RE: [pinhole-discussion] new image upload

[Michael Keller]

Very ethereal, I like these a lot. BTW, Tinachair got uploaded twice.

|-Original Message-
|
|
|Hello all-
|I have uploaded 5 hand coloured zone plate images to the list page under 
|"Tina". These are all 35 mm taken with a zone plate made by 
|Guillermo, using 
|Delta 3200 film. All exposures hand held.
|
|http://www.p at ???/discussion/upload/images/
|
|

[pinhole-discussion] new image upload

[Tina Martin]

Hello all-
I have uploaded 5 hand coloured zone plate images to the list page under 
"Tina". These are all 35 mm taken with a zone plate made by Guillermo, using 
Delta 3200 film. All exposures hand held.


http://www.p at ???/discussion/upload/images/

Hope you all are having a pleasant Easter weekend.

Tina


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[pinhole-discussion] fibre optic pinhole

[David M Ocampo]

Are we talking about a single strand or a bundle?  Could you use a
pinhole lens to focus on one end  of a lot of strands and point the other
end ( each strand ) at different parts of the film ( Connect the dots to
see the picture ) or do you need a lens ( pinhole ) on both ends?   
Dave O


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[pinhole-discussion] reply

[uri almagor]

confirm 565284

[pinhole-discussion] test

[Vladimir Mikovic]

test
...

Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

[Jean Daubas]

- Original Message -
From: "Mike Vande Bunt" 
To: 
Sent: Monday, April 02, 2001 7:28 AM
Subject: Re: [pinhole-discussion] Pinhole and lith printing - A natural
complement?


> Also, would it be possible to see an example
> of a negative printed on both "regular" paper and lith paper
> so that we can see what the contribution of the lith paper
> is?  (It is hard to tell if contrast / tonality is due to it being
> pinhole, or to the lith printmaking process.)
>
> Mike Vande Bunt
>

Hi all !
Very late reply...  Since Guy had introduced this "Lith" subject, I wanted
to post a very interesting resource book about lith printing where you could
find excellent comparisons between conventional and Lith prints from the
same negative.

The book, which I find excellent on many other subjects (especially toning
procedures) is :

BEYOND MONOCHROME, a Fine Art Printing Workshop
by Tony Worobiec and Ray Spence,
(c) 1999 ;  Published by : Fountain Press Ltd, Kingston upon
Thames, Surrey, UK
ISBN 0 86 343 313 8

There is a whole chapter dedicated to Lith printing, dealing with choice of
papers and developers, details of procedures and tests, solving specific
problems such as "pepper fogging"; one of the most interesting part is about
the combinations of lith printing with various toners and the very unique
results obtained with Lith + split toning. As for the whole book, the choice
of the photographs illustrating text descriptions is really perfect and the
details of print aspect are really very well rendered through the printing
process of the book.
Hope it helps, even if lately
and Happy Easter from France !

Jean