RE: Enablement of the K-5 variety

2012-07-28 Thread Bob W
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Stan Halpin
 
 Thanks to Dave, Larry, and others who encouraged me to go ahead with
 the purchase of a K-5. The camera arrived Wednesday afternoon. Plus
 grip, GPS thingie, and some spare batteries. I haven't had much chance
 to play with it but I have gone through the manual, charged the
 batteries, and have it packed away. I'll work my way through the menus
 while on the plane. I leave tomorrow a.m. bright and early to drive to
 Detroit to catch my flight for Costa Rica. I'll report back in a couple
 of weeks.  Oh, and I know that they say not to take a new camera on a
 trip. They also say not to take a new pair of shoes that hasn't been
 broken in. I am living on the edge here!
 

For God's sale, man, don't be tempted to step on any cracks in the pavement!

B


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Look - camera!!!

2012-07-28 Thread Roman Melihhov
http://roman.blakout.net/picture.php?/335/category/43

^^^ After RawTherapee update, 4.0.9 creates allot of blue pixels of
doom, coloring shadows in blue. I had to switch back to 
dcraw-based raw converters. ufraw project having trouble loading lensfun
lens correction so I'm working with rawstudio. It is another graphical
interface to dcraw but I like its darkroom interface and it makes photos
and colors that are life-like not under psychedelic LSD affects of
RawTherapee.


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K-5 × DA 16-45 × DA* 50-135 × FA 50 × FA 35-70


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Re: Computer trouble follow up

2012-07-28 Thread alban bernard
From what I read here and there, that isn't an easy process to update the 
firmware within 5 minutes: this seems to lead to a totally unrecoverable 
device in most of the cases.

I really think that you can still recover your data before attempting a 
firmware update. With an ocz vertex 120GB reading at 80MB/s you can copy 
approx. 24GB in 5 minutes, meaning that you could still split the copy of the 
raw device and join the result later (with a hot plug/unplug between each raw 
copy).

If you want me to give you the details, do not hesitate.

--- On Fri, 7/27/12, Boris Liberman bori...@gmail.com wrote:

 From: Boris Liberman bori...@gmail.com
 Subject: Re: Computer trouble follow up
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Friday, July 27, 2012, 8:17 PM
 Well, it behaved the same way under
 two different mother boards and in usb enclosure. Also web
 is full of reports on this matter. It is just I am very
 hesitant to try and update the firmware as it may end up
 with total loss of data.
 
 
 Sent with AquaMail for Android
 http://www.aqua-mail.com
 
 
 On July 27, 2012 9:08:52 PM John Sessoms jsessoms...@nc.rr.com
 wrote:
  From: Boris Liberman
  
   It turns out my ocz vertex 2 ssd suffers from
 sleep disorder. It would
   simply go to sleep 5 mins after start. This
 greatly complicates data recovery.
  
   Just in case you may be having one of these - I
 humbly suggest you
   start worrying...
  
  That sounds to me like it's more likely to be a wrong
 setting in power
  management than a problem with the drive itself.
  
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Re: GESO The Trap Door

2012-07-28 Thread Bruce Walker
Thank you, Boris!


On Sat, Jul 28, 2012 at 12:27 AM, Boris Liberman bori...@gmail.com wrote:
 If you did not tell I couldn't possibly have guessed... Excellent
 photography!


 Sent with AquaMail for Android
 http://www.aqua-mail.com



 On July 27, 2012 8:07:10 PM Bruce Walker bruce.wal...@gmail.com wrote:

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw

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Re: GESO The Trap Door

2012-07-28 Thread Paul Stenquist
Excellent. Very well done.
Paul
On Jul 28, 2012, at 6:03 AM, Bruce Walker wrote:

 Thank you, Boris!
 
 
 On Sat, Jul 28, 2012 at 12:27 AM, Boris Liberman bori...@gmail.com wrote:
 If you did not tell I couldn't possibly have guessed... Excellent
 photography!
 
 
 Sent with AquaMail for Android
 http://www.aqua-mail.com
 
 
 
 On July 27, 2012 8:07:10 PM Bruce Walker bruce.wal...@gmail.com wrote:
 
 For a fast look:  She is deciding my fate ...
 
 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/
 
 
 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.
 
 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.
 
 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.
 
 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.
 
 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)
 
 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.
 
 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.
 
 
 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.
 
 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/
 
 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5
 
 Comments welcome!
 
 --
 -bmw
 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above and
 follow the directions.
 
 
 
 
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 follow the directions.
 
 
 
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Re: PESO - Vegan Poutine!

2012-07-28 Thread Jack Davis
GAG!! 
Too vivid.

Jack ;-)

From: frank theriault knarftheria...@gmail.com
To: Pentax-Discuss Mail List PDML@pdml.net 
Sent: Friday, July 27, 2012 7:42 PM
Subject: PESO - Vegan Poutine!

A Canadian delicacy (originally from Quebec) it's fries with cheese
curds and gravy.  This version features vegan gravy and soy cheese:

http://knarfdummyblog.blogspot.ca/2012/07/vegan-poutine.html

Sounds gross, tastes amazing.  Note the Diet Coke, to counteract the
1200 calories of the dish.

;-)

Hope you enjoy.  Comments welcome.

cheers,
frank

ps:  Poutine is Quebec slang for mess...

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Film flashback

2012-07-28 Thread Mark C

On 7/27/2012 12:05 PM, Postmaster wrote:

... as in I used some at GFM this year:
http://www.robertstech.com/temp/7dc03307.jpg


Damn nice shot, Mark.

Mark

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Re: Geso Lindsay Ontario

2012-07-28 Thread Mark C
Nice shots, Dave - the mill has a lot of character, though I'm a sucker 
for ruins.


Mark

On 7/25/2012 7:35 AM, David J Brooks wrote:

Finally got some of the day trip photos to Lindsay loaded on photo dot net

http://photo.net/photodb/folder?folder_id=1036609

The Purdy Mills shots are of the abandoned mill gutted by fire a
number of years ago however the walls and structure are being saved
and is no part of the boardwalk at Lindsay lock #33 on the
Trent-Severn water way.

K-r, DA F 16-45 some LR4 adjustments




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Re: GESO The Trap Door

2012-07-28 Thread Mark C
Excellent collection - that first one with the ornate mask is quite 
stunning.


Mark

On 7/27/2012 1:07 PM, Bruce Walker wrote:

For a fast look:  She is deciding my fate ...

http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


This gallery is of shots I did while helping my wife Louise on a
documentary project she's creating about a local store called the Trap
Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
for the artistic professional in the Junction area of Toronto's west
end.

This was a guerrilla shoot. We were operating within the boutique
during their open hours, working around customers who were mostly
bemused by our activity. (I think some came in because they were nosey
and saw the lights.) We were in and out in two and a half hours.

I was providing lighting for Louise to do video footage of our model,
Marzi, getting crazy with the clothing that Gabbi was styling for us.
I was sneaking in and shooting stills as best I could. Since this was
for video I couldn't use flash, so I opted for a $30 garage
work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
that we had bought previously to try. To make this light less harsh
and have it come from above rather than casting upward shadows, I
added two light stands: one with a 44 silver reflector and the other
with a reflective umbrella. I then aimed the two 250 watt heads from
the work-light at each of the two reflectors.

When I measured the light with my meter I discovered that 500
reflected watts doesn't actually go far. I was forced to shoot between
f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
1/60th sec for the entire set. But the resulting light was unique and
interesting. It was nice to work with WYSIWYG light: easy to see where
shadows would fall and great for focussing.

Tricky to work with the work lights though as they threw light
everywhere, so accidental direct light leaks and flare were hard to
avoid. I even had trouble with flare in the viewfinder! I just
accepted the harsh shadows in some cases as creative accidents. ;-)

Then there's the heat: oh my gawd. Sweat was pouring off me. I also
was forced to shoot in close proximity to the light heads because we
were in a very confined space between the clothing racks, changing
booths and the cash desk.

But despite all the restrictions, my keeper rate was astonishingly
high. Louise chose 248 out of 302 shots to graft into her doc footage.
I rejected many of those as too soft for me, and narrowed the keepers
down, but it's still a large number. The seven in this gallery are
just the extra-good ones that I've retouched first.


So here's the gallery. The first seven shots are from this recent
shoot (this past Wednesday), and the rest are from an art opening in
the same boutique last fall.

http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
Lr 4.1, Ps 5.5

Comments welcome!

--
-bmw




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Re: PESO - Vegan Poutine!

2012-07-28 Thread knarftheria...@gmail.com
It gets the saturation it deserves!!

;-)

Btw, I checked on line and my calorie count was off a bit. The average Poutine 
is about 2,000 calories.

That's about half my daily output as a bike messenger.

Thanks for the comment, Jack!

:-)

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Jack Davis jdavi...@yahoo.com
Sent: July 28, 2012 7/28/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Vegan Poutine!

GAG!! 
Too vivid.

Jack ;-)

From: frank theriault knarftheria...@gmail.com
To: Pentax-Discuss Mail List PDML@pdml.net 
Sent: Friday, July 27, 2012 7:42 PM
Subject: PESO - Vegan Poutine!

A Canadian delicacy (originally from Quebec) it's fries with cheese
curds and gravy.  This version features vegan gravy and soy cheese:

http://knarfdummyblog.blogspot.ca/2012/07/vegan-poutine.html

Sounds gross, tastes amazing.  Note the Diet Coke, to counteract the
1200 calories of the dish.

;-)

Hope you enjoy.  Comments welcome.

cheers,
frank

ps:  Poutine is Quebec slang for mess...

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: GESO The Trap Door

2012-07-28 Thread Bruce Walker
Thank you very much, Paul.


On Sat, Jul 28, 2012 at 7:05 AM, Paul Stenquist pnstenqu...@comcast.net wrote:
 Excellent. Very well done.
 Paul
 On Jul 28, 2012, at 6:03 AM, Bruce Walker wrote:

 Thank you, Boris!


 On Sat, Jul 28, 2012 at 12:27 AM, Boris Liberman bori...@gmail.com wrote:
 If you did not tell I couldn't possibly have guessed... Excellent
 photography!


 Sent with AquaMail for Android
 http://www.aqua-mail.com



 On July 27, 2012 8:07:10 PM Bruce Walker bruce.wal...@gmail.com wrote:

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw

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Re: GESO The Trap Door

2012-07-28 Thread Bruce Walker
The mask is my fave shot by far. I had to keep reminding myself to go
wide and get more clothing and jewelry in the frame -- my natural
impulse is to go for tightly framed headshots. Must be a holdover from
my flower macro period. :-)

Thank you, Mark!


On Sat, Jul 28, 2012 at 8:54 AM, Mark C pdml-m...@charter.net wrote:
 Excellent collection - that first one with the ornate mask is quite
 stunning.

 Mark


 On 7/27/2012 1:07 PM, Bruce Walker wrote:

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw



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Re: GESO The Trap Door

2012-07-28 Thread Rick Womer
Gawd, I hate Flash slide shows!  How about a nice straightforward gallery with 
thumbnails?

There are some nice shots there, but it's hard to comment on them because there 
are no labels.

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: Bruce Walker bruce.wal...@gmail.com
To: Pentax Discuss Mailing List PDML@pdml.net
Cc: 
Sent: Friday, July 27, 2012 1:07 PM
Subject: GESO The Trap Door

For a fast look:  She is deciding my fate ...

http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


This gallery is of shots I did while helping my wife Louise on a
documentary project she's creating about a local store called the Trap
Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
for the artistic professional in the Junction area of Toronto's west
end.

This was a guerrilla shoot. We were operating within the boutique
during their open hours, working around customers who were mostly
bemused by our activity. (I think some came in because they were nosey
and saw the lights.) We were in and out in two and a half hours.

I was providing lighting for Louise to do video footage of our model,
Marzi, getting crazy with the clothing that Gabbi was styling for us.
I was sneaking in and shooting stills as best I could. Since this was
for video I couldn't use flash, so I opted for a $30 garage
work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
that we had bought previously to try. To make this light less harsh
and have it come from above rather than casting upward shadows, I
added two light stands: one with a 44 silver reflector and the other
with a reflective umbrella. I then aimed the two 250 watt heads from
the work-light at each of the two reflectors.

When I measured the light with my meter I discovered that 500
reflected watts doesn't actually go far. I was forced to shoot between
f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
1/60th sec for the entire set. But the resulting light was unique and
interesting. It was nice to work with WYSIWYG light: easy to see where
shadows would fall and great for focussing.

Tricky to work with the work lights though as they threw light
everywhere, so accidental direct light leaks and flare were hard to
avoid. I even had trouble with flare in the viewfinder! I just
accepted the harsh shadows in some cases as creative accidents. ;-)

Then there's the heat: oh my gawd. Sweat was pouring off me. I also
was forced to shoot in close proximity to the light heads because we
were in a very confined space between the clothing racks, changing
booths and the cash desk.

But despite all the restrictions, my keeper rate was astonishingly
high. Louise chose 248 out of 302 shots to graft into her doc footage.
I rejected many of those as too soft for me, and narrowed the keepers
down, but it's still a large number. The seven in this gallery are
just the extra-good ones that I've retouched first.


So here's the gallery. The first seven shots are from this recent
shoot (this past Wednesday), and the rest are from an art opening in
the same boutique last fall.

http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
Lr 4.1, Ps 5.5

Comments welcome!

--
-bmw

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Re: GESO The Trap Door

2012-07-28 Thread Bruce Walker
Sorry, Rick. Try this for thumbnails: http://flic.kr/s/aHsjAXsq4j

I hate Flash slide shows as a rule too. Flickr and Google both use
Flash sparingly to the point where I often forget it's there.

I added numbers to the individual shots' titles. I like to
specifically title my shots, but it's tough to come up with unique
captions for this sort of thing, and there will be many more to come.


On Sat, Jul 28, 2012 at 9:23 AM, Rick Womer rwomer1...@yahoo.com wrote:

 Gawd, I hate Flash slide shows!  How about a nice straightforward gallery
 with thumbnails?

 There are some nice shots there, but it's hard to comment on them because
 there are no labels.

 Rick

 http://photo.net/photos/RickW


 - Original Message -
 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Cc:
 Sent: Friday, July 27, 2012 1:07 PM
 Subject: GESO The Trap Door

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above and
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RE: GESO Three in a row

2012-07-28 Thread Bob W
That's a terrific set of pictures - I especially like the one with the
forlorn mouse. Definitely having a bad fur day, that one.

B

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Toine
 Sent: 28 July 2012 14:56
 To: Pentax-Discuss Mail List
 Subject: GESO Three in a row
 
 Three juvenile Kestrels in a row.:
 
 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row
 
 Toine
 
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Re: GESO Three in a row

2012-07-28 Thread Bruce Walker
That opening shot is wonderful, Toine. Also really liked the two
mouse-dinner shots.


On Sat, Jul 28, 2012 at 9:55 AM, Toine to...@repiuk.nl wrote:
 Three juvenile Kestrels in a row.:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

 Toine

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Re: August PUG - Water, water everywhere....

2012-07-28 Thread Pete McIntosh
Just put mine up. I'm surprised I actually remembered...!

Ciao,

Pete Mac in Melbourne


On 27/07/2012, at 8:19, Brian Walters apathy...@lyons-ryan.org wrote:

 G'day all

 Yes, it's nagging time again!

 I'm not exactly awash with submissions.  We have six so far, but there's 
 still time to get your feet wet.

 August Theme: Water

 Submit here:

 http://pug.komkon.org/submit/

 Submission Guidelines here:

 http://pug.komkon.org/general/autosubmit.html


 The main requirements are:

 * Max. pixel dimensions: 800 x 800 pixels
 * Max file size: 300k
 * Third party equipment is acceptable provided either the camera body or lens 
 used is Pentax.
 * If you embed a colour space in the image, it should be sRGB to ensure that 
 the image is displayed correctly on line.
 * Nominal closing date for submissions: 30 June.



 --
 Cheers

 Brian

 ++
 Brian Walters
 Eden, New South Wales, Australia
 http://lyons-ryan.org/southernlight/


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Re: GESO Three in a row

2012-07-28 Thread Rick Womer
I like these!  It's not clear what's going on with the left-hand bird in #3.  
#s 4 and 5 are very nicely shot, and very gratifying (the only good rodent is a 
dead rodent, IMHO!).

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: Toine to...@repiuk.nl
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, July 28, 2012 9:55 AM
Subject: GESO Three in a row

Three juvenile Kestrels in a row.:

http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

Toine

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Re: GESO Three in a row

2012-07-28 Thread Jack Davis
Very cute! 
Terrific catch, Toine

Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com


- Original Message -
From: Toine to...@repiuk.nl
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, July 28, 2012 6:55 AM
Subject: GESO Three in a row

Three juvenile Kestrels in a row.:

http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

Toine

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Re: GESO The Trap Door

2012-07-28 Thread Rick Womer
Somewhat better, though Flickr doesn't do thumbnails very conveniently.

The third and fourth from the end are my favorites, though all are very good.

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: Bruce Walker bruce.wal...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, July 28, 2012 10:06 AM
Subject: Re: GESO The Trap Door

Sorry, Rick. Try this for thumbnails: http://flic.kr/s/aHsjAXsq4j

I hate Flash slide shows as a rule too. Flickr and Google both use
Flash sparingly to the point where I often forget it's there.

I added numbers to the individual shots' titles. I like to
specifically title my shots, but it's tough to come up with unique
captions for this sort of thing, and there will be many more to come.


On Sat, Jul 28, 2012 at 9:23 AM, Rick Womer rwomer1...@yahoo.com wrote:

 Gawd, I hate Flash slide shows!  How about a nice straightforward gallery
 with thumbnails?

 There are some nice shots there, but it's hard to comment on them because
 there are no labels.

 Rick

 http://photo.net/photos/RickW


 - Original Message -
 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Cc:
 Sent: Friday, July 27, 2012 1:07 PM
 Subject: GESO The Trap Door

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: GESO Three in a row

2012-07-28 Thread David J Brooks
Thats a great shot

Dave

On Sat, Jul 28, 2012 at 9:55 AM, Toine to...@repiuk.nl wrote:
 Three juvenile Kestrels in a row.:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

 Toine

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-- 
Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada

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Re: GESO The Trap Door

2012-07-28 Thread Bruce Walker
Flickr's crappy thumbnail view is why I linked to the annoying
slideshow, Rick. ;-) If Yahoo! listens to the cry from The Internet,
I sure hope they make that thumbnail view awesome.

Side note: I have tried and rejected 500px, Google Plus (Picasa) and
even DropBox as alternates for hosting my PESOs and GESOs. I'd just
simply show them via a Lightroom-generated gallery but for limited
captioning and no comment ability. So I'm sticking with Flickr, warts
and all. *Sigh*

Thanks for commenting, Rick!


On Sat, Jul 28, 2012 at 10:32 AM, Rick Womer rwomer1...@yahoo.com wrote:
 Somewhat better, though Flickr doesn't do thumbnails very conveniently.

 The third and fourth from the end are my favorites, though all are very good.

 Rick

 http://photo.net/photos/RickW


 - Original Message -
 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc:
 Sent: Saturday, July 28, 2012 10:06 AM
 Subject: Re: GESO The Trap Door

 Sorry, Rick. Try this for thumbnails: http://flic.kr/s/aHsjAXsq4j

 I hate Flash slide shows as a rule too. Flickr and Google both use
 Flash sparingly to the point where I often forget it's there.

 I added numbers to the individual shots' titles. I like to
 specifically title my shots, but it's tough to come up with unique
 captions for this sort of thing, and there will be many more to come.


 On Sat, Jul 28, 2012 at 9:23 AM, Rick Womer rwomer1...@yahoo.com wrote:

 Gawd, I hate Flash slide shows!  How about a nice straightforward gallery
 with thumbnails?

 There are some nice shots there, but it's hard to comment on them because
 there are no labels.

 Rick

 http://photo.net/photos/RickW


 - Original Message -
 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Cc:
 Sent: Friday, July 27, 2012 1:07 PM
 Subject: GESO The Trap Door

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: GESO Three in a row

2012-07-28 Thread Ann Sanfedele

thats a winner :-)
ann

On 7/28/2012 09:55, Toine wrote:

Three juvenile Kestrels in a row.:

http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

Toine



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Re: Enablement of the K-5 variety

2012-07-28 Thread David J Brooks
On Fri, Jul 27, 2012 at 10:30 PM, Stan Halpin
s...@stans-photography.info wrote:
 Thanks to Dave, Larry, and others who encouraged me to go ahead with the 
 purchase of a K-5.
Hey, i was only kidding.:-)

You will like it i'm sure. Just remember, pushing the ok button for
1-2 seconds changes LCD menus, it took me a while to figure that one
out.

Dave

The camera arrived Wednesday afternoon. Plus grip, GPS thingie, and
some spare batteries. I haven't had much chance to play with it but I
have gone through the manual, charged the batteries, and have it
packed away. I'll work my way through the menus while on the plane. I
leave tomorrow a.m. bright and early to drive to Detroit to catch my
flight for Costa Rica. I'll report back in a couple of weeks.  Oh, and
I know that they say not to take a new camera on a trip. They also
say not to take a new pair of shoes that hasn't been broken in. I am
living on the edge here!

 stan
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Re: GESO Three in a row

2012-07-28 Thread Kenneth Waller
Great catch on the opening shot!

-Original Message-
From: Bruce Walker bruce.wal...@gmail.com

Subject: Re: GESO Three in a row

That opening shot is wonderful, Toine. Also really liked the two
mouse-dinner shots.


On Sat, Jul 28, 2012 at 9:55 AM, Toine to...@repiuk.nl wrote:
 Three juvenile Kestrels in a row.:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

 Toine



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Re: GESO: More of our visitors

2012-07-28 Thread Steve Cottrell
On 24/7/12, Chris Mitchell, discombobulated, unleashed:

We had a fantastic time with Christine and Darrel - generous,
delightful and well behaved guests they were.

Ahh this must be Christine and Darrel visiting from Dunfermline then?
Can't be the same two I saw in Greenwich.

-- 


Cheers,
  Cotty


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Re: OT: London Olympics 2012

2012-07-28 Thread Steve Cottrell
On 26/7/12, Christine Aguila, discombobulated, unleashed:

In about 24 hours (Chicago time), I will be watching the Opening
Ceremonies of the 2012 Olympics held in London, England

It was pretty good!

-- 


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  Cotty


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Re: GESO Three in a row

2012-07-28 Thread Toine
Thanks!
In #3 mother kestrel on the right is presenting a mouse to the young
bird to the left. That action was very quick and I only captured
blurred images with a mouse in sight.
All this with the da55-300 which continues to amaze me.

On 28 July 2012 15:55, Toine to...@repiuk.nl wrote:
 Three juvenile Kestrels in a row.:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

 Toine

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Re: Enablement of the K-5 variety

2012-07-28 Thread Larry Colen

On Jul 28, 2012, at 11:14 AM, David J Brooks wrote:

 On Fri, Jul 27, 2012 at 10:30 PM, Stan Halpin
 s...@stans-photography.info wrote:
 Thanks to Dave, Larry, and others who encouraged me to go ahead with the 
 purchase of a K-5.
 Hey, i was only kidding.:-)
 
 You will like it i'm sure.

I don't think I've heard anyone comment that they regretted buying the K-5.  
There may be things that they don't like about it, but I think that overall 
it's pretty much unanimous that it's a damn fine piece of kit.

I'm sure, also, that several people will appreciate your buying it now and 
hastening the announcement of the K-5 replacement.


--
Larry Colen l...@red4est.com sent from i4est





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Re: PESO - Vegan Poutine!

2012-07-28 Thread Brian Walters

Quoting frank theriault knarftheria...@gmail.com:


A Canadian delicacy (originally from Quebec) it's fries with cheese
curds and gravy.  This version features vegan gravy and soy cheese:

http://knarfdummyblog.blogspot.ca/2012/07/vegan-poutine.html

Sounds gross, tastes amazing.  Note the Diet Coke, to counteract the
1200 calories of the dish.




It probably tastes better than it looks.

Some say the same thing about Vegemite ;-)



--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: GESO Three in a row

2012-07-28 Thread Jack Davis
I'm, also, continually amazed by the inexpensive DA 55~300.

Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com/


- Original Message -
From: Toine to...@repiuk.nl
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, July 28, 2012 12:56 PM
Subject: Re: GESO Three in a row

Thanks!
In #3 mother kestrel on the right is presenting a mouse to the young
bird to the left. That action was very quick and I only captured
blurred images with a mouse in sight.
All this with the da55-300 which continues to amaze me.

On 28 July 2012 15:55, Toine to...@repiuk.nl wrote:
 Three juvenile Kestrels in a row.:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

 Toine

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PESO: Rare Beast

2012-07-28 Thread Paul Stenquist
A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
http://photo.net/photodb/photo?photo_id=16194032size=lg

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Re: PESO: Rare Beast

2012-07-28 Thread Jack Davis
WOW! Perfect pan job, Paul!
Beautiful exposure.

Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com/


- Original Message -
From: Paul Stenquist pnstenqu...@comcast.net
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, July 28, 2012 3:31 PM
Subject: PESO: Rare Beast

A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
http://photo.net/photodb/photo?photo_id=16194032size=lg

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Re: PESO: Rare Beast

2012-07-28 Thread Darren Addy
Agree with Jack. That image is publication quality. Superb!

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Re: Look - camera!!!

2012-07-28 Thread Daniel J. Matyola
An interesting portrayal of the couple.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Jul 28, 2012 at 3:15 AM, Roman Melihhov ro...@blakout.net wrote:
 http://roman.blakout.net/picture.php?/335/category/43

 ^^^ After RawTherapee update, 4.0.9 creates allot of blue pixels of
 doom, coloring shadows in blue. I had to switch back to
 dcraw-based raw converters. ufraw project having trouble loading lensfun
 lens correction so I'm working with rawstudio. It is another graphical
 interface to dcraw but I like its darkroom interface and it makes photos
 and colors that are life-like not under psychedelic LSD affects of
 RawTherapee.


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 K-5 × DA 16-45 × DA* 50-135 × FA 50 × FA 35-70


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Re: PESO: Rare Beast

2012-07-28 Thread Daniel J. Matyola
Wonderful car, wonderful capture!
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Jul 28, 2012 at 6:31 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
 http://photo.net/photodb/photo?photo_id=16194032size=lg

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Re: GESO Three in a row

2012-07-28 Thread Daniel J. Matyola
The first image is a stitch!  All are fine photos.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Jul 28, 2012 at 9:55 AM, Toine to...@repiuk.nl wrote:
 Three juvenile Kestrels in a row.:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

 Toine

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Re: PESO - Vegan Poutine!

2012-07-28 Thread Daniel J. Matyola
I'll pass.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Jul 27, 2012 at 10:42 PM, frank theriault
knarftheria...@gmail.com wrote:
 A Canadian delicacy (originally from Quebec) it's fries with cheese
 curds and gravy.  This version features vegan gravy and soy cheese:

 http://knarfdummyblog.blogspot.ca/2012/07/vegan-poutine.html

 Sounds gross, tastes amazing.  Note the Diet Coke, to counteract the
 1200 calories of the dish.

 ;-)

 Hope you enjoy.  Comments welcome.

 cheers,
 frank

 ps:  Poutine is Quebec slang for mess...

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: OT: London Olympics 2012

2012-07-28 Thread Daniel J. Matyola
I thought the opening ceremony was too long, too slow, and just plain
boring.  Mr Bean was the hit of the evening, as far as I could tell.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Jul 28, 2012 at 3:26 PM, Steve Cottrell co...@seeingeye.tv wrote:
 On 26/7/12, Christine Aguila, discombobulated, unleashed:

In about 24 hours (Chicago time), I will be watching the Opening
Ceremonies of the 2012 Olympics held in London, England

 It was pretty good!

 --


 Cheers,
   Cotty


 ___/\__
 ||   (O)  | People, Places, Pastiche
 --  http://www.cottysnaps.com
 _



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Re: PESO: Rare Beast

2012-07-28 Thread Paul Stenquist

On Jul 28, 2012, at 7:21 PM, Darren Addy wrote:

 Agree with Jack. That image is publication quality. Superb!

Thanks. Hope you're right. It's for the Times. It's auto nostalgia weekend here 
in metro Detroit. Vintage racing today, Concours d'Elegance of America 
tomorrow. Don't know abut this Elva but some of the cars at Waterford will be 
at the Concours tomorrow.

Paul


 
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Re: OT: Are all men predisposed to be car junkies?

2012-07-28 Thread kwaller

FWIW -

I attended a drive event put on by Porsche recently when the topic of brakes 
came up after sampling their entire product lineup. One of the driving 
instructors in attendance stated that one of the reasons for the great 
brakes on their product line was a corporate requirement that the brakes 
must be able to stop the vehicle from 80% of its maximum speed - and do that 
25 times in rapid succession.


BTW their PDK 'auto' transmission - a seven speed dual clutch unit - has 
just about made me turn my back on conventional manual transmissions - it 
just too damm good! It needs to be experienced to be appreciated.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Walter Hamler hamlerwal...@gmail.com

Subject: Re: OT: Are all men predisposed to be car junkies?



Sweet looking Mercedes!
Yes, I will certainly enjoy HER car, as she could care less. In all
seriousness, I had to get her something as the old Saturn's brakes
just were not up to snuff. I was so afraid she would get herself into
a situation that she couldn't stop. I didn't notice that much until I
bought a new Elantra last year. The brakes are really good, but what I
have learned is that almost all the new cars with 4 wheel disc's have
very good brakes.  The better fuel economy is a big help as well!

Walt

On Wed, Jul 25, 2012 at 10:12 PM, Godfrey DiGiorgi gdigio...@gmail.com 
wrote:

lol ... I hope you enjoy your wife's new car! ;-)

I bought myself a new (old) car in April. It makes me smile every time
I get into it. :-)

http://www.flickr.com/photos/gdgphoto/7361641262/lightbox

On Wed, Jul 25, 2012 at 5:50 PM, Walter Hamler hamlerwal...@gmail.com 
wrote:

I bought my wife a new car; one year ago I bought one for me.  I am
like a kid in a toy store!!


--
Godfrey
  godfreydigiorgi.posterous.com



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Re: PESO: Rare Beast

2012-07-28 Thread Bruce Walker
Great shot of a really fine car!


On Sat, Jul 28, 2012 at 6:31 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
 http://photo.net/photodb/photo?photo_id=16194032size=lg

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-bmw

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Re: PESO: 'Three of a Kind'

2012-07-28 Thread Steven Desjardins
That's a conspiracy if I've ever seen one.  Nice catch.

On Thu, Jul 26, 2012 at 10:19 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Yes, excellent photo.

 Cheers,
 frank

 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens

 --- Original Message ---

 From: Paul Stenquist pnstenqu...@comcast.net
 Sent: July 25, 2012 7/25/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO: 'Three of a Kind'

 A nice composition. Well done.
 Paul


 On Jul 25, 2012, at 4:38 PM, kwal...@peoplepc.com kwal...@peoplepc.com 
 wrote:

 Shot this murder of crows (Corvus brachyhynchos), as they gathered on a pine 
 tree. Something interesting had gotten their attention and they  gazed at it 
 for several minutes.

 K20D, 300mm SMC FA, 1/500 @f8.0, ISO 400

 http://photo.net/photodb/photo?photo_id=16175692

 Comments appreciated.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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-- 
Steve Desjardins

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Re: Rare Beast

2012-07-28 Thread kwaller

Great capture Paul. I was going to go but life got in the way.
Any shots of vintage Trans AM cars - they supposedly were fearured.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Paul Stenquist pnstenqu...@comcast.net

Subject: PESO: Rare Beast



A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
http://photo.net/photodb/photo?photo_id=16194032size=lg



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Re: OT: London Olympics 2012

2012-07-28 Thread kwaller
Agreed. I kept on trying to find a connection with the theatrics and the 
Olympics.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Daniel J. Matyola danmaty...@gmail.com

Subject: Re: OT: London Olympics 2012



I thought the opening ceremony was too long, too slow, and just plain
boring.  Mr Bean was the hit of the evening, as far as I could tell.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Jul 28, 2012 at 3:26 PM, Steve Cottrell co...@seeingeye.tv 
wrote:

On 26/7/12, Christine Aguila, discombobulated, unleashed:


In about 24 hours (Chicago time), I will be watching the Opening
Ceremonies of the 2012 Olympics held in London, England


It was pretty good!

--


Cheers,
  Cotty


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||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: Rare Beast

2012-07-28 Thread Paul Stenquist
Thanks Ken. I didn't see any domestic Trans Am cars, but there were some Trans 
Am U2 cars, including this works race car:
http://photo.net/photodb/photo?photo_id=16193976


On Jul 28, 2012, at 9:05 PM, kwal...@peoplepc.com wrote:

 Great capture Paul. I was going to go but life got in the way.
 Any shots of vintage Trans AM cars - they supposedly were fearured.
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Paul Stenquist pnstenqu...@comcast.net
 Subject: PESO: Rare Beast
 
 
 A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
 http://photo.net/photodb/photo?photo_id=16194032size=lg
 
 
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PESO - Hard Rain

2012-07-28 Thread frank theriault
I think this should hae been my August PUG submission, but alas, it's
already in.

In any event, I went to the beach a couple of weekends ago. It rained:

http://knarfdummyblog.blogspot.ca/2012/07/hard-rain.html

Hope you enjoy.  Comments welcome.

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Hard Rain

2012-07-28 Thread steve harley

on 2012-07-28 19:54 frank theriault wrote

In any event, I went to the beach a couple of weekends ago. It rained:

http://knarfdummyblog.blogspot.ca/2012/07/hard-rain.html


a beautiful image, great colors and i can hear and feel it

when i blew it up to fill my screen i could tell the original has a lot more 
detail, too


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RE: PESO: Rare Beast

2012-07-28 Thread knarftheria...@gmail.com
Great shot Paul! You nailed everything about it.

Lovely little car, too.

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Paul Stenquist pnstenqu...@comcast.net
Sent: July 28, 2012 7/28/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Rare Beast

A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
http://photo.net/photodb/photo?photo_id=16194032size=lg

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Re: PESO - Vegan Poutine!

2012-07-28 Thread knarftheria...@gmail.com
Good. I'll have your portion then.

;-)

I know it sounds icky but it really does taste great. There are now so 
calledgourmet poutines available (like the Thai one that Tim posted a couple 
of weeks ago) with toppings like pork, beef, nachos and cheese, various 
vegetables, but for me real poutine is the original fries, gravy and cheese 
curds. 

I'm glad that I found a good-tasting vegan version.

Quebec's gift to the world (along with the Montreal Canadians hockey club).

Thanks to all who commented.

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Daniel J. Matyola danmaty...@gmail.com
Sent: July 28, 2012 7/28/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Vegan Poutine!

I'll pass.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Jul 27, 2012 at 10:42 PM, frank theriault
knarftheria...@gmail.com wrote:
 A Canadian delicacy (originally from Quebec) it's fries with cheese
 curds and gravy.  This version features vegan gravy and soy cheese:

 http://knarfdummyblog.blogspot.ca/2012/07/vegan-poutine.html

 Sounds gross, tastes amazing.  Note the Diet Coke, to counteract the
 1200 calories of the dish.

 ;-)

 Hope you enjoy.  Comments welcome.

 cheers,
 frank

 ps:  Poutine is Quebec slang for mess...

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: GESO The Trap Door

2012-07-28 Thread knarftheria...@gmail.com
That's a great shot, Bruce! It's obvious that Marzi is getting more and more 
into this.

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Bruce Walker bruce.wal...@gmail.com
Sent: July 28, 2012 7/28/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: GESO The Trap Door

The mask is my fave shot by far. I had to keep reminding myself to go
wide and get more clothing and jewelry in the frame -- my natural
impulse is to go for tightly framed headshots. Must be a holdover from
my flower macro period. :-)

Thank you, Mark!


On Sat, Jul 28, 2012 at 8:54 AM, Mark C pdml-m...@charter.net wrote:
 Excellent collection - that first one with the ornate mask is quite
 stunning.

 Mark


 On 7/27/2012 1:07 PM, Bruce Walker wrote:

 For a fast look:  She is deciding my fate ...

 http://www.flickr.com/bruce_m_walker/7656572092/lightbox/


 This gallery is of shots I did while helping my wife Louise on a
 documentary project she's creating about a local store called the Trap
 Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
 for the artistic professional in the Junction area of Toronto's west
 end.

 This was a guerrilla shoot. We were operating within the boutique
 during their open hours, working around customers who were mostly
 bemused by our activity. (I think some came in because they were nosey
 and saw the lights.) We were in and out in two and a half hours.

 I was providing lighting for Louise to do video footage of our model,
 Marzi, getting crazy with the clothing that Gabbi was styling for us.
 I was sneaking in and shooting stills as best I could. Since this was
 for video I couldn't use flash, so I opted for a $30 garage
 work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
 that we had bought previously to try. To make this light less harsh
 and have it come from above rather than casting upward shadows, I
 added two light stands: one with a 44 silver reflector and the other
 with a reflective umbrella. I then aimed the two 250 watt heads from
 the work-light at each of the two reflectors.

 When I measured the light with my meter I discovered that 500
 reflected watts doesn't actually go far. I was forced to shoot between
 f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
 1/60th sec for the entire set. But the resulting light was unique and
 interesting. It was nice to work with WYSIWYG light: easy to see where
 shadows would fall and great for focussing.

 Tricky to work with the work lights though as they threw light
 everywhere, so accidental direct light leaks and flare were hard to
 avoid. I even had trouble with flare in the viewfinder! I just
 accepted the harsh shadows in some cases as creative accidents. ;-)

 Then there's the heat: oh my gawd. Sweat was pouring off me. I also
 was forced to shoot in close proximity to the light heads because we
 were in a very confined space between the clothing racks, changing
 booths and the cash desk.

 But despite all the restrictions, my keeper rate was astonishingly
 high. Louise chose 248 out of 302 shots to graft into her doc footage.
 I rejected many of those as too soft for me, and narrowed the keepers
 down, but it's still a large number. The seven in this gallery are
 just the extra-good ones that I've retouched first.


 So here's the gallery. The first seven shots are from this recent
 shoot (this past Wednesday), and the rest are from an art opening in
 the same boutique last fall.

 http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/

 K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
 Lr 4.1, Ps 5.5

 Comments welcome!

 --
 -bmw



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RE: GESO Three in a row

2012-07-28 Thread knarftheria...@gmail.com
Brilliant!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Toine to...@repiuk.nl
Sent: July 28, 2012 7/28/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: GESO Three in a row

Three juvenile Kestrels in a row.:

http://www.repiuk.nl/index.php/blog-mainmenu-97/226-three-in-a-row

Toine

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Re: Rare Beast

2012-07-28 Thread knarftheria...@gmail.com
Lovely old Porsche, very well captured!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Paul Stenquist pnstenqu...@comcast.net
Sent: July 28, 2012 7/28/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Rare Beast

Thanks Ken. I didn't see any domestic Trans Am cars, but there were some Trans 
Am U2 cars, including this works race car:
http://photo.net/photodb/photo?photo_id=16193976


On Jul 28, 2012, at 9:05 PM, kwal...@peoplepc.com wrote:

 Great capture Paul. I was going to go but life got in the way.
 Any shots of vintage Trans AM cars - they supposedly were fearured.
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Paul Stenquist pnstenqu...@comcast.net
 Subject: PESO: Rare Beast
 
 
 A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
 http://photo.net/photodb/photo?photo_id=16194032size=lg
 
 
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Re: PESO - Hard Rain

2012-07-28 Thread Paul Stenquist
The dimples caused by the rain make for an intriguing picture. Like the 
tonality as well.
Paul
On Jul 28, 2012, at 9:54 PM, frank theriault wrote:

 I think this should hae been my August PUG submission, but alas, it's
 already in.
 
 In any event, I went to the beach a couple of weekends ago. It rained:
 
 http://knarfdummyblog.blogspot.ca/2012/07/hard-rain.html
 
 Hope you enjoy.  Comments welcome.
 
 cheers,
 frank
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: OT: London Olympics 2012

2012-07-28 Thread steve harley

on 2012-07-28 19:06 kwal...@peoplepc.com wrote

Agreed. I kept on trying to find a connection with the theatrics and the 
Olympics.


the opening was more about Britain than about sports; that's pretty normal

course i didn't watch much of it because by the time it was on the tellie it 
was already stale on twitter and other sources; shame on NBC for thinking 
their whole audience is stuck in the 1980s; NBC also been ruining other stuff 
by doing cuts between commercials that leave out some of the scoring runs in 
volleyball and basketball … and the Tim Berners-Lee gaffe was abominable … and 
i had to go to Youtube to find the full Sex Pistols performance


the bike race this morning was covered pretty well though






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Re: PESO - Vegan Poutine!

2012-07-28 Thread steve harley

on 2012-07-27 20:42 frank theriault wrote

A Canadian delicacy (originally from Quebec) it's fries with cheese
curds and gravy.  This version features vegan gravy and soy cheese:

http://knarfdummyblog.blogspot.ca/2012/07/vegan-poutine.html

Sounds gross, tastes amazing.  Note the Diet Coke, to counteract the
1200 calories of the dish.


looks tasty; i've had a vegetarian (with dairy cheese) version and enjoyed it, 
but i prefer what you might call the Colorado (and lower calorie) version — 
fries with vegan green chile, a most excellent version available from the 
Pomfreet truck that is sometimes in my neighborhood


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Re: PESO: Rare Beast

2012-07-28 Thread Boris Liberman
Amazing how you make those passing cart shots so good, Paul. On the 
nitpick side, it seems you have a sensor dust spot just above the car...



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On July 29, 2012 1:31:26 AM Paul Stenquist pnstenqu...@comcast.net wrote:

A 1963 Elva Courier at Waterford Hills Raceway this afternoon:
http://photo.net/photodb/photo?photo_id=16194032size=lg

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Re: PESO - Hard Rain

2012-07-28 Thread Boris Liberman
Lets hope no Franks were harmed during this shoot. I clearly remember 
hard rains from Moscow but the sea is unusual to me. Bravely done.



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On July 29, 2012 4:54:21 AM frank theriault knarftheria...@gmail.com wrote:

I think this should hae been my August PUG submission, but alas, it's
already in.

In any event, I went to the beach a couple of weekends ago. It rained:

http://knarfdummyblog.blogspot.ca/2012/07/hard-rain.html

Hope you enjoy.  Comments welcome.

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Hard Rain

2012-07-28 Thread David Mann
On Jul 29, 2012, at 1:54 PM, frank theriault wrote:

 I think this should hae been my August PUG submission, but alas, it's
 already in.
 
 In any event, I went to the beach a couple of weekends ago. It rained:
 
 http://knarfdummyblog.blogspot.ca/2012/07/hard-rain.html

I really like that, especially the boat in the background.

Cheers,
Dave


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