540 flash for wedding photography

2007-06-06 Thread Scott Loveless
Hey, Mark!  You enlightened us over the weekend about using P-TTL flash 
with the camera on manual.  Care to re-enlighten?  I'm afraid the 
booze and lack of sleep has purged that memory from the old noggin.

Also, has anyone used the little stand that came with their flash?  Any 
thoughts on that thing?

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Re: 540 flash for wedding photography

2007-06-06 Thread Scott Loveless
David J Brooks wrote:
 I missed the middle during pee break

 Dave
   

Lightweight.


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Re: 540 flash for wedding photography

2007-06-06 Thread pnstenquist
I almost always shoot in manual mode when using the 540 on my K10D. You still 
get P-TTL exposure control. And by dialing in the exposure as close to ambient 
as possible, you get subtle lighting, particularly when using the flash with a 
reflector. When shooting dancers or other moving objects, try trailing curtain 
synch with a very slow shutter speed. You can get some nice motion blur. 
Paul
 -- Original message --
From: Scott Loveless [EMAIL PROTECTED]
 Hey, Mark!  You enlightened us over the weekend about using P-TTL flash 
 with the camera on manual.  Care to re-enlighten?  I'm afraid the 
 booze and lack of sleep has purged that memory from the old noggin.
 
 Also, has anyone used the little stand that came with their flash?  Any 
 thoughts on that thing?
 
 -- 
 Scott Loveless
 www.twosixteen.com
 
 
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Re: 540 flash for wedding photography

2007-06-06 Thread David J Brooks
I was going to ask Mark if he would CC me with the reply he was going
to send you.

I missed the middle during pee break

Dave

On 6/6/07, Scott Loveless [EMAIL PROTECTED] wrote:
 Hey, Mark!  You enlightened us over the weekend about using P-TTL flash
 with the camera on manual.  Care to re-enlighten?  I'm afraid the
 booze and lack of sleep has purged that memory from the old noggin.

 Also, has anyone used the little stand that came with their flash?  Any
 thoughts on that thing?

 --
 Scott Loveless
 www.twosixteen.com


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Re: 540 flash for wedding photography

2007-06-06 Thread Sylwester Pietrzyk
On 2007-06-06, at 21:30, [EMAIL PROTECTED] wrote:

 I almost always shoot in manual mode when using the 540 on my K10D.  
 You still get P-TTL exposure control. And by dialing in the  
 exposure as close to ambient as possible, you get subtle lighting,  
 particularly when using the flash with a reflector. When shooting  
 dancers or other moving objects, try trailing curtain synch with a  
 very slow shutter speed. You can get some nice motion blur.
The same here. I just tried K10D + AF540FGZ combo last Saturday on  
wedding and it worked (exposure wise but not only) for me very well,  
no worse than Nikon D70 + SB800 and better than Konica Minolta D7D +  
5600 HS(D).



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Re: 540 flash for wedding photography

2007-06-06 Thread Mark Roberts
Scott Loveless wrote:

Hey, Mark!  You enlightened us over the weekend about using P-TTL flash 
with the camera on manual.  Care to re-enlighten?  I'm afraid the 
booze and lack of sleep has purged that memory from the old noggin.

You talkin' to me or the other Mark? (You weren't alone with regards to 
booze and lack of sleep.)

Anyway, here's how you do it:

Set camera to manual exposure.
Attach flash with bounce card.
Set flash to P-TTL auto.

Set shutter speed the slowest speed you feel safe hand-holding; if 
you're using a zoom, assume the longest focal length it reaches.

Set the aperture a stop or two down from wide open -- there's something 
of a judgment call here because it depends on the focal length of the 
lens your using, how much DOF you want and how much ambient light there 
is. 

The result of the above procedure should be that the meter in the 
camera will show underexposure pretty much everywhere you point it (in 
locations you're going to be shooting the wedding). If it regularly 
shows more than two stops of underexposure or if it shows overexposure 
anywhere you'll need to change shutter speed, aperture or ISO. You 
often have to compromise here...

So now you've got a slow shutter speed you can hand-hold, an aperture 
that gives you the DOF you want and exposure that varies from perfect 
to about-two-stops-under everywhere you're shooting. The P-TTL flash 
will automatically provide whatever amount of fill is necessary to make 
the overall exposure good. (Your manual exposure setting shouldn't show 
overexposure anywhere because, obviously, the flash can't subtract 
ambient light when there's too much, it can only provide extra light 
when there's too little.)

You can experiment with dialing in a little underexposure to the flash, 
to see if it suits your equipment setup and/or taste.

This setup won't deliver *perfect* results all the time but it will 
give you very usable results almost all the time. When you're in really 
dark spots (two stops under on the meter) the flash will be 
contributing more of the total exposure than you'd ideally like. And 
when you're in bright areas it will contribute nothing. But you'll 
almost always get something you can use. This is what you want for 
weddings because, for most shots, you get only one chance. 

I learned this technique from a local wedding pro who does high end 
(*very* expensive) weddings. He shoots mostly PJ style (but with the 
usual requisite posed shots). He usually works alone unless he's 
providing video services as well. He does extraordinary work and makes 
a ton of money doing it. He's won scads of awards, which he refuses to 
display in his studio: He'll only display prints of his work there. 

We met when an Internet Directory Service tried to scam him and gave 
me and my web site as a reference even though I had nothing to do with 
them. He called their bluff by calling me :) I worked a couple of 
weddings with him to see if I might do some work for him. I decided 
against getting into wedding photography but I learned a *lot* from the 
experience.


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Re: 540 flash for wedding photography

2007-06-06 Thread Bruce Dayton
Hmm...I have a slight modification to that for my weddings.

Commonly ceremonies are during the day, when there is enough light to
not really need flash - however, fill flash will help with shadows and
the occasional dark shot.  So for that, I set the camera to
HyperManual/Center weighted (I normally shoot this mode) and set the
flash to P-TTL with High Synch.  Then set the flash to about -1 to -2
compensation.  Then just shoot as if you didn't have the flash on.
This puts a catchlight in the eyes, warms up skin tones in the shade
and fills dark eye sockets.  If you set the compensation correctly,
you cannot really tell a flash was used.

Most receptions are later in the day or in a venue where it is darker.
For this, the technique Mark describes is about what I do.  Set the
ISO up to 400, to allow for as much ambient as you can.  Set the flash
to P-TTL and set the camera to manual.  Shutter speed to as slow as
you can comfortably hold it still and pick an aperture that works for
you - I normally shoot around 5.6 - 8.  Just be aware of your meter
reading that it doesn't jump to overexposure and you are all set.

HTH,

Bruce


Wednesday, June 6, 2007, 1:41:32 PM, you wrote:

MR Scott Loveless wrote:

Hey, Mark!  You enlightened us over the weekend about using P-TTL flash
with the camera on manual.  Care to re-enlighten?  I'm afraid the 
booze and lack of sleep has purged that memory from the old noggin.

MR You talkin' to me or the other Mark? (You weren't alone with regards to
MR booze and lack of sleep.)

MR Anyway, here's how you do it:

MR Set camera to manual exposure.
MR Attach flash with bounce card.
MR Set flash to P-TTL auto.

MR Set shutter speed the slowest speed you feel safe hand-holding; if
MR you're using a zoom, assume the longest focal length it reaches.

MR Set the aperture a stop or two down from wide open -- there's something
MR of a judgment call here because it depends on the focal length of the
MR lens your using, how much DOF you want and how much ambient light there
MR is. 

MR The result of the above procedure should be that the meter in the 
MR camera will show underexposure pretty much everywhere you point it (in
MR locations you're going to be shooting the wedding). If it regularly
MR shows more than two stops of underexposure or if it shows overexposure
MR anywhere you'll need to change shutter speed, aperture or ISO. You
MR often have to compromise here...

MR So now you've got a slow shutter speed you can hand-hold, an aperture
MR that gives you the DOF you want and exposure that varies from perfect
MR to about-two-stops-under everywhere you're shooting. The P-TTL flash
MR will automatically provide whatever amount of fill is necessary to make
MR the overall exposure good. (Your manual exposure setting shouldn't show
MR overexposure anywhere because, obviously, the flash can't subtract
MR ambient light when there's too much, it can only provide extra light
MR when there's too little.)

MR You can experiment with dialing in a little underexposure to the flash,
MR to see if it suits your equipment setup and/or taste.

MR This setup won't deliver *perfect* results all the time but it will
MR give you very usable results almost all the time. When you're in really
MR dark spots (two stops under on the meter) the flash will be 
MR contributing more of the total exposure than you'd ideally like. And
MR when you're in bright areas it will contribute nothing. But you'll
MR almost always get something you can use. This is what you want for
MR weddings because, for most shots, you get only one chance. 

MR I learned this technique from a local wedding pro who does high end
MR (*very* expensive) weddings. He shoots mostly PJ style (but with the
MR usual requisite posed shots). He usually works alone unless he's 
MR providing video services as well. He does extraordinary work and makes
MR a ton of money doing it. He's won scads of awards, which he refuses to
MR display in his studio: He'll only display prints of his work there.

MR We met when an Internet Directory Service tried to scam him and gave
MR me and my web site as a reference even though I had nothing to do with
MR them. He called their bluff by calling me :) I worked a couple of 
MR weddings with him to see if I might do some work for him. I decided
MR against getting into wedding photography but I learned a *lot* from the
MR experience.





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Re: 540 flash for wedding photography

2007-06-06 Thread Rick Womer
Don't know nothin' 'bout weddin' shootin'...

But I have used the little stand thingy with my ist D
and Sigma 500-whatever Super, while shooting pix at
family gatherings.  I set the pop-up flash to
master, turned on the wireless control, and had the
off-camera flash on top of a high bookcase or a
rafter, pointing at the white ceiling.  It worked very
nicely.

Rick

pointing upward
--- Scott Loveless [EMAIL PROTECTED] wrote:
 
 Also, has anyone used the little stand that came
 with their flash?  Any 
 thoughts on that thing?
 
 -- 
 Scott Loveless
 www.twosixteen.com
 
 
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 http://pdml.net/mailman/listinfo/pdml_pdml.net
 


http://www.photo.net/photos/RickW


   

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RE: 540 flash for wedding photography

2007-06-06 Thread John Sessoms

 From:
 Scott Loveless
 Hey, Mark!  You enlightened us over the weekend about using P-TTL 
 flash with the camera on manual.  Care to re-enlighten?  I'm afraid 
 the booze and lack of sleep has purged that memory from the old noggin.

 Also, has anyone used the little stand that came with their flash?  
 Any thoughts on that thing? 
Yeah, I'd also like any thoughts anyone cares to share on using the 540 
for weddings, since that's what I bought it for.

One thing I've already experimented with on the K-10D is the Extended 
Bracket Mode - bracketing contrast gives you 3 different contrasts with 
one exposure; seems to work with auto-bracket so that you get 9 
different exposures with a 3 frame bracket or 15 with a 5 frame bracket.

Can the 540 re-cycle fast enough to do auto-bracketing?

As far as the little stand goes, I've already thought about using it to 
hold a peanut slave and AF-280T for a background light in portraiture.

'course, it looks like my new 540 is going to have to go back to Pentax 
for warranty repair before I'm actually going to get to use it.

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Re: 540 flash for wedding photography

2007-06-06 Thread William Robb

- Original Message - 
From: Scott Loveless
Subject: 540 flash for wedding photography


 Also, has anyone used the little stand that came with their flash?  Any 
 thoughts on that thing?

It's great. My display case looks just like a camera store now.

William Robb

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