends, technological innovation, and 
possible future directions.


The event will take place on *Friday the 26th and Saturday the 27th of 
August 2011* and will include paper sessions, roundtable discussions, 
and creative works presentations.


We are inviting researchers to present studies that address visual 
music's multiple definitions and dimensions, questions around visual 
music aesthetics and meaning, hierarchy and correlation of sound and 
image in this context, and the audience's perception thereof. Artists 
are also invited to propose visual music presentations -- both live and 
fixed. Attendance is required in both cases.


**

*_SUBMISSION PROCEDURES_*

*Paper presentation*: please send *in the body of an email*: [1] an 
abstract (250 words or less) and [2] a short biography ready for 
printing (250 words or less). Additionally [3] attach a 3-page CV as a 
PDF file.


*Visual music presentation*: please include *in the body of an email*: 
[1] the title of your piece, duration, indication whether the 
presentation will be live or fixed, [2] a short description of the 
proposed piece (250 words or less), [3] a short biography ready for 
printing (250 words or less), and [4] detailed technical needs. Also 
include [5] links to audiovisual sample material hosted in a 
*non-expiring URL* (for this reason, please do not send your 
audio-visual material using /yousendit/ or any similar applications, and 
do NOT send your audio-visual material by email) and [6] attach a 
*3-page CV as a PDF file*.


*_SESSION FORMATS_*

*Paper presentations*: each paper will be presented in person by the 
author for approx. 20 minutes followed by 5-10 minutes of discussion.


*Visual music presentations*: creative works presentations will take 
place between paper sessions throughout the day and in a visual music 
show that will conclude the colloquium.


*Roundtable discussion[s]*: an hour-long open discussion on key issues 
related to the main theme of the colloquium.


*_DATES_*

- *Deadline *for reception of proposals: *June 18th, 2011*

- *Notification* of acceptance: *June 30th, 2011*

- *Confirmation of attendance* by artist/researchers:*July 20th, 2011*

- *Colloquium* UVM2011: *August 26th-27th, 2011*

*_UVM-2011 ORGANIZERS _*

Ricardo Dal Farra (co-director)

Eldad Tsabary (co-director)

*_CONTACT, INFORMATION and ABSTRACTS:_*

Email: uvm2011.concor...@gmail.com mailto:uvm2011.concor...@gmail.com **

(the UVM2011 web site will be online in a few weeks: 
http://uvm2011.hexagram.ca/ )


*Understanding**V**I**S**U**ALMusic 2011***

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[PD] Concordia Live and Interactive Electroacoustic Colloquium (26/3)

2011-03-15 Thread Eldad Tsabary

Apologies for cross-posting

*Two live-electronics events at Concordia (Montreal) in less than 10 days:
*Concordia Live and Interactive Electroacoustic Colloquium 2011 (26/3)
Concerto for T-Stick and Two Laptop Orchestras (25/3)
FREE ADMISSION

*/Concordia Live and Interactive Electroacoustic Colloquium (CLIEC) 2011/*

Concordia Hexagram Institute for Research/Creation in Media Arts and 
Technologies

In Collaboration with Concordia's Music Department (Electroacoustics)

Saturday, March 26^th 2011, 9AM-11PM
FREE ADMISSION (requires registration)

@ Concordia Music Department
MB Building, 8^th Floor
1450 Rue Guy
Montreal, QC H3H 0A1

DESCRIPTION:

A one day colloquium focusing on issues surrounding the marriage between 
electroacoustics and the performing and media arts. Topics include 
interdisciplinary collaboration, artistic and technological innovation, 
comprovisation, human-machine interface, aural and visual perception, 
laptop orchestras/ensembles, notation, preservation, stage techniques, 
audience interaction, related education and pedagogy, social and 
cultural contexts, and others.


Admission is free but requires registration.
To register follow this link: http://cliec2011.hexagram.ca/ 
http://cliec2011.hexagram.ca/ or send an email to cliec2...@gmail.com 
with the subject registration request: your name. Your registration 
will be confirmed by email.


Presenters include keynote speakers Bob Gluck and Neil Rolnick, Per 
Bloland, Thomas Ciufo, Rebecca Danard, Mara Helmuth, David Ogborn, 
Alyssa Lai, Stephanie Moore, David Rothenberg, Benjamin Schroeder, 
Isabella Stefanescu, Klaus Engel, Miles Thorogood, and Alan Tormey.


The evening concert consists of performances by Neil Rolnick and Bob 
Gluck, Liselyn Adams (with Jérôme Delapierre, Navid Navab, and Pamela 
Reimer), Adam Basanta, Thomas Ciufo, Rebecca Danard and Mara Helmuth, 
and KimMin Kyu.


More information is available on http://cliec2011.hexagram.ca/ 
http://cliec2011.hexagram.ca/


*/Concerto for T-Stick and two laptop orchestras/*

Friday, March 25^th 2011, 8PM
FREE ADMISSION!

DB Clarke Theatre
Concordia University, Hall Building
1455 De Maisonneuve Blvd. West
Montreal QC

Thirty laptopists from The Concordia Laptop Orchestra (CLOrk) and 
McMaster's cybernetic orchestra will collaborate with T-Stick performer 
D. Andrew Stewart in a live performance at the DB Clarke Theatre.


The concert will also include networked performances by CLOrk and The 
Cybernetic Orchestra, utilizing inter-client communication and control 
over wifi.


The Cybernetic Orchestra is directed by David Ogborn and CLOrk is 
directed by Eldad Tsabary.


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Re: [PD] [Pdmtl] Open sound control in windows

2010-12-21 Thread Eldad Tsabary
Yes. It's a good idea. But yes, it will also mean we need a wireless router 
(which I did already request, but might have to buy on my own).

Thanks!
E

--
From: Michal Seta m...@artengine.ca
Sent: Tuesday, December 21, 2010 2:36 AM
To: Eldad Tsabary tazberry_d...@yahoo.ca
Cc: Alexandre Quessy alexan...@quessy.net; pd-list@iem.at; 
pd...@lists.artengine.ca

Subject: Re: [Pdmtl] Open sound control in windows


Well, in that case, in order to solve the classroom issue, I would run
one mac with OSCulator, connect as many wiimotes as you need and send
the OSC messages to different addresses of the different people who
will catch the respective signals with Pd.  I don't know if OSCulator
can broadcast on the subnet (I don't see why not) but
[mrpeach/udpsend] can, so alternatively you could gather all wiimotes'
OSC in one local Pd patch and broadcast all your wiimotes, and the
class selectively catches the wiimotes with [routeOSC].  Of course
every computer will have to be on the same network and they all have
to listen on the same port.

./MiS

On Mon, Dec 20, 2010 at 10:27 PM, Eldad Tsabary tazberry_d...@yahoo.ca 
wrote:

Thank all
I am looking at using a Wii mote at first in a classroom situation, in 
which

some have windows, some mac os (and maybe some a Linux distribution) and
trying to avoid having two very different approach of making it work
E


--
From: Michal Seta m...@artengine.ca
Sent: Monday, December 20, 2010 9:06 PM
To: Alexandre Quessy alexan...@quessy.net
Cc: Eldad Tsabary tazberry_d...@yahoo.ca; pd-list@iem.at;
pd...@lists.artengine.ca
Subject: Re: [Pdmtl] Open sound control in windows


On Mon, Dec 20, 2010 at 4:42 PM, Alexandre Quessy alexan...@quessy.net
wrote:


Well, you could write a Python script that uses python-pypm (portmidi
bindings) and python-txosc. (OSC for Twisted)


And if you want to avoid the Twisted dependency (and additional
cruft?) you can go for pyOSC which is, AFAIK, a fairly thorought OSC
implementation

https://trac.v2.nl/wiki/pyOSC

./MiS


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[PD] 60 pieces, 60 dances, live video, multichannel audio, 1 hour, free admission (Montreal, this Friday)

2009-12-03 Thread Eldad Tsabary

When:
December 4, 2009 at 8 p.m.

Where:
Oscar Peterson Concert Hall - 7141 Sherbrooke St. W. Montreal (take the 
105 bus from Metro Vendome)


Cost:
Admission is free of charge. Everyone welcome.

60X60 DANCE CANADA is a project containing 60 solo choreographies to 60 
electroacoustic pieces by 60 Canadian composers, each piece 60 seconds 
or less in duration. The pieces are sequenced together without pause to 
form an exactly one hour long performance. The sound will be projected 
in multichannel through 8 loudspeakers, and the dance and music will be 
accompanied by live video projection of an analog clock, spectrographic 
images, and dance footage. This event is the third (and biggest) of the 
Canadian 60x60 Dance, organized by Eldad Tsabary, Violaine Morinville, 
Tim Sutton, and Rob Voisey. Through this inter-artistic hour-long 
collaborative creation, 60x60 seeks to support and highlight the 
contemporary art community. This show is presented in collaboration with 
the Canadian Electroacoustic Community (CEC).


Information and poster here:
http://60x60.yaeldad.com/60x60danceCanada.pdf
http://finearts.concordia.ca/newsandevents/events/60x60-dance.php
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[PD] 5-7 Nov EuCuE concert series - La primaut é de l’oreille/ Primacy of the ear

2008-11-03 Thread Eldad Tsabary





  La version
française suit la version anglaise
 Apologies
for cross postings
 
Concordia University’s Music Department (Electroacoustic Studies)
is
happy to announce:
ÉuCuE
27ii – La primauté de l’oreille/ Primacy of the ear
Six
concerts of
multi-channel electroacoustic pieces featuring works by 140
composers
from Canada, England, Scotland, USA, Australia, Greece, Denmark,
Iceland,
Holland, Germany, Austria, Italy, Lithuania, 
Japan, Venezuela, Mexico, and Israel.
The concerts will
feature:

* Two Canadian 60x60 mixes diffused in 10.1
speaker system and accompanied by spectrographic
images (works by Francis Dhomont, Tim Hecker, Christian Calon, Nancy
Tobin, I
am Robot and Proud, Laurence Stevenson, and many others)
*
A presentation of Stockhausen’s
Kontakte (1961) in 4 channels with a special introduction by Kevin
Austin
* A world premiere of the
original long version in 4 channels of
Koenig’s Klangfiguren II (1956)
* Presentation of Truax’s
Journey to the Gods (1973),
the first real-time implementation of FM synthesis
* Visiting lecturer:
Canadian sound artist Tim Hecker
(Tuesday 4 Nov 12:30 in RF-110 at Loyola Campus, limited space)

All concerts will take
place at Oscar Peterson Concert Hall,
Concordia University, 7141 Sherbrooke W.
 
Times:
Wednesday Nov 5th
19:30
Thursday Nov 6th
14:30, 16:30, 19:30
Friday Nov 7th
16:00, 19:30
 
FREE ADMISSION
 
For full schedule and
more information visit: http://cessa.ca 
or contact the
organizer Eldad Tsabary [EMAIL PROTECTED],(514)
848-2424 #4709
 
 
 
 
 
 
Le département de
musique de l'Université Concordia (Études Électroacoustiques)
est heureuse de vous presenter:
 
ÉuCuE
27ii – La primauté de l'oreille/ Primacy of the ear: 
Six concerts de pièces
électroacoustiques en canaux multiples et
présentant le travail 140 compositeurs du Canada, d'Angleterre,
d'Écosse, des États-Unis, d'Australie, de Grèce, du Danemark,
d'Islande, de
Hollande, d'Allemagne, d'Autriche, d'Italie, de Lithuanie, du Japon, du
Venezuela, du Mexique et d'Israël.

Ces concerts vous proposent: 

* Deux collectifs 60x60 Canadien diffusés sur un système de
haut-parleurs 10.1 et accompagnés par des images spectrographiques
(œuvres de Francis
Dhomont, Tim Hecker, Christian Calon, Nancy Tobin, I am Robot and
Proud,
Laurence Stevenson, et bien d'autres)

* Une présentation de Kontakte (1961) par Karlheinz
Stockhausen en 4
canaux précédée d'une introduction spéciale par Kevin Austin

* La première mondiale de la version longue en 4 canaux de Klangfiguren
II (1956) par Gottfried Michael Koenig

* Une présentation de Journey to the Gods (1973) par Barry
Truax,
la première implémentation en temps réel de la synthèse FM

* Notre conférencier invité: Tim Hecker, artiste sonore canadien
(Jeudi
4 novembre à 12h30, à la salle RF-110 du campus Loyola, places limitées)

Tous les concerts auront lieu à la Salle de concert Oscar Peterson
de
l'Université Concordia, au 7141 Sherbrooke ouest.

Dates et heures:
Mercredi 5 novembre à 19h30
Jeudi 6 novembre à 14h30, 16h30 et 19h30
Vendredi 7 novembre à 16h00 et 19h30

ENTRÉE LIBRE
Pour un horaire plus
détaillé et de plus amples informations, visitez le http://cessa.ca 
ou contactez
l'organisateur, Eldad Tsabary par courriel à [EMAIL PROTECTED]
ou par téléphone, (514) 848-2424 #4709





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[PD] Deadline extension: A Call for works / Ap pel d’oeuvres - Canadian 60x60 (15 April)

2008-04-03 Thread Eldad Tsabary

Hello list

The submission deadline for the Canadian 60x60 has been extended to 15 
April.

Vox Novus, in collaboration with the Canadian Electroacoustic Community 
(CEC), is inviting composers to submit recorded works 60 seconds or less 
in duration to be included in the first Canadian version of the annual 
60x60 project.

For submissions consult our website at http://www.60x60.yaeldad.com
Questions: email [EMAIL PROTECTED] mailto:[EMAIL PROTECTED]

More information can be found at:
http://www.voxnovus.com/60x60.htm (International 60x60)
http://cec.concordia.ca (Canadian Electroacoustic Community)
http://sonus.ca (SONUS, the CEC's online electroacoustic Jukebox)


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[PD] A Reminder: A Call for works / Appel d’ oeuvres - Canadian 60x60 (31 March)

2008-03-20 Thread Eldad Tsabary
 information should be included in an electronic format on the 
CDR; do not send paper copies.

3. The CDR must be labeled with the composer's name and email address.

4. No material will be returned.

5. Mail your CDR no later than 31 March 2008 (postmarked) to the 
following address:

CEC / Canadian 60x60 (att. Eldad Tsabary)
RF - 310
Department of Music, Concordia University
7141 Sherbrooke West
Montreal, Quebec, H4B 1R6

Selection:
1. Pieces will be selected by a jury of composers, sound artists, and 
educators.
2. Selected pieces will be announced on 31 August 2008.

Email questions about the submission process and about the project to
Eldad Tsabary [EMAIL PROTECTED] mailto:[EMAIL PROTECTED].





SUBMISSION FORM

Name (Last, first):
__ 


Composition title:
__ 


Duration:
__ 


Street Address:
__ 


City, Province, Country, Postal Code:
__ 


Email Address:
__ 


Website:
__ 


Phone Number(s):
__ 


Performance Rights Organization:
__ 


(Optional) Signed a Sonus contract (yes/no):









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[PD] A Call for works / Appel d’oeuvres - Cana dian 60x60

2008-02-03 Thread Eldad Tsabary
. No material will be returned.

5. Mail your CDR no later than 31 March 2008 (postmarked) to the 
following address:
CEC / Canadian 60x60
c/o Eldad Tsabary
Department of Music, Concordia University
7141 Sherbrooke West
Montreal, Quebec, H4B 1R6

Selection:
1. Pieces will be selected by a jury of composers, sound artists, and 
educators.
2. Selected pieces will be announced on 31 August 2008.

3. Email questions about the submission process and about the project to 
Eldad Tsabary [EMAIL PROTECTED].





SUBMISSION FORM

Name (Last, first):
__ 

Composition title:
__ 

Duration:
__ 

Street Address:
__ 

City, Province, Country, Postal Code:
__ 

Email Address:
__ 

Website:
__ 

Phone Number(s):
__ 

Performance Rights Organization:
__ 

(Optional) Signed a Sonus contract (yes/no):




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