Re: lessons learned this weekend

2012-10-23 Thread Larry Colen

On Oct 22, 2012, at 5:47 PM, Bruce Walker wrote:

 
 Don't know what focusing method or lens you're using, but with an SDM lens 
 and single-point autofocus, my camera moves right to the spot. Can't 
 remember last time I experienced that kind of autofocus sawing.
 
 I agree that normally with single point it just goes straight to the
 optimum point. But lowish light and/or low contrast: whee! See-saw
 city. Happened to me in my fave jazz club on Friday. I gave up and
 manual focussed and got some terrible results. I have to check the
 diopter setting again. :-(


This is when
1) I rely on Live View for focusing.
2) I curse the lack of focus range in my aging eyeballs.  

--
Larry Colen l...@red4est.com sent from i4est





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Re: lessons learned this weekend

2012-10-22 Thread Anthony Farr
On 22 October 2012 14:30, Larry Colen l...@red4est.com wrote:
 1) Taking photos from a moving pony cart can be challenging.  Not so much for 
 camera motion blur, which can be compensated for by a fast shutter speed 
 combined with shake reduction, but because the bouncing up and down makes it 
 very challenging to compose a shot.

 2) This is exacerbated when the sound of the 18-250 focusing sounds to the 
 horse like the noise that means go faster.

 3) Taking photos of a hawk flying overhead from a moving pony cart is nearly 
 impossible.

 4) Taking photos of said hawk, when standing on the ground with the 18-250 
 works a lot better with manual focus and a split prism focusing screen than 
 it does with auto focus.

 --
 Larry Colen l...@red4est.com sent from i4est


How autofocus works with sport, action, wildlife, etc:

Oh, you want to take a shot right now, do you?  Just give me a second
or two while I check my full range of focus, just in case there's a
point where things are sharper.  Wait, I'll check again, you can never
be too sure, can you?  There, I bet that shot of empty blue sky is
sharper than anything Canon could've made.

G!

regards, Anthony

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Re: lessons learned this weekend

2012-10-22 Thread Larry Colen

On Oct 22, 2012, at 3:16 PM, Anthony Farr wrote:

 On 22 October 2012 14:30, Larry Colen l...@red4est.com wrote:
 1) Taking photos from a moving pony cart can be challenging.  Not so much 
 for camera motion blur, which can be compensated for by a fast shutter speed 
 combined with shake reduction, but because the bouncing up and down makes it 
 very challenging to compose a shot.
 
 2) This is exacerbated when the sound of the 18-250 focusing sounds to the 
 horse like the noise that means go faster.
 
 3) Taking photos of a hawk flying overhead from a moving pony cart is nearly 
 impossible.
 
 4) Taking photos of said hawk, when standing on the ground with the 18-250 
 works a lot better with manual focus and a split prism focusing screen than 
 it does with auto focus.
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 How autofocus works with sport, action, wildlife, etc:
 
 Oh, you want to take a shot right now, do you?  Just give me a second
 or two while I check my full range of focus, just in case there's a
 point where things are sharper.  Wait, I'll check again, you can never
 be too sure, can you?  There, I bet that shot of empty blue sky is
 sharper than anything Canon could've made.

Peeve:  Autofocus circuitry doesn't return the focus distance to the camera.  
If you can read it off the focus ring, why can't you read it off the motor 
position? 

This situation does give me an idea for a handy use of the fx button:  Only 
search for focus within the current range.   If I'm trying to focus on 
something at 0.8 of the hyperfocal distance, the next time I press the shutter 
don't bring the camera in to minimum focus.   If I'm using my macro to focus on 
something six inches away, don't give me perfect focus on the fence twenty feet 
back. 
 

--
Larry Colen l...@red4est.com sent from i4est





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Re: lessons learned this weekend

2012-10-22 Thread Paul Stenquist

On Oct 22, 2012, at 6:16 PM, Anthony Farr farranth...@gmail.com wrote:

 On 22 October 2012 14:30, Larry Colen l...@red4est.com wrote:
 1) Taking photos from a moving pony cart can be challenging.  Not so much 
 for camera motion blur, which can be compensated for by a fast shutter speed 
 combined with shake reduction, but because the bouncing up and down makes it 
 very challenging to compose a shot.
 
 2) This is exacerbated when the sound of the 18-250 focusing sounds to the 
 horse like the noise that means go faster.
 
 3) Taking photos of a hawk flying overhead from a moving pony cart is nearly 
 impossible.
 
 4) Taking photos of said hawk, when standing on the ground with the 18-250 
 works a lot better with manual focus and a split prism focusing screen than 
 it does with auto focus.
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 How autofocus works with sport, action, wildlife, etc:
 
 Oh, you want to take a shot right now, do you?  Just give me a second
 or two while I check my full range of focus, just in case there's a
 point where things are sharper.  Wait, I'll check again, you can never
 be too sure, can you?  There, I bet that shot of empty blue sky is
 sharper than anything Canon could've made.
 
 G!
 

Don't know what focusing method or lens you're using, but with an SDM lens and 
single-point autofocus, my camera moves right to the spot. Can't remember last 
time I experienced that kind of autofocus sawing.
Paul
 regards, Anthony
 
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Re: lessons learned this weekend

2012-10-22 Thread Steven Desjardins
I will add these points to my philosophy of life.  Thank you, Larry.

On Mon, Oct 22, 2012 at 7:28 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 On Oct 22, 2012, at 6:16 PM, Anthony Farr farranth...@gmail.com wrote:

 On 22 October 2012 14:30, Larry Colen l...@red4est.com wrote:
 1) Taking photos from a moving pony cart can be challenging.  Not so much 
 for camera motion blur, which can be compensated for by a fast shutter 
 speed combined with shake reduction, but because the bouncing up and down 
 makes it very challenging to compose a shot.

 2) This is exacerbated when the sound of the 18-250 focusing sounds to the 
 horse like the noise that means go faster.

 3) Taking photos of a hawk flying overhead from a moving pony cart is 
 nearly impossible.

 4) Taking photos of said hawk, when standing on the ground with the 18-250 
 works a lot better with manual focus and a split prism focusing screen than 
 it does with auto focus.

 --
 Larry Colen l...@red4est.com sent from i4est


 How autofocus works with sport, action, wildlife, etc:

 Oh, you want to take a shot right now, do you?  Just give me a second
 or two while I check my full range of focus, just in case there's a
 point where things are sharper.  Wait, I'll check again, you can never
 be too sure, can you?  There, I bet that shot of empty blue sky is
 sharper than anything Canon could've made.

 G!


 Don't know what focusing method or lens you're using, but with an SDM lens 
 and single-point autofocus, my camera moves right to the spot. Can't remember 
 last time I experienced that kind of autofocus sawing.
 Paul
 regards, Anthony

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-- 
Steve Desjardins

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Re: lessons learned this weekend

2012-10-22 Thread Bruce Walker
On Mon, Oct 22, 2012 at 7:28 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 On Oct 22, 2012, at 6:16 PM, Anthony Farr farranth...@gmail.com wrote:

 On 22 October 2012 14:30, Larry Colen l...@red4est.com wrote:
 1) Taking photos from a moving pony cart can be challenging.  Not so much 
 for camera motion blur, which can be compensated for by a fast shutter 
 speed combined with shake reduction, but because the bouncing up and down 
 makes it very challenging to compose a shot.

 2) This is exacerbated when the sound of the 18-250 focusing sounds to the 
 horse like the noise that means go faster.

 3) Taking photos of a hawk flying overhead from a moving pony cart is 
 nearly impossible.

 4) Taking photos of said hawk, when standing on the ground with the 18-250 
 works a lot better with manual focus and a split prism focusing screen than 
 it does with auto focus.

 --
 Larry Colen l...@red4est.com sent from i4est


 How autofocus works with sport, action, wildlife, etc:

 Oh, you want to take a shot right now, do you?  Just give me a second
 or two while I check my full range of focus, just in case there's a
 point where things are sharper.  Wait, I'll check again, you can never
 be too sure, can you?  There, I bet that shot of empty blue sky is
 sharper than anything Canon could've made.

 G!


 Don't know what focusing method or lens you're using, but with an SDM lens 
 and single-point autofocus, my camera moves right to the spot. Can't remember 
 last time I experienced that kind of autofocus sawing.

I agree that normally with single point it just goes straight to the
optimum point. But lowish light and/or low contrast: whee! See-saw
city. Happened to me in my fave jazz club on Friday. I gave up and
manual focussed and got some terrible results. I have to check the
diopter setting again. :-(

-- 
-bmw

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lessons learned this weekend

2012-10-21 Thread Larry Colen
1) Taking photos from a moving pony cart can be challenging.  Not so much for 
camera motion blur, which can be compensated for by a fast shutter speed 
combined with shake reduction, but because the bouncing up and down makes it 
very challenging to compose a shot.

2) This is exacerbated when the sound of the 18-250 focusing sounds to the 
horse like the noise that means go faster.

3) Taking photos of a hawk flying overhead from a moving pony cart is nearly 
impossible.

4) Taking photos of said hawk, when standing on the ground with the 18-250 
works a lot better with manual focus and a split prism focusing screen than it 
does with auto focus.

--
Larry Colen l...@red4est.com sent from i4est





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