Re: [PD] seeking Pd programmer

2007-03-19 Thread the center of the bomb
The conterpoint is generated by the superposition of cloned voices on different 
degree of its own
scale and by the rhythm generator (with continuous unregular delays). Each 
voice is independent
and there is no a global form to shape the clone choir. 

Scalisator
each clone takes a position on its own scale degree (each clone has its own 
scale made with Scala
as .scl file) - by the way how could I include .scl files to pd? - to create 
unheard chords. Each
clone change its pitch by slow glissando. The duration of the fixed pitch and 
the glissando is
controled by the rhythm generator. In this case the delays-rhythms-generator 
should be before the
pitch bend: the glissandi generator.
Thanks to ask, I will think about it
mathius

http://centrebombe.org/test-aimant.vox-clona.schematic.html

--- Charles Henry [EMAIL PROTECTED] wrote:

  The schematic of VOX CLONA (in attachment) gives you a precise purpose of 
  what I would like to
  generate: one live voice (mine) generating an independant choir of 13 
  voices with its
 independent
  contrepoint projected in 3D sound space.
 
 What's your concept for the counterpoint like?  A canon is pretty easy
 to realize as a form for cloned voices.  Do the other voices need to
 have some transformation applied to make independent melodies?
 
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Re: [PD] seeking Pd programmer

2007-03-19 Thread Frank Barknecht
Hallo,
the center of the bomb hat gesagt: // the center of the bomb wrote:

 (each clone has its own scale made with Scala as .scl file) - by the
 way how could I include .scl files to pd? 

If you search the pd-list archive[1] for scala, one solution is
found as the first hits.

[1] http://lists.puredata.info/pipermail/pd-list/

Ciao
-- 
 Frank Barknecht _ __footils.org_ __goto10.org__

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[PD] seeking Pd programmer

2007-03-15 Thread the center of the bomb
Hello everybody,
My name is Mathius Shadow-Sky, and I am composer, conductor, and performer. 
Today I am looking for
a Pure Data programmer who can help me to release my musical project 
TEST-AIMANT, look at: 
http://centrebombe.org/test-aimant.html (sorry in French)
The purpose of this work is to generate a choir of independant clones of the 
soloist, I call: VOX
CLONA: the TEST-AIMANT clones generator program. I drawn the schematic you can 
see at:
http://centrebombe.org/test-aimant.vox-clona.schematic.html
Thanks
mathius shadow-sky
http://centrebombe.org
my music can be listen at http://centrebombe.org/mp3-free.html

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Re: [PD] seeking Pd programmer

2007-03-15 Thread the center of the bomb
I started the project in 2005 when I met an incredible architectural acoustic 
in a concrete
cylinder sized of 15 meter high to 10 meter large. I started to sing inside 
with an incredible
reverberation of low sounds. The entrance of this cylinder (used to keep wine) 
was too small for
audience to come inside, so I imagined to keep in real time the sound and the 
images (video)
outside the cylinder, far away through Internet, in an appropriate 
cube-public-place with 6 video
screens and 3D sound projection. I found a team of 9 people to release this 
opera project, but it
was located near Toulouse (south of France) and in this part there is no grants 
for contemporary
art creation. Today TEST-AIMANT is in waiting to be released. 

The virtual clones orchestra, in my music works, stays as an obsession: there 
is several exemple
of, done and music in project: like 
in 2002 Jeux  Interdits (Forbidden Games) where I cloned my 9-tone electric 
guitar in 4
independent clones. listen at http://centrebombe.org/mp3-free.html
in 2003 ti.Me Has No Age where I cloned my archisonic lamp 
(http://centrebombe.org/lamps.html)in
an orchestra of 161 clones you can listen at 
http://centrebombe.org/mp3-free.html
My next project is also about virtual orchestra of clones Unisolable  
Unduplicable, the recipe
of Freedom http://centrebombe.org/2007.residency.proposal(the 
Lamplayer.vs.the.Machines).pdf

The schematic of VOX CLONA (in attachment) gives you a precise purpose of what 
I would like to
generate: one live voice (mine) generating an independant choir of 13 voices 
with its independent
contrepoint projected in 3D sound space. I should perhaps translated in English 
what I wrote in
French?
Thanks for your interest
mathius shadow-sky

--- Luigi Rensinghoff [EMAIL PROTECTED] wrote:

 
 Am 15.03.2007 um 14:21 schrieb the center of the bomb:
 
  http://centrebombe.org/mp3-free.html
 
 
 That sound really interesting, i have been doing some multichannel  
 stuff with vbap..
 
 You want to tell me more ??
 
 you have an IM ??
 
 Luigi
 
 

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Re: [PD] seeking Pd programmer

2007-03-15 Thread the center of the bomb

--- Luigi Rensinghoff [EMAIL PROTECTED] wrote:
 i am definetly interested, it overlaps with some things i wanted to  
 do anyway.
THANK YOU
 
 Is there some programming made already ???
THERE IS NO PD PROGRAMMING YET EVEN WITH MAX
 
 Do you have pd-knowledge ? 
I AM A PD BEGINNER (FEW DAYS AGO), SINCE A LONG TIME I SHOULD PROGRAM REGARDING 
MY WAY OF
COMPOSING MUSIC

Why are you looking here for someone ?? 
I WANT TO SHARE THE WORK, IT IS TOO MUCH FOR ONE PERSON

 and not MAX/Supercollider or whatever.
TODAY I AM A PC USER
 
 any money in that project ;-) got to make my living somehow ;-)
TODAY I DO NOT KNOW WHERE AND TO WHOM TO PROPOSE THE PROJECT, I MEAN: WHICH 
COUNTRY, WHICH PLACE
TO PERFORM, AND WHICH PERSON I SHOULD CONTACT? IT IS A STRANGE CROSSING IN MY 
CARREER... 
 
 Where do you live ???
NOW I AM IN TOULOUSE (FRANCE), I THOUGHT TO MOVE TO BERLIN WHERE OTHER PROJECTS 
ARE IN WAITING.
AND YOU?

DO YOU THINK THROUGH MY SCHEMATIC THE PATCH IS RELEASABLE?  HOW LONG IT WOULD 
TAKE? HOW MUCH YOU
SHOULD RECEIVED FOR THAT WORK? I AM LOOKING FOR A COLLABORATION TO RELEASE MY 
WORKS.

CHEERS
MATHIUS

 
 So far
 
 Luigi
 


 
 Am 15.03.2007 um 16:10 schrieb the center of the bomb:
 
  I started the project in 2005 when I met an incredible  
  architectural acoustic in a concrete
  cylinder sized of 15 meter high to 10 meter large. I started to  
  sing inside with an incredible
  reverberation of low sounds. The entrance of this cylinder (used to  
  keep wine) was too small for
  audience to come inside, so I imagined to keep in real time the  
  sound and the images (video)
  outside the cylinder, far away through Internet, in an appropriate  
  cube-public-place with 6 video
  screens and 3D sound projection. I found a team of 9 people to  
  release this opera project, but it
  was located near Toulouse (south of France) and in this part there  
  is no grants for contemporary
  art creation. Today TEST-AIMANT is in waiting to be released.
 
  The virtual clones orchestra, in my music works, stays as an  
  obsession: there is several exemple
  of, done and music in project: like
  in 2002 Jeux  Interdits (Forbidden Games) where I cloned my 9- 
  tone electric guitar in 4
  independent clones. listen at http://centrebombe.org/mp3-free.html
  in 2003 ti.Me Has No Age where I cloned my archisonic lamp  
  (http://centrebombe.org/lamps.html)in
  an orchestra of 161 clones you can listen at http://centrebombe.org/ 
  mp3-free.html
  My next project is also about virtual orchestra of clones  
  Unisolable  Unduplicable, the recipe
  of Freedom http://centrebombe.org/2007.residency.proposal(the  
  Lamplayer.vs.the.Machines).pdf
 
  The schematic of VOX CLONA (in attachment) gives you a precise  
  purpose of what I would like to
  generate: one live voice (mine) generating an independant choir of  
  13 voices with its independent
  contrepoint projected in 3D sound space. I should perhaps  
  translated in English what I wrote in
  French?
  Thanks for your interest
  mathius shadow-sky
 
  --- Luigi Rensinghoff [EMAIL PROTECTED] wrote:
 
 


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Re: [PD] seeking Pd programmer

2007-03-15 Thread Charles Henry
 The schematic of VOX CLONA (in attachment) gives you a precise purpose of 
 what I would like to
 generate: one live voice (mine) generating an independant choir of 13 voices 
 with its independent
 contrepoint projected in 3D sound space.

What's your concept for the counterpoint like?  A canon is pretty easy
to realize as a form for cloned voices.  Do the other voices need to
have some transformation applied to make independent melodies?

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