Re: [Phono-L] Thanks and the centering pin on the carriage

2012-12-14 Thread George Paul
Thanks Steve.  You're very kind.


George P.



-Original Message-
From: Steven Medved steve_nor...@msn.com
To: phono-l phono-l@oldcrank.org
Sent: Fri, Dec 14, 2012 9:10 am
Subject: Re: [Phono-L] Thanks and the centering pin on the carriage



Hello George P.,
 
I had meant the e-mail to be a private one, since it went to the list I will 
tell you how much I appreciate the article on the suitcase homes and the dates. 
 
I also never realized there was that gap.  When Edison literature spoke of 
improvements such as the Model C coming in Feb 1902 I did not realize there was 
a gap of several months until these shipped.  It now makes sense that Edison's 
company sent the Model C out as dealers samples Jan 6, 1902 as it would have 
been 4 - 5 months before they came on machines (based on my guess).  
 
Edison's company never had definite cut offs and you find earlier parts on 
later 
machines and reproducers.  One example is the solid C weight that does not have 
the holes.  The holes appeared in the 70,000 range on the C and D weights, yet 
sporadically and in 1910 the appeared again.  
 
I find the Edison factory mistakes and varieties very interesting like the Home 
with the Triumph ID plate and the Home serial number.
 
Steve
 
PS I am slowly becoming more precise, I will never achieve what you have.
 

 To: phono-l@oldcrank.org
 From: gpaul2...@aol.com
 Date: Thu, 13 Dec 2012 22:10:18 -0500
 Subject: Re: [Phono-L] Thanks and the centering pin on the carriage
 
 To be precise, I'm pretty sure I wrote there could be a several month gap 
between manufacture and shipping. This might be especially true for slow-moving 
models like the Concert, or during the spring/summer months when orders fell 
off. During the fall, the Edison Works was sometimes thousands of machines 
behind schedule - which would close that manufacturing/shipping gap to nearly 
zero. There are no hard and fast rules.
 
 
 George P.
 
 
 
 -Original Message-
 From: Steven Medved steve_nor...@msn.com
 To: phono-l phono-l@oldcrank.org
 Sent: Thu, Dec 13, 2012 6:56 pm
 Subject: [Phono-L] Thanks and the centering pin on the carriage
 
 
 
 Hello Al, Welcome back and thanks so very much. Angelo has a Gem that I 
believe 
 the serial number is 42,000. Both the case and the carriage is missing so I 
 will let him know it is not the branded case Gem. I really appreciate the 
 information you sent me and I will save it. When you are rested we can 
 discuss 

 when the centering pin appeared on the Edison small carriage, I have an idea. 
 From George Paul I discovered there was a several month gap when the machines 
 were made and when they were shipped. Thanks again, Steve
  To: phono-l@oldcrank.org
  From: clockworkh...@aol.com
  Date: Thu, 13 Dec 2012 17:43:37 -0500
  Subject: Re: [Phono-L] Branded case Gem with Gem speaker (off list)
  
  
  Greetings Steve:
  
  I just returned from my Asia cruise and spotted your question. The Gem went 
 through a number of mechanical variations as well as esthetic ones from the 
 caseless version through the last of the keywound Model As. The carriages are 
 not interchangeable and the feedscrews with drive gears are not the same from 
 the first to the last As. The serial number range of the branded case Gem 
stops 
 just after 36000. So, if the serial is 37000 or later then the banner varnish 
 transfer (decal) label is the correct one and the Gem Special Automatic 
Speaker 
 was changed to the Model B Reproducer about the same time. (maybe even 
together 
 at the same time)
  
  There is one seller on eBay who mixes parts and called a later branded case 
 Gem a 'transitional model' which drove me crazy! You cannot have a carriage 
arm 
 built-in Gem Automatic up in the 36000s when a bayonet in Gem Special 
Automatic 
 was introduced some 20,000 machines earlier...
  
  I hope this helps.
  
  Best wishes,
  
  Al
  
  
  PS: Above information guaranteed to be 50% correct as I am still jet lagged 
 to the nth degree.
  
  
  
  
  
  -Original Message-
  From: Steven Medved steve_nor...@msn.com
  To: phonolist phonol...@yahoogroups.com; phono-l phono-l@oldcrank.org
  Sent: Wed, Dec 5, 2012 10:41 am
  Subject: [Phono-L] Branded case Gem with Gem speaker
  
  
  
  If the carriage and the lid is missing how would you tell a branded case 
  Gem 

  from the later Gem with the Model B reproducer? The reproducers are not 
  interchangeable, but is the carriages?
  
  Thanks,
  
  Steve 
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[Phono-L] ARSC Conference 2013 -- Call for Presentations -- Deadline Reminder

2012-12-14 Thread Bill Klinger
The Outreach Committee of the Association for Recorded Sound Collections
(ARSC) posts the following message.

--- 2013 ARSC CONFERENCE: CALL FOR PRESENTATIONS ---
Proposal deadline: January 4, 2013

The Association for Recorded Sound Collections invites proposals for
presentations at its 47th annual conference, to be held May 15-18, 2013, in
Kansas City, Missouri.

ARSC welcomes papers on the preservation and study of sound recordings -- in
all genres of music and speech, in all formats, and from all periods. We
seek papers and panels that are informative, display a passion for their
subjects, and include compelling audio and visual content.

For this conference, we encourage presentations related to recording in the
Kansas City area and surrounding region. Is there an artist, label, or other
aspect of the industry you've been working on? Preservation, archives
management, or research technique that might be of interest to others? Share
your special interests with our engaged community of collectors, historians,
musicians, preservationists, and archivists.

The deadline for presentation proposals is January 4, 2013. Receipt will be
acknowledged by e-mail. Presenters will be notified of acceptance
approximately one month thereafter.

For more information and the Call for Presentations form, visit:
http://www.arsc-audio.org/conference/

Direct questions about presentations to:
George Blood
ARSC Program Chair
arsc2...@georgeblood.com



The Association for Recorded Sound Collections is a nonprofit organization
dedicated to the preservation and study of sound recordings -- in all genres
of music and speech, in all formats, and from all periods. ARSC is unique in
bringing together private individuals and institutional professionals --
everyone with a serious interest in recorded sound.


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