Re: [PD] midi question

2014-03-12 Thread Rafael Vega
You could also get a sound card with 6 analog inputs and connect each
output of the microphone to an individual channel. This way you can do 6 at
a time.


On Tue, Mar 11, 2014 at 9:51 PM, Aaron L. elmaster...@gmail.com wrote:

 I've been reading a bunch on the hardware behind this hexaphonic
 business.

 Not sure I'm grokking every bit but not too worried yet.

 I'm curious though, in order to get every string/input into pd (i.e. to
 interface with the program) and then use each string as some sort of
 control (via playing said string) would I be required to have 6 separate,
 physical inputs? So as to have any effect ready at any time?

 I'd imagine that if I had some sort of splitter such as this:
 http://www.joness.com/gr300/GK-Expander.htm

 .I could accomplish the same thing but I'd need to manually switch to
 whatever string I was going to play for any given effect change, correct?
 Therefore, this method would pretty much be a one effect at a time type
 deal?

 Hard to tell

 Thanks!


 On Mon, Mar 10, 2014 at 9:52 PM, pured...@11h11.com wrote:

 Hi,

 You can simply:

 [adc~ 1 Bob's guitar]
 |
 | [r speed]
 | |
 [delay]
 |
 [dac~]


 [adc~ 2 2nd guitar]
 |
 [fiddle~] (or [env~])
 |
 [s speed]


 Using a hexaphonio pickup (6 individual pickups) - [adc~ 1 2 3 4 5 6] ==
 check the env~, fiddle~, bonk~ for each strings and control various params.
 No need to use MIDI.

 à+

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email.r...@gmail.com
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Re: [PD] midi question

2014-03-12 Thread Dan Wilcox
(Woops. Fixed wrong subject line.)

Here's an old demo, an example of my use case, 1 guitar audio channel + guitar 
midi note data: MyLungsWereAchingForYou

The guitar in this case is a Casio DG-20 digital guitar (essentially a Casio 
keyboard with a guitar fretboard interface). I have an analog (regular) guitar 
+ the guitar-midi converter box which functions equivalently, although the 
DG-20 midi pitch tracking is faster.

* 1 channel guitar into pd
* 1 channel mic into pd
* guitar midi output into pd

All processing is done live in pd, then mixed down into stereo.

The bass line root note is chosen based on the midi note data coming from the 
guitar. No matter what key I play in, the bass line matches it. The drums are 
tracked and generated lie in pd, using super simple drum synths. The samples 
are triggered by the song tracking.

On Mar 12, 2014, at 3:02 PM, Dan Wilcox danomat...@gmail.com wrote:

 Those devices I mentioned are not merely pickups, they are little embedded 
 computers that calculate the pitch tracking for you and send midi note and 
 ctl change data. They were originally designed so that you could play a midi 
 synth with your guitar. They only output midi, no audio. You use the regular 
 guitar jack for audio.
 
 Nowadays, you can simply send the midi data into your computer and receive it 
 in PD. This is what I do. Again, I'm talking *only* about midi data. This has 
 nothing to do with 6 channel audio. My use case is to send the guitar in as 1 
 channel (using the normal guitar jack output) and then control synths, 
 effects processing, etc with the tracked note data for each string coming 
 from the guitar pitch to midi converter.
 
 If you want 6 individual audio channels, 1 for each string in addition to the 
 tracked note value for said strings then by all means do as Rafael suggests. 
 However, if all you need is the tracked note values, but *do not* need the 
 individual audio channels, then I'm suggesting one of these off the shelf 
 pitch to midi boxes that already does this.
 
 On Mar 12, 2014, at 2:21 PM, Aaron L. elmaster...@gmail.com wrote:
 
 Dan.  
 
 Thanks for the info.  I'm relatively new to this stuff and my use-case ain't 
 exactly conventional so forgive the 3rd degree..
 
 But if I understand you correctly, you're saying that instead of having 6 
 dedicated/discrete outputs from a hexaphonic pickup, the pickups referenced 
 in your email (the Shadow SH-075 and the Fishman Tripleplay) will 
 essentially do the routing on the fly?  Based on pitch?
 
 Are they smart enough to determine 440hz on a 5th-fretted low-E string vs an 
 open A string?
 
 Also, wouldn't both the hardware (i.e the pickup used) as well as PD have to 
 be smart enough to do this?
 
 Thanks.
 
 
 
 
 On Wed, Mar 12, 2014 at 8:29 AM, Dan Wilcox danomat...@gmail.com wrote:
 Sorry, that *sigh* is condescending. Not my intention. I was thinking more 
 about all the times we try to make things ourselves when an available 
 solution already exists. I myself am guilty of this as much as anyone. A 
 good mantra, at least in my media art circles, is be lazy like a fox. :D
 
 On Mar 12, 2014, at 10:41 AM, Dan Wilcox danomat...@gmail.com wrote:
 
 *sigh*
 
 Pitch to midi guitar systems have been around since the mid 80s. If the OP 
 only needs control data, there's no need to bring a dedicated computer and 
 multiple channel sound card into the equation. I use a Shadow SH-075 which 
 was built in W. Germany (!) in the late 80's I bought off of eBay and it's 
 tracking speed is definitely acceptable, at least for what I do. There is a 
 new guy on the block, the Fishman Tripleplay which I'd like to upgrade to 
 as it's standard USB midi so will work with PdParty and my iPad. Both of 
 these are relatively small as compared the Roland's rack mount and stomp 
 box offerings (why don't they shrink the GR stuff by now?).
 
 Just saying that not every nail needs the PD hammer. Forgive me if my 
 understanding of the original question was wrong.
 
 On Mar 12, 2014, at 10:28 AM, pd-list-requ...@iem.at wrote:
 
 From: Rafael Vega email.r...@gmail.com
 Subject: Re: [PD] midi question
 Date: March 12, 2014 at 9:00:47 AM EDT
 To: Aaron L. elmaster...@gmail.com
 Cc: pd-list pd-list@iem.at
 Reply-To: email.r...@gmail.com
 
 
 You could also get a sound card with 6 analog inputs and connect each 
 output of the microphone to an individual channel. This way you can do 6 
 at a time.
 
 
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com
 
 
 
 
 
 
 
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com
 
 
 
 
 
 
 
 
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com
 
 
 
 
 


Dan Wilcox
@danomatika
danomatika.com
robotcowboy.com





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Re: [PD] midi question

2014-03-12 Thread Aaron L.
Cool stuff.

What's the mic into pd for?

Vocals?




On Wed, Mar 12, 2014 at 12:15 PM, Dan Wilcox danomat...@gmail.com wrote:

 (Woops. Fixed wrong subject line.)

 Here's an old demo, an example of my use case, 1 guitar audio channel +
 guitar midi note data: 
 MyLungsWereAchingForYouhttp://musicdump.danomatika.com/New%20robotcowboy/tour%20demos/MyLungsWereAchingForYou-demo.mp3

 The guitar in this case is a Casio DG-20 digital guitar (essentially a
 Casio keyboard with a guitar fretboard interface). I have an analog
 (regular) guitar + the guitar-midi converter box which functions
 equivalently, although the DG-20 midi pitch tracking is faster.

 * 1 channel guitar into pd
 * 1 channel mic into pd
 * guitar midi output into pd

 All processing is done live in pd, then mixed down into stereo.

 The bass line root note is chosen based on the midi note data coming from
 the guitar. No matter what key I play in, the bass line matches it. The
 drums are tracked and generated lie in pd, using super simple drum synths.
 The samples are triggered by the song tracking.

 On Mar 12, 2014, at 3:02 PM, Dan Wilcox danomat...@gmail.com wrote:

 Those devices I mentioned are not merely pickups, they are little embedded
 computers that calculate the pitch tracking for you and send midi note and
 ctl change data. They were originally designed so that you could play a
 midi synth with your guitar. They only output midi, no audio. You use the
 regular guitar jack for audio.

 Nowadays, you can simply send the midi data into your computer and receive
 it in PD. This is what I do. Again, I'm talking *only* about midi data.
 This has nothing to do with 6 channel audio. My use case is to send the
 guitar in as 1 channel (using the normal guitar jack output) and then
 control synths, effects processing, etc with the tracked note data for each
 string coming from the guitar pitch to midi converter.

 If you want 6 individual audio channels, 1 for each string in addition to
 the tracked note value for said strings then by all means do as Rafael
 suggests. However, if all you need is the tracked note values, but *do not*
 need the individual audio channels, then I'm suggesting one of these off
 the shelf pitch to midi boxes that already does this.

 On Mar 12, 2014, at 2:21 PM, Aaron L. elmaster...@gmail.com wrote:

 Dan.

 Thanks for the info.  I'm relatively new to this stuff and my use-case
 ain't exactly conventional so forgive the 3rd degree..

 But if I understand you correctly, you're saying that instead of having 6
 dedicated/discrete outputs from a hexaphonic pickup, the pickups referenced
 in your email (the Shadow SH-075 and the Fishman Tripleplay) will
 essentially do the routing on the fly?  Based on pitch?

 Are they smart enough to determine 440hz on a 5th-fretted low-E string vs
 an open A string?

 Also, wouldn't both the hardware (i.e the pickup used) as well as PD have
 to be smart enough to do this?

 Thanks.




 On Wed, Mar 12, 2014 at 8:29 AM, Dan Wilcox danomat...@gmail.com wrote:

 Sorry, that *sigh* is condescending. Not my intention. I was thinking
 more about all the times we try to make things ourselves when an available
 solution already exists. I myself am guilty of this as much as anyone. A
 good mantra, at least in my media art circles, is be lazy like a fox. :D

 On Mar 12, 2014, at 10:41 AM, Dan Wilcox danomat...@gmail.com wrote:

 *sigh*

 Pitch to midi guitar systems have been around since the mid 80s. If the
 OP only needs control data, there's no need to bring a dedicated computer
 and multiple channel sound card into the equation. I use a Shadow 
 SH-075https://www.youtube.com/watch?v=JzsaZe2zQV4 which
 was built in W. Germany (!) in the late 80's I bought off of eBay and it's
 tracking speed is definitely acceptable, at least for what I do. There is a
 new guy on the block, the Fishman 
 Tripleplayhttp://www.fishman.com/tripleplay which
 I'd like to upgrade to as it's standard USB midi so will work with PdParty
 and my iPad. Both of these are relatively small as compared the Roland's
 rack mount and stomp box offerings (why don't they shrink the GR stuff by
 now?).

 Just saying that not every nail needs the PD hammer. Forgive me if my
 understanding of the original question was wrong.

 On Mar 12, 2014, at 10:28 AM, pd-list-requ...@iem.at wrote:

 *From: *Rafael Vega email.r...@gmail.com
  *Subject: **Re: [PD] midi question*
 *Date: *March 12, 2014 at 9:00:47 AM EDT
 *To: *Aaron L. elmaster...@gmail.com
  *Cc: *pd-list pd-list@iem.at
  *Reply-To: *email.r...@gmail.com


  You could also get a sound card with 6 analog inputs and connect each
 output of the microphone to an individual channel. This way you can do 6 at
 a time.


  
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com






  
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com







  
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com






  
 Dan Wilcox
 @danomatika

Re: [PD] midi question

2014-03-12 Thread Dan Wilcox
Yeah. 2 channel in, mixed stereo out. It's the same setup I now have with the 
UDOO and, to some extent, my iPad running PdParty.

On Mar 12, 2014, at 3:23 PM, Aaron L. elmaster...@gmail.com wrote:

 Cool stuff.
 
 What's the mic into pd for?
 
 Vocals?
 
 
 
 
 On Wed, Mar 12, 2014 at 12:15 PM, Dan Wilcox danomat...@gmail.com wrote:
 (Woops. Fixed wrong subject line.)
 
 Here's an old demo, an example of my use case, 1 guitar audio channel + 
 guitar midi note data: MyLungsWereAchingForYou
 
 The guitar in this case is a Casio DG-20 digital guitar (essentially a Casio 
 keyboard with a guitar fretboard interface). I have an analog (regular) 
 guitar + the guitar-midi converter box which functions equivalently, although 
 the DG-20 midi pitch tracking is faster.
 
 * 1 channel guitar into pd
 * 1 channel mic into pd
 * guitar midi output into pd
 
 All processing is done live in pd, then mixed down into stereo.
 
 The bass line root note is chosen based on the midi note data coming from the 
 guitar. No matter what key I play in, the bass line matches it. The drums are 
 tracked and generated lie in pd, using super simple drum synths. The samples 
 are triggered by the song tracking.
 
 On Mar 12, 2014, at 3:02 PM, Dan Wilcox danomat...@gmail.com wrote:
 
 Those devices I mentioned are not merely pickups, they are little embedded 
 computers that calculate the pitch tracking for you and send midi note and 
 ctl change data. They were originally designed so that you could play a midi 
 synth with your guitar. They only output midi, no audio. You use the regular 
 guitar jack for audio.
 
 Nowadays, you can simply send the midi data into your computer and receive 
 it in PD. This is what I do. Again, I'm talking *only* about midi data. This 
 has nothing to do with 6 channel audio. My use case is to send the guitar in 
 as 1 channel (using the normal guitar jack output) and then control synths, 
 effects processing, etc with the tracked note data for each string coming 
 from the guitar pitch to midi converter.
 
 If you want 6 individual audio channels, 1 for each string in addition to 
 the tracked note value for said strings then by all means do as Rafael 
 suggests. However, if all you need is the tracked note values, but *do not* 
 need the individual audio channels, then I'm suggesting one of these off the 
 shelf pitch to midi boxes that already does this.
 
 On Mar 12, 2014, at 2:21 PM, Aaron L. elmaster...@gmail.com wrote:
 
 Dan.  
 
 Thanks for the info.  I'm relatively new to this stuff and my use-case 
 ain't exactly conventional so forgive the 3rd degree..
 
 But if I understand you correctly, you're saying that instead of having 6 
 dedicated/discrete outputs from a hexaphonic pickup, the pickups referenced 
 in your email (the Shadow SH-075 and the Fishman Tripleplay) will 
 essentially do the routing on the fly?  Based on pitch?
 
 Are they smart enough to determine 440hz on a 5th-fretted low-E string vs 
 an open A string?
 
 Also, wouldn't both the hardware (i.e the pickup used) as well as PD have 
 to be smart enough to do this?
 
 Thanks.
 
 
 
 
 On Wed, Mar 12, 2014 at 8:29 AM, Dan Wilcox danomat...@gmail.com wrote:
 Sorry, that *sigh* is condescending. Not my intention. I was thinking more 
 about all the times we try to make things ourselves when an available 
 solution already exists. I myself am guilty of this as much as anyone. A 
 good mantra, at least in my media art circles, is be lazy like a fox. :D
 
 On Mar 12, 2014, at 10:41 AM, Dan Wilcox danomat...@gmail.com wrote:
 
 *sigh*
 
 Pitch to midi guitar systems have been around since the mid 80s. If the OP 
 only needs control data, there's no need to bring a dedicated computer and 
 multiple channel sound card into the equation. I use a Shadow SH-075 which 
 was built in W. Germany (!) in the late 80's I bought off of eBay and it's 
 tracking speed is definitely acceptable, at least for what I do. There is 
 a new guy on the block, the Fishman Tripleplay which I'd like to upgrade 
 to as it's standard USB midi so will work with PdParty and my iPad. Both 
 of these are relatively small as compared the Roland's rack mount and 
 stomp box offerings (why don't they shrink the GR stuff by now?).
 
 Just saying that not every nail needs the PD hammer. Forgive me if my 
 understanding of the original question was wrong.
 
 On Mar 12, 2014, at 10:28 AM, pd-list-requ...@iem.at wrote:
 
 From: Rafael Vega email.r...@gmail.com
 Subject: Re: [PD] midi question
 Date: March 12, 2014 at 9:00:47 AM EDT
 To: Aaron L. elmaster...@gmail.com
 Cc: pd-list pd-list@iem.at
 Reply-To: email.r...@gmail.com
 
 
 You could also get a sound card with 6 analog inputs and connect each 
 output of the microphone to an individual channel. This way you can do 6 
 at a time.
 
 
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com
 
 
 
 
 
 
 
 Dan Wilcox
 @danomatika
 danomatika.com
 robotcowboy.com
 
 
 
 
 
 
 
 
 Dan

Re: [PD] midi question

2014-03-11 Thread Aaron L.
I've been reading a bunch on the hardware behind this hexaphonic business.

Not sure I'm grokking every bit but not too worried yet.

I'm curious though, in order to get every string/input into pd (i.e. to
interface with the program) and then use each string as some sort of
control (via playing said string) would I be required to have 6 separate,
physical inputs? So as to have any effect ready at any time?

I'd imagine that if I had some sort of splitter such as this:
http://www.joness.com/gr300/GK-Expander.htm

.I could accomplish the same thing but I'd need to manually switch to
whatever string I was going to play for any given effect change, correct?
Therefore, this method would pretty much be a one effect at a time type
deal?

Hard to tell

Thanks!


On Mon, Mar 10, 2014 at 9:52 PM, pured...@11h11.com wrote:

 Hi,

 You can simply:

 [adc~ 1 Bob's guitar]
 |
 | [r speed]
 | |
 [delay]
 |
 [dac~]


 [adc~ 2 2nd guitar]
 |
 [fiddle~] (or [env~])
 |
 [s speed]


 Using a hexaphonio pickup (6 individual pickups) - [adc~ 1 2 3 4 5 6] ==
 check the env~, fiddle~, bonk~ for each strings and control various params.
 No need to use MIDI.

 à+

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[PD] midi question

2014-03-10 Thread Aaron L.
Hi all.

King lurker here...and I'm kinda thinking out loud so forgive me if
some of this is somewhat cloudy.

Let's say I had a pd patch that was simply a controller for different delay
parameters. (i.e. in this case,  Bob's Guitar signal passes through and
the patch offers the following knobs to twiddle:  delay time, wet/dry
level, etc.).

Now let's say I wanted to control these parameters with another, separate
guitar that is effectively silent and is just used as a controller (we'll
call this controller-guitar 2nd Guitar..bear with me here).  And by
control I mean each string of 2nd Guitar gets different parameters of
the audible Bob's Guitar to control (the effect happens to be 'delay' in
this case).

So essentially, you'd have Bob's Guitar that gets fed (maybe via midi
pickup or something?) to another guitar where 2nd Guitar controls the
delay of Bob's Guitar in real time via, say, another midi pickup on 2nd
Guitar?? (I have very limited experience with midi so, unfortunately,
there's that.)

In a perfect world, any effect could be chosen and tweaked by 2nd Guitar
and any effect could be combined and controlled by 2nd Guitar's
strings..play a string fast and the delay gets faster, etc.

Seems like an awfully tall order but someone out there must be doing
something kinda like this.

Anyone?

(My apologies and/or 'thank yous' in advance..)
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Re: [PD] midi question

2014-03-10 Thread Aaron L.
Wow.  Hadn't even heard of a hexaphonic pickup.

Good stuff.

Thanks!


On Mon, Mar 10, 2014 at 9:52 PM, pured...@11h11.com wrote:

 Hi,

 You can simply:

 [adc~ 1 Bob's guitar]
 |
 | [r speed]
 | |
 [delay]
 |
 [dac~]


 [adc~ 2 2nd guitar]
 |
 [fiddle~] (or [env~])
 |
 [s speed]


 Using a hexaphonio pickup (6 individual pickups) - [adc~ 1 2 3 4 5 6] ==
 check the env~, fiddle~, bonk~ for each strings and control various params.
 No need to use MIDI.

 à+

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Re: [PD] midi question

2014-03-10 Thread puredata

Hi,

You can simply:

[adc~ 1 Bob's guitar]
|
| [r speed]
| |
[delay]
|
[dac~]


[adc~ 2 2nd guitar]
|
[fiddle~] (or [env~])
|
[s speed]


Using a hexaphonio pickup (6 individual pickups) - [adc~ 1 2 3 4 5 6]  
== check the env~, fiddle~, bonk~ for each strings and control various  
params. No need to use MIDI.


à+

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[PD] MIDI question: 2 novation launchpads at the same time on PD

2010-09-01 Thread pierlu
Hi all.

I would like to connect 2 Novation Launchpads to my computer (OS X 10.4) to
make a 128 out of two 64.

The problem is: Launchpad sends midi info on channel 1 and there's no way a
user can change that (at least there's no info on that in the programmer's
reference manual). So, the two launchpads would be indistinguishable.

Does anyone know how to workaround the problem? I know that in Max there's
the [midiin] object that permits the user to select which midi device to
listen to. Is there anything similar in PD (even tho a quick look at the
Floss Midi Object list seems to suggest that there's none) (btw, i got the
[midiin] hint by the creator of the monopad, which is a software useful to
connect more than one launchpad in Max
http://teamaxe.co.uk/code/monopad/index.php)

Creating an aggregate device of the two launchpads in CoreMidi could do the
trick?

I would try that myself but i own only one launchpad and I'm scared of
buying another and then discover there's no way to distinguish between them.


Thanks for any help,

pierlu.
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Re: [PD] MIDI question: 2 novation launchpads at the same time on PD

2010-09-01 Thread Martin Schied
If you plug them in together they will appear as 2 separate midi 
devices, each using its own 16 midi channels from 1 to 16. If you set up 
pd to use these 2 midi interfaces you will have channels 1 to 16 for the 
first device and channel 17 to 32 for the second one. You can do your 
merging inside pd then or if you favor to do so use software outside pd.


cheers,
Martin

On 01.09.2010 12:49, pierlu wrote:

Hi all.
I would like to connect 2 Novation Launchpads to my computer (OS X 
10.4) to make a 128 out of two 64.
The problem is: Launchpad sends midi info on channel 1 and there's no 
way a user can change that (at least there's no info on that in the 
programmer's reference manual). So, the two launchpads would be 
indistinguishable.
Does anyone know how to workaround the problem? I know that in Max 
there's the [midiin] object that permits the user to select which midi 
device to listen to. Is there anything similar in PD (even tho a quick 
look at the Floss Midi Object list seems to suggest that there's none) 
(btw, i got the [midiin] hint by the creator of the monopad, which is 
a software useful to connect more than one launchpad in Max 
http://teamaxe.co.uk/code/monopad/index.php)
Creating an aggregate device of the two launchpads in CoreMidi could 
do the trick?
I would try that myself but i own only one launchpad and I'm scared of 
buying another and then discover there's no way to distinguish between 
them.

Thanks for any help,
pierlu.


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Re: [PD] MIDI question: 2 novation launchpads at the same time on PD

2010-09-01 Thread pierlu
Thanks Martin for the reply,

so you mean that if i plug them both together, the second one will
automatically transmit and receive note on and off messages on midi channel
17? Is PD that does this conversion automatically?

Sorry if i'm being insistent but I'm obviuously missing something here and I
don't get it completely.

Cheers. p.




On Wed, Sep 1, 2010 at 1:58 PM, Martin Schied crini...@gmx.net wrote:

 If you plug them in together they will appear as 2 separate midi devices,
 each using its own 16 midi channels from 1 to 16. If you set up pd to use
 these 2 midi interfaces you will have channels 1 to 16 for the first device
 and channel 17 to 32 for the second one. You can do your merging inside pd
 then or if you favor to do so use software outside pd.

 cheers,
 Martin


 On 01.09.2010 12:49, pierlu wrote:

   Hi all.

 I would like to connect 2 Novation Launchpads to my computer (OS X 10.4) to
 make a 128 out of two 64.

 The problem is: Launchpad sends midi info on channel 1 and there's no way a
 user can change that (at least there's no info on that in the programmer's
 reference manual). So, the two launchpads would be indistinguishable.

 Does anyone know how to workaround the problem? I know that in Max there's
 the [midiin] object that permits the user to select which midi device to
 listen to. Is there anything similar in PD (even tho a quick look at the
 Floss Midi Object list seems to suggest that there's none) (btw, i got the
 [midiin] hint by the creator of the monopad, which is a software useful to
 connect more than one launchpad in Max
 http://teamaxe.co.uk/code/monopad/index.php)

 Creating an aggregate device of the two launchpads in CoreMidi could do the
 trick?

 I would try that myself but i own only one launchpad and I'm scared of
 buying another and then discover there's no way to distinguish between them.


 Thanks for any help,

 pierlu.


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Re: [PD] MIDI question: 2 novation launchpads at the same time on PD

2010-09-01 Thread Martin Schied

Hi,

On 01.09.2010 17:01, pierlu wrote:
so you mean that if i plug them both together, the second one will 
automatically transmit and receive note on and off messages on midi 
channel 17?
exactly. (assuming they are both connected via USB, the word together 
maybe was not the right word...)

Is PD that does this conversion automatically?
yes, this numbering exists only inside pd. Note that you have to set up 
pd so it can use 2 devices in the 'media' menu.




Martin
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