[Phono-L] opera plugs?

2011-07-11 Thread AllenAmet
Hi
 
  Is someone still making those little brass plugs for Edison Opera  oil 
holes, and about how much are they going for these days (set of 4)?
 
Thx.

Allen
 
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Re: [Phono-L] opera plugs?

2011-07-11 Thread Rich
Not that I know of and I don't think there has been anybody making them 
for quite a while. I would also be interested if any are available.


On 07/11/2011 02:31 PM, allena...@aol.com wrote:

Hi

   Is someone still making those little brass plugs for Edison Opera  oil
holes, and about how much are they going for these days (set of 4)?

Thx.

Allen

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[Phono-L] shrinking cylinder speed?

2011-07-11 Thread Robert Wright

Hi all, quick question after a long absence: if a given point along the 
circumference of a cylinder passes a fixed position exactly 160 times per 
minute, why would the pitch change? Even if it shrunk to half its size, but was 
still played at 160 rpm, the wavelengths of the recorded frequencies in the 
groove wouldn't change in relation to playback time.  They'd be quieter, for 
sure, but that's about it.  It's a linear velocity system -- it's not the same 
as a disc record, where shrinkage towards the spindle WOULD make a difference, 
since the groove-to-stylus speed changes relative to diameter of stylus path. 
(Of course, testing that would require a shifting disc groove that would coil 
like a spring as the diameter decreased, an example of how theoretical physics 
don't always translate to a physical world.)
If the cylinder's rotation was powered by a motor capstan with a rubber wheel 
attached to it that was in direct contact with the cylinder surface, there 
might be the tiniest amount of change in the speed, but at 160rpm (speaking in 
real-world terms here), the maximum shrinkage that would still allow a decent 
mandrel fit would be negligible.  If we're talking about a difference in 
musical pitch that might render playback audibly inaccurate, I think even this 
example would be undetectable by even the most musical ears.  I'm a career 
musician who has had (documented) perfect pitch for nearly 40 years, and I can 
only distinguish the difference between 78rpm and 80rpm (a difference of 2.5%, 
surely more than the average cylinder shrinkage, right?) in a direct A/B 
comparison, and even then with some difficulty.  As a cylinder phonograph 
transfers its motor power to a non-shrinking mandrel and not the cylinder 
directly, I'm calling this a wives' tale.
Best,Robert
PS - 1/16 of shrinkage of a 2-5/32 cylinder comes out to a difference of 
2.898%.  What percent of 160rpm that would translate to in a capstan/rubber 
wheel-driven system is something I have no idea how to compute!


 Date: Thu, 7 Jul 2011 14:54:51 -0500
 From: rich-m...@octoxol.com

 Some collectors have noticed that the Blue Amberol records shrink over 
 time. After ~100 years this shrinkage is not insignificant. Even if the 
 BA was recorded with exactly 160 RPM playback in mind due to this age 
 related shrinkage the pitch is now incorrect.

  
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Re: [Phono-L] opera plugs?

2011-07-11 Thread harvey kravitz
Pardon my ignorance, but what are Opera plugs and what are they used for?
Harvey Kravitz






From: Rich rich-m...@octoxol.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Mon, July 11, 2011 2:19:27 PM
Subject: Re: [Phono-L] opera plugs?

Not that I know of and I don't think there has been anybody making them 
for quite a while. I would also be interested if any are available.

On 07/11/2011 02:31 PM, allena...@aol.com wrote:
 Hi

Is someone still making those little brass plugs for Edison Opera  oil
 holes, and about how much are they going for these days (set of 4)?

 Thx.

 Allen

 ___
 Phono-L mailing list
 http://phono-l.oldcrank.org


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Re: [Phono-L] shrinking cylinder speed?

2011-07-11 Thread Rich
There is both radial and axial shrinkage. Beyond that, how did Edison 
Co. determine 160 RPM?


On 07/11/2011 05:20 PM, Robert Wright wrote:


Hi all, quick question after a long absence: if a given point along the 
circumference of a cylinder passes a fixed position exactly 160 times per 
minute, why would the pitch change? Even if it shrunk to half its size, but was 
still played at 160 rpm, the wavelengths of the recorded frequencies in the 
groove wouldn't change in relation to playback time.  They'd be quieter, for 
sure, but that's about it.  It's a linear velocity system -- it's not the same 
as a disc record, where shrinkage towards the spindle WOULD make a difference, 
since the groove-to-stylus speed changes relative to diameter of stylus path. 
(Of course, testing that would require a shifting disc groove that would coil 
like a spring as the diameter decreased, an example of how theoretical physics 
don't always translate to a physical world.)
If the cylinder's rotation was powered by a motor capstan with a rubber wheel 
attached to it that was in direct contact with the cylinder surface, there 
might be the tiniest amount of change in the speed, but at 160rpm (speaking in 
real-world terms here), the maximum shrinkage that would still allow a decent 
mandrel fit would be negligible.  If we're talking about a difference in 
musical pitch that might render playback audibly inaccurate, I think even this 
example would be undetectable by even the most musical ears.  I'm a career 
musician who has had (documented) perfect pitch for nearly 40 years, and I can 
only distinguish the difference between 78rpm and 80rpm (a difference of 2.5%, 
surely more than the average cylinder shrinkage, right?) in a direct A/B 
comparison, and even then with some difficulty.  As a cylinder phonograph 
transfers its motor power to a non-shrinking mandrel and not the cylinder 
directly, I'm calling this a wives' tale.
Best,Robert
PS - 1/16 of shrinkage of a 2-5/32 cylinder comes out to a difference of 
2.898%.  What percent of 160rpm that would translate to in a capstan/rubber wheel-driven 
system is something I have no idea how to compute!



Date: Thu, 7 Jul 2011 14:54:51 -0500
From: rich-m...@octoxol.com



Some collectors have noticed that the Blue Amberol records shrink over
time. After ~100 years this shrinkage is not insignificant. Even if the
BA was recorded with exactly 160 RPM playback in mind due to this age
related shrinkage the pitch is now incorrect.



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Re: [Phono-L] opera plugs?

2011-07-11 Thread Rich

Stoppers for the oil holes to keep dirt out.

On 07/11/2011 06:25 PM, harvey kravitz wrote:

Pardon my ignorance, but what are Opera plugs and what are they used for?
Harvey Kravitz






From: Richrich-m...@octoxol.com
To: Antique Phonograph Listphono-l@oldcrank.org
Sent: Mon, July 11, 2011 2:19:27 PM
Subject: Re: [Phono-L] opera plugs?

Not that I know of and I don't think there has been anybody making them
for quite a while. I would also be interested if any are available.

On 07/11/2011 02:31 PM, allena...@aol.com wrote:

Hi

Is someone still making those little brass plugs for Edison Opera  oil
holes, and about how much are they going for these days (set of 4)?

Thx.

Allen

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Re: [Phono-L] Edison Retail Cylinder Box???

2011-07-11 Thread Vinyl Visions

Hi Steve,
Here is the scan of the other side of the box.
http://www.preservemymoney.com/pictures/Edison_3_Box-2.jpg

 From: steve_nor...@msn.com
 To: phono-l@oldcrank.org
 Date: Sat, 9 Jul 2011 22:17:43 -0400
 Subject: Re: [Phono-L] Edison Retail Cylinder Box???
 
 
 I would appreciate the scan, no hurry.  Your photo was very nice, much nicer 
 than the other one I have.  I enjoy photos of things I will likely never see 
 in person.
   From: vinyl.visi...@live.com
  To: phono-l@oldcrank.org
  Date: Sat, 9 Jul 2011 21:00:41 -0400
  Subject: Re: [Phono-L] Edison Retail Cylinder Box???
  
  
  I can scan the other side with the old couple on it. At the moment, I am 
  re-inforcing the seams from the inside. A couple of the flaps were off and 
  in the bottom of the box, so I decided to re-attach them by gluing strips 
  from an old record sleeve to the inside for hinges. The date on the box is 
  1905. I'll try to scan it as soon as the glue dries...
  
   From: steve_nor...@msn.com
   To: phono-l@oldcrank.org
   Date: Sat, 9 Jul 2011 19:52:53 -0400
   Subject: Re: [Phono-L] Edison Retail Cylinder Box???
   
   
   Back when I used to look at all the Edison cylinder records on eBay I saw 
   about 6 of them for sale on eBay over the years.  I saved a photo of the 
   3 pack, it has the old couple listening on the other side.  The old 
   couple has a copyright of 190 and I cannot see the last number.   It 
   looks like the box itself has drawings of the cylinder record boxes with 
   the cardboard peg inside that date from around then end of 1902 to 1904.  
   Do you have a photo of the other side?  I always thought they were the 
   inside box for mailing cylinders. Steve
 From: vinyl.visi...@live.com
To: phono-l@oldcrank.org
Date: Sat, 9 Jul 2011 18:39:59 -0400
Subject: [Phono-L] Edison Retail Cylinder Box???


I'm sure someone on the list can identify this box. It appears to be a 
three pack from 1905. 
Questions: What was it used for? Was it a special deal to buy three 
cylinders? How common/uncommon is this box? Does anyone have one like 
it? What would be a relative value? Any other information?
This came from the recent phonograph auction in Raleigh, NC and no 
collectors that I know have ever seen one...
http://www.preservemymoney.com/pictures/Edison_3_Box.jpg


  
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Re: [Phono-L] shrinking cylinder speed?

2011-07-11 Thread Robert Wright

Not sure, I know that 33.3rpm was determined (at random) by some readily 
available reduction gears that were applied to the electric 78rpm motors of the 
day, or so I have heard/read regarding Pict-ur-music discs -- if memory serves. 
 I wonder how Thom came up with 160.  There were other speeds as well, weren't 
there?  I'm sure Pathe players ran at weird speeds, just because Pathe did 
everything kinda non-'standard', but were earlier Edisons anything other than 
160?  

Radial and axial shrinkage would have no effect on musical pitch of a given 
cylinder, as the groove speed (relative to stationary stylus) would decrease 
proportionately with the cylinder's size; i.e., if the cylinder shrunk 3%, so 
would the relative groove speed, so the pitch would remain constant.  As an 
illustration:  160rpm comes to 2.6 revs per second.  If we scratched 100 
perfectly spaced lines 1/8 deep along the length of a blank cylinder and 
played it at 160rpm, we'd hear a pitch of 266. Hz (a little bit sharp of C 
below middle C).  If we shaved 1/16 off of its surface (or any amount shy of 
1/8, actually), we'd still hear the exact same frequency by playing it back at 
160rpm (albeit with less volume).  In order for the pitch of a shrunken 
cylinder to change, the relative groove speed would have to change, and that 
would require the grooves to contract like a boa constrictor on its prey, and 
as the grooves are a part of the physical surface, that ain't gonna 
 happen.

Best,   Robert 





 Date: Mon, 11 Jul 2011 19:09:08 -0500
 From: rich-m...@octoxol.com
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] shrinking cylinder speed?
 
 There is both radial and axial shrinkage. Beyond that, how did Edison 
 Co. determine 160 RPM?
 
 On 07/11/2011 05:20 PM, Robert Wright wrote:
 
  Hi all, quick question after a long absence: if a given point along the 
  circumference of a cylinder passes a fixed position exactly 160 times per 
  minute, why would the pitch change? Even if it shrunk to half its size, but 
  was still played at 160 rpm, the wavelengths of the recorded frequencies in 
  the groove wouldn't change in relation to playback time.  They'd be 
  quieter, for sure, but that's about it.  It's a linear velocity system -- 
  it's not the same as a disc record, where shrinkage towards the spindle 
  WOULD make a difference, since the groove-to-stylus speed changes relative 
  to diameter of stylus path. (Of course, testing that would require a 
  shifting disc groove that would coil like a spring as the diameter 
  decreased, an example of how theoretical physics don't always translate to 
  a physical world.)
  If the cylinder's rotation was powered by a motor capstan with a rubber 
  wheel attached to it that was in direct contact with the cylinder surface, 
  there might be the tiniest amount of change in the speed, but at 160rpm 
  (speaking in real-world terms here), the maximum shrinkage that would still 
  allow a decent mandrel fit would be negligible.  If we're talking about a 
  difference in musical pitch that might render playback audibly inaccurate, 
  I think even this example would be undetectable by even the most musical 
  ears.  I'm a career musician who has had (documented) perfect pitch for 
  nearly 40 years, and I can only distinguish the difference between 78rpm 
  and 80rpm (a difference of 2.5%, surely more than the average cylinder 
  shrinkage, right?) in a direct A/B comparison, and even then with some 
  difficulty.  As a cylinder phonograph transfers its motor power to a 
  non-shrinking mandrel and not the cylinder directly, I'm calling this a 
  wives' tale.
  Best,Robert
  PS - 1/16 of shrinkage of a 2-5/32 cylinder comes out to a difference of 
  2.898%.  What percent of 160rpm that would translate to in a capstan/rubber 
  wheel-driven system is something I have no idea how to compute!
 
 
  Date: Thu, 7 Jul 2011 14:54:51 -0500
  From: rich-m...@octoxol.com
 
  Some collectors have noticed that the Blue Amberol records shrink over
  time. After ~100 years this shrinkage is not insignificant. Even if the
  BA was recorded with exactly 160 RPM playback in mind due to this age
  related shrinkage the pitch is now incorrect.
 
  
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Re: [Phono-L] opera plugs?

2011-07-11 Thread harvey kravitz
Were these used on Diamond disk also? They have oil holes, too.
Harvey Kravitz






From: Rich rich-m...@octoxol.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Mon, July 11, 2011 5:10:18 PM
Subject: Re: [Phono-L] opera plugs?

Stoppers for the oil holes to keep dirt out.

On 07/11/2011 06:25 PM, harvey kravitz wrote:
 Pardon my ignorance, but what are Opera plugs and what are they used for?
 Harvey Kravitz





 
 From: Richrich-m...@octoxol.com
 To: Antique Phonograph Listphono-l@oldcrank.org
 Sent: Mon, July 11, 2011 2:19:27 PM
 Subject: Re: [Phono-L] opera plugs?

 Not that I know of and I don't think there has been anybody making them
 for quite a while. I would also be interested if any are available.

 On 07/11/2011 02:31 PM, allena...@aol.com wrote:
 Hi

 Is someone still making those little brass plugs for Edison Opera  oil
 holes, and about how much are they going for these days (set of 4)?

 Thx.

 Allen

 ___
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 http://phono-l.oldcrank.org


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Re: [Phono-L] shrinking cylinder speed?

2011-07-11 Thread Rich
The physical surface shrinks. This is why they were recorded at a speed 
different than the 160 desired final result. The actual question was how 
was the 160 RPM speed checked? And with an accuracy of? Or the actual 
mastering speed.


On 07/11/2011 09:13 PM, Robert Wright wrote:


Not sure, I know that 33.3rpm was determined (at random) by some readily 
available reduction gears that were applied to the electric 78rpm motors of the 
day, or so I have heard/read regarding Pict-ur-music discs -- if memory serves. 
 I wonder how Thom came up with 160.  There were other speeds as well, weren't 
there?  I'm sure Pathe players ran at weird speeds, just because Pathe did 
everything kinda non-'standard', but were earlier Edisons anything other than 
160?

Radial and axial shrinkage would have no effect on musical pitch of a given cylinder, as the 
groove speed (relative to stationary stylus) would decrease proportionately with the 
cylinder's size; i.e., if the cylinder shrunk 3%, so would the relative groove speed, so the 
pitch would remain constant.  As an illustration:  160rpm comes to 2.6 revs per second.  
If we scratched 100 perfectly spaced lines 1/8 deep along the length of a blank cylinder 
and played it at 160rpm, we'd hear a pitch of 266. Hz (a little bit sharp of C below 
middle C).  If we shaved 1/16 off of its surface (or any amount shy of 1/8, 
actually), we'd still hear the exact same frequency by playing it back at 160rpm (albeit with 
less volume).  In order for the pitch of a shrunken cylinder to change, the relative groove 
speed would have to change, and that would require the grooves to contract like a boa 
constrictor on its prey, and as the grooves are a part of the physical surface, that ain't gonn

a

  happen.

Best,   Robert






Date: Mon, 11 Jul 2011 19:09:08 -0500
From: rich-m...@octoxol.com
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] shrinking cylinder speed?

There is both radial and axial shrinkage. Beyond that, how did Edison
Co. determine 160 RPM?

On 07/11/2011 05:20 PM, Robert Wright wrote:


Hi all, quick question after a long absence: if a given point along the 
circumference of a cylinder passes a fixed position exactly 160 times per 
minute, why would the pitch change? Even if it shrunk to half its size, but was 
still played at 160 rpm, the wavelengths of the recorded frequencies in the 
groove wouldn't change in relation to playback time.  They'd be quieter, for 
sure, but that's about it.  It's a linear velocity system -- it's not the same 
as a disc record, where shrinkage towards the spindle WOULD make a difference, 
since the groove-to-stylus speed changes relative to diameter of stylus path. 
(Of course, testing that would require a shifting disc groove that would coil 
like a spring as the diameter decreased, an example of how theoretical physics 
don't always translate to a physical world.)
If the cylinder's rotation was powered by a motor capstan with a rubber wheel 
attached to it that was in direct contact with the cylinder surface, there 
might be the tiniest amount of change in the speed, but at 160rpm (speaking in 
real-world terms here), the maximum shrinkage that would still allow a decent 
mandrel fit would be negligible.  If we're talking about a difference in 
musical pitch that might render playback audibly inaccurate, I think even this 
example would be undetectable by even the most musical ears.  I'm a career 
musician who has had (documented) perfect pitch for nearly 40 years, and I can 
only distinguish the difference between 78rpm and 80rpm (a difference of 2.5%, 
surely more than the average cylinder shrinkage, right?) in a direct A/B 
comparison, and even then with some difficulty.  As a cylinder phonograph 
transfers its motor power to a non-shrinking mandrel and not the cylinder 
directly, I'm calling this a wives' tale.
Best,Robert
PS - 1/16 of shrinkage of a 2-5/32 cylinder comes out to a difference of 
2.898%.  What percent of 160rpm that would translate to in a capstan/rubber wheel-driven 
system is something I have no idea how to compute!



Date: Thu, 7 Jul 2011 14:54:51 -0500
From: rich-m...@octoxol.com



Some collectors have noticed that the Blue Amberol records shrink over
time. After ~100 years this shrinkage is not insignificant. Even if the
BA was recorded with exactly 160 RPM playback in mind due to this age
related shrinkage the pitch is now incorrect.



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