Re: [pinhole-discussion] Type of paper for pinhole prints

2003-12-12 Thread Joao Ribeiro
Hi Traci,

I got some pictures too, but didn't have time to start sending mines yet.
I usually have a photolab printing them to me, but any aproach you choose
will be OK I believe.

Best regards

Joao

- Original Message - 
From: Traci Bunkers bonk...@bonkersfiber.com
To: pinhole-discussion@p at ???
Sent: Thursday, December 11, 2003 10:22 PM
Subject: [pinhole-discussion] Type of paper for pinhole prints


 I have already been getting some great pinhole cards from the swap. A few
of
 them look like they have been printed at a photo lab--the paper doesn't
look
 like ink jet photo paper. The main ones in question are Marcy Merrill's. I
 need to print my photos for the swap and wondered how these people did it.
 They look so nice!

 Thanks!
 -- 
 Traci Bunkers
 Bonkers Handmade Originals
 http://www.bonkersfiber.com



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[pinhole-discussion] PS4

2003-10-18 Thread Joao Ribeiro
I'm in.
Joao Ribeiro
Rua Drausio 466
05511-010
Sao Paulo  -  SP
Brazil



[pinhole-discussion] PS4

2003-10-13 Thread Joao Ribeiro
I'm in too.
Looking forward to it.
Cheers

Joao



Re: [pinhole-discussion] 35 mm pinhole camera

2002-10-16 Thread Joao Ribeiro
Hi Zami,

Sorry for the late reply.
The pinholes are 55 mm f 166 with a pinhole diameter of about 0.33 mm
and a 105 mm f 318.
Actually I prefer zone plate 35 mm photography, I don't like 35 mm
pinholes (At least I don't like mine).
I'll keep using the 4x5 cameras with pinhole. I transformed the 35 mm
pinholes into 2 new plastic lens to use with the camera. Now with this
35 mm camera and the extension bellows I am using 55 and 105 mm zone
plates and 390, 210 and 150 mm plastic lens, one of them in even a
composition of a positive and negative lens to give me a usable focal
distance.
Cheers
Joao

Zami Schwartzman wrote:

  Joaothanks for your reply Did you try a pinhole with it ? I wander
 whe hole size and focal lengt and what are the resultsZami

  -Original Message-
  From: pinhole-discussion-admin@p at ???
  [mailto:pinhole-discussion-admin@p at ???]On Behalf Of
  Joao Ribeiro
  Sent: Sunday, October 13, 2002 12:35 AM
  To: pinhole-discussion@p at ???
  Subject: Re: [pinhole-discussion] 35 mm pinhole camera
  Hi Zami,

  I have an old Yashica XYZ, I don't really remember the
  specs, but I found an adapter to use pentax thread lenses
  with it (it transforms the bayonet into a thread).
  I had some aluminum tubes made to fit this thread, so now it
  is easy to change focal distances and/or transform from Zone
  Plate to pinhole in no time. I even made a 300 mm plastic
  lens with an old pentax extension bellows, the aluminum tube
  and some black tape and it is working pretty well.
  Cheers
  Joao

  Zami Schwartzman wrote:

  Anyone has tried converting a 35 mm camera to pinhole ?
 
  I have modified  an old Pentax  Spotmatics Reflex camera ,
  the idea was that
  using a 35 mm format will make it easier to experiment
  with various types of
  films . film drive , sutter timing , tripod attachement
  and  release cable
  are already there  and any local photo shop will process
  the films  for me .
  I turned a lens boby on my lath that allows the metal
  foil be located 28
  mm from the film .
  I discovered that  with this camera  I can flip the mirror
  up permanently
  without disabling other camera functions ( except for the
  viewfinder that
  obviously is shut off )
 
  I use 0.02 mm copper foil .The pinhole  was made under a
  x70 stereo
  microscope by using a very sharp pin ( honed under the
  microscope  ) on hard
  back surface .
  the buurs on the oposit side had  to be very carefuly
  treated with no. 400
  sandpaper to get a perfect hole . Although not a sraight
  forward job , I can
  get perfect holes as small as 0.05 mm diameter ( I have
  scale on the
  microscope )  . there is no chance to get any smaller with
  manual pin
  puncturing tecniques .
 
  I experimented with a 0.1 mm hole , got some good close up
  pictures well
  exposed with Kodak gold 400 ASA( using f: 120 on the light
  meter ) but the
  results are  quite  out of focus  on 10x15  prints .
 
  I wander if going  further to a 0.05 hole will worth the
  panelty in  the f
  number .
  Is there an  optimun hole size  for best sharpness ?  or
  is it the smaller
  the better .
 
  I hear that some people are converting plastic 35 mm
  cameras  , I wander
  what holes they use  and how sharp is the resultant image
  they get .
 
  Zami
 
  -Original Message-
  From: pinhole-discussion-admin@p at ???
  [mailto:pinhole-discussion-admin@p at ???]On Behalf Of
  DAVID WALTERS
  Sent: Friday, October 11, 2002 11:29 AM
  To: pinhole-discussion@p at ???
  Subject: [pinhole-discussion] Re: New to the list and
  saying hello
 
  Evening, I apologize for the lag time on answering but
  I had a brief episode of file overload while trying to
  upload some pics (Sorry and thanks, Gregg). I have a
  pinhole from my last roll posted at
 
  
 http://photos.yahoo.com/bc/wal...@prodigy.net/lst?.dir=/Photo+art.src=ph;.
 
  order=.view=t.done=http%3a//photos.yahoo.com/
  (badge), along with some other pieces of mine. The
  body cap is on my Canon EOS, I measured the distance
  at 49 mm and I'm using a laser drilled opening of
  .0102, this gives an f/stop of 163, I reckon. Using
  the bulb setting has given me fairly good results with
  Kodak film, although it seems to be able to meter
  through the pinhole. The Polaroid pinholes are from a
  Polaroid 210 with a hand drilled pinhole, I had such a
  bad rolloff because of reciprocity that I have stuck
  with B/W since. I might go back to color with the 210
  and stick to extreme sun in the future, we'll see.
  Thanks for the welcome, David

Re: [pinhole-discussion] 35 mm pinhole camera

2002-10-12 Thread Joao Ribeiro
Hi Zami,

I have an old Yashica XYZ, I don't really remember the specs, but I found an
adapter to use pentax thread lenses with it (it transforms the bayonet into a
thread).
I had some aluminum tubes made to fit this thread, so now it is easy to change
focal distances and/or transform from Zone Plate to pinhole in no time. I even
made a 300 mm plastic lens with an old pentax extension bellows, the aluminum
tube and some black tape and it is working pretty well.
Cheers
Joao

Zami Schwartzman wrote:

 Anyone has tried converting a 35 mm camera to pinhole ?

 I have modified  an old Pentax  Spotmatics Reflex camera , the idea was that
 using a 35 mm format will make it easier to experiment with various types of
 films . film drive , sutter timing , tripod attachement and  release cable
 are already there  and any local photo shop will process the films  for me .
 I turned a lens boby on my lath that allows the metal foil be located 28
 mm from the film .
 I discovered that  with this camera  I can flip the mirror up permanently
 without disabling other camera functions ( except for the viewfinder that
 obviously is shut off )

 I use 0.02 mm copper foil .The pinhole  was made under a x70 stereo
 microscope by using a very sharp pin ( honed under the microscope  ) on hard
 back surface .
 the buurs on the oposit side had  to be very carefuly treated with no. 400
 sandpaper to get a perfect hole . Although not a sraight forward job , I can
 get perfect holes as small as 0.05 mm diameter ( I have scale on the
 microscope )  . there is no chance to get any smaller with manual pin
 puncturing tecniques .

 I experimented with a 0.1 mm hole , got some good close up pictures well
 exposed with Kodak gold 400 ASA( using f: 120 on the light meter ) but the
 results are  quite  out of focus  on 10x15  prints .

 I wander if going  further to a 0.05 hole will worth the panelty in  the f
 number .
 Is there an  optimun hole size  for best sharpness ?  or is it the smaller
 the better .

 I hear that some people are converting plastic 35 mm cameras  , I wander
 what holes they use  and how sharp is the resultant image  they get .

 Zami

 -Original Message-
 From: pinhole-discussion-admin@p at ???
 [mailto:pinhole-discussion-admin@p at ???]On Behalf Of DAVID WALTERS
 Sent: Friday, October 11, 2002 11:29 AM
 To: pinhole-discussion@p at ???
 Subject: [pinhole-discussion] Re: New to the list and saying hello

 Evening, I apologize for the lag time on answering but
 I had a brief episode of file overload while trying to
 upload some pics (Sorry and thanks, Gregg). I have a
 pinhole from my last roll posted at
 http://photos.yahoo.com/bc/wal...@prodigy.net/lst?.dir=/Photo+art.src=ph;.
 order=.view=t.done=http%3a//photos.yahoo.com/
 (badge), along with some other pieces of mine. The
 body cap is on my Canon EOS, I measured the distance
 at 49 mm and I'm using a laser drilled opening of
 .0102, this gives an f/stop of 163, I reckon. Using
 the bulb setting has given me fairly good results with
 Kodak film, although it seems to be able to meter
 through the pinhole. The Polaroid pinholes are from a
 Polaroid 210 with a hand drilled pinhole, I had such a
 bad rolloff because of reciprocity that I have stuck
 with B/W since. I might go back to color with the 210
 and stick to extreme sun in the future, we'll see.
 Thanks for the welcome, David Walters

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Re: [pinhole-discussion] ortho film

2002-08-16 Thread Joao Ribeiro
Hello Gordon,


 I use ortho film.  Yes it can be developed under safelight.  A standard
 film developer will produce a high-contrast film - Ortho film is usually a
 high contrast film.

I don't understand the above statement.Doesn't Ortho mean not sensitive to red
and Lith (from lithographic) means high contrast?
I believe there is some lith film in the panchromatic range (sensitive to all
colors), for analog color separation.

Best regards

Joao




Re: [pinhole-discussion] Slightly Off Topic

2002-06-18 Thread Joao Ribeiro
Scanners have some sort of depth of field too.
I have already made some scans from my face a few inches away and it worked 
great, a
bit too dark that was corrected with photoshop but not exactly out of focus.
The only problems with glass plate might be newton rings (I'm not sure if they
happen with glass against glass) and scratching the scanner's glass, so be 
carefull!

Cheers

Joao

G.Penate wrote:

 Scanners focus is optimized on the outer surface of the scanner's glass, 
 placing
 the emulsion side face down may make a difference in the results (or not!).

 Guillermo

  -Original Message-
  From: pinhole-discussion-admin@p at ???
 
  Does anyone have experience scanning glass plate negatives?  Can it
  even be done?  A friend asked me to make contact prints from some
  glass negs he bought at an estate sale.  Since my darkroom hasn't been
  reassembled after the big move, I thought scanning might work (haven't
  tried it yet, though).  I have an Epson scanner with a transparency
  adapter (the extra light source on top).

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Re: [pinhole-discussion] Test

2002-06-16 Thread Joao Ribeiro
Also, the games are in such a weird hours that I get sleepy all day!
Let's see tomorrow.

Joao

G.Penate wrote:

 - Original Message -
 From: ragowaring ragowar...@btinternet.com

  It has been very quite
 
  All busy I hope; or perhaps resting

 Could it be due to The World Cup of Football (the one played with feet not 
 with
 hands), the biggest, wildest, and most watched sporting event on the planet. 
 It
 makes the Super Bowl look like Little League. It makes the World Series look
 provincial. It makes the nationalistic fervor of the Olympics look sedate.  
 All
 the world but USofA+1/2Canada is tuned/glued to their TVs.

 Guillermo

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Re: [pinhole-discussion] Pinhole Day Questions

2002-05-01 Thread Joao Ribeiro
Hi Guillermo,

Thanks for the answer.
Yes, it's been a long time. I'll try to update my page with some new zp images,
but I haven't been shooting much lately.
How about you? Will you shot the world soccer championship? I'll try to catch 
the
best moments through the tv with my zp camera, I just made my first test during
the pinhole day :)
Cheers
Joao

G.Penate wrote:

 - Original Message -
 From: Joao Ribeiro jribe...@greco.com.br

  I have just had my pinhole day film returned from the lab.
  I am now in the process of choosing an image and uploading it. How should I
  proceed
  for the uploading?
  Thanks in advance,
  I'm looking forward to see the pictures made by you that day.

 Joao,
   Just go here http://www.pinholeday.org/participate/submit.php

 Good to hear you again!

 Guillermo

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Re: [pinhole-discussion] Pin...ball shot

2002-02-16 Thread Joao Ribeiro
Nice photo Huges.
I laso liked jardins.
What is that? It's very beautiful.
Congrat.

Joao

Andy Schmitt wrote:

 nice photograph...
 you know, every time I get lit  shoot I get some really weird
 photographs..
 andy

 -Original Message-
 From: pinhole-discussion-admin@p at ???
 [mailto:pinhole-discussion-admin@p at ???]On Behalf Of Hughes
 Sent: Saturday, February 16, 2002 11:42 AM
 To: pinhole-discussion@p at ???
 Subject: [pinhole-discussion] Pin...ball shot

 Hello all,

 This pinhole shot is for amusement only

 http://www.users.skynet.be/asveyou/pinball

 Sorry for the metaphor, as a french speaker, I'm not so sure about
 its relevance  but I couldn't resist any longer.

 Sometimes a photographer's life looks like that... Smashed into the
 playground, you've got to turn lamps on, collect bonus on great
 shots. The bolder is your trajectory, the better you succeed. And
 finally, if you have been really good, you can SHOOT AGAIN  :-)

 Hughes

 PS: I'm a horse of 1966.
 --
 Atelier de Photographie
 Hugues Mertens
 http://www.users.skynet.be/asveyou

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Re: [pinhole-discussion] Angle of ligh

2002-02-14 Thread Joao Ribeiro
Hi Ishikawa,

Thanks for the ilustration.
The camera is ready, I made it yesterday, and is almost exactly as you
pictured, I made it with cardboard.
The main diference is that film placed at the position a is also bended,
U shape.
The idea is producing a kind of a triptico (I don't know the name in
English).
I am not sure if it will work, but I'll give it a try and post the results
to the upload galery.
The next one will probably be a pvc cilinder with the film placed against
the wall, forming a cilinder.
Thanks for the help with the matter.

Joao






Re: [pinhole-discussion] Angle of ligh

2002-02-12 Thread Joao Ribeiro
Thanks Bill and Guillermo for your answers.

But ...

   Geometrically/mathematically speaking, the angle changes when the
 pinhole diameter changes, the change is so small tho, that in practice you
 can dismiss it.  Since you want to calculate the cone angle, otherwise
 known as angle of view, here is a formula I just derived that takes the
 pinhole diameter into consideration:

 Cone angle = ArcTan [ (D+P) / (2 * B) ]

 Where
 D = Diagonal of your film format
 P = Pinhole diameter
 B = Bellows extension (or focal length)

 As you can see, the effect of adding P to D is very small, i.e., for 8x10,
 D would be equal to about 325mm if you add to that a P of 0.5mm, you get
 325.5mm, again, not a big change.  The same happens if you change the
 pinhole diameter.

I'm not sure this is the answer to my question. If I could send a drawing
attached to the list it would be easier, but this is what I want:

I imagine a light entering the box/camera and forming a cone. This cone will be
independent of film size. I believe it will vary with pinhole diameter but maybe
not in a meaningful way.
Let's say I made a very long focal distance box, no matter the film size, and at
the end of the box, parallel to the pinhole plane usually is put the film. But
I'll be using just a fraction of the image formed by this cone, the rest will be
absorbed by the black walls of the camera box.
Now, what I intend to do is to place 2 sheets of film not at the end of the
camera, but at the walls that are perpendicular to the pinhole plane. I imagine
that the light absorbed by these walls will also form images, certainly
distorted (I believe someone in this list have already done that). How far from
the pinhole plane the film should be to be completely covered by light? My
imaginations tells me that if it is too close I'll have a V shape image.
Is this formula you sent me able to give me that info? I'm asking because it
takes into account the film diagonal and I believe this cone is independent of
the film diagonal, I'm not sure.

Sorry for this long post

Joao




[pinhole-discussion] Angle of ligh

2002-02-11 Thread Joao Ribeiro
Hi folks,

I have a question, but I'm not sure I'll be able to put it properly.
Here it goes:

When the light enters the camera, it enters in an angle the depends on
the pinhole diameter or this angle is constant?
Imagine I have a pinhole of 0.5 mm. If I make a bellows camera and set
it to say 50 mm focal distance using an 8x10 film I'll have a very wide
angle image. But if I enlarge the bellows distance to 500 mm I'll then
have a telephoto image. Well, actually the image cone will be the
same, I'm just choosing a section of the cone farther away from the
pinhole or origin, and I am also selecting part of this cone to be
recorded. How can I calculate the cone angle? Will changes in the
pinhole diameter make any difference in this angle or it will always be
constant?

I hope I could make myself clear!
Thanks in advance for any info,

Joao




Re: [pinhole-discussion] 18 x24 pinhole/lens camera

2001-12-22 Thread Joao Ribeiro
Hi Alexis,

I'm interested too!
Joao

ragowaring wrote:

 Dear all

 I am scanning the chapter on making a quarter plate camera and will be able
 to send a copy to anyone interested.

 Get this, quote:

 In this chapter will be described how to make a quarter-plate folding hand
 or stand camera of a simple type, yet containing all necessary modern
 movements and adjustments.

 How modern can you get

 Alexis

 on 21/12/01 10:14 pm, garfinkeldes...@aol.com at garfinkeldes...@aol.com
 wrote:

  Alex, that article seems interesting. I would like to be on your email list 
  if
  you do send the article out.
 
  Please send it to we...@garfinkeldesign.com
 
  if you get a group that is interested.
 
  Thanks. Wendy
 
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Re: [pinhole-discussion] developing ortho

2001-12-19 Thread Joao Ribeiro
In time, I'd like to add that Gordon is using a  Kodak film that I believe is 
also RA.
So, if you have the ilford developer at hand and would like to compare and 
report I'd
appreciate it.

Best regards to all,

Joao




Re: [pinhole-discussion] developing ortho

2001-12-19 Thread Joao Ribeiro
Hi George,

Recently I made a few tests with the ortho litho films I have.
I used kodalith, Arista and Agfa darkroom RA.
With the first 2 films, LC1 with the dilution recommended by Cor Breukel worked
fine (water 750 ml, Metol 3 g, Sodium sulfite 60 g, Hydroquinone 3g, water to 1 
l,
to use dilute 1:4 with water and develop for 6,5 min at 20 o C), Iso rated is 
about
1.
With the Agfa (and I suspect with all the RA films) the densities are still very
high. I am using for this film Ilford multigrade liquid paper developer
concentrated solution  50 ml to 4 l of water and I am getting pretty good 
results,
times from 1,5 min to 4,5 min. depending on the density wanted, iso also about 
1 at
24 o C.
The 1,5 min development gave me a good neg. for gum.
Cheers
Joao

George L Smyth wrote:

 --- hol...@duke.usask.ca wrote:
  Hi:
 
  When processing ortho film for pinhole the objective is usually to obtain a
  normal continuous tone negative.  This means one must drastically reduce the
  contrast of ortho film to be useful for pinhole - although there is nothing
  stopping someone from making high contrast negatives on purpose.
 
  There doesn't appear to be a commerically made super low contrast developer
  to make continuous tone negatives from ortho film.

 I've used Dektol in the 1+10 to 1+20 dilution (depending upon the scene).  The
 three images currently in the Alternative Processing Images section of my
 website shows examples of this.  These are not pinhole images, but were 
 created
 through negatives that were made by projecting slides on halftone film and
 developing with dilute Dektol.

 Cheers-

 george

 =
 Handmade Photographic Images
 http://members.home.net/hmpi/

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Re: [pinhole-discussion] Will paper work in 4x5 film holder?

2001-12-19 Thread Joao Ribeiro
Just a suggestion, have you tried to fasten the paper with a scotch tape so the 
paper won't move inside of the holder?
Since we are working under safety light it won't be a problem working this way.
Cheers
Joao

Gregg Kemp wrote:

 I've loaded paper in 4x5 film holders, and found it tends to wrinkle up, 
 because of its thickness.  It can be done, but you may loose some paper 
 trying to do it.

 Gregg

  -Original Message-
  From: Jeff Dilcher [mailto:r...@hiddenworld.net]
  Sent: Tuesday, December 18, 2001 10:39 AM
  To: pinhole-discussion@p at ???
  Subject: RE: [pinhole-discussion] Will paper work in 4x5 film holder?
 
 
 
  I wonder if 4x5 enlarging paper will fit exactly in
  the sheet film holders?
 
  They should, but I haven't tried...
 
  -Jeff
 
 
  On Tue, 18 Dec 2001, Andy Schmitt wrote:
 
   Why not? As long as you cut it the right side  put the
  emulsion facing out
   ( 80) )
   it should be a very good method for holding it.
   andy
 
 
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Re: [pinhole-discussion] Calculating accumulated flash for my pinhole camera...

2001-12-07 Thread Joao Ribeiro
Hi Guillermo,

 Also, something called intermitance states that although mathematically 80
 f/22 flash pops are equal to 1 single BIG flash pop of f/197, in reality,
 the effect of 80 f/22 pops is less than 1 BIG f/197 pop.  Sort of like a
 reciprocity failure for flashes.  Some more extra flash pops should be
 added to compensate for that intermitance effect.

Same happens in the darkroom, a test stripe with 5 x 2 sec test results in
different densities than a 10 sec exposure on photo paper.
I never considered it for flash pops, though. Maybe because of bracketing the
exposures.
I will have it in mind next time.
Thanks for pointing it out.

Joao




Re: [pinhole-discussion] Anyone seen any interesting work lately?

2001-11-30 Thread Joao Ribeiro
Hi Eric,

Congratulations on you show.
Please send us more, it's very nice indeed!

Joao





Re: [pinhole-discussion] Darkroom door - suggestion needed

2001-11-30 Thread Joao Ribeiro
Hi Guillermo,

I once visited a studio here where all doors, studio and lab, had a kind of a 
pre
room, you had to close the first door and stand in this small room for a while 
and
get some air circulating to clean dust before going into the lab.
Pretty fancy but also pretty expensive.
My home solution is a heavy cloth curtain  wider and longer than the door placed
right behind it, so when I'm in with door closed, the curtain cuts all the light
leaks comming in.
Have fun with your project,

Joao




[pinhole-discussion] Double Slit

2001-11-29 Thread Joao Ribeiro
Hi folks,

I was wondering what would be the difference between a pinhole and a
double slit image?
Can anyone help me with that?  Do they look different? Where can I see
one?

Thanks in advance

Joao




Re: [pinhole-discussion] Re: translation GORDY EMERY

2001-11-29 Thread Joao Ribeiro
Hi Alexis,


 Paraffin oils have a boiling point in the range of 150 - 300 degrees
 Centigrade while the wax has one between 50 and 60 degrees.  Paraffin
 wax is used for all sorts of things includeing cheap candles and waxed
 paper.

Actually I think you mean that paraffin has a melting point of about
60 o C

 Camphorated oil on the other hand I would suspect is not strictly
 necessary.  The oil part yes, but the camphor part was probably used
 as a preservative as some of you may remember camphor balls or
 mothball ususally consisting of napthalene and sometimes, yes you've
 guessed it, camphor.
 Therefore, camphorated oil was probably used as an amplication for
 preseving perishable non edible goods in the days of moths.  Now all
 of this is some educated conjecture but I hope it is of use to you.  I
 would think that oil would be sufficient.

It's hard to say, in the wet plate process they used to varnish the
plate with gum sandarac and in the formula they recommend oil of
lavender. The oil is added for flexibility and, as I was told, it has to
be lavender.
I tried oiling papers with sunflower oil, it works fine but it goes
rancid over time and smells pretty bad,
so maybe the preservative is important. Paraffin (solid thing) works
fine but the paper is fragile after, it marks easily (at least thin
paper I use with ink jet printers).
I have an old formula here that I have never tried, but maybe it works,
who knows, it says:

To make paper transparent:

Dip the paper in a bath at 80 o C of:

Parafin (solid) . 40 gr.
Linsen oil  10 gr.

After the paper take up all the solution it cans, drain it fast and put
it between 2 sheets of blotting paper.

Will it work? Who knows, but why does he  give the amount of oil in gr
and not in ml?
This formula dates from 1905, found it in a paper I have here and it has
other curiosities.

 I am just looking up in a dictionary that camphor itself is a whitish,
 translucent crystaline, pleasant-smelling terpene ketone, whatever
 that means except that most ketones smell nice from what I can
 remember at school, used in medicine and in the manufacture of
 celluloid.  Ah ha! There it is, the manufacture of celluloid.  Is that
 not what one is doing when applying the camphorated oil to the paper
 with paraffin?  Probably not.

Will sulfuric acid damage the gelatin part of the photo paper?
I am working with an Arjo Wiggins Parchment paper called Linaje and they
told me that the transparency is obtained by immersing the paper in a
solution of sulfuric acid, washing, neutralising and buffering it after.

Anyway, whoever got a good formula I'm interested in knowing.

Cheers

Joao

P.S. I have an old formula for turning the wood black, but I don't know
how to translate it, maybe Guillermo will help, it says:

Extrato de Pau de Campeche .. 15 gr. (what the ... is that?)

Cromato de Potassa ...  2 gr. (I believe it is
Alumem de cromo )
Agua .. 1000 gr.

He says to dissolve the Campeche first in hot water and add the Cromato.
The solution is dark violet and becomes black in contact with the wood.


Re: [pinhole-discussion] Re: translation GORDY EMERY

2001-11-28 Thread Joao Ribeiro
Or you may try to find a store that sell products to manufacturers of cosmetics.

 Or maybe a homeopathy drugstore. They use to manipulate a lot of stuff in
 there.

 Ricardo.

 - Original Message -
 From: Gordy Emery geme...@hotmail.com
 To: pinhole-discussion@p at ???
 Sent: Wednesday, November 28, 2001 1:37 PM
 Subject: Re: [pinhole-discussion] Re: translation GORDY EMERY

  My father was a pharmocist and camphorated oil was sold in a drug store.
  But, today it is hard to find a (real) drug store.  Most are more of a
  department than a drug store.  I think to get camphorated oil one must
 look
  for an old drug store.
  Gordy
 
 
  From: Katharine Thayer ktha...@pacifier.com
  Reply-To: pinhole-discussion@p at ???
  To: pinhole-discussion@p at ???
  Subject: Re: [pinhole-discussion] Re: translation
  Date: Tue, 27 Nov 2001 23:04:42 +
  
  b2myo...@aol.com wrote:
  
 mix together 8 cm3 of camphorated oil, 4 cm3 alcohol, add 1 cm3 of
paraffin.
Gently apply that mixture on the back of the paper using a batting. 
   
Can someone please translate this for me?
leezy
   
  
  Was it the cm3 you wanted translated? That's cubic centimeters; like me,
  you're probably more used to seeing it abbreviated as cc. But I think we
  may need the paraffin translated as well. My understanding is that
  Europeans mean something different by paraffin than the white solid wax
  used for canning that we call paraffin in the US. And where does one
  find camphorated oil? I assume a batting is like a cotton wad or ball.
  Katharine
  
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Re: [pinhole-discussion] Re: Blind photographer

2001-10-23 Thread Joao Ribeiro
Hi Guy,


 ... not just in the field of
 commercial/advertising where the photographer's role has essentially been
 reduced to shooting exactly the mental image of the art director.

 Think of the word Pre-visualization that pervades all the  Photo-101 or Zone
 System textbooks.  Pre-visualization implies that you have a mental image of
 what it is that you'd like to see on your negative/positive.

You see, pre-visualization is something a professional photographer has to use 
in
order to get what is wanted from the picture he is selling. In my professional 
work,
I am selling something that does not exist yet, someone is trusting in my 
ability in
produce it.
When I shoot for fun, either pinhole, zone plate or whatever I am doing (I'm 
getting
pretty found of old cameras w.o. a light meter), I am trying more and more to be
like a random shooter. I really want the images I get to surprise me. I have a
primary intention when pointing the camera to something, but leave a very broad
possibilities for what might come from that.
Maybe I'm just tired of the commercial work :)

Cheers

Joao





[pinhole-discussion] New Images

2001-10-23 Thread Joao Ribeiro
Hi folks,

I changed my page a little.
The address is:
http://www.geocities.com/Paris/Rue/4414/zp/zpenglish.htm
I'm not sure if everything is working properly, I hope it is.
If you care to take a look I'll be pleased. If something doesn't work,
please let me know and I'll try to fix it.
I am including some pinhole too, not only zone plates.

Cheers

Joao




Re: [pinhole-discussion] Blind photographer

2001-10-19 Thread Joao Ribeiro
Hi Guy,

Thanks for the site.
Bavcar made an exhibit here in Brazil a few months back, a friend talked to
him a lot and he explained that he can photograph people by talking to them,
so he can figure out where to point his camera to in order to frame the
subject.
It's hard to believe that someone blind can make such beautiful pictures. He
mentioned that to make a good picture, the photographer must go a bit blind
too, so his work is not at all disassociate to pinhole and zone plate isn't
it? Aren't we going a bit blind when shooting the way we do?
Just a though.
Cheers
Joao

Guy Glorieux wrote:

 Hi all,

 I was prompted from a query on an another photo list to do a bit of
 research about a blind photographer I had seen an exbition of, some time
 ago, here in Montreal.

 I thought I would share this with you also, even if this is not pinhole.

 The photographer is Evgen Bavcar.  Born in Slovenia in 1946, he now
 lives in France.  He began to lose his sight at the age of eleven and
 started to do photography then.  He works with an assistant and does
 outstanding work.  He holds a PhD in Aesthetics Philisophy.  He has also
 writen several books and lectures in Europe.

 He has an excellent web site on Zone Zero at
 http://www.zonezero.com/exposiciones/fotografos/bavcar/

 Hope you enjoy.

 Guy

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Re: [pinhole-discussion] SX 70

2001-08-08 Thread Joao Ribeiro
Hi Andy,

Do you happen to have his email address?
Thanks
Joao

Andy Schmitt wrote:

 eric nelson has done some serious work modifying SX-70's maybe he can make a
 recommendation or 2...
 good luck
 andy

 -Original Message-
 From: pinhole-discussion-admin@p at ???
 [mailto:pinhole-discussion-admin@p at ???]On Behalf Of Guillermo
 Sent: Tuesday, August 07, 2001 9:12 PM
 To: pinhole-discussion@p at ???
 Subject: Re: [pinhole-discussion] SX 70

 - Original Message -
 From: Joao Ribeiro jribe...@greco.com.br

  My SX 70 just broke, the film is not coming out.
  I know there are people here that use SX 70 for pinholes, so maybe some
  one knows how to fix it. I don't have anyone here in Brazil that is able
  to do that, so I'll have to manage to do it myself.
  Thanks in advance for any clues,

 Joao,
 I think you could use the SX-70 repair book Ed Rommey sells:
 http://www.edromney.com/
 check this site also:
 http://www.chemie.unibas.ch/~holder/SX70.html
 it has very good info on SX-70, including a section on disassembly.

 In case you are not aware, you could use Time Zero SX-70 Film in any
 Polaroid camera that takes 600 film, check this article:
 http://www.polaroidwork.com/articles/article4.jsp
 A friend of mine that is heavily involved in SX-70 manipulations, use to go
 through 3 or 4 SX-70 cameras each year, now that SX-70 are becoming too
 expensive (and scarce in some areas), he buys OneStep cameras instead.
 SX-70 have better optics than OneStep cameras, but if your aim is to do
 emulsion manipulation, optics quality should not matter.  Anyway, that is an
 alternative if your SX-70 can't be revived.

 Guillermo

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[pinhole-discussion] SX 70

2001-08-07 Thread Joao Ribeiro
Hi folks,

My SX 70 just broke, the film is not coming out.
I know there are people here that use SX 70 for pinholes, so maybe some
one knows how to fix it. I don't have anyone here in Brazil that is able
to do that, so I'll have to manage to do it myself.
Thanks in advance for any clues,

Joao




Re: [pinhole-discussion] push processing b/w film

2001-08-07 Thread Joao Ribeiro
Hi Murray,

Someone posted a while back in alt-photo-list some instructions for developing
chromes in BW developers.
I gave it a try and it really works, I didn't like the results for ZP, but they
work grat for lens photo and PH.
Here is what I'm doing:
Film Provia
Rated iso: 1250 (if you want better shadow details try iso 800)
water bath for 3 minutes at 26oC
develop in D-76 at 26oC for 16 min, continuos agitation the first 30 sec and
after that  5 sec each 30.
Stop and fix the usual way.
wash for 20 min (the negatives will be very dark, almost unprintable.
Bleach in a regular sepia toner bleach
wash another 20 min
dry (DO NOT USE PHOTO FLO)
take the film to you local lab and have the film redeveloped in C-41 (that's the
dificult part, they will tell you the film is already developed, so you'll have
to insist)
The result will be a negative with huge grain and strong colors.

Have fun

Joao



Murray wrote:

 Anyone experimented with push-processing b/w film to higher ISO speeds, for
 faster shutter speeds? This may be uninportant for users of big box cameras,
 because they're not very mobile, but for the handheld pinhole camera this
 might open up a wider range of photo subjects that don't have to be
 stationary.

 Murray

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Re: [pinhole-discussion] Help Me Pick A Color Film

2001-08-03 Thread Joao Ribeiro
Hi Derek,

I used to use Fuji NPL but not for pinhole.
If I remember well, the S stands for short exposures, like using flash lights
or under daylight (not that daylight necessarily means short, specially to us)
, and the L stands for long exposures, when working with tungsten
illumination. The color shift, I believe, could be corrected during printing
even if you decide to work under daylight. If you ever give the NPL a try, I'd
love to read about any comparison.
Cheers

Joao

Derek Watkins wrote:

 Jeff

 I've been shooting Fuji NPS with great success. Although the maximum
 recommended exposure is 5 seconds, I've used it at 1 and 2 minutes with no
 problems at all. And I made one early morning shot in October a couple of
 years ago where the final exposure worked out at 16 minutes! Colour balance
 on the print was fine.

 Hope this helps

 Regards
 Derek

 Derek Watkins  Associates
 27 Bray's Lane
 Coventry CV2 4DT

 Tel:024 7645 4419
 Fax:024 7645 8989
 Mobile: 077 7893 3094

 -Original Message-
 From:   INTERNET:pinhole-discussion@p at ???
 Sent:   02 August 2001 18:52
 To: INTERNET:pinhole-discussion@p at ???
 Subject:[pinhole-discussion] Help Me Pick A Color Film


 Can anyone suggest a good color negative film for me?

 I will be shooting 4x5 and processing c-41.

 Since it is pinhole we are dealing with, a film with low reciprocity
 failure and not to significant color shift when taking long exposures
 would be a plus.  I am primarily shooting outdoors.

 I have been shooting black and white for a long time, and am
 not to up to speed on what color films are notable today...

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Re: [pinhole-discussion] f-stop calculations and reciprocity failure numbers

2001-07-22 Thread Joao Ribeiro
  divided by its focal distance at infinity.

 The other way around, actually.  Focal distance at infinity divided by the 
 apparent diameter.  I know that is what you meant, but thought to mention it 
 for clarity sake.

 Guillermo

Thanks Guillermo,





Re: [pinhole-discussion] f-stop calculations and reciprocity failure numbers

2001-07-22 Thread Joao Ribeiro


Hi folks,

  each F stop is the diameter of the opening compared to the
 focal length of the lens, focussed at infinity. Each f stop admits twice as
 much or half as much light per unit of time as the next F stop above or
 below it. F stops are convenient when using a lens,

I read somewhere that the f stop is actually the apparent diameter of the
opening of the lens when viewed by the front side divided by its focal distance
at infinity. It is not the real opening diameter.
Can anyone comment on that?
Thanks
Joao




Re: [pinhole-discussion] process partial 120 rolls

2001-07-05 Thread Joao Ribeiro
Hi Gord,

People have answer about the clip test, I didn't know this was the name in
English, translating from Portuguese would be something like tip test.
Usually fashion or portrait photographers do that to assure proper
exposure/development as they are not bracketing.
One thing I'd like to ad is that people usually take the hole roll and they
randomly cut a piece at the end, usually just enough to assure one complete
frame, so you'll sure loose 1 frame (the one next to that cut for the test).
The problem I see, if I understood well, is that you'll be cutting the film
yourself to load your camera. It would be a good idea to share with the lab
manager your ideas and take them the camera, so they can unload your film
directly into the machine. Allow extra margins for the hangers.
The lab I work with here in Brazil (Fuji Pro) would do it w/o further
problems. Good luck.
Joao

Gordon J. Holtslander wrote:

 Hi:

 More fiddling with my multihole panoramic camera.  I've  realized it would
 be possible to adapt this camera to take a cut piece of 120 or 220 color
 film.  Its designed to take a 4x10 sheet of film or pager - but I could
 easily put a 10 inch length of color 120 film.  Much cheaper than buying
 8x10 color sheet film :)

 I don't process color film - has anyone had experience taking a partial
 roll of 120 film to a lab.  I would likely have to wrap the film back into
 the backing paper and on the reel.

 Would the processing machines be screwed up if the film was shorter that
 normal?

 Images at http://cyano.usask.ca/pinhole

 Gord

 -
 Gordon J. Holtslander   Dept. of Biology
 hol...@duke.usask.ca112 Science Place
 http://duke.usask.ca/~holtsgUniversity of Saskatchewan
 Tel (306) 966-4433  Saskatoon, Saskatchewan
 Fax (306) 966-4461  Canada  S7N 5E2
 -

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Re: [pinhole-discussion] Re: New Zone Plate images - 1 more

2001-06-16 Thread Joao Ribeiro
Nice picture, but I still think color works better with ZP :)
Joao

G.Penate wrote:

 Have one more image to show you, it is titled Plastic Beauty Pageant and
 have added it here http://members.home.com/penate/ZP120_2.html

 Although originally a color image (from the same roll as Kathouse, image
 #59 at http://www.pinholeday.org/exhibition/ ), using photoshop I turned it
 into a BW to depart of my preconcieved idea that ZonePlate images work best
 with color material.

 Guillermo

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Re: [pinhole-discussion] Overexposed negatives

2001-06-16 Thread Joao Ribeiro
Hi folks,

Have you tried the  bleach and redevelopment sistem?
I believe it might be a better solution, try
http://www.qa63.dial.pipex.com/bleachbleach.htm
Hope it helps

Joao

John Yeo wrote:

 I've only used it once... to take the stem off a flower against a back
 blackground.  I started by mixing solution A and B together (according to
 the instructions) and couldn't get it to do anything at all.  I asked on
 usenet, and Richard Knoppow advised to just use solution A alone, then soak
 the neg. in fixer after you're done reducing.  I had to use quite a few
 applications (of solution A) before I even started to see any effect.

 I don't know what it will do to your shadows.  Unless somebody who has used
 it more offers advice, I would try it on an unimportant neg. from the roll
 and see what happens.

 John

 - Original Message -
 From: Guy Glorieux guy.glori...@sympatico.ca
 To: Pinhole List pinhole-discussion@p at ???
 Sent: Saturday, June 16, 2001 9:05 AM
 Subject: [pinhole-discussion] Overexposed negatives

  Hi all,
 
  I just shot a couple of rolls of 120 BW film with my pinhole camera and
  they turned out to be massively overexposed (due to my own error).
 
  Any suggested treatment from anybody?  I hear that the stuff to use is
  Farmer's Reducer but I've never used it.  Does anyone have experience
  with this chemical?  Does it remove density uniformely across the
  negative?  I guess I'm worried about losing the shadow area before the
  highlights become light enough to be printable.
 
  Thanks in advance.
 
  Guy
 
 
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[pinhole-discussion] WPPD very late response

2001-06-15 Thread Joao Ribeiro
Hi list,

Due to some personal problems I have been very late with email reading.
I couldn't get involved with the WPPD project and only today I could
look at it.
It's very late for that but I'd like to congratulate all of you that
send pictures, I spent  the most delicious hours this morning looking at
those pictures.
Congratulations to you all although very late.
I'm proud to belong to this list.
Joao




Re: [pinhole-discussion] New Zone Plate images

2001-06-15 Thread Joao Ribeiro
Oh! I didn't notice!
A pleasant surprise, so I didn't have to wait longer to see new pictures :)
I specially liked among heroes.
Cheers

Joao

G.Penate wrote:

 - Original Message -
 From: Joao Ribeiro jribe...@greco.com.br

  Hi Guillermo,
 
  Another excellent picture!

 Joao, in case you missed them, there is more than 1 picture, just move your
 pointer over the picture's titles at the left side.
 http://members.home.com/penate/ZP120_2.html

 Guillermo

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Re: [pinhole-discussion] New Zone Plate images

2001-06-15 Thread Joao Ribeiro
Hi Guillermo,

Another excellent picture!
Congratulations again!

Joao

G.Penate wrote:

 Care to see some rather plain ZonePlate images?
 BTW, they were made on WPPD day, but processed until now.

 http://members.home.com/penate/ZP120_2.html

 Guillermo

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Re: [pinhole-discussion] OFF topic / Help

2001-03-02 Thread Joao Ribeiro
Thanks Andy,
Actually I think I'll take the ZP, handheld possibility :)
Joao

Andy Schmitt wrote:

 Taking your PH's Hope so
 have a great trip
 andy

 -Original Message-
 From: pinhole-discussion-admin@p at ???
 [mailto:pinhole-discussion-admin@p at ???]On Behalf Of Joao Ribeiro
 Sent: Thursday, March 01, 2001 9:04 AM
 To: pinhole-discussion@p at ???
 Subject: [pinhole-discussion] OFF topic / Help

 Hi folks,

 Sorry for this off topic email.
 I am going to Miami to photograph 2 apartments

 Joao

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Re: [pinhole-discussion] OFF topic / Help

2001-03-01 Thread Joao Ribeiro
Hi Mark,

Thanks a lot for the info.
I don't know yet about the details of the trip, but I'll shure try to stop
by.
Send me your phone  number, I'll let you know how things are going.

Thanks again

Joao

Mark D Roberts wrote:

 Joa:
 For supplies (including polaroid), Aperture Pro Supply 1330 18th St Miami
 Beach (305)535-6375.

 The best film processing in South Beach, I use them extensively,  BWC
 Chrome Lab, 233 11th St, Miami Beach. (305)534-4454.
 My studio is in the Bakehouse if you can stop by.

 Ciao,

 Mark Roberts
 1-800-610-3576

 Mark D Roberts
 mrobe...@pbfreenet.seflin.lib.fl.us

 On Thu, 1 Mar 2001, Joao Ribeiro wrote:

  Hi folks,
 
  Sorry for this off topic email.
  I am going to Miami to photograph 2 apartments and I would like to buy
  films there instead of taking them with me from Brazil. Also, I'd like
  to have them developed before coming back.
  Can anyone suggest me a good place to buy professional 120 chrome films
  and a reliable E-6 lab there?
  Please answer off list to
  jribe...@greco.com.br
 
  Thanks in advance
 
  Joao
 
 
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[pinhole-discussion] OFF topic / Help

2001-03-01 Thread Joao Ribeiro
Hi folks,

Sorry for this off topic email.
I am going to Miami to photograph 2 apartments and I would like to buy
films there instead of taking them with me from Brazil. Also, I'd like
to have them developed before coming back.
Can anyone suggest me a good place to buy professional 120 chrome films
and a reliable E-6 lab there?
Please answer off list to
jribe...@greco.com.br

Thanks in advance

Joao




Re: [pinhole-discussion] Recommended Exposures onto Paper

2000-12-28 Thread Joao Ribeiro
Hi,

Someone once told me that the ISO P, the one we find with the paper
instructions, is 1/100 of the film ISO. So, using the Ilford paper as an
example, w/o. filter the paper is ISO P 500 giving us aprox. ISO 5 for
film meters. Using filters for multicontrast, the ISO P might be 200 or
100 thus giving us a meter setting of ISO 2 or 1.
If it is true, well I haven't tested yet, but if someone did, I'd love
to hear.

Joao



 I would use iso 6 for most papers.I would also recomend rc for the
 negative.






Re: [pinhole-discussion] ZP image

2000-12-21 Thread Joao Ribeiro
Hi Guillermo,

Well, here summer officially started today, Dec. 21st at 11:30.
It promises temperatures well above 35 o C and lots of rain.

Cheers

Joao

G.Penate wrote:

 - Original Message -
 From: Joao Ribeiro jribe...@greco.com.br
   Oh, Joao, since you're from Brazil, you might also enjoy the following
 reference
   from the same source:
   A Use for that Last Cup of Coffee: Film and Paper Development  or  how
 to process
   your prints in coffee!
   http://www.rit.edu/~andpph/text-coffee.html

  I saw this article but never gave it a try. I wouldn't develop my films
 with it but
  paper prints, why not?
  I've been using coffee as a toner for a while now,

 Oh, a very hot and comforting cafezinho from Brazil is what I need to
 tone the gray days we are having here in the east of Canada.  Winter just
 started officially this morning, but we have couple of very snowy weeks, so
 far.

 Guillermo

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Re: [pinhole-discussion] Scanning Color Zone Plate Negatives

2000-12-21 Thread Joao Ribeiro
Hi Tom,

I can't help you with large format, all the zp work I do is 35 mm, and I
am using a Nikon coolscan III, it works great, never had any problem.

Joao

Tom Miller wrote:

 Dear Gang,

 Does anyone on the list have experience scanning color zone plate
 negatives?

 Despite 19 years in the computer trade, I have no experience with
 photographic scanners, Photoshop, etc.  After doing some research, it
 looked like the the Umax Power Look 1100 would be the best combination
 of features and price for my use.  One of the things I hoped to do was
 scan color negatives to produce quick proofs and eventually finished
 prints.  I took a couple of 4x5 zone plate color negatives (Kodak) to
 the local photo store to see how the scanner would handle then.  One
 of the store's digital imaging folks spent an hour trying to scan the
 negs with no success, or more precisely the scans didn't produce
 images that looked anything like the prints I made using standard
 enlarger / chemical processes.  His guess was that the zone plate
 negatives were just too wacky for the scanner; the density was poor
 compared to what the scanner is used to dealing with.  Scanning 4x5
 color negs taken with a lens camera worked great.  Darn, I was looking
 forward to taking the plunge into digital.  Also, the store is
 arguably the best one locally for working with professional
 photographers, so I don't think this was a case of operator error.

 Any ideas?  Would a dedicated large format negative scanner have
 worked better that the flatbed scanner (for a similar price)?  Would
 another brand of flatbed scanner work any better?  Or is the default
 option of waiting for the price to drop and the quality to go up the
 only viable one?

 Thanks,
 Tom

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Re: [pinhole-discussion] Coffee developer - Picture uploaded

2000-12-13 Thread Joao Ribeiro
Hi Guy,

I loved the picture!
I'll try coffee developer soon in the future.
I understood that the print was developed in coffee isn't it? Was the
negative too?

Thanks

Joao


 The picture can be seen at:
 http://www.p at ???/discussion/upload/images/pose_cafe.jpg






Re: [pinhole-discussion] New Images

2000-12-13 Thread Joao Ribeiro
Hi Guillermo,

Thanks, I'll try to make some PH during X-mas, I wonder what we can get with
the lights

Cheers

Joao

G.Penate wrote:

 Moito belho, Joao!!

 There are probably Brazilian photographers that produce images like Pele,
 Tostao and Carlos Alberto, but your ZP and PH are like Ribellino:  cousa
 mais linda.

 Keep showing us your stuff, please.

 Guillermo

 - Original Message -
 From: Joao Ribeiro jribe...@greco.com.br
 To: pinhole-discussion@p at ???
 Sent: Monday, December 11, 2000 11:55 AM
 Subject: [pinhole-discussion] New Images

  Hi folks,
 
  I never uploaded any images in the site, so I decided to contribute with
  some.
 
  http://www.p at ???/discussion/upload/images/zp_mulher.jpg
  http://www.p at ???/discussion/upload/images/zp_poste03.jpg
  http://www.p at ???/discussion/upload/images/zp_rio01.jpg
  http://www.p at ???/discussion/upload/images/ph_venus.jpg
 
  The last one is a pinhole picture printed with the bromoil technique,
  the others are zone plates.
 
  I hope you like them
 
  Joao
 
 
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Re: [pinhole-discussion] New Images

2000-12-13 Thread Joao Ribeiro
Hi Andy,

Thanks

Andy Schmitt wrote:

 muy bueno...simply stunning!!
 andy






Re: [pinhole-discussion] New Images

2000-12-11 Thread Joao Ribeiro
Hi Gregg and Erich,

I'm glad you liked them.
Cheers

Joao





Re: [pinhole-discussion] New Images

2000-12-11 Thread Joao Ribeiro
Hi Guy,


 Venus is a beauty! I like the way she comes out of darkness.  The grainy
 texture adds a lot to the erie feeling.  Does the high grain come from the
 bromoil process? Very nice, Joao.
 Best,


Thanks.The bromoil process let me render the image the way I want it, with or
without grain, and in whatever color I want, since it is formed by ink and not
by silver.

Joao




Re: [pinhole-discussion] New Images

2000-12-11 Thread Joao Ribeiro
Hi Andy,

 rios cool but I really like zp_mulher.jpg...btw what is it?

Mulher means woman in Portuguese.It is a marble sculpture.I lighted it with
a 1000 w Par 64 lamp.
I'm glad you liked it.

Joao





Re: [pinhole-discussion] ZP image

2000-12-11 Thread Joao Ribeiro

Guy Glorieux wrote:

 Not at present.  She looks at me on the computer and the internet and says: 
 not
 for me... Of the two of us, I'm sure she is the wisest!  Oh, the time wasted 
 on
 the internet or fixing faulty systems on the computer...  -:))

She is probably right!

 How would this work?  Digital IR, this is the first time I hear about this.  
 How
 exactly do you set the camera to cut down on the precise frequency of IR?  Or 
 do
 you just use a full IR filter?  Are the light cells sensitive to IR?  Hmmm!  
 I have
 a friend who would want to know all about this area!

Actually it isn't my idea, check this site:

I just use an IR filter and some speed adjustments in the camera, pretty easy :)

 Oh, Joao, since you're from Brazil, you might also enjoy the following 
 reference
 from the same source:
 A Use for that Last Cup of Coffee: Film and Paper Development  or  how to 
 process
 your prints in coffee!
 http://www.rit.edu/~andpph/text-coffee.html

 I've tried it and it works.  Very long processing times but interesting
 sepia-tone-type of results.  Looks like very ancient photographs...

I saw this article but never gave it a try. I wouldn't develop my films with it 
but
paper prints, why not?
I've been using coffee as a toner for a while now, I do bromoils and they look 
great
when coffee toned, the paper base becomes warmer in color.
Now that you mentioned, it might work with lith films as well.

Cheers

Joao




[pinhole-discussion] New Images

2000-12-11 Thread Joao Ribeiro
Hi folks,

I never uploaded any images in the site, so I decided to contribute with
some.

http://www.p at ???/discussion/upload/images/zp_mulher.jpg
http://www.p at ???/discussion/upload/images/zp_poste03.jpg
http://www.p at ???/discussion/upload/images/zp_rio01.jpg
http://www.p at ???/discussion/upload/images/ph_venus.jpg

The last one is a pinhole picture printed with the bromoil technique,
the others are zone plates.

I hope you like them

Joao




Re: [pinhole-discussion] ZP image

2000-12-11 Thread Joao Ribeiro
C,a va' Guy,


 By contrast, my spouse is a BW person and she has turned into a ZP addict,
 producing effects quite similar to infra-red.  Which naturally led her to
 test IR film with ZP.  But then the combination of the two was too
 contrasty, so she's doing either ZP or IR.

I always wanted to know how IR ZP would look like. Does she have a web site?IR
films are prohibited here in Brazil (don't ask me why) so the best I can do now
is digital IR with my nikon 950. Maybe in the future I'll convert it to ZP.

 P.S.  I wonder how many people on the list do ZP together with PH.  Is there
 a ZP Vision group?The two are both very close and yet very distant apart
 from an esthetic perspective, at least in my humble opinion.

I do both, but mainly ZP as I have it installed on a 35 mm camera, so it is
always with me and in bright days I can handheld the camera.

Best Regards

Joao




Re: [pinhole-discussion] ZP image

2000-12-10 Thread Joao Ribeiro
Hi Guillermo,

This one is even more interesting!
I was yet to see a zp bw photo that I really liked.
I think zp works better with color. I don't usually dislike bw zp, but I
think it looses much of its power. But this one is really great.

Joao


 Here is another zoneplate image taken with the same camera:
 http://www.p at ???/discussion/upload/images/sirwinston.jpg

 Guillermo






Re: [pinhole-discussion] ZP image

2000-12-07 Thread Joao Ribeiro
Hi Guillermo,

Very nice picture!!
Looks pretty much like a night shot.
I'm glad you're back

Joao