GESO - War No More

2008-12-06 Thread Eactivist
This is subtitled The Crosses of Lafayette.  

I am very proud of Lafayette. I grew up there, and it is the next town  over. 
Some years back an ordinary citizen started erecting crosses on private  
land, to symbolize the fallen US soldiers in Iraq. It's been a lot of work, but 
 
they have kept the count up-to-date and accurate. 

Yes, it started as,  and remains, a peace thing. But over the years it has 
also become a memorial  with people adopting crosses for their loved ones, and 
decorating them. So it  now serves two purposes, which aren't really, far 
apart. (If you want to read  more about it there is a link on the gallery index 
page.) It covers a hill, a  lot of a hill, and is directly across from the Bart 
(Bay Area Rapid Transit)  station, so a lot of people have seen it. It's rather 
impressive,  actually.

I went over in the dying light yesterday and took some  pictures. I've been 
meaning to do it for  years.

http://www.mapphotography.com/WarNoMore/index.html

Comments  welcome. If you like any one (or several) in particular, I wouldn't 
mind hearing  about it.

Marnie aka Doe  :-)


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PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Michel Carrère-Gée

Seen on Ebay, this Pentax K1000: red markings on body and lens.
A fake or a commemorative series?
# 160303122400


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Re: PESO: Union Station Grand Hall

2008-12-06 Thread Cotty
On 6/12/08, Bob W, discombobulated, unleashed:

I don't understand the relevance. As far as I can tell, your reply is a non
sequitur.

His reply is irrelevant and he will be assimilated

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RE: PESO: Darling Harbour

2008-12-06 Thread Anthony Farr
Very nice, Derby.  

The step in the handrail would be a result of the tripod head's vertical
axis not being centred under the nodal point of the lens (front or rear
nodal point?  I don't know).   You might recover the lost width of the
handrail from a cropped out part of one of the frames, if there was enough
overlap.  Just copy the piece from the uncropped frame and paste it on the
pan as a new layer.  When it's aligned merge it down.  If the missing piece
isn't there to be recovered, you'll have to bump the edge out by copying a
slice of the edge and pasting it across into it's proper place, then do some
random cloning in the middle to disguise the join.

There's also a funky join where the lightpole intersects the footpath, in
front of one of the green roadsigns.  The taillight streaks drop out for a
short way and you should cut and paste the missing streaks from an original
frame if they're there.  The lighting quality also changes at that join so
you should do a little local dodge and burn to blend the difference.

Regards, Anthony

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Derby Chang
 Sent: Saturday, 6 December 2008 6:15 PM
 To: Pentax-Discuss Mail List
 Subject: PESO: Darling Harbour
 
 
 An on-topic PESO from me for a change. Haven't donned the Brotherhood
 cloak for a while.
 
 A cold change had just come through and it was pretty durned blustery,
 but luckily, the 6x7 sways not in the wind.
 
 http://members.iinet.net.au/~derbyc/08/08_12/08_12_darlingharbour/01.htm
 
 Suggestions on how to fix that kinky railing would be most welcome.
 
 D
 
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RE: PESO: Union Station Grand Hall

2008-12-06 Thread Bob W
  
On 12/5/08, Bob W [EMAIL PROTECTED] wrote:
  The killer quote is The notion that more cars equals more
wealth is really
  more myth than reality. and it goes on to say It found
that, among cities
  in the developed world, regional wealth (as measured by
per capita gross
  regional product - or GRP) actually goes down as car use
go up. In other
  words, the more we drive, the poorer we get
   
That's because the people who run car companies don't 
 live in your
neighborhood, Bob.  Duh.
   
 
 
  I don't understand the relevance. As far as I can tell, 
 your reply is a non
   sequitur.
 
 I suppose I wasn't clear.
It found
that, among cities
  in the developed world
 
 The CEO of gigantic car company is going to get richer and richer
 and probably doesn't give a damn how poor you are, so long as you have
 enough money to buy another car.  And he probably lives in a mansion
 out in the country.
 

Right. That's what I thought you meant. But it's irrelevant where the money
goes, the fact remains that the more we drive, the poorer we get.

Bob


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RE: PESO: Union Station Grand Hall

2008-12-06 Thread Bob W
 
 I don't understand the relevance. As far as I can tell, your 
 reply is a non
 sequitur.
 
 His reply is irrelevant and he will be assimilated
 

He will be recycled as a car tyre.

Bob


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Re: PDML Annual, was - Blurb books

2008-12-06 Thread Carlos Royo



Brian Walters escribió:



PDML BESO - A Book Every So Often




Now that's good.  That should be the title.

Seriously.




That sounds interesting in Spanish, as Beso means Kiss

Carlos

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Re: GESO - War No More

2008-12-06 Thread Derby Chang

It's hard to know what to say, Marnie. From a formal point of view, I like

http://www.mapphotography.com/WarNoMore/pages/nowar3.html

...they seem to go on forever.

But there is something mute and powerless about these photos that makes 
it even sadder.


D


[EMAIL PROTECTED] wrote:
This is subtitled The Crosses of Lafayette.  

I am very proud of Lafayette. I grew up there, and it is the next town  over. 
Some years back an ordinary citizen started erecting crosses on private  
land, to symbolize the fallen US soldiers in Iraq. It's been a lot of work, but  
they have kept the count up-to-date and accurate. 

Yes, it started as,  and remains, a peace thing. But over the years it has 
also become a memorial  with people adopting crosses for their loved ones, and 
decorating them. So it  now serves two purposes, which aren't really, far 
apart. (If you want to read  more about it there is a link on the gallery index 
page.) It covers a hill, a  lot of a hill, and is directly across from the Bart 
(Bay Area Rapid Transit)  station, so a lot of people have seen it. It's rather 
impressive,  actually.


I went over in the dying light yesterday and took some  pictures. I've been 
meaning to do it for  years.


http://www.mapphotography.com/WarNoMore/index.html

Comments  welcome. If you like any one (or several) in particular, I wouldn't 
mind hearing  about it.


Marnie aka Doe  :-)


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RE: PESO: Union Station Grand Hall

2008-12-06 Thread Anthony Farr
Bob,

Don't overlook that the Fed paper is considering St Louis, not Chicago.  St
Louis doesn't have heavy rail.  If the light rail shut down, that means
55,000 commuters will turn to the roads, whether in cars or buses.  There's
nothing else without the MetroLink.  While the paper gave the financial
offsets for the total number of commuters, it conveniently only counted
7,700 extra vehicles, the 'Priuses for the poor', when considering the
physical impact of a MetroLink shutdown.  The existing bus and car commuters
would be none too pleased if 55,000 extra commuters turned up on the roads
all at once. 

Plus, how politically acceptable would it be to Mr, Mrs, Ms  Miss Average
Taxpayer to see a bunch of losers (if you can't afford a car you must be a
loser, right?)presented with brand new, gassed up and maintained foreign
brand cars, bought by their own government with taxpayer dollars?  It won't
happen.  Ever. 

And who wrote this paper?  The St Louis Federal Reserve.  Aren't they a
little out of their jurisdiction here?  Transport and highways have their
own state and federal administrations.  Isn't the Fed meddling just a little
in someone else's business?

This papers conclusion, if you care to read between the lines, is a 'straw
man argument'.  My guess is that their political and private bank bosses
ordered this conclusion.  The real case, if not the nominal case, was made
earlier when they wrote,
To permanently alleviate the problems of traffic congestion and pollution,
policy-makers must address the root cause of both: the inefficient pricing
of roadway usage.  Traffic congestion and pollution exist because the costs
of driving an automobile are artificially low.  Consider the following
explanation:  A driver's use of the roadway imposes upon him certain costs
(such as the costs of fuel, time and depreciation of his automobile); the
driver himself bears these costs.  The driver also imposes costs on others
by contributing to pollution and congestion, but the driver does not incur
these costs he imposes on other drivers.  (Economists term these costs
externalities.)  Because each driver does not bear the full cost (driver's
own cost + externalities), the costs of driving are artificially low; so,
each driver overuses the roadway rather than use alternative means of
transportation like light rail.

Finally, the argument that people have voted against mass transit by
preferring cars ignores the plain fact that most people are selfish sods.
It's the government's duty to grow some balls and govern the people in a way
that is best for the country, and not pander to the people's softness and
greed.  After all, if you asked the people if they wanted to pay taxes, the
popular choice would be not to pay, but taxes aren't about to be abolished
by popular choice.  Just because a majority of people want something doesn't
make it right.

Regards, Anthony

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Bob Sullivan
 Sent: Friday, 5 December 2008 1:19 PM
 To: Pentax-Discuss Mail List
 Subject: Re: PESO: Union Station Grand Hall
 
 Anthony,
 
 I don't think the analysis is that faulty, but whatever.
 In Chicago, public transit works for 100,000-200,000 people
 who work in the city center (2 square miles) and travel in and out daily.
 Suburbanites fill heavy rail trains for a 20+ minute ride into the city.
 
 The rest of the system is sad  expensive.  A last resort for those
 without autos.
 Short trips with stops every 1/2 mile trying to attract customers.
 Travel speeds are low and travel times long, and safety is a concern,
 especially when waiting at transfer points in off hours.
 
 It doesn't work for a reason.  The folks from the Federal Reserve are
 just trying to point out the absurdity of it all.
 
 Regards,  Bob S.
 
 On Thu, Dec 4, 2008 at 7:45 PM, Anthony Farr [EMAIL PROTECTED]
wrote:
  Bob,
 
  That quoted argument is so faulty in its conclusion as to be laughable.
The
  7,700 poor riders (lack of a car being the factor defining the riders'
  impoverishment)do not necessarily number the entire ridership of the
light
  rail, yet 7,700 is the number of extra vehicles that the author suggests
  would hit the road if the light rail service ceased.  That is clearly
wrong.
  And what of the car owners who choose not to commute by car, because of
  either the running costs or a lack of desire to drive in peak traffic,
among
  many reasons?  Shouldn't they be subsidised for their extra costs, and
that
  figure added to the equation?  If not , why not?
 
  IOW the St Louis Federal Reserve is attempting to promote a point of
view by
  the use of deception.  It's rubbish.
 
  Regards, Anthony
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
  Bob Sullivan
  Sent: Friday, 5 December 2008 6:04 AM
  To: Pentax-Discuss Mail List
  Subject: Re: PESO: Union Station Grand Hall
 
  Scott,
  Good article from the Federal Reserve 

My secret pleasure

2008-12-06 Thread Derby Chang

I have a confession

Once a week, I pop over to Bill Cunningham's slideshow blog (slog?) in 
the NYT. The excuse is some dynamic street photography, but there is 
more going on there, clearly. I love looking at boots.


http://query.nytimes.com/search/query?query=%22on+the+street%22srchst=m

Phew. Got that off my chest.
D

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 2:22:11 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
It's hard to know what to  say, Marnie. From a formal point of view, I  like

http://www.mapphotography.com/WarNoMore/pages/nowar3.html

...they  seem to go on forever.

But there is something mute and powerless about  these photos that makes 
it even sadder.

D

==
Thanks  for looking Derby. I like that one too. 

Paradoxically, the sight of the  crosses sort of makes me feel proud (best 
word I can come up with. Not proud  that people died, proud that people have 
protested. Proud someone had the guts  to put up those crosses despite all the 
initial negative reaction -- see story).  Why? Because news coverage of the war 
has been so censored in this country. With  the Vietnam War we saw it on the 
news every night, and that is what helped bring  the war to a end (US citizens 
tend to be gung ho about wars when they start, but  when they see the toll, 
they turn against them). 

So here is a reminder  of war's real cost. A witnessing of the fact, rather 
than denial and  censorship.

Over the years, this war (these wars) have made me incredibly  sad, but 
turning toward the truth, rather than away from it, is always  good.

Marnie aka Doe  

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RE: PESO: Union Station Grand Hall

2008-12-06 Thread Bob W
 Plus, how politically acceptable would it be to Mr, Mrs, Ms  
 Miss Average
 Taxpayer to see a bunch of losers (if you can't afford a car 
 you must be a
 loser, right?)

A man who, beyond the age of 26, finds himself on a bus can count himself
as a failure
--- Margaret Thatcher 

Obviously, since most people go to the high mountains to find themselves.

Bob (nearly twice that age, finds himself on a bus about once a week)



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Re: GESO - War No More

2008-12-06 Thread Jack Davis
I think the dying light lends an appropriate somber atmosphere. I like the 
BW mood accept for the fact that it would tend to obscure some cross 
decorations.
Great attempt at a scene that's difficult to get a lens around.

Jack


--- On Sat, 12/6/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: GESO - War No More
 To: pdml@pdml.net
 Date: Saturday, December 6, 2008, 12:28 AM
 This is subtitled The Crosses of Lafayette.  
 
 I am very proud of Lafayette. I grew up there, and it is
 the next town  over. 
 Some years back an ordinary citizen started erecting
 crosses on private  
 land, to symbolize the fallen US soldiers in Iraq. It's
 been a lot of work, but  
 they have kept the count up-to-date and accurate. 
 
 Yes, it started as,  and remains, a peace thing. But over
 the years it has 
 also become a memorial  with people adopting crosses for
 their loved ones, and 
 decorating them. So it  now serves two purposes, which
 aren't really, far 
 apart. (If you want to read  more about it there is a link
 on the gallery index 
 page.) It covers a hill, a  lot of a hill, and is directly
 across from the Bart 
 (Bay Area Rapid Transit)  station, so a lot of people have
 seen it. It's rather 
 impressive,  actually.
 
 I went over in the dying light yesterday and took some 
 pictures. I've been 
 meaning to do it for  years.
 
 http://www.mapphotography.com/WarNoMore/index.html
 
 Comments  welcome. If you like any one (or several) in
 particular, I wouldn't 
 mind hearing  about it.
 
 Marnie aka Doe  :-)
 
 
 -
 Warning: I am  now filtering my email, so you may be
 censored.  
 
 **Make your life easier with all your friends,
 email, and 
 favorite sites in one place.  Try it now. 
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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 4:27:04 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
I think the dying light  lends an appropriate somber atmosphere. I like the 
BW mood accept for the  fact that it would tend to obscure some cross 
decorations.
Great attempt at a  scene that's difficult to get a lens  around.

Jack

=
Thanks, Jack. It was (difficult -- show  up close and personal, show a lot 
for impact? etc.)

I think I need a  bluer sky day, a wider angle lens (which I don't have), and 
to stand across the  street. While I like some of what I got, I will probably 
try again in a few  weeks and see if I can get some other perspectives as 
well. 

Thanks for  looking.

Marnie aka Doe  
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Re: GESO - War No More

2008-12-06 Thread Sandy Harris
On Sat, Dec 6, 2008 at 8:38 PM,  [EMAIL PROTECTED] wrote:

 I think I need a  bluer sky day, a wider angle lens (which I don't have), and
 to stand across the  street. While I like some of what I got, I will probably
 try again in a few  weeks and see if I can get some other perspectives as
 well.

Googling for images and flanders fields turns up a lot of shots of
crosses in real WW I graveyards. Eerie, but they might suggest
techniques you could use.

-- 
Sandy Harris,
Quanzhou, Fujian, China

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Re: GESO - War No More

2008-12-06 Thread David J Brooks
On Sat, Dec 6, 2008 at 7:59 AM, Sandy Harris [EMAIL PROTECTED] wrote:
 On Sat, Dec 6, 2008 at 8:38 PM,  [EMAIL PROTECTED] wrote:

 I think I need a  bluer sky day, a wider angle lens (which I don't have), and
 to stand across the  street. While I like some of what I got, I will probably
 try again in a few  weeks and see if I can get some other perspectives as
 well.

 Googling for images and flanders fields turns up a lot of shots of
 crosses in real WW I graveyards. Eerie, but they might suggest
 techniques you could use.

I think this one stands out the best, IMO

http://www.mapphotography.com/WarNoMore/pages/nowar6.html

Dave

 --
 Sandy Harris,
 Quanzhou, Fujian, China

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Re: PESO Santas in Portugal

2008-12-06 Thread David J Brooks
Nicely seen and composed.

I guess you need +2 ev with an ap of F0.:-)

Dave

On Fri, Dec 5, 2008 at 7:16 PM, Merlin Who [EMAIL PROTECTED] wrote:
 It's time to put out my first PESO. And my first photo here is more
 fun than art.

 I found Santa dolls on windows, doors and this one - the first one I
 saw - on chimney. I first thought this Santa was alive as it moved in
 the wind...

 URL:
 http://merlinwho.no-ip.org/portugal/index.php?album=2008-11-23+Costa+da+Caparica+and+Trafariaimage=IMGP3676.jpg

 Tiny URL:
 http://tinyurl.com/5comny

 Pentax K100D Super, Pentacon 135mm f/2.8 M42
 ISO 200, f/11, 1/320s
 (and EXIF on the page)

 Comments appreciated...

 Merlin

 PS: If you want you can see my other photos from Portugal at
 http://merlinwho.no-ip.org/portugal/. Of course comments are more than
 welcomed.

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Re: PESO - Caught in the Act

2008-12-06 Thread David J Brooks
Interesting, but my eye keeps getting drawn to the poster on the left.

Dave

On Fri, Dec 5, 2008 at 1:17 PM, frank theriault
[EMAIL PROTECTED] wrote:
 I don't think she was entirely pleased to have me point the camera in
 her general direction.

 (for those of you don't do it routinely, make sure you click on the
 photo to look at the full size version - you really don't get the look
 on her face otherwise)

 http://knarf-underground.blogspot.com/2008/12/caught-in-act-on-yonge-line.html

 Comments always welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Caught in the Act

2008-12-06 Thread David J Brooks
On Fri, Dec 5, 2008 at 1:20 PM, Cotty [EMAIL PROTECTED] wrote:

 I have to say that I'm not a great fan of these type of pics, people on
 trains - but this is excellent. Well done Frankie.

How about D200 shots looking out of a truck wind shield.:-)

Dave

 --


 Cheers,
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Re: GESO - War No More

2008-12-06 Thread PN Stenquist
Nicely done. I think the third from the left is my favorite, because  
it best communicates the scope of this scene. You might try shooting  
it from an even closer camera position with a wider lens.

Paul

On Dec 6, 2008, at 3:28 AM, [EMAIL PROTECTED] wrote:


This is subtitled The Crosses of Lafayette.

I am very proud of Lafayette. I grew up there, and it is the next  
town  over.
Some years back an ordinary citizen started erecting crosses on  
private
land, to symbolize the fallen US soldiers in Iraq. It's been a lot  
of work, but

they have kept the count up-to-date and accurate.

Yes, it started as,  and remains, a peace thing. But over the years  
it has
also become a memorial  with people adopting crosses for their loved  
ones, and
decorating them. So it  now serves two purposes, which aren't  
really, far
apart. (If you want to read  more about it there is a link on the  
gallery index
page.) It covers a hill, a  lot of a hill, and is directly across  
from the Bart
(Bay Area Rapid Transit)  station, so a lot of people have seen it.  
It's rather

impressive,  actually.

I went over in the dying light yesterday and took some  pictures.  
I've been

meaning to do it for  years.

http://www.mapphotography.com/WarNoMore/index.html

Comments  welcome. If you like any one (or several) in particular, I  
wouldn't

mind hearing  about it.

Marnie aka Doe  :-)


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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Bob Sullivan
Michel,
I think it needs more documentation to justify it's 3-5X pricing.
That might be a $50 early K1000 with a bit of red paint added.
The only odd part is the extra flash synch.
The lens should also have a plastic, not screw in lens cap.
And the 55mm f1.8 was the better lens introduced with the camera.
I've never heard of extra SMC coatings being applied.
Some kind of soft shutter release button has been added.
The seller is from a location with many older retired people.
The camera looks nice, but at a lower price please...
Regards,  Bob S.

On Sat, Dec 6, 2008 at 2:32 AM, Michel Carrère-Gée
[EMAIL PROTECTED] wrote:
 Seen on Ebay, this Pentax K1000: red markings on body and lens.
 A fake or a commemorative series?
 # 160303122400


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Re: PESO: Silly rhymes

2008-12-06 Thread ann sanfedele



Bob W wrote:


If doggerel didn't come readily
Or scansion appeared much less steadily

From out of my head

I would not be misled
To mispronounce Miss annsan feadily

 


LOL!
That's MS to you brother :-)

I hope none of this ends up marked

Miss???, harumph





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Re: PDML Annual, was - Blurb books

2008-12-06 Thread John Sessoms

From: Scott Loveless

On 12/5/08, David Savage [EMAIL PROTECTED] wrote:

 Petty.

  Pretty isn't something I'd associate with this lists membership.

   :-D 


We could use a little more pretty.  And less clothing.


Mutually exclusive goals.

I know you're supposed to be able to believe as many as six impossible 
things before breakfast, but don't be redikulus.


With no disrespect to the fairer sex here, this list is composed 
predominantly of grumpy old men, whose attractiveness will not improve 
by eschewing clothing.


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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread P. J. Alling
I think I've seen lenses with the smc in red before, not very many, but 
not 50mm f2.0's either IIRC. 

However it's easy enough to produce the same effect using something like 
this:


http://www.krylon.com/products/short_cuts_hobbycraft_paint_pens/

In fact there was an article I read somewhere that gave detailed 
instructions for renewing the paint in the engraving on lenses and 
cameras that had become warn or faded.  That was some time ago, and the 
Krylon product is relatively new, but there was a stick material, (maybe 
it's no longer made), that was recommended.  I  can;t find a reference 
to it on the web.  Either way it's a relatively easy process. 

Let's just say I'm sceptical that this camera and lens are particularly 
collectible, or for that matter unmodified. 


Michel Carrère-Gée wrote:

Seen on Ebay, this Pentax K1000: red markings on body and lens.
A fake or a commemorative series?
# 160303122400


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Re: PESO: Darling Harbour

2008-12-06 Thread Bob Sullivan
Derby,
Marvelous pano with the 6x7.
What did you scan the negatives with?
Regards,  Bob S.

On Sat, Dec 6, 2008 at 1:14 AM, Derby Chang [EMAIL PROTECTED] wrote:

 An on-topic PESO from me for a change. Haven't donned the Brotherhood cloak
 for a while.

 A cold change had just come through and it was pretty durned blustery, but
 luckily, the 6x7 sways not in the wind.

 http://members.iinet.net.au/~derbyc/08/08_12/08_12_darlingharbour/01.htm

 Suggestions on how to fix that kinky railing would be most welcome.

 D

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Re: PDML Annual, was - Blurb books

2008-12-06 Thread Bob Sullivan
Not bad Bill.  She shows promise...   Regards,  Bob S.

On Fri, Dec 5, 2008 at 9:56 PM, William Robb [EMAIL PROTECTED] wrote:

 - Original Message - From: Scott Loveless
 Subject: Re: PDML Annual, was - Blurb books



 We could use a little more pretty.  And less clothing.

 I'm working on it.
 This isn't my best work, but it's what I've done lately.
 http://users.accesscomm.ca/wrobb/lynds3/index.html

 William Robb

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Re: PESO: Union Station Grand Hall

2008-12-06 Thread Bob Sullivan
Anthony,

I don't know where you live, but around here we throw politicians out
when they insist on imposing their will on us.  Don't expect any of
them to run on a platform of more public transit.  Remember what
Marnie wrote.  To paraphrase, the biggest, newest transit system in
the US is a pain in the ass as soon as you have to take a bus to get
to the station.  You're swimming up stream here!

And don't pick on the Federal Reserve analysts.  Part of their mission
is to illuminate public policy choices.

And Bob W., I agree with Margret Thatcher.  You've got to stop slumming...

Regards,  Bob S.

On Sat, Dec 6, 2008 at 5:04 AM, Anthony Farr [EMAIL PROTECTED] wrote:
 Bob,

 Don't overlook that the Fed paper is considering St Louis, not Chicago.  St
 Louis doesn't have heavy rail.  If the light rail shut down, that means
 55,000 commuters will turn to the roads, whether in cars or buses.  There's
 nothing else without the MetroLink.  While the paper gave the financial
 offsets for the total number of commuters, it conveniently only counted
 7,700 extra vehicles, the 'Priuses for the poor', when considering the
 physical impact of a MetroLink shutdown.  The existing bus and car commuters
 would be none too pleased if 55,000 extra commuters turned up on the roads
 all at once.

 Plus, how politically acceptable would it be to Mr, Mrs, Ms  Miss Average
 Taxpayer to see a bunch of losers (if you can't afford a car you must be a
 loser, right?)presented with brand new, gassed up and maintained foreign
 brand cars, bought by their own government with taxpayer dollars?  It won't
 happen.  Ever.

 And who wrote this paper?  The St Louis Federal Reserve.  Aren't they a
 little out of their jurisdiction here?  Transport and highways have their
 own state and federal administrations.  Isn't the Fed meddling just a little
 in someone else's business?

 This papers conclusion, if you care to read between the lines, is a 'straw
 man argument'.  My guess is that their political and private bank bosses
 ordered this conclusion.  The real case, if not the nominal case, was made
 earlier when they wrote,
 To permanently alleviate the problems of traffic congestion and pollution,
 policy-makers must address the root cause of both: the inefficient pricing
 of roadway usage.  Traffic congestion and pollution exist because the costs
 of driving an automobile are artificially low.  Consider the following
 explanation:  A driver's use of the roadway imposes upon him certain costs
 (such as the costs of fuel, time and depreciation of his automobile); the
 driver himself bears these costs.  The driver also imposes costs on others
 by contributing to pollution and congestion, but the driver does not incur
 these costs he imposes on other drivers.  (Economists term these costs
 externalities.)  Because each driver does not bear the full cost (driver's
 own cost + externalities), the costs of driving are artificially low; so,
 each driver overuses the roadway rather than use alternative means of
 transportation like light rail.

 Finally, the argument that people have voted against mass transit by
 preferring cars ignores the plain fact that most people are selfish sods.
 It's the government's duty to grow some balls and govern the people in a way
 that is best for the country, and not pander to the people's softness and
 greed.  After all, if you asked the people if they wanted to pay taxes, the
 popular choice would be not to pay, but taxes aren't about to be abolished
 by popular choice.  Just because a majority of people want something doesn't
 make it right.

 Regards, Anthony

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Bob Sullivan
 Sent: Friday, 5 December 2008 1:19 PM
 To: Pentax-Discuss Mail List
 Subject: Re: PESO: Union Station Grand Hall

 Anthony,

 I don't think the analysis is that faulty, but whatever.
 In Chicago, public transit works for 100,000-200,000 people
 who work in the city center (2 square miles) and travel in and out daily.
 Suburbanites fill heavy rail trains for a 20+ minute ride into the city.

 The rest of the system is sad  expensive.  A last resort for those
 without autos.
 Short trips with stops every 1/2 mile trying to attract customers.
 Travel speeds are low and travel times long, and safety is a concern,
 especially when waiting at transfer points in off hours.

 It doesn't work for a reason.  The folks from the Federal Reserve are
 just trying to point out the absurdity of it all.

 Regards,  Bob S.

 On Thu, Dec 4, 2008 at 7:45 PM, Anthony Farr [EMAIL PROTECTED]
 wrote:
  Bob,
 
  That quoted argument is so faulty in its conclusion as to be laughable.
 The
  7,700 poor riders (lack of a car being the factor defining the riders'
  impoverishment)do not necessarily number the entire ridership of the
 light
  rail, yet 7,700 is the number of extra vehicles that the author suggests
  would hit the road if the light rail service ceased.  That is 

Re: GESO - War No More

2008-12-06 Thread Bob Sullivan
Marnie,
I like the 1st because of the mood, black  white with the hard
panbase of the hill stretched before it.
Directly below that, #6 does a good job of conveying the vastness of the field.
And the two immediately to the left #7  #8 give an interesting
detailed perspective.
You should work with those a bit more and see what you get.
It's an interesting and difficult thing to photograph.
Regards,  Bob S.

On Sat, Dec 6, 2008 at 2:28 AM,  [EMAIL PROTECTED] wrote:
 This is subtitled The Crosses of Lafayette.

 I am very proud of Lafayette. I grew up there, and it is the next town  over.
 Some years back an ordinary citizen started erecting crosses on private
 land, to symbolize the fallen US soldiers in Iraq. It's been a lot of work, 
 but
 they have kept the count up-to-date and accurate.

 Yes, it started as,  and remains, a peace thing. But over the years it has
 also become a memorial  with people adopting crosses for their loved ones, and
 decorating them. So it  now serves two purposes, which aren't really, far
 apart. (If you want to read  more about it there is a link on the gallery 
 index
 page.) It covers a hill, a  lot of a hill, and is directly across from the 
 Bart
 (Bay Area Rapid Transit)  station, so a lot of people have seen it. It's 
 rather
 impressive,  actually.

 I went over in the dying light yesterday and took some  pictures. I've been
 meaning to do it for  years.

 http://www.mapphotography.com/WarNoMore/index.html

 Comments  welcome. If you like any one (or several) in particular, I wouldn't
 mind hearing  about it.

 Marnie aka Doe  :-)


 -
 Warning: I am  now filtering my email, so you may be censored.

 **Make your life easier with all your friends, email, and
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Re: GESO - War No More

2008-12-06 Thread Christine Aguila
Hi Marnie:  A very worthy subject to shoot.  You're off to a nice start 
here;  I think the wide angle lens suggestion is worth a try.  Also, I agree 
with Paul's choice of pic.  Cheers, Christine



- Original Message - 
From: [EMAIL PROTECTED]

To: pdml@pdml.net
Sent: Saturday, December 06, 2008 2:28 AM
Subject: GESO - War No More



This is subtitled The Crosses of Lafayette.

I am very proud of Lafayette. I grew up there, and it is the next town 
over.

Some years back an ordinary citizen started erecting crosses on private
land, to symbolize the fallen US soldiers in Iraq. It's been a lot of 
work, but

they have kept the count up-to-date and accurate.

Yes, it started as,  and remains, a peace thing. But over the years it has
also become a memorial  with people adopting crosses for their loved ones, 
and

decorating them. So it  now serves two purposes, which aren't really, far
apart. (If you want to read  more about it there is a link on the gallery 
index
page.) It covers a hill, a  lot of a hill, and is directly across from the 
Bart
(Bay Area Rapid Transit)  station, so a lot of people have seen it. It's 
rather

impressive,  actually.

I went over in the dying light yesterday and took some  pictures. I've 
been

meaning to do it for  years.

http://www.mapphotography.com/WarNoMore/index.html

Comments  welcome. If you like any one (or several) in particular, I 
wouldn't

mind hearing  about it.

Marnie aka Doe  :-)


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Boris Peso Week 49

2008-12-06 Thread Boris Liberman

Hi!

Here are few images for you fresh from the oven today.

http://pentax-ways.blogspot.com/2008/12/paw-2008-week-49.html

Be brutal and honest.

Thanks.

Boris

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Today is Cesar's birthday

2008-12-06 Thread Scott Loveless
Happy birthday, Cesar!  (Please, keep the birthday suit photos to yourself.)

-- 
Scott Loveless
New Cumberland, Pennsylvania, USA
http://www.twosixteen.com/fivetoedsloth/

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Re: Boris Peso Week 49

2008-12-06 Thread Bob Sullivan
Boris,
I like the 1st and 2nd best.
The older man blowing soap bubbles, cigarette in hand, with a sign in
hebrew behind him - it's all unique.
The girls' happiness in the 2nd is contagious.
In the 4th picture, what is the significance of the boys in the fake
window?  A memorial perhaps?
Again, the older man is interesting.
Regards, Bob S.

On Sat, Dec 6, 2008 at 10:37 AM, Boris Liberman [EMAIL PROTECTED] wrote:
 Hi!

 Here are few images for you fresh from the oven today.

 http://pentax-ways.blogspot.com/2008/12/paw-2008-week-49.html

 Be brutal and honest.

 Thanks.

 Boris

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Re: Today is Cesar's birthday

2008-12-06 Thread Bob Sullivan
Yes, Happy birthday if you are still lurking!  Regards,  Bob S.

On Sat, Dec 6, 2008 at 10:48 AM, Scott Loveless [EMAIL PROTECTED] wrote:
 Happy birthday, Cesar!  (Please, keep the birthday suit photos to yourself.)

 --
 Scott Loveless
 New Cumberland, Pennsylvania, USA
 http://www.twosixteen.com/fivetoedsloth/

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Re: My secret pleasure

2008-12-06 Thread P. J. Alling

Curse you, now another damned web page I'll have to look at...

Derby Chang wrote:

I have a confession

Once a week, I pop over to Bill Cunningham's slideshow blog (slog?) in 
the NYT. The excuse is some dynamic street photography, but there is 
more going on there, clearly. I love looking at boots.


http://query.nytimes.com/search/query?query=%22on+the+street%22srchst=m

Phew. Got that off my chest.
D




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Re: Boris Peso Week 49

2008-12-06 Thread Boris Liberman
Bob, I couldn't possible tell you about the reason why these two boys 
were drawn on the wall. But it seemed somehow fitting to have this old 
man and the two of them on the same frame together.


Thanks for your kind words.

Boris

Bob Sullivan wrote:

Boris,
I like the 1st and 2nd best.
The older man blowing soap bubbles, cigarette in hand, with a sign in
hebrew behind him - it's all unique.
The girls' happiness in the 2nd is contagious.
In the 4th picture, what is the significance of the boys in the fake
window?  A memorial perhaps?
Again, the older man is interesting.
Regards, Bob S.

On Sat, Dec 6, 2008 at 10:37 AM, Boris Liberman [EMAIL PROTECTED] wrote:

Hi!

Here are few images for you fresh from the oven today.

http://pentax-ways.blogspot.com/2008/12/paw-2008-week-49.html

Be brutal and honest.

Thanks.

Boris

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 4:59:57 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
On Sat, Dec 6, 2008 at  8:38 PM,  [EMAIL PROTECTED] wrote:

 I think I need  a  bluer sky day, a wider angle lens (which I don't have), 
and
 to  stand across the  street. While I like some of what I got, I will  
probably
 try again in a few  weeks and see if I can get some other  perspectives as
 well.

Googling for images and flanders fields  turns up a lot of shots of
crosses in real WW I graveyards. Eerie, but they  might suggest
techniques you could use.

-- 
Sandy  Harris,
Quanzhou, Fujian, China



Not a bad idea,  thanks, Sandy.

Part of the reason, though, they are a bit difficult to  shoot, among other 
reasons, is they are so close together. Not real graves  spaced apart, as you 
can tell from some shots. I debated shooting some crosses  individually, but it 
would be hard to not get others in the shot, for  instance.

But I like that idea and I will look around.

Thanks for  looking.

Marnie  

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 6:00:22 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
On Sat, Dec 6, 2008 at  7:59 AM, Sandy Harris [EMAIL PROTECTED] wrote:
 On Sat, Dec  6, 2008 at 8:38 PM,  [EMAIL PROTECTED] wrote:

 I  think I need a  bluer sky day, a wider angle lens (which I don't have), 
 and
 to stand across the  street. While I like some of what I  got, I will 
probably
 try again in a few  weeks and see if I can  get some other perspectives as
 well.

 Googling for  images and flanders fields turns up a lot of shots of
 crosses in real  WW I graveyards. Eerie, but they might suggest
 techniques you could  use.

I think this one stands out the best,  IMO

http://www.mapphotography.com/WarNoMore/pages/nowar6.html

Dave


Thanks,  Dave. Since I obviously worked on that shot, I wondered if anyone 
would like  it.

Marnie aka Doe  

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 6:42:27 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Nicely done. I think  the third from the left is my favorite, because  
it best communicates  the scope of this scene. You might try shooting  
it from an even closer  camera position with a wider lens.
Paul


Trouble is, I  don't have a wider lens (a fish eye right now would even be 
handy).  

Okay, that's the same one Derby liked because they seem to go on  forever. 
Feedback like this let's me know how to go about it next time around  and what 
is a keeper now.

I must admit when I got over there I was a bit  overwhelmed. There were more 
crosses than I remembered, and walking by and among  them was different than 
driving by them.

I think it's a worthwhile enough  subject to try again, maybe more than once. 
I was running out of light so had to  cut it short, anyway.

Thanks for looking.

Marnie  

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 8:21:26 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Marnie,
I like the  1st because of the mood, black  white with the hard
panbase of the hill  stretched before it.
Directly below that, #6 does a good job of conveying the  vastness of the 
field.
And the two immediately to the left #7  #8 give  an interesting
detailed perspective.
You should work with those a bit more  and see what you get.
It's an interesting and difficult thing to  photograph.
Regards,  Bob S.

==
Thanks for the  input, Bob. I thought BW gave it a grittness that was 
appropriate, rather  than a prettiness, which some of them had. So I went both 
ways, 
color to show  details, and BW.

Good to know someone had some of the same reaction  I did.

Thanks for looking.

Marnie aka Doe  

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 8:24:55 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Hi Marnie:  A very  worthy subject to shoot.  You're off to a nice start 
here;  I  think the wide angle lens suggestion is worth a try.  Also, I agree 
 
with Paul's choice of pic.  Cheers,  Christine


===
Thanks for the input.

Marnie  

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Re: GESO - War No More

2008-12-06 Thread Jack Davis
An additional comment after another look, Marnie,
For whatever reason, I feel that the bottom of the front row (closest to the 
camera) should be visible. On that basis, my choices are #8 and #9.
Love the mini crosses in #9. They evoke additional emotions..at least for me. 
Tiny nit: I'd crop a small amount off of the bottom either with the crop tool 
or when and if matted.

Jack



--- On Sat, 12/6/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: GESO - War No More
 To: pdml@pdml.net
 Date: Saturday, December 6, 2008, 12:28 AM
 This is subtitled The Crosses of Lafayette.  
 
 I am very proud of Lafayette. I grew up there, and it is
 the next town  over. 
 Some years back an ordinary citizen started erecting
 crosses on private  
 land, to symbolize the fallen US soldiers in Iraq. It's
 been a lot of work, but  
 they have kept the count up-to-date and accurate. 
 
 Yes, it started as,  and remains, a peace thing. But over
 the years it has 
 also become a memorial  with people adopting crosses for
 their loved ones, and 
 decorating them. So it  now serves two purposes, which
 aren't really, far 
 apart. (If you want to read  more about it there is a link
 on the gallery index 
 page.) It covers a hill, a  lot of a hill, and is directly
 across from the Bart 
 (Bay Area Rapid Transit)  station, so a lot of people have
 seen it. It's rather 
 impressive,  actually.
 
 I went over in the dying light yesterday and took some 
 pictures. I've been 
 meaning to do it for  years.
 
 http://www.mapphotography.com/WarNoMore/index.html
 
 Comments  welcome. If you like any one (or several) in
 particular, I wouldn't 
 mind hearing  about it.
 
 Marnie aka Doe  :-)
 
 
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 censored.  
 
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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Michel Carrère-Gée



Seen on Ebay, this Pentax K1000: red markings on body and lens.
A fake or a commemorative series?
# 160303122400

This is visible:
* The top of the camera has 3 nice black plastic coverings.
* A''Made in Japan''label is on the back of the body.
* On top of the camera, there are engravings of 
PENTAX,''ASAHIK1000 ASAHI OPT. CO.''And the Asahi Co. 
Emblem. All of these engravings are red.

* The camera has an 55mm f2 RED Pentax SMC.

But it probably does not:
* The camera has a shutter low vibration and highly responsive light meter.
* The red SMC engraving is different from the white engraving because 
the red has more coating layers.


Here is not certain:
* The camera has an additional double flash X terminal.
* He bought this camera at a show organized by Asahi Co. Ltd..

Michel


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Re: Boris Peso Week 49

2008-12-06 Thread Jack Davis
Thoroughly enjoyed each Boris. 
Is #1 bubble blower filling some with smoke? G

Jack


--- On Sat, 12/6/08, Boris Liberman [EMAIL PROTECTED] wrote:

 From: Boris Liberman [EMAIL PROTECTED]
 Subject: Boris Peso Week 49
 To: PAW Project Discussions [EMAIL PROTECTED], Pentax-Discuss Mail List 
 pdml@pdml.net
 Date: Saturday, December 6, 2008, 8:37 AM
 Hi!
 
 Here are few images for you fresh from the oven today.
 
 http://pentax-ways.blogspot.com/2008/12/paw-2008-week-49.html
 
 Be brutal and honest.
 
 Thanks.
 
 Boris
 
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Re: PESO: Another from Union Station, St Louis

2008-12-06 Thread Boris Liberman
Rick, there is this movie with Kevin Costner that has to do with 
printing Al Capone to justice. And there there is a scene that involves 
shooting in the building of the train station. For some reason I got 
this scene right in front of my eyes, while looking at your photograph.


Boris


Rick Womer wrote:

These stairs lead up to the Great Hall (previous PESO).  It took a while before 
people came along and paused in just the right position.  The red jacket was a 
bonus.

http://photo.net/photodb/photo?photo_id=8317477

K10D, FA 28/2.8, ISO 800, f/2.8 @ 1/10, handheld, RAW via LR2.

(That used to be your lens, Godders!)

Rick

http://photo.net/photos/RickW



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Re: PESOs: Grace Does Thanksgiving

2008-12-06 Thread Boris Liberman
I have to ask you, sir Paul, is there such a thing as Formal portrait 
if it involves Grace? I can tell you that formal portrait and Galia are 
completely incompatible chemicals, they never mix together.


Boris

PN Stenquist wrote:
A few pics of Grace from today. All are with the K20D and the 540 flash 
with the lightsphere. The third one is in wireless flash mode with the 
flash handheld off to the right of camera a couple of feet. The first is 
f4.5, 1/45th and 29mm, the second is wide open at f2.8, 1/30th and 33mm, 
the third is at f3.6, 1/45th and 34mm.


http://photo.net/photodb/photo?photo_id=8307671size=lg
http://photo.net/photodb/photo?photo_id=8307673
http://photo.net/photodb/photo?photo_id=8307675

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Re: 3 PESOs: Nephew (or: The Joys of Slave Flash Photography)

2008-12-06 Thread Boris Liberman
John, I should tell you that on my screen the skin of the baby boy looks 
a bit too yellowish not to be noticed.


Boris

John Celio wrote:
On sunday my family had a little mini Thanksgiving dinner, since some of 
us would be travelling this weekend.  I used the opportunity to take 
lots of photos of my 6-month old nephew Anthony, who learned to crawl a 
month ago and is just curious as heck!  I also rediscovered the joys of 
off-camera flash photography and put my AF540FGZ through its paces.


http://www.neovenator.com/gallery/main.php?g2_itemId=865
I don't know about other babies, but this guy is a joy to photograph.  
He's pretty easy-going and easily distracted. :)


http://www.neovenator.com/gallery/main.php?g2_itemId=857
Fire the flash once and he looks towards it.  Fire again and you've got 
a photo like this.


http://www.neovenator.com/gallery/main.php?g2_itemId=859
Anthony's mom, bottom right, knows how to make him smile, and his dad 
(the blur in the top right, my brother) is just plain goofy.


Happy Thanksgiving to all my fellow Americans!
John

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 9:21:26 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
An additional comment after  another look, Marnie,
For whatever reason, I feel that the bottom of the  front row (closest to the 
camera) should be visible. On that basis, my choices  are #8 and #9.
Love the mini crosses in #9. They evoke additional  emotions..at least for 
me. 
Tiny nit: I'd crop a small amount off of the  bottom either with the crop 
tool or when and if  matted.

Jack

==
Yeah, relooking at them, I am not happy  the crosses were cut off. Ditto 
mini-crosses (I am not totally sure what they  symbolize, but I do think there 
are 
crosses on the hill for children and/or  civilians. Which children I am not 
sure if that's what they are, but I suspect  so. I must admit to a senior 
moment, I think I heard something once about  civilians on the hill, but I 
don't 
remember. I suppose I could read the  blog.)

I think a lot of them could be cropped a tad on relooking,  too.

Nine is one of my personal favorites (which seems an odd word in  this 
context).

Thanks for looking, Jack.

Marnie  

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Re: PDML Annual, was - Blurb books

2008-12-06 Thread P. J. Alling

I'm surprised she has no tat's. (I spelled that correctly for what I meant!)

Bob Sullivan wrote:

Not bad Bill.  She shows promise...   Regards,  Bob S.

On Fri, Dec 5, 2008 at 9:56 PM, William Robb [EMAIL PROTECTED] wrote:
  

- Original Message - From: Scott Loveless
Subject: Re: PDML Annual, was - Blurb books





We could use a little more pretty.  And less clothing.
  

I'm working on it.
This isn't my best work, but it's what I've done lately.
http://users.accesscomm.ca/wrobb/lynds3/index.html

William Robb

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Re: PDML Annual, was - Blurb books

2008-12-06 Thread Scott Loveless
On 12/5/08, Mark Roberts [EMAIL PROTECTED] wrote:
 William Robb wrote:

 
  From: Mark Roberts Subject: Re: PDML Annual, was - Blurb books
 
  
   Yeah, and I'll even help put the book together, Scott, in case you're
 worried that we'll dump the whole project on you ;-)
  
 
  You beat me to it, you bugger.
 

  Division of labor is good.
  We can have one person prep the images, someone else organize the text
 (quotes, etc.) and someone else to do page layout.

  Perhaps an image submission web page would be the way to go for acquiring
 the photos and photographer's information. Scott, you up to it?

That shouldn't be a problem.  I still need to finish up this month's
PUG and get the new submit forms online.  Should be done this weekend.
 After that I'll work on a form the book.  In the meantime I'll
contact the guy who handles the LUG book and see if he can share his
method for prepping the submissions.

-- 
Scott Loveless
New Cumberland, Pennsylvania, USA
http://www.twosixteen.com/fivetoedsloth/

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Re: Published (redux)

2008-12-06 Thread Boris Liberman
Brendan, all are very good pictures. I can only say (half jokingly) that 
if you shoot with DA* 16-50, you might want to consider renaming your 
web site ;-).


Boris


Brendan MacRae wrote:

I had six more photos published recently in the same
magazine as last time, Sierra Heritage.

This time the story profiled the good men and women
who perform animal rescue services on behalf of the
California Dept. of Fish and Game.

Not the most stunning photos, but it was a fun
experience. The best photos were actually cut from the
spread. They were of a couple who rescue fawns and
while disappointing, I suppose photo editors have
their own agendas.

http://www.primelensphoto.com/animal_rescue/index.html

All of these photos were shot with the K10D and on
camera 540 flash. All were captured with the DA*
16-50, a lens I'm starting to love. 


Comments encouraged.

-Brendan






  


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Re: PESO: Darling Harbour

2008-12-06 Thread Joseph McAllister

Very nice image, Derby. Now you make me miss my 67. Damn.

Is the garbage (banding) in the sky 1/3 of the way across from the  
left a result of the scanning, the stitching, or?


I really do enjoy the expanse of the view...

Joseph McAllister
[EMAIL PROTECTED]

On Dec 5, 2008, at 23:14 , Derby Chang wrote:



An on-topic PESO from me for a change. Haven't donned the  
Brotherhood cloak for a while.


A cold change had just come through and it was pretty durned  
blustery, but luckily, the 6x7 sways not in the wind.


http://members.iinet.net.au/~derbyc/08/08_12/08_12_darlingharbour/01.htm

Suggestions on how to fix that kinky railing would be most welcome.

D



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Re: Today is Cesar's birthday

2008-12-06 Thread ann sanfedele



Scott Loveless wrote:


Happy birthday, Cesar!  (Please, keep the birthday suit photos to yourself.)

 


Ditto

ann, fellow sagitarian

semi-lurking

(Cesar is the FIRST PDML'er I met In real life... and I still was up for 
meeting more!)





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Re: GESO - War No More

2008-12-06 Thread P. J. Alling
War is a horrible business, every death in war is a tragedy. But hell 
every death is a tragedy. 

When we think that one country has the ability to simply stop making 
war, of merely preparing for war, for there to be peace it is best to 
contemplate this quote from George Orwell;


We sleep safe in our beds because rough men stand ready in the night to 
visit violence on those who would do us harm. 

You can disagree that the war in Iraq is necessary, but the people who's 
idea this was probably think that if we simply stop fighting and give up 
our arms there will be no more war. 

The only way that will work is if we force every other Empire. Nation 
and Tribe to do that, it won't be done voluntarily, it just takes one to 
cheat. 

So force is the way.  Just look how happy they are that we're trying to 
bend just one violent nation to our will.  How would the feel if we went 
about subduing the rest.


I hate propaganda, and this is vile propaganda.  This statement while 
powerful, essentially, says that each and every one of the men, (and a 
few women), who died did so meaninglessly.  That's a horrible lie.  They 
died for something that they believed in.  That's more than 90% of the 
people in the world will ever do. They died for that belief not because 
someone forced them to, but because they thought it was important.  Most 
if not all did not plan to die, but they knew it could happen.  For that 
they deserve honor.


Incidentally, they also died so that you and I could live to a ripe old 
age and die a relatively meaningless death in bed. For this they deserve 
our deepest gratitude.   These memorials simply annoy the Iraq war 
veterans that I know, and I do know a few.


This is no reflection on your photography Marnie, you captured them 
well, and I know you're anti-war, so is any sane person.



[EMAIL PROTECTED] wrote:
In a message dated 12/6/2008 8:21:26 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:

Marnie,
I like the  1st because of the mood, black  white with the hard
panbase of the hill  stretched before it.
Directly below that, #6 does a good job of conveying the  vastness of the 
field.

And the two immediately to the left #7  #8 give  an interesting
detailed perspective.
You should work with those a bit more  and see what you get.
It's an interesting and difficult thing to  photograph.
Regards,  Bob S.

==
Thanks for the  input, Bob. I thought BW gave it a grittness that was 
appropriate, rather  than a prettiness, which some of them had. So I went both ways, 
color to show  details, and BW.


Good to know someone had some of the same reaction  I did.

Thanks for looking.

Marnie aka Doe  


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Re: PESOs: Grace Does Thanksgiving

2008-12-06 Thread PN Stenquist
I haven't tried to shoot a formal portrait of Grace. But one of these  
days I'm going to ask grandma to get her all spiffed up and march her  
down to my studio. I'm sure it won't be easy!

Paul
On Dec 6, 2008, at 12:49 PM, Boris Liberman wrote:

I have to ask you, sir Paul, is there such a thing as Formal  
portrait if it involves Grace? I can tell you that formal portrait  
and Galia are completely incompatible chemicals, they never mix  
together.


Boris

PN Stenquist wrote:
A few pics of Grace from today. All are with the K20D and the 540  
flash with the lightsphere. The third one is in wireless flash mode  
with the flash handheld off to the right of camera a couple of  
feet. The first is f4.5, 1/45th and 29mm, the second is wide open  
at f2.8, 1/30th and 33mm, the third is at f3.6, 1/45th and 34mm.

http://photo.net/photodb/photo?photo_id=8307671size=lg
http://photo.net/photodb/photo?photo_id=8307673
http://photo.net/photodb/photo?photo_id=8307675
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RE: PESO: Silly rhymes

2008-12-06 Thread Bob W
 If doggerel didn't come readily
 Or scansion appeared much less steadily
 From out of my head
 I would not be misled
 To mispronounce Miss annsan feadily
 
   
 
 LOL!
 That's MS to you brother :-)
 
 I hope none of this ends up marked
 
 Miss???, harumph
 

Of course! It's a limerick about MSpronunciation!

Bob


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Re: PESO: Silly rhymes

2008-12-06 Thread ann sanfedele



Bob W wrote:


If doggerel didn't come readily
Or scansion appeared much less steadily

From out of my head

I would not be misled
To mispronounce Miss annsan feadily




LOL!
That's MS to you brother :-)

I hope none of this ends up marked

Miss???, harumph

   



Of course! It's a limerick about MSpronunciation!

Bob
 



ohoh - ok I'm skunked

:-)



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RE: PESO: Silly rhymes

2008-12-06 Thread Bob W
 Bob W wrote:
 
 If doggerel didn't come readily
 Or scansion appeared much less steadily
 From out of my head
 I would not be misled
 To mispronounce Miss annsan feadily
 
  
 
 LOL!
 That's MS to you brother :-)
 
 I hope none of this ends up marked
 
 Miss???, harumph
 
 
 
 
 Of course! It's a limerick about MSpronunciation!
 
 Bob
   
 
 
 ohoh - ok I'm skunked
 
 :-)
 

Phew - got away with it...

B


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Re: PESO Santas in Portugal

2008-12-06 Thread Tim Bray
OK, I laughed out loud when I saw that.  Bright and simple and funny is good.
-Tim

On Fri, Dec 5, 2008 at 4:16 PM, Merlin Who [EMAIL PROTECTED] wrote:
 It's time to put out my first PESO. And my first photo here is more
 fun than art.

 I found Santa dolls on windows, doors and this one - the first one I
 saw - on chimney. I first thought this Santa was alive as it moved in
 the wind...

 URL:
 http://merlinwho.no-ip.org/portugal/index.php?album=2008-11-23+Costa+da+Caparica+and+Trafariaimage=IMGP3676.jpg

 Tiny URL:
 http://tinyurl.com/5comny

 Pentax K100D Super, Pentacon 135mm f/2.8 M42
 ISO 200, f/11, 1/320s
 (and EXIF on the page)

 Comments appreciated...

 Merlin

 PS: If you want you can see my other photos from Portugal at
 http://merlinwho.no-ip.org/portugal/. Of course comments are more than
 welcomed.

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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Joseph McAllister

On Dec 6, 2008, at 07:25 , Bob Sullivan wrote:


Michel,
I think it needs more documentation to justify it's 3-5X pricing.
That might be a $50 early K1000 with a bit of red paint added.


Probably is, though the red on the camera body is very well done. Very  
difficult to get all the black paint out and not mar the surface  
physically or chemically.


The only odd part is the extra flash synch.


I have several of those . They are a common splitter that was around  
many years ago. It just plugs in to the normal flash p.c. socket..


The lens should also have a plastic, not screw in lens cap.


Pentax would not release a special addition lens with a plain lens  
cap. That is a filter stack cap (male).


And the 55mm f1.8 was the better lens introduced with the camera.
I've never heard of extra SMC coatings being applied.


And the red paint over the SMC white is poorly done. Not a factory  
thing. I expected from the description to see the word Red on the  
lens, and perhaps on the body.


Some kind of soft shutter release button has been added.


And not a good one. Looks more like a straight slot screw threaded in  
there.


The seller is from a location with many older retired people.
The camera looks nice, but at a lower price please...
Regards,  Bob S.

On Sat, Dec 6, 2008 at 2:32 AM, Michel Carrère-Gée
[EMAIL PROTECTED] wrote:

Seen on Ebay, this Pentax K1000: red markings on body and lens.
A fake or a commemorative series?
# 160303122400




Joseph McAllister
Lots of gear, not much time
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Re: PESO: Darling Harbour

2008-12-06 Thread Tim Bray
Groovy... I'm sure you didn't enhance the colour at all.  -T

On Fri, Dec 5, 2008 at 11:14 PM, Derby Chang [EMAIL PROTECTED] wrote:

 An on-topic PESO from me for a change. Haven't donned the Brotherhood cloak
 for a while.

 A cold change had just come through and it was pretty durned blustery, but
 luckily, the 6x7 sways not in the wind.

 http://members.iinet.net.au/~derbyc/08/08_12/08_12_darlingharbour/01.htm

 Suggestions on how to fix that kinky railing would be most welcome.

 D

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 10:42:16 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Incidentally, they  also died so that you and I could live to a ripe old 
age and die a  relatively meaningless death in bed. For this they deserve 
our deepest  gratitude.   These memorials simply annoy the Iraq war 
veterans  that I know, and I do know a few.

This is no reflection on your  photography Marnie, you captured them 
well, and I know you're anti-war, so  is any sane person.

==
You and I will always disagree  politically, Peter.

You might read the article on the blog, over the  years, many came to feel 
the crosses honor the soldiers who died. There is, to  me, no incompatibility 
between honoring, grieving, and wanting war to end.  

But, like I said, we will always disagree. And this is a very emotional  
subject, ergo, just the viewing the crosses is emotional. 

So thanks for  looking.

Marnie aka Doe  

-
Warning: I am now  filtering my email, so you may be censored.  

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Re: GESO - War No More

2008-12-06 Thread Tim Bray
Sad and very beautiful.   Thank you.

 - misty eyed, T

On Sat, Dec 6, 2008 at 12:28 AM,  [EMAIL PROTECTED] wrote:
 This is subtitled The Crosses of Lafayette.

 I am very proud of Lafayette. I grew up there, and it is the next town  over.
 Some years back an ordinary citizen started erecting crosses on private
 land, to symbolize the fallen US soldiers in Iraq. It's been a lot of work, 
 but
 they have kept the count up-to-date and accurate.

 Yes, it started as,  and remains, a peace thing. But over the years it has
 also become a memorial  with people adopting crosses for their loved ones, and
 decorating them. So it  now serves two purposes, which aren't really, far
 apart. (If you want to read  more about it there is a link on the gallery 
 index
 page.) It covers a hill, a  lot of a hill, and is directly across from the 
 Bart
 (Bay Area Rapid Transit)  station, so a lot of people have seen it. It's 
 rather
 impressive,  actually.

 I went over in the dying light yesterday and took some  pictures. I've been
 meaning to do it for  years.

 http://www.mapphotography.com/WarNoMore/index.html

 Comments  welcome. If you like any one (or several) in particular, I wouldn't
 mind hearing  about it.

 Marnie aka Doe  :-)


 -
 Warning: I am  now filtering my email, so you may be censored.

 **Make your life easier with all your friends, email, and
 favorite sites in one place.  Try it now.
 (http://www.aol.com/?optin=new-dpicid=aolcom40vanityncid=emlcntaolcom0010)

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PESO - Rainy Manhattan food

2008-12-06 Thread Tim Bray
http://www.tbray.org/ongoing/When/200x/2008/12/05/-big/R0010907.jpg

For a buncha other Manhattan-cliché shots,
http://www.tbray.org/ongoing/When/200x/2008/12/05/Fuzzy-New-York

I was traveling light, so these are the little Ricoh GX100.  It's a
honey, but damn, I wished I'd had the K20 along approximately every 15
minutes.  -T

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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Joseph McAllister

Forgot to comment on those nice black plastic coverings.

X-Acto knife, straight edge, and sheet plastic. Why under any  
circumstances would Pentax apply such things to a perfectly good and  
well designed prism housing? IF they did, I'd expect the housing to be  
recessed so the plastic (I think they'd continue the leather look)  
would be flush, not protruding where it could be easily caught and/or  
damaged.


The value of that camera on the collectable market is and should be  
less than a mint standard K1000.


Joseph McAllister
[EMAIL PROTECTED]

Who spent several years on the other side of the camera show counter  
from the buyers/collectors, head buried in all the used and  
collectable camera books.



On Dec 6, 2008, at 09:26 , Michel Carrère-Gée wrote:



Seen on Ebay, this Pentax K1000: red markings on body and lens.
A fake or a commemorative series?
# 160303122400

This is visible:
* The top of the camera has 3 nice black plastic coverings.



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At the bar

2008-12-06 Thread Bob W
Had a couple of beers with a friend earlier this afternoon. He has a couple
of nice friendly little dogs which he brought along. The bar was full of
very young children in for a party upstairs, and they kept coming down to
pat the dogs, which the dogs put up with very patiently.

When this guy came in, the dogs went apeshit, barking and yapping and
straining at the leash. Guy seemed harmless enough, just wanted a quiet
Guinness, but he seemed a bit out of place in this type of bar.

I'd welcome opinions about the photo:

http://www.web-options.com/L1030041.jpg

Bob


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Re: PESO Santas in Portugal

2008-12-06 Thread Norm Baugher

Funny pic, LOL! I love Portugal; had a great time for a month is Cabanas.
Norm

Merlin Who wrote:

It's time to put out my first PESO. And my first photo here is more
fun than art.

I found Santa dolls on windows, doors and this one - the first one I
saw - on chimney. I first thought this Santa was alive as it moved in
the wind...

URL:
http://merlinwho.no-ip.org/portugal/index.php?album=2008-11-23+Costa+da+Caparica+and+Trafariaimage=IMGP3676.jpg

Tiny URL:
http://tinyurl.com/5comny

Pentax K100D Super, Pentacon 135mm f/2.8 M42
ISO 200, f/11, 1/320s
(and EXIF on the page)

Comments appreciated...

Merlin

PS: If you want you can see my other photos from Portugal at
http://merlinwho.no-ip.org/portugal/. Of course comments are more than
welcomed.


  


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RE: PESO - Rainy Manhattan food

2008-12-06 Thread Bob W
Nice stuff. Looks like a damn good camera.

Bob 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Tim Bray
 Sent: 06 December 2008 19:13
 To: Pentax-Discuss Mail List
 Subject: PESO - Rainy Manhattan food
 
 http://www.tbray.org/ongoing/When/200x/2008/12/05/-big/R0010907.jpg
 
 For a buncha other Manhattan-cliché shots,
 http://www.tbray.org/ongoing/When/200x/2008/12/05/Fuzzy-New-York
 
 I was traveling light, so these are the little Ricoh GX100.  It's a
 honey, but damn, I wished I'd had the K20 along approximately every 15
 minutes.  -T
 
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Re: At the bar

2008-12-06 Thread Jack Davis
I like the placement of the man against the background. I'm not sure about the 
soft OOF image, however. Sort of escapes me as to why you chose that style.
Shady, indistinct, mysterious character and atmosphere, perhaps?

Jack


--- On Sat, 12/6/08, Bob W [EMAIL PROTECTED] wrote:

 From: Bob W [EMAIL PROTECTED]
 Subject: At the bar
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Date: Saturday, December 6, 2008, 11:29 AM
 Had a couple of beers with a friend earlier this afternoon.
 He has a couple
 of nice friendly little dogs which he brought along. The
 bar was full of
 very young children in for a party upstairs, and they kept
 coming down to
 pat the dogs, which the dogs put up with very patiently.
 
 When this guy came in, the dogs went apeshit, barking and
 yapping and
 straining at the leash. Guy seemed harmless enough, just
 wanted a quiet
 Guinness, but he seemed a bit out of place in this type of
 bar.
 
 I'd welcome opinions about the photo:
 
 http://www.web-options.com/L1030041.jpg
 
 Bob
 
 
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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread John Sessoms

From: Michel Carr?re-G?e

Seen on Ebay, this Pentax K1000: red markings on body and lens.
 A fake or a commemorative series?
 # 160303122400

This is visible:
* The top of the camera has 3 nice black plastic coverings.
* A''Made in Japan''label is on the back of the body.
* On top of the camera, there are engravings of 
PENTAX,''ASAHIK1000 ASAHI OPT. CO.''And the Asahi Co. 
Emblem. All of these engravings are red.

* The camera has an 55mm f2 RED Pentax SMC.

But it probably does not:
* The camera has a shutter low vibration and highly responsive light meter.
* The red SMC engraving is different from the white engraving because 
the red has more coating layers.


Here is not certain:
* The camera has an additional double flash X terminal.
* He bought this camera at a show organized by Asahi Co. Ltd..

Michel


I suspect this is just a gussied up version of the K1000, perhaps one 
prettied up for the Japanese home market to celebrate some anniversary.


Or not.

Looking at it the only differences I see from my own K1000 SE are:

*Red paint/ink in the K1000 and Asahi logo. That wouldn't be too hard to 
reproduce ... or it may be original. The K1000 looks pretty worn 
though. Yet the metal looks extra polished. My K1000 has seen some hard 
usage, but there's no wear in color filling the letters.


And why doesn't the red letter scheme follow through on the front of the 
penta-prism? Looks like there's NO color fill at all in the ASAHI PENTAX.


*Black leatherette instead of reddish-brown. From the original posting, 
that's what I first thought the Red would refer to. The K1000 SE was 
available with different colored leatherette, although the only two 
colors I've ever seen are black and reddish-brown.


*Intact JCII label - located where the letters SE are engraved on mine. 
That is a rarity. They wear off if you actually USE the camera.


That JCII looks like it might be engraved instead of a label, which 
might account for it being so pristine. But again, if it is engraved, 
why isn't it red lettered as well?


*Black paste-on panels on the penta-prism cover. Wallpaper/Contact Paper.

*Plastic cap over the X-terminal. There's no additional double X flash 
terminal visible in the photos - every K1000 I've ever seen has that 
X-terminal on the front, and all had a plastic cap when they came out of 
the box.


*Mushroom head screw in the cable release socket atop the shutter button.

That screw could have been an accessory, or it might just be a screw 
someone found would fit nicely in there. I think it might be a generic 
after-market accessory like Stofen Omnibounce for flash.


Don't all cable release sockets use a standardized thread?

I'd say it's a genuine K1000, but it's not some ultra rare special edition.

Although I don't doubt the seller came into possession exactly as 
described; i.e. he bought it second hand from a friend who told him the 
story about it being a special model from an Asahi Ltd organized camera 
show.


BUT, I DO HAVE ONE RANT RESULTING FROM THIS!

I looked at a lot of K1000s on eBay comparing to this one and mine and 
one thing struck me.


If you're selling a camera on eBay, post photos of the camera that are 
IN FOCUS for crying out loud!



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RE: At the bar

2008-12-06 Thread Bob W
The hat is what I focused on, and it looks reasonable to me - I _think_ the
guy's cheekbone is in the same plane. It was handheld - 1/8th at f/1.4. In
fact at the time of shooting I thought I would crop to isolate the hat and
the Guinness, but I like the composition as it is. If it's too blurry then
I'll give up. I'm no Frank.

Bob

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Jack Davis
 Sent: 06 December 2008 20:10
 To: Pentax-Discuss Mail List
 Subject: Re: At the bar
 
 I like the placement of the man against the background. I'm 
 not sure about the soft OOF image, however. Sort of escapes 
 me as to why you chose that style.
 Shady, indistinct, mysterious character and atmosphere, perhaps?
 
 Jack
[...]
  
  I'd welcome opinions about the photo:
  
  http://www.web-options.com/L1030041.jpg
  
  Bob


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Re: GESO - War No More

2008-12-06 Thread John Celio
Very nice, Marnie.  I've seen that hill many times from BART, but didn't 
know you could actually get up there.  I may go visit it myself one of these 
days.


John

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- Original Message - 
From: [EMAIL PROTECTED]

To: pdml@pdml.net
Sent: Saturday, December 06, 2008 12:28 AM
Subject: GESO - War No More



This is subtitled The Crosses of Lafayette.

I am very proud of Lafayette. I grew up there, and it is the next town 
over.

Some years back an ordinary citizen started erecting crosses on private
land, to symbolize the fallen US soldiers in Iraq. It's been a lot of 
work, but

they have kept the count up-to-date and accurate.

Yes, it started as,  and remains, a peace thing. But over the years it has
also become a memorial  with people adopting crosses for their loved ones, 
and

decorating them. So it  now serves two purposes, which aren't really, far
apart. (If you want to read  more about it there is a link on the gallery 
index
page.) It covers a hill, a  lot of a hill, and is directly across from the 
Bart
(Bay Area Rapid Transit)  station, so a lot of people have seen it. It's 
rather

impressive,  actually.

I went over in the dying light yesterday and took some  pictures. I've 
been

meaning to do it for  years.

http://www.mapphotography.com/WarNoMore/index.html

Comments  welcome. If you like any one (or several) in particular, I 
wouldn't

mind hearing  about it.

Marnie aka Doe  :-) 



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Re: PESO - Rainy Manhattan food

2008-12-06 Thread Bob Sullivan
Nice shots, nice story Tim...  Regards,  Bob S.

On Sat, Dec 6, 2008 at 1:12 PM, Tim Bray [EMAIL PROTECTED] wrote:
 http://www.tbray.org/ongoing/When/200x/2008/12/05/-big/R0010907.jpg

 For a buncha other Manhattan-cliché shots,
 http://www.tbray.org/ongoing/When/200x/2008/12/05/Fuzzy-New-York

 I was traveling light, so these are the little Ricoh GX100.  It's a
 honey, but damn, I wished I'd had the K20 along approximately every 15
 minutes.  -T

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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Joseph McAllister


On Dec 6, 2008, at 12:12 , John Sessoms wrote:

*Intact JCII label - located where the letters SE are engraved on  
mine. That is a rarity. They wear off if you actually USE the camera.


That JCII looks like it might be engraved instead of a label, which  
might account for it being so pristine. But again, if it is  
engraved, why isn't it red lettered as well?


On one of the views of the front of the camera, you can see the JCII  
label reflects as gold, as they were originally. I think it is a  
label, not engraved.



Joseph McAllister
Lots of gear, not much time


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Re: GESO - War No More

2008-12-06 Thread John Sessoms
In a message dated 12/6/2008 10:42:16 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Incidentally, they  also died so that you and I could live to a ripe old 
age and die a  relatively meaningless death in bed. For this they deserve 
our deepest  gratitude.   These memorials simply annoy the Iraq war 
veterans  that I know, and I do know a few.


BEING an Iraq War Veteran, it doesn't annoy me at all.

Nor does it annoy any of the veterans I know, even the ones who do still 
believe we are accomplishing something in Iraq.


War is bad, but unfortunately sometimes necessary.

But it does not honor the soldier to send him or her to war on false 
pretense.


Particularly a war for PROFIT espoused by those who never have, nor ever 
will, sacrifice anything themselves in pursuit of that war.


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Re: PESO - Rainy Manhattan food

2008-12-06 Thread PN Stenquist
Makes me hungry for a Sabrett with kraut and mustard. When I was an  
impoverished New York journalist, I lived on street food.

Paul
On Dec 6, 2008, at 2:12 PM, Tim Bray wrote:


http://www.tbray.org/ongoing/When/200x/2008/12/05/-big/R0010907.jpg

For a buncha other Manhattan-cliché shots,
http://www.tbray.org/ongoing/When/200x/2008/12/05/Fuzzy-New-York

I was traveling light, so these are the little Ricoh GX100.  It's a
honey, but damn, I wished I'd had the K20 along approximately every 15
minutes.  -T

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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread P. J. Alling
If you're selling a camera on eBay, post photos of the camera that are 
IN FOCUS for crying out loud! 


What, and lose their amateur standing?

John Sessoms wrote:

From: Michel Carr?re-G?e

Seen on Ebay, this Pentax K1000: red markings on body and lens.
 A fake or a commemorative series?
 # 160303122400

This is visible:
* The top of the camera has 3 nice black plastic coverings.
* A''Made in Japan''label is on the back of the body.
* On top of the camera, there are engravings of 
PENTAX,''ASAHIK1000 ASAHI OPT. CO.''And the Asahi Co. 
Emblem. All of these engravings are red.

* The camera has an 55mm f2 RED Pentax SMC.

But it probably does not:
* The camera has a shutter low vibration and highly responsive light 
meter.
* The red SMC engraving is different from the white engraving because 
the red has more coating layers.


Here is not certain:
* The camera has an additional double flash X terminal.
* He bought this camera at a show organized by Asahi Co. Ltd..

Michel


I suspect this is just a gussied up version of the K1000, perhaps one 
prettied up for the Japanese home market to celebrate some anniversary.


Or not.

Looking at it the only differences I see from my own K1000 SE are:

*Red paint/ink in the K1000 and Asahi logo. That wouldn't be too hard 
to reproduce ... or it may be original. The K1000 looks pretty worn 
though. Yet the metal looks extra polished. My K1000 has seen some 
hard usage, but there's no wear in color filling the letters.


And why doesn't the red letter scheme follow through on the front of 
the penta-prism? Looks like there's NO color fill at all in the ASAHI 
PENTAX.


*Black leatherette instead of reddish-brown. From the original 
posting, that's what I first thought the Red would refer to. The 
K1000 SE was available with different colored leatherette, although 
the only two colors I've ever seen are black and reddish-brown.


*Intact JCII label - located where the letters SE are engraved on 
mine. That is a rarity. They wear off if you actually USE the camera.


That JCII looks like it might be engraved instead of a label, which 
might account for it being so pristine. But again, if it is engraved, 
why isn't it red lettered as well?


*Black paste-on panels on the penta-prism cover. Wallpaper/Contact Paper.

*Plastic cap over the X-terminal. There's no additional double X 
flash terminal visible in the photos - every K1000 I've ever seen has 
that X-terminal on the front, and all had a plastic cap when they came 
out of the box.


*Mushroom head screw in the cable release socket atop the shutter button.

That screw could have been an accessory, or it might just be a screw 
someone found would fit nicely in there. I think it might be a generic 
after-market accessory like Stofen Omnibounce for flash.


Don't all cable release sockets use a standardized thread?

I'd say it's a genuine K1000, but it's not some ultra rare special 
edition.


Although I don't doubt the seller came into possession exactly as 
described; i.e. he bought it second hand from a friend who told him 
the story about it being a special model from an Asahi Ltd organized 
camera show.


BUT, I DO HAVE ONE RANT RESULTING FROM THIS!

I looked at a lot of K1000s on eBay comparing to this one and mine and 
one thing struck me.


If you're selling a camera on eBay, post photos of the camera that are 
IN FOCUS for crying out loud!



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Re: My secret pleasure

2008-12-06 Thread Ken Waller

I love looking at boots.


Ah, a foot fetish have we

My interests remain a little bit higher.

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Derby Chang [EMAIL PROTECTED]

Subject: My secret pleasure



I have a confession

Once a week, I pop over to Bill Cunningham's slideshow blog (slog?) in 
the NYT. The excuse is some dynamic street photography, but there is 
more going on there, clearly. I love looking at boots.


http://query.nytimes.com/search/query?query=%22on+the+street%22srchst=m

Phew. Got that off my chest.
D



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Re: GESO - War No More

2008-12-06 Thread P. J. Alling

John Sessoms wrote:
In a message dated 12/6/2008 10:42:16 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Incidentally, they  also died so that you and I could live to a ripe 
old age and die a  relatively meaningless death in bed. For this they 
deserve our deepest  gratitude.   These memorials simply annoy the 
Iraq war veterans  that I know, and I do know a few.


BEING an Iraq War Veteran, it doesn't annoy me at all.

Nor does it annoy any of the veterans I know, even the ones who do 
still believe we are accomplishing something in Iraq.


War is bad, but unfortunately sometimes necessary.

But it does not honor the soldier to send him or her to war on false 
pretense.


Particularly a war for PROFIT espoused by those who never have, nor 
ever will, sacrifice anything themselves in pursuit of that war.
Well, I'm glad you're not annoyed, and I guess you know different 
veterans than I do. 

I'm also sorry you think you were sent under false pretenses, I can't 
change that.  In every war there are those who profit and those who 
think they will, who are perfectly willing to let others take the 
burden.  No human endeavor ever completely free of that. 

At least you had the choice to volunteer or not.  I'm old enough that I 
wouldn't have had that choice, and that would have been to fight in a 
war that the political powers decided we shouldn't win, pretty much from 
it's inception.


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Re: PESO: Union Station Grand Hall

2008-12-06 Thread Ken Waller

I don't know where you live, but around here we throw politicians out
when they insist on imposing their will on us.


I wish that were so

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Bob Sullivan [EMAIL PROTECTED]

Subject: Re: PESO: Union Station Grand Hall



Anthony,

I don't know where you live, but around here we throw politicians out
when they insist on imposing their will on us.  Don't expect any of
them to run on a platform of more public transit.  Remember what
Marnie wrote.  To paraphrase, the biggest, newest transit system in
the US is a pain in the ass as soon as you have to take a bus to get
to the station.  You're swimming up stream here!

And don't pick on the Federal Reserve analysts.  Part of their mission
is to illuminate public policy choices.

And Bob W., I agree with Margret Thatcher.  You've got to stop slumming...

Regards,  Bob S.

On Sat, Dec 6, 2008 at 5:04 AM, Anthony Farr [EMAIL PROTECTED] 
wrote:

Bob,

Don't overlook that the Fed paper is considering St Louis, not Chicago. 
St

Louis doesn't have heavy rail.  If the light rail shut down, that means
55,000 commuters will turn to the roads, whether in cars or buses. 
There's

nothing else without the MetroLink.  While the paper gave the financial
offsets for the total number of commuters, it conveniently only counted
7,700 extra vehicles, the 'Priuses for the poor', when considering the
physical impact of a MetroLink shutdown.  The existing bus and car 
commuters
would be none too pleased if 55,000 extra commuters turned up on the 
roads

all at once.

Plus, how politically acceptable would it be to Mr, Mrs, Ms  Miss 
Average
Taxpayer to see a bunch of losers (if you can't afford a car you must be 
a

loser, right?)presented with brand new, gassed up and maintained foreign
brand cars, bought by their own government with taxpayer dollars?  It 
won't

happen.  Ever.

And who wrote this paper?  The St Louis Federal Reserve.  Aren't they a
little out of their jurisdiction here?  Transport and highways have their
own state and federal administrations.  Isn't the Fed meddling just a 
little

in someone else's business?

This papers conclusion, if you care to read between the lines, is a 
'straw

man argument'.  My guess is that their political and private bank bosses
ordered this conclusion.  The real case, if not the nominal case, was 
made

earlier when they wrote,
To permanently alleviate the problems of traffic congestion and 
pollution,
policy-makers must address the root cause of both: the inefficient 
pricing
of roadway usage.  Traffic congestion and pollution exist because the 
costs

of driving an automobile are artificially low.  Consider the following
explanation:  A driver's use of the roadway imposes upon him certain 
costs

(such as the costs of fuel, time and depreciation of his automobile); the
driver himself bears these costs.  The driver also imposes costs on 
others
by contributing to pollution and congestion, but the driver does not 
incur

these costs he imposes on other drivers.  (Economists term these costs
externalities.)  Because each driver does not bear the full cost 
(driver's

own cost + externalities), the costs of driving are artificially low; so,
each driver overuses the roadway rather than use alternative means of
transportation like light rail.

Finally, the argument that people have voted against mass transit by
preferring cars ignores the plain fact that most people are selfish sods.
It's the government's duty to grow some balls and govern the people in a 
way

that is best for the country, and not pander to the people's softness and
greed.  After all, if you asked the people if they wanted to pay taxes, 
the
popular choice would be not to pay, but taxes aren't about to be 
abolished
by popular choice.  Just because a majority of people want something 
doesn't

make it right.

Regards, Anthony


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Bob Sullivan
Sent: Friday, 5 December 2008 1:19 PM
To: Pentax-Discuss Mail List
Subject: Re: PESO: Union Station Grand Hall

Anthony,

I don't think the analysis is that faulty, but whatever.
In Chicago, public transit works for 100,000-200,000 people
who work in the city center (2 square miles) and travel in and out 
daily.

Suburbanites fill heavy rail trains for a 20+ minute ride into the city.

The rest of the system is sad  expensive.  A last resort for those
without autos.
Short trips with stops every 1/2 mile trying to attract customers.
Travel speeds are low and travel times long, and safety is a concern,
especially when waiting at transfer points in off hours.

It doesn't work for a reason.  The folks from the Federal Reserve are
just trying to point out the absurdity of it all.

Regards,  Bob S.

On Thu, Dec 4, 2008 at 7:45 PM, Anthony Farr [EMAIL PROTECTED]

wrote:

 Bob,

 That quoted argument is so faulty in its conclusion as to be 
 laughable.

The
 7,700 poor 

RE: At the bar

2008-12-06 Thread Jack Davis
I think blurry is a bit drastic. The soft appears to be largely the edge 
glow from the extreme contrast along with a shallow DOF.
I believe the hat and Guinness crop would have, also, worked.

Jack


--- On Sat, 12/6/08, Bob W [EMAIL PROTECTED] wrote:

 From: Bob W [EMAIL PROTECTED]
 Subject: RE: At the bar
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Date: Saturday, December 6, 2008, 12:20 PM
 The hat is what I focused on, and it looks reasonable to me
 - I _think_ the
 guy's cheekbone is in the same plane. It was handheld -
 1/8th at f/1.4. In
 fact at the time of shooting I thought I would crop to
 isolate the hat and
 the Guinness, but I like the composition as it is. If
 it's too blurry then
 I'll give up. I'm no Frank.
 
 Bob
 
  -Original Message-
  From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On 
  Behalf Of Jack Davis
  Sent: 06 December 2008 20:10
  To: Pentax-Discuss Mail List
  Subject: Re: At the bar
  
  I like the placement of the man against the
 background. I'm 
  not sure about the soft OOF image, however. Sort of
 escapes 
  me as to why you chose that style.
  Shady, indistinct, mysterious character and
 atmosphere, perhaps?
  
  Jack
 [...]
   
   I'd welcome opinions about the photo:
   
   http://www.web-options.com/L1030041.jpg
   
   Bob
 
 
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Re: PESO - Rainy Manhattan food

2008-12-06 Thread Ken Waller

There's something extra special about food purchased from a street vendor !
Thanks for the memory.

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Tim Bray [EMAIL PROTECTED]

Subject: PESO - Rainy Manhattan food


http://www.tbray.org/ongoing/When/200x/2008/12/05/-big/R0010907.jpg

For a buncha other Manhattan-cliché shots,
http://www.tbray.org/ongoing/When/200x/2008/12/05/Fuzzy-New-York

I was traveling light, so these are the little Ricoh GX100.  It's a
honey, but damn, I wished I'd had the K20 along approximately every 15
minutes.  -T



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Re: At the bar

2008-12-06 Thread Ken Waller

Never really noticed the hat until you pointed it out.

Interesting capture of the bottles, but the rest of this image leaves me 
cold - hey you asked!


A lot of dogs were disturbed by me in years past when I kept a thicker 
beard. My staring at them didn't help.


Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Bob W [EMAIL PROTECTED]

Subject: RE: At the bar


The hat is what I focused on, and it looks reasonable to me - I _think_ 
the

guy's cheekbone is in the same plane. It was handheld - 1/8th at f/1.4. In
fact at the time of shooting I thought I would crop to isolate the hat and
the Guinness, but I like the composition as it is. If it's too blurry then
I'll give up. I'm no Frank.

Bob


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Jack Davis
Sent: 06 December 2008 20:10
To: Pentax-Discuss Mail List
Subject: Re: At the bar

I like the placement of the man against the background. I'm
not sure about the soft OOF image, however. Sort of escapes
me as to why you chose that style.
Shady, indistinct, mysterious character and atmosphere, perhaps?

Jack

[...]


 I'd welcome opinions about the photo:

 http://www.web-options.com/L1030041.jpg

 Bob



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RE: At the bar

2008-12-06 Thread Bob W
Ah - I understand now. I didn't have much choice about it under the
circumstances.

Thanks for your comments - very helpful and interesting.

Bob 

 
 I think blurry is a bit drastic. The soft appears to be 
 largely the edge glow from the extreme contrast along with a 
 shallow DOF.
 I believe the hat and Guinness crop would have, also, worked.
 
 Jack
 
 
 --- On Sat, 12/6/08, Bob W [EMAIL PROTECTED] wrote:
 
  From: Bob W [EMAIL PROTECTED]
  Subject: RE: At the bar
  To: 'Pentax-Discuss Mail List' pdml@pdml.net
  Date: Saturday, December 6, 2008, 12:20 PM
  The hat is what I focused on, and it looks reasonable to me
  - I _think_ the
  guy's cheekbone is in the same plane. It was handheld -
  1/8th at f/1.4. In
  fact at the time of shooting I thought I would crop to
  isolate the hat and
  the Guinness, but I like the composition as it is. If
  it's too blurry then
  I'll give up. I'm no Frank.
  
  Bob
  
   -Original Message-
   From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED] On 
   Behalf Of Jack Davis
   Sent: 06 December 2008 20:10
   To: Pentax-Discuss Mail List
   Subject: Re: At the bar
   
   I like the placement of the man against the
  background. I'm 
   not sure about the soft OOF image, however. Sort of
  escapes 
   me as to why you chose that style.
   Shady, indistinct, mysterious character and
  atmosphere, perhaps?
   
   Jack
  [...]

I'd welcome opinions about the photo:

http://www.web-options.com/L1030041.jpg

Bob
  
  
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Re: At the bar

2008-12-06 Thread Brian Walters
From the rear, and with that hat and Guinness, he has a passable
resemblance to Van Morrison (maybe the dogs don't like old rockers)

I like it.


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/


On Sat, 6 Dec 2008 19:29:36 -, Bob W [EMAIL PROTECTED] said:
 Had a couple of beers with a friend earlier this afternoon. He has a
 couple
 of nice friendly little dogs which he brought along. The bar was full of
 very young children in for a party upstairs, and they kept coming down to
 pat the dogs, which the dogs put up with very patiently.
 
 When this guy came in, the dogs went apeshit, barking and yapping and
 straining at the leash. Guy seemed harmless enough, just wanted a quiet
 Guinness, but he seemed a bit out of place in this type of bar.
 
 I'd welcome opinions about the photo:
 
 http://www.web-options.com/L1030041.jpg
 
 Bob
 
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RE: PESO - Rainy Manhattan food

2008-12-06 Thread Bob W
Yes - botulism.

 
 There's something extra special about food purchased from a 
 street vendor !
 Thanks for the memory.
 
 Kenneth Waller
 http://www.tinyurl.com/272u2f
 
 - Original Message - 
 From: Tim Bray [EMAIL PROTECTED]
 Subject: PESO - Rainy Manhattan food
 
 
 http://www.tbray.org/ongoing/When/200x/2008/12/05/-big/R0010907.jpg
 
 For a buncha other Manhattan-cliché shots,
 http://www.tbray.org/ongoing/When/200x/2008/12/05/Fuzzy-New-York
 
 I was traveling light, so these are the little Ricoh GX100.  It's a
 honey, but damn, I wished I'd had the K20 along approximately every 15
 minutes.  -T


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RE: PESO: Union Station Grand Hall

2008-12-06 Thread Bob W
http://www.web-options.com/L1030007.jpg 

 
  I don't know where you live, but around here we throw 
 politicians out
  when they insist on imposing their will on us.
 
 I wish that were so
 


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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Bran Everseeking
On Sat, 06 Dec 2008 15:12:30 -0500
John Sessoms [EMAIL PROTECTED] wrote:

 If you're selling a camera on eBay, post photos of the camera that
 are IN FOCUS for crying out loud!

thats what happens when you try to sell pentax with canon pictures

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Re: At the bar

2008-12-06 Thread Tim Bray
That is a way way cool pic.  Thanks -T

On Sat, Dec 6, 2008 at 11:29 AM, Bob W [EMAIL PROTECTED] wrote:
 Had a couple of beers with a friend earlier this afternoon. He has a couple
 of nice friendly little dogs which he brought along. The bar was full of
 very young children in for a party upstairs, and they kept coming down to
 pat the dogs, which the dogs put up with very patiently.

 When this guy came in, the dogs went apeshit, barking and yapping and
 straining at the leash. Guy seemed harmless enough, just wanted a quiet
 Guinness, but he seemed a bit out of place in this type of bar.

 I'd welcome opinions about the photo:

 http://www.web-options.com/L1030041.jpg

 Bob


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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Mark Roberts
Unless there's some documentation that proves that this is a real Pentax 
special edition it isn't worth any more than any other K1000. Even if it 
*is* a special made for a trade show or other event.


Without documented evidence of provenance it's nothing.



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Re: GESO - War No More

2008-12-06 Thread Joseph McAllister


On Dec 6, 2008, at 12:27 , John Sessoms wrote:

In a message dated 12/6/2008 10:42:16 A.M.  Pacific Standard Time, [EMAIL PROTECTED] 
 writes:
Incidentally, they  also died so that you and I could live to a  
ripe old age and die a  relatively meaningless death in bed. For  
this they deserve our deepest  gratitude.   These memorials simply  
annoy the Iraq war veterans  that I know, and I do know a few.


BEING an Iraq War Veteran, it doesn't annoy me at all.

Nor does it annoy any of the veterans I know, even the ones who do  
still believe we are accomplishing something in Iraq.


War is bad, but unfortunately sometimes necessary.

But it does not honor the soldier to send him or her to war on false  
pretense.


Particularly a war for PROFIT espoused by those who never have, nor  
ever will, sacrifice anything themselves in pursuit of that war.


As I would have said were I so eloquent.

Joseph McAllister
Pentaxian
Vietnam

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Re: PENTAX RED K1000! RARE LIMITED EDITION

2008-12-06 Thread Joseph Tainter

From Michel:

Seen on Ebay, this Pentax K1000: red markings on body and lens.
A fake or a commemorative series?
# 160303122400

From the listing:

The red SMC engraving is different from the white engraving because the 
red has more of these coating layers. Because of the technical 
difficulty of applying many of these coating layers, these ''Red'' 
lenses were only produced for a short period of time.


Errr... as I understand it, the 55 F2 was a cheaper version of the 55 
F1.8. Same optically, but restricted to F2 so it could be sold at a 
lower price. So this fellow is claiming that Pentax applied this special 
treatment to a bargain-basement lens?


Joe

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Re: GESO - War No More

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 12:23:04 P.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Very nice, Marnie.   I've seen that hill many times from BART, but didn't 
know you could actually  get up there.  I may go visit it myself one of these 
 
days.

John

=
Yes, actually, they are quite easy  to get to. Although parking near them is 
a huge problem.

Good  luck.

Marnie  

-
Warning: I am now  filtering my email, so you may be censored.  

**Make your life easier with all your friends, email, and 
favorite sites in one place.  Try it now. 
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Re: PESO: Darling Harbour

2008-12-06 Thread Eactivist
In a message dated 12/5/2008 11:15:12 P.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
An on-topic PESO from me  for a change. Haven't donned the Brotherhood 
cloak for a while.

A  cold change had just come through and it was pretty durned blustery, 
but  luckily, the 6x7 sways not in the  wind.

http://members.iinet.net.au/~derbyc/08/08_12/08_12_darlingharbour/01.htm

Suggestions  on how to fix that kinky railing would be most  welcome.

D


=
Wow, that's one incredible shot.  

Marnie aka Doe  :-)

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Re: At the bar

2008-12-06 Thread Eactivist
In a message dated 12/6/2008 11:30:05 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Had a couple of beers  with a friend earlier this afternoon. He has a couple
of nice friendly little  dogs which he brought along. The bar was full of
very young children in for a  party upstairs, and they kept coming down to
pat the dogs, which the dogs put  up with very patiently.

When this guy came in, the dogs went apeshit,  barking and yapping and
straining at the leash. Guy seemed harmless enough,  just wanted a quiet
Guinness, but he seemed a bit out of place in this type  of bar.

I'd welcome opinions about the  photo:

http://www.web-options.com/L1030041.jpg

Bob



I  like it. The background, makes it, of course.

There's something about it  that says, in from the cold, at a nice warm bar.

Well, it seems to  anyway.

Marnie aka doe  :-)

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Re: GESO - War No More

2008-12-06 Thread John Sessoms

From: P. J. Alling

John Sessoms wrote:
 In a message dated 12/6/2008 10:42:16 A.M.  Pacific Standard Time, 
 [EMAIL PROTECTED] writes:
 Incidentally, they  also died so that you and I could live to a ripe 
 old age and die a  relatively meaningless death in bed. For this they 
 deserve our deepest  gratitude.   These memorials simply annoy the 
 Iraq war veterans  that I know, and I do know a few.


 BEING an Iraq War Veteran, it doesn't annoy me at all.

 Nor does it annoy any of the veterans I know, even the ones who do 
 still believe we are accomplishing something in Iraq.


 War is bad, but unfortunately sometimes necessary.

 But it does not honor the soldier to send him or her to war on false 
 pretense.


 Particularly a war for PROFIT espoused by those who never have, nor 
 ever will, sacrifice anything themselves in pursuit of that war.
Well, I'm glad you're not annoyed, and I guess you know different 
veterans than I do. 

I'm also sorry you think you were sent under false pretenses, I can't 
change that.  In every war there are those who profit and those who 
think they will, who are perfectly willing to let others take the 
burden.  No human endeavor ever completely free of that. 

At least you had the choice to volunteer or not.  I'm old enough that I 
wouldn't have had that choice, and that would have been to fight in a 
war that the political powers decided we shouldn't win, pretty much from 
it's inception.


Oh, I'm old enough. Still got my draft card. It's a little frayed after 
40 years, but I still carry it.


And even in 1968 the military was a mostly volunteer force. A minority 
didn't get a choice, but everyone else did ... and most chose not to 
serve. They had other priorities.


The Army in Vietnam was about 25% draftees ... the other 75% were 
volunteers. The USMC was 6.5% draftees; 19,500 draftees out of 300,000 
total authorized strength - 85,000 of whom served in Vietnam. If you 
were a Marine Corps draftee, you had a higher percentage chance of 
serving in Vietnam, because they only drafted riflemen.


Approximately 1.6% of the U.S. population served in Vietnam in all 
branches of service; 3.5% of adult males - women didn't get drafted, but 
don't let anyone tell you women didn't serve in combat in Vietnam. They 
didn't get to carry guns, but they were there.


Now, under the current All Volunteer force, approximately 0.1% of the 
U.S. population serves in the military. Of that, less than 1/3 will 
actually serve in Iraq or Afghanistan.


But that 0.033% of the population will be asked to return there again 
and again and again.


And I don't THINK I was sent there under false pretenses; I know I was, 
because I was there and saw it all.


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A few photos

2008-12-06 Thread Bob W
Here is a small page of photos, some from Lyons last weekend, and some from
yesterday. Nothing world-shattering, but I hope you enjoy them.

http://www.web-options.com/Dec7/

Bob


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Re: PESO: Darling Harbour

2008-12-06 Thread Derby Chang

Thanks Anthony,

Did a bit of a fix, but I think I could spend a lot more time tweaking. 
If in the right mood, this is quite a pleasant pastime.


Bob, the scanner is the venerable Epson 3200 Photo. Works reasonably 
well for MF.


Joseph, I suspect the garbage is the negative (uneven developing, 
washing?). It comes up in the raw scan and not on every frame.


Thanks for the comments.

D


Anthony Farr wrote:
Very nice, Derby.  


The step in the handrail would be a result of the tripod head's vertical
axis not being centred under the nodal point of the lens (front or rear
nodal point?  I don't know).   You might recover the lost width of the
handrail from a cropped out part of one of the frames, if there was enough
overlap.  Just copy the piece from the uncropped frame and paste it on the
pan as a new layer.  When it's aligned merge it down.  If the missing piece
isn't there to be recovered, you'll have to bump the edge out by copying a
slice of the edge and pasting it across into it's proper place, then do some
random cloning in the middle to disguise the join.

There's also a funky join where the lightpole intersects the footpath, in
front of one of the green roadsigns.  The taillight streaks drop out for a
short way and you should cut and paste the missing streaks from an original
frame if they're there.  The lighting quality also changes at that join so
you should do a little local dodge and burn to blend the difference.

Regards, Anthony

  

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Derby Chang
Sent: Saturday, 6 December 2008 6:15 PM
To: Pentax-Discuss Mail List
Subject: PESO: Darling Harbour


An on-topic PESO from me for a change. Haven't donned the Brotherhood
cloak for a while.

A cold change had just come through and it was pretty durned blustery,
but luckily, the 6x7 sways not in the wind.

http://members.iinet.net.au/~derbyc/08/08_12/08_12_darlingharbour/01.htm

Suggestions on how to fix that kinky railing would be most welcome.

D

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follow
  

the directions.




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Re: A few photos

2008-12-06 Thread Bob Sullivan
Bob,
I like the sharp ones better. :-)
The chocolatier shop and the oyster bar are very nice, colorful and interesting.
London from the Waterloo bridge and the shot from the Tate - is that
Centenial Bridge?
All very nice.
Regards,  Bob S.

On Sat, Dec 6, 2008 at 7:01 PM, Bob W [EMAIL PROTECTED] wrote:
 Here is a small page of photos, some from Lyons last weekend, and some from
 yesterday. Nothing world-shattering, but I hope you enjoy them.

 http://www.web-options.com/Dec7/

 Bob


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Re: A few photos

2008-12-06 Thread Rick Womer
Bob,

I really like all of these.

Rick

http://photo.net/photos/RickW


--- On Sat, 12/6/08, Bob W [EMAIL PROTECTED] wrote:

 From: Bob W [EMAIL PROTECTED]
 Subject: A few photos
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Date: Saturday, December 6, 2008, 8:01 PM
 Here is a small page of photos, some from Lyons last
 weekend, and some from
 yesterday. Nothing world-shattering, but I hope you enjoy
 them.
 
 http://www.web-options.com/Dec7/
 
 Bob
 
 
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Re: Today is Cesar's birthday

2008-12-06 Thread Rick Womer
From me, too.  Don't forget to get up and open the gate.

Rick

http://photo.net/photos/RickW


--- On Sat, 12/6/08, Scott Loveless [EMAIL PROTECTED] wrote:

 From: Scott Loveless [EMAIL PROTECTED]
 Subject: Today is Cesar's birthday
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, December 6, 2008, 11:48 AM
 Happy birthday, Cesar!  (Please, keep the birthday suit
 photos to yourself.)
 
 -- 
 Scott Loveless
 New Cumberland, Pennsylvania, USA
 http://www.twosixteen.com/fivetoedsloth/
 
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