Re: PESO 2017 - 070,074 - GDG

[Ken Waller]

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "Mark Roberts" <postmas...@robertstech.com>

Subject: Re: PESO 2017 - 070,074 - GDG



Daniel J. Matyola wrote:

On Tue, Jun 13, 2017 at 8:55 AM, David J Brooks <pentko...@gmail.com> 
wrote:



Intestine shots


It takes a lot of guts to say something like that.


Dave's not exactly lily-livered.


Yeah but he has plenty of heart



--
Mark Roberts - Photography & Multimedia
www.robertstech.com



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Re: PESO 2017 - 070,074 - GDG

[mike wilson]

> On 13 June 2017 at 17:47 Mark Roberts  wrote:
> 
> Daniel J. Matyola wrote:
> 
> >On Tue, Jun 13, 2017 at 8:55 AM, David J Brooks  wrote:
> >
> >> Intestine shots
> >
> >It takes a lot of guts to say something like that.
> 
> Dave's not exactly lily-livered.

And he does know how to vent his spleen.

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Re: PESO 2017 - 070,074 - GDG

[Mark Roberts]

Daniel J. Matyola wrote:

>On Tue, Jun 13, 2017 at 8:55 AM, David J Brooks  wrote:
>
>> Intestine shots
>
>It takes a lot of guts to say something like that.

Dave's not exactly lily-livered.
 
-- 
Mark Roberts - Photography & Multimedia
www.robertstech.com





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Re: PESO 2017 - 070,074 - GDG

[Daniel J. Matyola]

On Tue, Jun 13, 2017 at 8:55 AM, David J Brooks  wrote:

> Intestine shots


It takes a lot of guts to say something like that.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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Re: PESO 2017 - 070,074 - GDG

[David J Brooks]

Intestine shots

On Jun 11, 2017 7:42 PM, "Godfrey DiGiorgi"  wrote:

> I ran a second roll of Washi 120 (rice paper film) through the Hasselblad.
> I'm pleased ... I changed my processing and have learned a bit more about
> the film speed and best processing practices. Here are a couple of them...
>
>   https://flic.kr/p/Uq1pHq
>   https://flic.kr/p/Ut6Rhx
>
> (You can see all the Washi 120 photos on my flickr.com site:
> https://www.flickr.com/gp/gdgphoto/1FSsak )
>
> Using paper developer expanded the tonal scale nicely and I think now I've
> got a handle on the ISO setting to use (ISO 5, maybe as low as ISO 3 for
> flat lighting). I like how the paper structure is embedded into the image
> with this material. The tonal scale is somewhat short but it shows
> surprising detail when given enough exposure.
>
> Fun stuff. I think I know how to work the film now. Hopefully, the next
> roll will have some more interesting photos... :-)
>
> onwards!
> G
> —
> The trouble with being punctual is that nobody's there to appreciate it.
>
>
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Re: PESO 2017 - 070,074 - GDG

[Paul Stenquist]

This works. Interesting texture.

Paul via phone

> On Jun 11, 2017, at 7:41 PM, Godfrey DiGiorgi  wrote:
> 
> I ran a second roll of Washi 120 (rice paper film) through the Hasselblad. 
> I'm pleased ... I changed my processing and have learned a bit more about the 
> film speed and best processing practices. Here are a couple of them... 
> 
>  https://flic.kr/p/Uq1pHq
>  https://flic.kr/p/Ut6Rhx
> 
> (You can see all the Washi 120 photos on my flickr.com site: 
> https://www.flickr.com/gp/gdgphoto/1FSsak )
> 
> Using paper developer expanded the tonal scale nicely and I think now I've 
> got a handle on the ISO setting to use (ISO 5, maybe as low as ISO 3 for flat 
> lighting). I like how the paper structure is embedded into the image with 
> this material. The tonal scale is somewhat short but it shows surprising 
> detail when given enough exposure. 
> 
> Fun stuff. I think I know how to work the film now. Hopefully, the next roll 
> will have some more interesting photos... :-)
> 
> onwards!
> G
> —
> The trouble with being punctual is that nobody's there to appreciate it.
> 
> 
> -- 
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> http://pdml.net/mailman/listinfo/pdml_pdml.net
> to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
> the directions.

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Fwd: Re: PESO 2017 - 070,074 - GDG

[ann sanfedele]

Love that chair! it's like a Gorey without people or animals

Bike nice too, but the chair wins over it

ann

On 6/11/2017 7:41 PM, Godfrey DiGiorgi wrote:

I ran a second roll of Washi 120 (rice paper film) through the Hasselblad. I'm 
pleased ... I changed my processing and have learned a bit more about the film 
speed and best processing practices. Here are a couple of them...

   https://flic.kr/p/Uq1pHq
   https://flic.kr/p/Ut6Rhx

(You can see all the Washi 120 photos on my flickr.com site: 
https://www.flickr.com/gp/gdgphoto/1FSsak )

Using paper developer expanded the tonal scale nicely and I think now I've got 
a handle on the ISO setting to use (ISO 5, maybe as low as ISO 3 for flat 
lighting). I like how the paper structure is embedded into the image with this 
material. The tonal scale is somewhat short but it shows surprising detail when 
given enough exposure.

Fun stuff. I think I know how to work the film now. Hopefully, the next roll 
will have some more interesting photos... :-)

onwards!
G
—
The trouble with being punctual is that nobody's there to appreciate it.





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PESO 2017 - 070,074 - GDG

[Godfrey DiGiorgi]

I ran a second roll of Washi 120 (rice paper film) through the Hasselblad. I'm 
pleased ... I changed my processing and have learned a bit more about the film 
speed and best processing practices. Here are a couple of them... 

  https://flic.kr/p/Uq1pHq
  https://flic.kr/p/Ut6Rhx

(You can see all the Washi 120 photos on my flickr.com site: 
https://www.flickr.com/gp/gdgphoto/1FSsak )

Using paper developer expanded the tonal scale nicely and I think now I've got 
a handle on the ISO setting to use (ISO 5, maybe as low as ISO 3 for flat 
lighting). I like how the paper structure is embedded into the image with this 
material. The tonal scale is somewhat short but it shows surprising detail when 
given enough exposure. 

Fun stuff. I think I know how to work the film now. Hopefully, the next roll 
will have some more interesting photos... :-)

onwards!
G
—
The trouble with being punctual is that nobody's there to appreciate it.


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