[scifinoir2] Dr. Who reaffirmed

2007-06-01 Thread md_moore42

This email has been sent to you by Marian

Check out the following link. 

http://icwales.icnetwork.co.uk/0100news/0200wales/tm_headline=bbc-reaffirm-commitment-to-dr-whomethod=fullobjectid=19224886siteid=50082-name_page.html



Make sure you visit http://icwales.icnetwork.co.uk



[scifinoir2] Scanner questions

2006-07-23 Thread md_moore42
Did anyone ever go see A Scanner Darkly?  I have a question -- don't
worry not a spoiler -- from the movie and the book that I read last week.

Fred watches Arctor on tape and notices that it appears that Donna's
face has been pasted in over the face of the prostitute that Arctor
picked up.  In the book and the movie, Arctor notices the same thing
in his real time.  Was this a hallucination?  Or was someone covering
up?  If so, why?

Did Barris poison Arctor? Or Donna?  

PKD did write letters to the FBI accusing people of anti-American
acts.  Did he also turn in friends for drug use?  I thought that he
had, but all I see are references to his paranoid letters to the FBI.  





 
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[scifinoir2] Re: Eureka premieres tonight on Sci Fi

2006-07-19 Thread md_moore42
I don't know.  I bailed after 45 minutes.  It's a pity that the SciFi 
channel hasn't found the secret yet about  producing humorous sf.  I 
miss that old show where the sheriff was an agent of the devil. 
(can't recall the name).



--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:

 Great, I still have last week's Stargate premieres on tape, along 
with Avatar, and now another new show pops up. This one 
is Eureka, a Sci Fi original about a town of apparently superiour 
beings.  It looks to be some good quirky fun, especially fitting for 
the summer. Long as it doesn't suck, I'll give it a try, if for no 
other reason than the fact that Salli Richardson-Whitfield is in the 
series, looking more fetching than ever! Whew!
 Oh, there's also going to be an extended trailer from season 3 
of Battlestar Galactica played sometime during Eureka's premiere.
 
 About the series:
 
 As World War II came to a close with mushroom clouds over Hiroshima 
and Nagasaki, the impact that science and technology would have on 
the continued security of our world became catastrophically apparent. 
America nearly lost the race to build the atomic bomb; it could not 
risk such a close call again.
 
 With the help of Albert Einstein and other trusted advisors, 
President Harry S. Truman commissioned a top-secret residential 
development in a remote area of the Pacific Northwest, one that would 
serve to protect and nurture America's most valuable intellectual 
resources. There our nation's greatest thinkers, the über-geniuses 
working on the next era of scientific achievement, would be able to 
live and work in a supportive environment. The best architects and 
planners were commissioned to design a welcoming place for these 
superlative geniuses to reside, an area that would offer the best 
education for their children, the best healthcare, the best amenities 
and quality of life. A community was created to rival the most 
idyllic of America's small towns — with one major difference: this 
town would never appear on any maps. At least, none that haven't been 
classified eyes only by the Pentagon.
 
 Thus, the town of Eureka was born. But for all its familiar, small-
town trappings, things in this secret hamlet are anything but 
ordinary. The stereotype of the absent-minded professor exists for a 
reason, and most of the quantum leaps in science and technology 
during the past 50 years were produced by Eureka's elite researchers. 
Unfortunately, scientific exploration is rarely what one expects, and 
years of experiments gone awry have yielded some peculiar by-products.
 
 From unrequited love to professional jealousy, from addiction to 
depression, the problems of Eureka's townsfolk stem from life's 
myriad of everyday challenges. But with the population's unique 
talents, troubled psyches and limitless resources, these small-town 
concerns have a way of becoming big-time problems. It is at that 
intersection, where human frailty and super-science collide, that 
Eureka begins…. 
 
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[scifinoir2] A Scanner Darkly

2006-07-16 Thread md_moore42
So what are people thinking of the latest PKD movie?   It's dense and
not for the faint-hearted.  On the other hand, there is a lot of joy
for geeky boys and girls.  I laughed a lot, but I don't know if my
friend got all of the jokes.  On the other hand, she pointed out a lot
of visual puns that I missed.

-Marian





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[scifinoir2] Re: Blade on tonight

2006-07-10 Thread md_moore42
Punish is right.  I only lasted 30 minutes before I went back to 
reading email on my pc.  

--- In scifinoir2@yahoogroups.com, Keith Johnson [EMAIL PROTECTED] 
wrote:

 For those of you who, unlike me and Astro, were lucky enough to miss 
the
 Blade series premiere, you have a chance to punish yourself 
tonight. Both
 the pilot and the first ep are airing tonight, starting at 9 pm 
Eastern. I'd
 be interested in what others think outside the handful of us who 
watched the
 premiere.
 
 
 [Non-text portions of this message have been removed]







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[scifinoir2] Re: a review of Superman movie

2006-07-10 Thread md_moore42
I did go see this movie this past weekend.  I thought that the furor 
would have died down with the release of Pirates, but the theatre 
was packed and they were still running it in two halls.
  
Personally, the Christological references got on my nerves.  And not 
because I am Jewish.  Because, once again, the director and producers 
don't trust the American public's intelligence and they pound image 
and text over and over and over again.  I get it already!

That said, I think that I liked the movie better than most reviewers. 
It was fun hearing the kids throughout the theatre going wow!, 
literally.  They couldn't give Superman the same amount of angst as 
Batman--Superman is just too powerful.  But they gave it a good try. 

All of the actors looked so young.  Until I watched the Superman 
special that is mentioned in another message stream and realized that 
C. Reeves was only 25 when he started the 70's version of Superman.  
Somehow, Superman is always 30 to me.  (Speaking of which, I never 
understood the need to people kid movies with kid heros.  I was 
perfectly happy as a child with adult heros.   The kids in the Narnia 
books were the only kid heros that I recall reading as a child.)


--- In scifinoir2@yahoogroups.com, md_moore42 [EMAIL PROTECTED] 
wrote:

 A very thoughtful review of Superman Returns.  It makes me want 
to 
 see it now.
 
 http://www.locusmag.com/2006/Features/Westfahl_SupermanReturns.html







 
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[scifinoir2] Re: 'Psych' puts snarky spin on too-serious TV genre

2006-07-07 Thread md_moore42
The commercials for this have actually made me laugh.  Finally, some 
balance!  I notice that among the legal shows, we are getting a 
defense-attorney show also.  I had stopped watching Law and Order 
and its like because I was sick of seeing Prosecutor stories.  

--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 'Psych' puts snarky spin on too-serious TV genre
 
 Psych
 10 p.m. July 7, USA
 Grade: A-
 
 By RODNEY HO
 The Atlanta Journal-Constitution
 Published on: 07/07/2006
  
 Psychics and mediums and folks who see dead people are scattered 
all over
 the dial. USA Network already has The Dead Zone. NBC's got 
Patricia
 Arquette's Medium. CBS enjoyed a surprise hit last season 
with The Ghost
 Whisperer.
 
 So the time is ripe for someone who can mock the whole psychic 
phenomenon,
 while doing a bang-up job pretending to be one.
 Actor James Roday embraces his fake psychic character Shawn Spencer 
on the
 new USA show Psych, which debuts tonight. Based on the opening 90-
minute
 episode, this could be an ideal companion to the quirky 
comedy Monk.
 
 Shawn is a fitfully employed, gleefully immature 27-year-old who 
has one
 amazing skill, honed by his demanding cop-dad played by Corbin 
Bernsen: a
 photographic memory and exceptional retention for detail. Bored, he 
uses
 those skills to call in tips to the police about crimes he sees on 
the TV
 news. When skeptical cops bring Shawn in for questioning, he 
pretends to be
 a psychic to evade arrest. The police chief, who knows Spencer's 
dad, tests
 Shawn by letting him help out in a kidnapping case. Jazzed by the 
challenge,
 Shawn amusingly hones his act by rubbing his temples, waving his 
hands and
 yelping loudly as he sees visions. He ropes in his childhood 
friend, the
 uptight, bored pharmaceutical salesman Gus (Dulé Hill from West 
Wing).
 Yes, they had to make it a buddy comedy; otherwise, who would Shawn 
play
 off?
 
 Playing the straight man, Hill hasn't quite found his character 
yet, but he
 has chemistry with Roday, who injects Shawn with a laid-back 
likability. The
 writers feed the pair oodles of free-wheeling repartee. At one 
point, Shawn
 gurgles to Gus: Make sure you act in awe of me when they come to 
say I'm
 completely right. Maybe a little afraid, like possibly my powers 
could be
 used for evil!
 
 For frothy fun, Psych will be the perfect summertime break from 
all the
 ultra-serious crime procedurals already on TV. But that's only 
opinion, not
 a prediction.
 
 
 [Non-text portions of this message have been removed]








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[scifinoir2] a review of Superman movie

2006-07-07 Thread md_moore42
A very thoughtful review of Superman Returns.  It makes me want to 
see it now.

http://www.locusmag.com/2006/Features/Westfahl_SupermanReturns.html






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[scifinoir2] This American Life

2006-06-14 Thread md_moore42
Occasionally, this american life covers stories that I am surprised 
make it to the air.  Most of the stories are online. 

Have a listen to 
http://audio.wbez.org/tal/200.mp3
Description: Act One. Don't Believe Anything You Hear on the Radio. 
The story of a clandestine radio station the CIA set up back in the 
good old bad old days of the fifties, to overthrow Guatemala. The 
coup succeeded because of the immense power of radio. Or that's what 
the CIA believed, anyway. We play the recently declassified tapes of 
the station's broadcasts. We believe it's the first time they've ever 
been broadcast in this country. Nancy Updike reports. 

http://audio.wbez.org/tal/246.mp3
Act One. Who Put the Pistol in Epistolary? The story of a ten-
year-old girl from small town Michigan named Sarah York, and how she 
became pen pals with a man who was considered an enemy of the United 
States, a dictator, a drug trafficker, and a murderer: Manuel 
Noriega. (41 minutes)

http://audio.wbez.org/tal/296.mp3
Surprising stories from survivors in New Orleans. We give people who 
were in the storm more time than daily news coverage can to tell 
their stories and talk about what they're thinking. This leads to a 
number of ideas that haven't made it into the regular news coverage.
Prologue. Ira talks about something he read that seemed to put an end 
to all debate over one of the key issues swirling around right now. 
He checks with William Nichelson, author of the books Emergency 
Response and Emergency Management Law and Homeland Security Law and 
Policy, to see if he's correctly undertanding the issue. (5 minutes)
Act One. Middle of Somewhere. In the days following Hurricane 
Katrina, Denise Moore was trapped in the New Orleans Convention 
Center, with her mom, her niece and her niece's two-year-old 
daughter. There she witnessed acts of surprising humanity by armed 
thugs, taking charge and doing good. (15 minutes)
Song: When the Levee Breaks, Memphis Minnie
Act Two. Forgotten, But Not Lost. To find out more about the bridge 
Denise talked about in Act One, and the armed police who prevented 
pedestrians from crossing, This American Life producer Alex Blumberg 
talks with Lorrie Beth Slonsky and her husband Larry Bradshaw. 
They're paramedics from San Francisco who were visiting New Orleans 
for a convention when Hurricane Katrina hit. After the storm, they 
tried to escape the city in a number of ways. When they tried to 
leave the city on foot, they were told, at gunpoint, by police, that 
they must turn back. We also hear from Debbie Zelinsky, who was with 
them. (17 minutes)
Song: Walking to New Orleans, Fats Domino
Act Three. Social Studies Lesson. We compare Fox TV talk show host 
Bill O'Reilly's ideas about the hurricane's aftermath with those of 
Ashley Nelson, an 18-year-old who lives in the Lafitte Housing 
projects in New Orleans, in one of the flooded neighborhoods. Among 
other things, she explains what it feels like to go without food and 
water for two days. (5 minutes) Ashley is the author of an amazing 
book called The Combination about her neighborhood in New Orleans. 
Contact The Neighborhood Stories Project for information on getting a 
copy
Song: Them That Got, Ray Charles








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[scifinoir2] movies we are not allowed to see

2006-06-13 Thread md_moore42
That's distressing news.  I had been wondering what movies people were
writing about the U.S.--given the number of mistaken bombings, illegal
arrests and what not.   The closest that we get to see is The
Constant Gardener which excoriates the prescription medicine industry.  

Even on the trivial level...I asked a member of another forum if
Israel made their own biblical epics.  I am so tired of blonde Moses
and blonde Jesuses.   

I want to see the world through someone else's eyes for a change. 
It's why I rent so many foriegn movies.



--- In scifinoir2@yahoogroups.com, Tracey de Morsella (formerly
Tracey L. Minor) [EMAIL PROTECTED] wrote:

 Some don't get theatrical, broadcast TV, cable, or even DVD releases, 
 some have been yanked, some have limited release. I recognize about 
 marketability limiting availability.  But it is upsetting that
something 
 can get yanked from the schedule and all reference to it deleted and no 
 dvds made when the plan was to have it available on dvd.  I'm not sure 
 about all of them. Up until Friday, i suspected that some of the
films I 
 have been seeing on The movie Channel, HBO and hallmark had been 
 censured from the schedule, but most of the time I attributed it to 
 being more about money.  Then I read about what happened to Strip 
 Search.  i have not done any research yet, so I am not sure about the 
 others.  I heard from hearsay about: Comadante and The Panama 
 Deception.  I wonder just a litter about code 46 and  - H2O: The Last 
 Prime Minister.  More h20 than code 46
 
 But Strip Search being censored is based on fact. 
 
 I've only seen code 46, h2o and strip search.  However, now that I know 
 that it is possible the other two movies are censured, I'm going to 
 watch them the next time they come on.While i disagree with 
 censorship, I do understand why.  The messages in these films are 
 scary.  If people began to question our government more, that would be 
 disastrous for those in power.  H20 led me to have doubts about living 
 in Canada. Recent developments with the latest terrorist scare there
and 
 suggested plans made by their new conservative leaderships have served 
 to feed those
 
 interesting fact.  Most of the Europeans I meet think the us is 
 repressive.  They are always horrified at how they know more about what 
 is going on in our country than we do and at the level of censorship 
 that is going on with our mainstream media.  I guess because we are 
 censored, most of us to not realize it.  I'm starting to meet more and 
 more people who are on the no-fly list.  As far as I can tell their sin 
 is posting opposing opinions on blogs and discussion list.  I fly back 
 to the states in a few weeks.  I am terrified that because of my views, 
 that I too will be on the no fly list.  If a 67 year-old, retired,
grand 
 mother can get put on the no fly list for posting opinions on the 
 Internet in not repressive or censorship, I do not know what is.
 
 If or when I have time, I am going to look into this.  I had no idea
our 
 entertainment might be censored too.
 
 Sigh...
 
 Tracey
 
 
 [EMAIL PROTECTED] wrote:
  But are those movies and projects you mentioned censored
completely in the US, in terms of not getting theatrical, broadcast
TV, cable, or even DVD releases? I guess I know some don't make it to
the big screen, but I always assumed that if you could find someone to
market it--based on financial judgements, not necessarily
moral/political ones--you'd still at least be able to get a
direct-to-DVD deal. I always thought that even films the Powers That
Be didn't like could find release somewhere, perhaps under the radar
where the government's not paying attention.  Are you saying that
there are projects in America that are actually censored to the point
where they can't even get put on DVD?  I was thinking that these
other, more repressive countries (like, yes, many Islamic-dominated
countries) were the only ones whose governments instituted such
all-inclusive bans on film.
 
  Incidentally, if you can find a Web site that lists recent films
and how they were rated in other countries (or which were banned) I'd
be interested. I did some searching last night, but got a bunch of
sites talking about American and British standards. I did run across a
Wikipedia article that listed a whole bunch of countries' various
rating levels, with explanations of each level. But in addition to
that i was looking for an actual list like EW's that said things like
This movie was rated 'R' in the US, but given a '12 and over' in France.
 
  -- Original message -- 
  From: Tracey de Morsella (formerly Tracey L. Minor) [EMAIL PROTECTED] 
 
  Actually. That might not be actually true. There are a number of 
  American Made films with sometimes high level directors, producers
and 
  actors that I see here in Mexico, that get yanked, not shown or never 
  play in the states. When I see go to imdb, all the user comments are 
  from 

[scifinoir2] Re: Dr Who and Parting of the Ways

2006-06-12 Thread md_moore42
It's more fun to imagine.  The new Doctor looks younger and more 
innocent in any case.  And they left Cpt. Jack behind.  (I haven't 
checked the BBC site to see if they doubled back.  The actor may show 
up in later shows.)

Meanwhile...I went to the BBC and other sites and did find some of 
the mythos that was built up about the Doctor and Galifrey while the 
show was off the air.  Interesting stuff.  Like the Galifreyians were 
all sterile and were woven into being when a family member ran out 
of regenerations.  Like implying that the Doctor is not just a Time 
Lord, but a reincarnation of one of the original triumphant that 
ruled Galifrey.  The authors of the books were more original than the 
Star Trek book authors were.  Of course, the ST owners kept a tighter 
rein on the writers.  The BBC didn't think that the Doctor would ever 
be a TV show again.  Once they decided to bring him back, they took 
the book contract back from Virgin.

As to Parting of the Ways---I wish that Bad Wolf had been a geniune 
anagram.  Not just an alert, but an actual message.

--- In scifinoir2@yahoogroups.com, Martin Pratt [EMAIL PROTECTED] 
wrote:

 It ended up in my bulk mail bin, didn't see it until I dumped it.

   When Doctor Who first aired back in '63, it was a kid's show, 
filler for the airtime between moring shows and the afternoon soccer 
matches. As for what goes on between eps...maybe the BBC will let 
someone write about it. Not me, though. I'm a good boy.
 
 md_moore42 [EMAIL PROTECTED] wrote:
   I sent you an email.
 I wonder what age range Doctor Who is pitched to in GB? The BBC web
 site includes a spin-off section for games and pretend blogs. The
 Mickey character (hmm. I can't say African-American. He's Brit. Is 
it
 African-Breton?) has a blog with games for kids. On the other hand, 
you
 have Captain Jack propositioning every humanoid that he meets. It 
makes
 you wonder what is going on in the Tardis between shows.
 
 --- In scifinoir2@yahoogroups.com, Martin Pratt martin_pratt18@
 wrote:
 
  md, feel free to hit me anytime. Always willing to discuss my
 childhood obsession.
 
  Bosco Bosco ironpigs3@ wrote: I've got it recorded and
 ready for viewing at my girlfriends place.
  I'd love to hear what you think as soon as I watch it.
 
  B
 
  --- md_moore42 md_moore42@ wrote:
 
   Well, just finished watching the last of the 1st of the new BBC
   season.
   A very Deus Ex machina ending, I must say. Some things very 
silly,
   but they still managed to emphasize that the Doctor is not one 
of
   us. And we get to see Captain Jack give the Doctor a kiss. (Can
   you
   imagine a heroic bi-sexual character on American TV?)
  
   See--I managed not to give any real spoilers! But I do have a
   quibble, if there are any fans out there to talk to.
  
  
  
  
  
 
  I got friends who are in prison and Friends who are dead.
  I'm gonna tell ya something that I've often said.
 
  You know these things that happen,
  That's just the way it's supposed to be.
  And I can't help but wonder,
  Don't ya know it coulda been me.
 
  __
  Do You Yahoo!?
  Tired of spam? Yahoo! Mail has the best spam protection around
  http://mail.yahoo.com
 
 
 
 
 
  Excuse me while I whip this out.
  Cleavon Little , Blazing Saddles
  __
  Do You Yahoo!?
  Tired of spam? Yahoo! Mail has the best spam protection around
  http://mail.yahoo.com
 
  [Non-text portions of this message have been removed]
 
 
 [Non-text portions of this message have been removed]
 
 
 
  
 
 
 Excuse me while I whip this out.
 Cleavon Little , Blazing Saddles
  __
 Do You Yahoo!?
 Tired of spam?  Yahoo! Mail has the best spam protection around 
 http://mail.yahoo.com 
 
 [Non-text portions of this message have been removed]








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[scifinoir2] Re: Dr Who and Parting of the Ways

2006-06-10 Thread md_moore42
I sent you an email.
I wonder what age range Doctor Who is pitched to in GB?   The BBC  web
site includes a spin-off section for games and pretend blogs.  The
Mickey character (hmm.  I can't say African-American.  He's Brit.  Is it
African-Breton?) has a blog with games for kids.  On the other hand, you
have Captain Jack propositioning every humanoid that he meets.  It makes
you wonder what is going on in the Tardis between shows.







--- In scifinoir2@yahoogroups.com, Martin Pratt [EMAIL PROTECTED]
wrote:

 md, feel free to hit me anytime. Always willing to discuss my
childhood obsession.

 Bosco Bosco [EMAIL PROTECTED] wrote:  I've got it recorded and
ready for viewing at my girlfriends place.
 I'd love to hear what you think as soon as I watch it.

 B

 --- md_moore42 [EMAIL PROTECTED] wrote:

  Well, just finished watching the last of the 1st of the new BBC
  season.
  A very Deus Ex machina ending, I must say. Some things very silly,
  but they still managed to emphasize that the Doctor is not one of
  us. And we get to see Captain Jack give the Doctor a kiss. (Can
  you
  imagine a heroic bi-sexual character on American TV?)
 
  See--I managed not to give any real spoilers! But I do have a
  quibble, if there are any fans out there to talk to.
 
 
 
 
 

 I got friends who are in prison and Friends who are dead.
 I'm gonna tell ya something that I've often said.

 You know these things that happen,
 That's just the way it's supposed to be.
 And I can't help but wonder,
 Don't ya know it coulda been me.

 __
 Do You Yahoo!?
 Tired of spam? Yahoo! Mail has the best spam protection around
 http://mail.yahoo.com





 Excuse me while I whip this out.
 Cleavon Little , Blazing Saddles
  __
 Do You Yahoo!?
 Tired of spam?  Yahoo! Mail has the best spam protection around
 http://mail.yahoo.com

 [Non-text portions of this message have been removed]




[Non-text portions of this message have been removed]



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[scifinoir2] Dr Who and Parting of the Ways

2006-06-09 Thread md_moore42
Well, just finished watching the last of the 1st of the new BBC season.
A very Deus Ex machina ending, I must say.  Some things very silly,
but they still managed to emphasize that the Doctor is not one of
us.  And we get to see Captain Jack give the Doctor a kiss.  (Can you
imagine a heroic bi-sexual character on American TV?) 

See--I managed not to give any real spoilers!   But I do have a
quibble, if there are any fans out there to talk to.






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[scifinoir2] Re: X-3 Takes Over one Hundred Million at Box office

2006-05-30 Thread md_moore42



I enjoyed it, but the surprise after the credits was no surprise. 
My biggest laugh was actually before the movie--when they showed the 
trailer for Snakes on a Plane. I started laughing when I realized 
what it was. The teenager beside me asked 'Is that a real movie?' 
and I laughed even harder and told him yes.



--- In scifinoir2@yahoogroups.com, Martin Pratt [EMAIL PROTECTED] 
wrote:

 Not yet, Keith, though I'm torn, because I haven't seen Da Vinci 
either, and I'm not willing to give H'Wood more than ten of my hard-
earned bucks. It's one or the other for me. I've got a friend in 
Canada who's seen Da Vinci and loved it, and was going to see X3 
this weekend. Haven't heard back from her yet.
 
 Keith Johnson [EMAIL PROTECTED] wrote: Daaamn! The flick made 
twenty milion *more* than the studio hoped--and
 the holiday weekend ain't over yet!! Anyone seen it yet? I'm going
 tomorrow. I hear the action's great, though the substance isn't
 necessarily all that deep. 
 
 X-Men cracks Da Vinci Code at box office 
 
 1 hour, 18 minutes ago 
 
 The final film in the X-Men superhero trilogy blew past last 
weekend's
 box office champ, The Da Vinci Code, to post the fourth-highest
 all-time opening in North America, according to studio estimates 
issued
 on Sunday.
 
 X-Men: The Last Stand sold about $107 million worth of tickets in 
the
 three-day period from Friday to Sunday, said distributor 20th 
Century
 Fox. The News Corp.-owned studio said it hoped the film would open 
near
 the $86 million bow of its 2003 predecessor X2: X-Men United.
 
 By contrast, Da Vinci opened with $77 million a week ago, the 
highest
 bow so far this year. The Vatican conspiracy thriller slipped to 
No. 2,
 but sales data were not available as most studios were planning to
 report estimates for the U.S. Memorial Day holiday weekend on 
Monday.
 
 However, Da Vinci Code distributor Columbia Pictures said the film
 earned $92 million in most foreign territories, and enjoyed strong 
holds
 in such countries as Germany and Japan. The international total 
stands
 at $320 million. As of Thursday evening, the film had earned $102
 million in North America.
 
 Columbia, a unit of Sony Corp (NYSE:SNE - news)., said its film 
earned
 more overseas than X-Men, which also opened internationally on 
Friday,
 but neither Columbia nor Fox had any foreign data for the new 
arrival.
 
 The three-day record for a film opening on a Friday is held by 
2002's
 Spider-Man ($115 million), followed by 2005's Star Wars: Episode 
III
 -- Revenge of the Sith ($108.4 million) and 2004's Shrek 2 ($108
 million).
 
 Fox said X-Men: The Last Stand cost about $165 million to make. 
The
 studio licensed the comic book franchise from Marvel Entertainment 
Inc.
 The first film in the series, X-Men opened to $54 million in 
2000, and
 went on to earn $157 million. The sequel finished with $215 million.
 
 The new film, whose returning cast of mutants includes Hugh Jackman 
as
 the heroic Wolverine and Ian McKellen as the evil Magneto, was 
directed
 by Brett Ratner, best known for the Rush Hour films. It had its 
world
 premiere at the Cannes Film Festival last week, and earned rave 
reviews
 -- unlike Da Vinci Code.
 
 In addition to taking over from Da Vinci as the highest opening 
so far
 this year, the new X-Men beats the nine-year-old Memorial Day 
weekend
 record held by The Lost World: Jurassic Park, which opened to $72
 million during its first three days. Steven Spielberg's dinosaur 
picture
 earned an additional $18 million during the Monday holiday.
 
 Projections for the four-day period will be released on Monday, and
 final data on Tuesday.
 
 Viacom Inc.'s Paramount Pictures said it took the No. 3 and No. 4 
places
 with the barnyard cartoon Over the Hedge ($27.3 million) and the 
Tom
 Cruise thriller Mission: Impossible III ($6.6 million), 
respectively.
 Their totals rose to $85.3 million after two weeks and $115.5 
million
 after four weeks, respectively. 
 
 
 
 [Non-text portions of this message have been removed]
 
 
 
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Just radically better. 
 
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[scifinoir2] Re: Lost--WTF??/mi: 3

2006-05-28 Thread md_moore42



Well, I have to agree about MI:3. $8 was too much for a matinee. 
Just one explosion after another. I miss the team even more.

--- In scifinoir2@yahoogroups.com, drcsaid [EMAIL PROTECTED] wrote:

 I recently saw a free screening of MI:3 at Paramount and after the 
Q 
  A with the ah, writers, of this travesty of justice, I came 
tot 
 he conclusion that these guys basically get work because J.J 
Abrams 
 hires them being that they are old-friends. The movie had more 
holes 
 then the guy Dick Cheney shot. MI:3 was lame, and the ending was 
as 
 convincing as when Bush was on the aircraft carrier 
 proclaiming, Major combat activities in Iraq are over. I called 
the 
 plot revelation 10 minutes after the film began. 
 
 I finally gave in a watched the LOST finale, and I'm sorry but its 
 obvious that the shows creators are making up plots as they go 
along. 
 
 This show is stupid. They talked to two of the shows producers on 
 that nights newscast and they said, Michael final gets his son 
back 
 and they head off to civilization. Or does he? Stupid.
 
 And Michael reverting to the traitorous black man so often 
portrayed 
 in film...and how did the other guy know what Michael was doing? 
 LOST sucks.
 
 Said
 
 
 
 --- In scifinoir2@yahoogroups.com, Daryle Lockhart melaninjitsu@ 
 wrote:
 
  
  I have now seen MI:3 and I have seen the season finale 
of Lost. 
 I 
  have NOT seen the series finale of Alias. But I have come to 
the 
  following conclusion: J J Abrams starts a strong story and 
 figures 
  it out as he goes along. Star Trek 11 will be a lot of fun 
because 
 it 
  will flow like the guys who did Free Enterprise did 
it. Lost 
  started off like there was a point..and ending...but there IS 
 none. 
  We all had theories...ideas...but he didn't. He literally 
started 
 a 
  show about a plane crash and just started running in all 
  directions. that finale had MAD open endings.
  
  The sad thing is, it's the best science fiction show on TV right 
 now.
  
  On May 26, 2006, at 9:34 AM, KeithBJohnson@ wrote:
  
  Well, I'm not to that point, but I can see why you are. There's 
a 
  really fine line between skilled suspenseful plot development, 
and 
  dragging out a plot for profit.I don't think Lost is there 
yet, 
 but 
  I do think one more season is all it needs to go. After that 
it's 
  just too much to keep asking fans to be on the edge of our 
seats, 
  guessing, wondering, as the mysteries slowly unfold. Now I love 
  Lost. And Prison Break is another show with the same issue, 
  though a different focus. Each slowly lets out clues over a 
long 
  period of time. Prison Break now has the guys on the run. 
Okay, 
  then let's make season three the concluding series. I think 
shows 
  like these, that tax your intelligence and patience, are great, 
 but 
  shouldn't drag on aritificially. They should be considered like 
 play 
  in three acts: intro season, main season, and concluding 
season. 
  Producers behind both Lost and Prison Break have said their 
 shows 
  cou! ld go on past three seasons, which bothers me. Three is 
quit
  e enough.
  
  I wonder: given the public's refound love for these suspense-
type 
  shows, coupled with comments like yours showing some don't like 
 this 
  stuff to drag on forever, might Americans be ready for the TV 
  novella? You know, instead of several seasons of plot 
development, 
 or 
  even one day-long season like 24, create mini-series that are 
self- 
  contained in less than one season. The shows could begin and end 
 in, 
  say, half a season, to be replaced by the next novella. They 
could 
 be 
  action, suspense, high drama, etc. It works in Mexico for their 
 soap- 
  opera type novellas. Maybe it'd work here. Surely it can't 
be 
  worse than all the damn reality shows. And given that most TV 
 series 
  show way less than the old standard of 28 eps per season, maybe 
 the 
  shortened TV novella wouldn't be all that jarring a change.
  
  -- Original message --
  From: g123curious g123curious@
  This is why I stopped watching Lost over a season ago. It's
  storylines/plots are not about resolving anything, but they are 
more
  about even more ludicrous plot twists and turns to keep you 
hooked 
 (to
  reel in the ad dollars). You might as well watch Guiding 
 Light, As
  the World Turns, General Hospital, or any of the other daytime
  soaps. No difference in quality... and IMHO, Lost is terrible 
sci-
 fi.
  
  George
  - - - - - -
   Someone *please* explain to me what's going on with Lost? 
The
   season finale raised more questions than it answered. Where is
   this island? What's the deal? Who and what are the Others?
   I'm--ahem!--lost!
  
  
  
  
  
  
  
  
  SPONSORED LINKS Science fiction and fantasy Genre magazine
  
  
  
  YAHOO! GROUPS LINKS
  
  Visit your group scifinoir2 on the web.
  
  To unsubscribe from this group, send an email to:
  [EMAIL PROTECTED]
  
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[scifinoir2] Re: Lost--WTF??

2006-05-27 Thread md_moore42



well, I haven't really gone to the 
http://www.thehansofoundation.org/ before this morning. Commercials 
for the foundation that sponsored the hatches have been dropped into 
the Lost episodes. If you watch the small print, you see that the 
commercials are sponsored by ABC tv--a real give-away. 

A few days before the last 3 episodes aired, the producers announced 
that they were going to be dropping clues---even in the commercials. 
(So that TiVo viewers and DVD viewers would be at a disadvantage.) 


--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 Good points tying in Walt's abilities and Clair's baby, which that 
one
 fortune teller said had some major mojo. Then I wonder why the 
Others
 will do so much evil if they're the Good guys as Henry said? 
Yeah,
 there's still mystery left. I just can't say being interested in 
the one
 plot past three years. B5 was able to do a five-year run, but they 
also
 had several storylines that ran that time, not just one: the
 Presidential assassination, Psi Corps, the rogue telepaths, the 
Shadow
 War and the final resolution of the First Ones, the battle with 
Earth
 Gov, the Centauri-Narn war. Lots of things.
 
 Can you give me more info on advertisements being used to reveal 
plot
 points of Lost? I've never noticed that.
 
 -Original Message-
 From: scifinoir2@yahoogroups.com 
[mailto:[EMAIL PROTECTED] On
 Behalf Of md_moore42
 Sent: Saturday, 27 May, 2006 01:02
 To: scifinoir2@yahoogroups.com
 Subject: [scifinoir2] Re: Lost--WTF??
 
 
 What we would call psychic, I guess is a better term.
 There was Ethan telling Locke that he was actually one of 'the 
Others'. 
 And Locke does have an amazing ability to heal himself. But Locke 
is
 too old to adjust to a new life. The Others wanted Claire's 
baby, I
 think, because he also might be one of them. There's Walt, who 
Michael
 was warned always gets his way. When Walt wanted his mother's
 attention and didn't get it, she began to get sick. One of the 
things
 that the Others ask Michael was if Walt was able to show up where 
he
 wasn't expected to be. Do they think that he can teleport? Or 
induce
 visions?
 Perhaps the magnetic heart of the island is changing the 
islanders. 
 Yeah, it's impossible--but we are talking television here. Does 
anybody
 there believe in science?
 
 We may be talking about ratings vs plans here. The
 writers/director/producer is talking 5 years. They want to make 
 megabucks in syndication. The show may only last 3 years. As I
 remember, B5 had a 5-year plan also. When they ran into ratings
 trouble, the writer/director accelerated his plans.
 
 They have successfully woven plot elements (like the wheelchair 
seen in
 episode 1 and not explained until episode 4) into earlier shows. 
I
 guess that I am still loving the surprise I get when I see an 
earlier
 prop become pivitol to the story. I am a newbie after all. What
 worries me is the need to weave commercials into the story now. I 
know
 that this is for the advertizers. But it will tempt them to make 
the
 story even denser if hints can be stowed into adverts. Even 
though, so
 far, they are obvious hints. The ads are explicitly for the 
show. The
 temptation will be to add a hint into a normal ad. Instead of a
 product/prop as we see in the movies, we will have a car ad with a 
plot
 device hidden in the scenery that the car passes.
 
 --- In scifinoir2@yahoogroups.com, Keith Johnson KeithBJohnson@
 wrote:
 
  Good point comparing it to B5, but even B5 had other storylines 
going.
 I
  love Lost, but I do feel that three seasons is about the max 
it can
  (or should) go. I just don't see people sitting around until 
2008 or
  later discussing the hatch, the Others, is it a dream, 
Purgatory, a
 lab,
  etc. And that's not a condemnation of long-running shows. Like I
 said,
  though, shows like 24 or The X-Files wove other plots into 
the
  series to keep our interests, with 24 of course changing 
dangers
 every
  season. I just fear that if Lost doesn't answer all the 
questions
  next season it'll fall off precipitously among the viewers, and 
that
 I'd
  hate to see.
 
  What about the Others makes you think they're psychic?
 
  -Original Message-
  From: scifinoir2@yahoogroups.com 
[mailto:[EMAIL PROTECTED]
 On
  Behalf Of md_moore42
  Sent: Friday, 26 May, 2006 16:53
  To: scifinoir2@yahoogroups.com
  Subject: [scifinoir2] Re: Lost--WTF??
 
 
  I don't know. I enjoyed the last show of the season. I had not
  watched the show at all until a friend recommended it. I saw the
  package on Netflix and tried it and was hooked. I like the way 
that
  they manage to take the story in new directions that don't follow
  standard network TV expectations. According to the extras on 
the
  DVD package, the authors sat down with the original plane crash 
story
  and came up with 5-years worth of stories. You don't think that 
they
  can make it?
 
  The Others have always come off

[scifinoir2] Re: Lost--WTF??

2006-05-27 Thread md_moore42



One more multi-media tie-in. The Science Fiction book club has a 
book that was authored by a writer who was on flight Oceania 
whatever that disappeared. The web site warns visitors about the 
lies presented in the book.


--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 Good points tying in Walt's abilities and Clair's baby, which that 
one
 fortune teller said had some major mojo. Then I wonder why the 
Others
 will do so much evil if they're the Good guys as Henry said? 
Yeah,
 there's still mystery left. I just can't say being interested in 
the one
 plot past three years. B5 was able to do a five-year run, but they 
also
 had several storylines that ran that time, not just one: the
 Presidential assassination, Psi Corps, the rogue telepaths, the 
Shadow
 War and the final resolution of the First Ones, the battle with 
Earth
 Gov, the Centauri-Narn war. Lots of things.
 
 Can you give me more info on advertisements being used to reveal 
plot
 points of Lost? I've never noticed that.
 
 -Original Message-
 From: scifinoir2@yahoogroups.com 
[mailto:[EMAIL PROTECTED] On
 Behalf Of md_moore42
 Sent: Saturday, 27 May, 2006 01:02
 To: scifinoir2@yahoogroups.com
 Subject: [scifinoir2] Re: Lost--WTF??
 
 
 What we would call psychic, I guess is a better term.
 There was Ethan telling Locke that he was actually one of 'the 
Others'. 
 And Locke does have an amazing ability to heal himself. But Locke 
is
 too old to adjust to a new life. The Others wanted Claire's 
baby, I
 think, because he also might be one of them. There's Walt, who 
Michael
 was warned always gets his way. When Walt wanted his mother's
 attention and didn't get it, she began to get sick. One of the 
things
 that the Others ask Michael was if Walt was able to show up where 
he
 wasn't expected to be. Do they think that he can teleport? Or 
induce
 visions?
 Perhaps the magnetic heart of the island is changing the 
islanders. 
 Yeah, it's impossible--but we are talking television here. Does 
anybody
 there believe in science?
 
 We may be talking about ratings vs plans here. The
 writers/director/producer is talking 5 years. They want to make 
 megabucks in syndication. The show may only last 3 years. As I
 remember, B5 had a 5-year plan also. When they ran into ratings
 trouble, the writer/director accelerated his plans.
 
 They have successfully woven plot elements (like the wheelchair 
seen in
 episode 1 and not explained until episode 4) into earlier shows. 
I
 guess that I am still loving the surprise I get when I see an 
earlier
 prop become pivitol to the story. I am a newbie after all. What
 worries me is the need to weave commercials into the story now. I 
know
 that this is for the advertizers. But it will tempt them to make 
the
 story even denser if hints can be stowed into adverts. Even 
though, so
 far, they are obvious hints. The ads are explicitly for the 
show. The
 temptation will be to add a hint into a normal ad. Instead of a
 product/prop as we see in the movies, we will have a car ad with a 
plot
 device hidden in the scenery that the car passes.
 
 --- In scifinoir2@yahoogroups.com, Keith Johnson KeithBJohnson@
 wrote:
 
  Good point comparing it to B5, but even B5 had other storylines 
going.
 I
  love Lost, but I do feel that three seasons is about the max 
it can
  (or should) go. I just don't see people sitting around until 
2008 or
  later discussing the hatch, the Others, is it a dream, 
Purgatory, a
 lab,
  etc. And that's not a condemnation of long-running shows. Like I
 said,
  though, shows like 24 or The X-Files wove other plots into 
the
  series to keep our interests, with 24 of course changing 
dangers
 every
  season. I just fear that if Lost doesn't answer all the 
questions
  next season it'll fall off precipitously among the viewers, and 
that
 I'd
  hate to see.
 
  What about the Others makes you think they're psychic?
 
  -Original Message-
  From: scifinoir2@yahoogroups.com 
[mailto:[EMAIL PROTECTED]
 On
  Behalf Of md_moore42
  Sent: Friday, 26 May, 2006 16:53
  To: scifinoir2@yahoogroups.com
  Subject: [scifinoir2] Re: Lost--WTF??
 
 
  I don't know. I enjoyed the last show of the season. I had not
  watched the show at all until a friend recommended it. I saw the
  package on Netflix and tried it and was hooked. I like the way 
that
  they manage to take the story in new directions that don't follow
  standard network TV expectations. According to the extras on 
the
  DVD package, the authors sat down with the original plane crash 
story
  and came up with 5-years worth of stories. You don't think that 
they
  can make it?
 
  The Others have always come off as mentally psychic, advanced
  people---the next stage in human evolution. They are desperately
  trying to gather in all of their own that they can find. I think
  that they do see themselves as the good guys.
 
  I see the story about the hatch as an independent storyline that 
they
  plan

[scifinoir2] Re: Lost--WTF??

2006-05-26 Thread md_moore42



I don't know. I enjoyed the last show of the season. I had not 
watched the show at all until a friend recommended it. I saw the 
package on Netflix and tried it and was hooked. I like the way that 
they manage to take the story in new directions that don't follow 
standard network TV expectations. According to the extras on the 
DVD package, the authors sat down with the original plane crash story 
and came up with 5-years worth of stories. You don't think that they 
can make it?

The Others have always come off as mentally psychic, advanced 
people---the next stage in human evolution. They are desperately 
trying to gather in all of their own that they can find. I think 
that they do see themselves as the good guys. 

I see the story about the hatch as an independent storyline that they 
plan to weave into the story of the others as things progress.

The American market has been more accepting of a season-long story 
lately. Maybe because of Cable-TV. I remember when friends told me 
that they hated B5 and DS9 because you couldn't miss an episode. 
They preferred the days when they could drop in on a television show 
and not have to know what happened 2 weeks before. Except for sit-
coms, those days are gone.

--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:

 Well, I'm not to that point, but I can see why you are. There's a 
really fine line between skilled suspenseful plot development, and 
dragging out a plot for profit.I don't think Lost is there yet, but 
I do think one more season is all it needs to go. After that it's 
just too much to keep asking fans to be on the edge of our seats, 
guessing, wondering, as the mysteries slowly unfold. Now I 
love Lost. And Prison Break is another show with the same issue, 
though a different focus. Each slowly lets out clues over a long 
period of time. Prison Break now has the guys on the run. Okay, 
then let's make season three the concluding series. I think shows 
like these, that tax your intelligence and patience, are great, but 
shouldn't drag on aritificially. They should be considered like play 
in three acts: intro season, main season, and concluding season. 
Producers behind both Lost and Prison Break have said their shows 
could go on past three seasons, which bothers me. Three is quit
 e enough.
 
 I wonder: given the public's refound love for these suspense-type 
shows, coupled with comments like yours showing some don't like this 
stuff to drag on forever, might Americans be ready for the TV 
novella? You know, instead of several seasons of plot development, or 
even one day-long season like 24, create mini-series that are self-
contained in less than one season. The shows could begin and end in, 
say, half a season, to be replaced by the next novella. They could be 
action, suspense, high drama, etc. It works in Mexico for their soap-
opera type novellas. Maybe it'd work here. Surely it can't be 
worse than all the damn reality shows. And given that most TV series 
show way less than the old standard of 28 eps per season, maybe the 
shortened TV novella wouldn't be all that jarring a change.
 
 -- Original message -- 
 From: g123curious [EMAIL PROTECTED] 
 This is why I stopped watching Lost over a season ago. It's 
 storylines/plots are not about resolving anything, but they are 
more 
 about even more ludicrous plot twists and turns to keep you hooked 
(to 
 reel in the ad dollars). You might as well watch Guiding 
Light, As 
 the World Turns, General Hospital, or any of the other daytime 
 soaps. No difference in quality... and IMHO, Lost is terrible sci-
fi.
 
 George
 - - - - - - 
  Someone *please* explain to me what's going on with Lost? The
  season finale raised more questions than it answered. Where is
  this island? What's the deal? Who and what are the Others?
  I'm--ahem!--lost!
 
 
 
 
 
 
 
 
 SPONSORED LINKS Science fiction and fantasy Genre magazine 
 
 
 
 YAHOO! GROUPS LINKS 
 
 Visit your group scifinoir2 on the web.
 
 To unsubscribe from this group, send an email to:
 [EMAIL PROTECTED]
 
 Your use of Yahoo! Groups is subject to the Yahoo! Terms of 
Service. 
 
 [Non-text portions of this message have been removed]










  
  
SPONSORED LINKS
  
  
  

Science fiction and fantasy
  
  
Genre magazine
  

   
  







  
  
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  Visit your group "scifinoir2" on the web.
  To unsubscribe from this group, send an email to:[EMAIL PROTECTED]
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[scifinoir2] heaven help us

2006-04-21 Thread md_moore42



Report: 'Star Trek' set for '08 revival
Variety: J.J. Abrams to take the helm

LOS ANGELES, California (Reuters) -- More than three years after the
last Star Trek movie crashed at the box office, the venerable sci-fi
franchise is being revived by the director of the upcoming Mission:
Impossible sequel, Daily Variety reported in its Friday edition.

The as-yet-untitled Star Trek feature, the 11th since 1979, is
aiming for a fall 2008 release through Paramount Pictures, the Viacom
Inc. unit looking to restore its box-office luster under new
management, the trade paper said.

The project will be directed by J.J. Abrams, whose Tom Cruise vehicle
Mission: Impossible III will be released by Paramount on May 5.
Abrams, famed for producing the TV shows Alias and Lost, will also
help write and produce.

Daily Variety said the action would center on the early days of Star
Trek characters James T. Kirk and Mr. Spock, including their first
meeting at Starfleet Academy and first outer-space mission.

The paper described Star Trek as Hollywood's most durable performer
after James Bond, spawning 10 features that have grossed more than $1
billion and 726 TV episodes from six series.

The 10th film, Star Trek: Nemesis, bombed at the box office on its
December 2002 release, earning just $43 million in North America. Last
year, Viacom-owned broadcast network UPN pulled the plug on the
low-rated series Star Trek: Enterprise following a four-season run.

Copyright 2006 Reuters. All rights reserved.This material may not be
published, broadcast, rewritten, or redistributed.








Find this article at:
http://www.cnn.com/2006/SHOWBIZ/Movies/04/21/leisure.startrek.reut/ind
ex.html







  




  
  
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[scifinoir2] Re: The Ten Commandments, just my opinion...

2006-04-11 Thread md_moore42
I really hate the deMille version.
I liked the version starring Burt Lancaster 
(http://www.imdb.com/title/tt0072547/) that I saw on TV in my youth.  
It was more like the History Channel version mentioned.  The History 
channel has a problem in that they are too timid to challege 
biblical history however.  They have sponsors after all.  I 
remember the Lancaster version because they used some of the 
scholarship explaining the miracles.  

This one still had the Red Sea!  It's the Reed Sea in the text-- 
which is more like your neigborhood bayou!


--- In scifinoir2@yahoogroups.com, drcsaid [EMAIL PROTECTED] wrote:

 I don't know about anyone else, but I was surprised by how lame the 
 Ten Commandments is. I mean, I felt that it was going to be lame, 
but 
 not this lame..
 
 Pharoh can kill the guy who says, we should let Moses go., but he 
 can't kill Moses? He orders that Moses be killed on sight the next 
 time he comes to the Pharaoh, but he's standing there telling the 
 King what he wants after he asked the God to kill the first born? 
 And there's the military guy on his knees, holding his child, 
looking 
 up to Moses, would you have God kill me too? 
 
 Knowing that Moses facilitated the murder of my first born son (and 
 you saw the weak emotional set up when Moses was introduced to his 
 friends son. This is Moses, he's a great man...)..I'd have killed 
 Mosess myself..I'm sure that only Pharoh can order the killing, but 
 this is on principle...It would have solved the Pharohs problem.. 
 
 At least Moses boys kept it real when some of them kept calling him 
 out
 
 I like the History Channel (I think it was the History Channel) 
that 
 debunked the seven plagues and the parting of the Sea of Reeds)….







 
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[scifinoir2] Re: Trailer: Hannibal vs Rome movie (Alexander Siddiq of Deep Space 9)

2006-04-09 Thread md_moore42
hmm.  Hannibal as the 1st George Bush--not pressing the advantage of
victory.  I guess that they have to tell the story in the language of
the audience.

--- In scifinoir2@yahoogroups.com, Said Kakese Dibinga [EMAIL PROTECTED]
wrote:

 What I've seen so far doesn't work for me. .
 
 Its going to be broadcasted on BBC in May...you can cut and paste
the link in your browser...
 

http://stream.servstream.com/ViewWeb/BBC_Worldwide_General/File/81161.asx?Media=73517.
 
 If you could make a difference, what would you do?...Said Kakese
Dibinga
 
 
 
 
 
 
 
 
 
   
 -
 Love cheap thrills? Enjoy PC-to-Phone  calls to 30+ countries for
just 2¢/min with Yahoo! Messenger with Voice.
 
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[scifinoir2] Re: Hand-painted African Movie Posters

2006-03-31 Thread md_moore42
These were cool, but why did they have to create hand-painted versions 
of American movies like Raiders?  Did the distributors not sell them 
the one-sheets for the movie?  


--- In scifinoir2@yahoogroups.com, brent wodehouse 
[EMAIL PROTECTED] wrote:

 http://laboiteaimages.hautetfort.com/archive/2005/12/13/6-serpents-7-
tetes-de-mort-quinze-mains-coupees-et-un-chat-a.html








 
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[scifinoir2] Re: The Caper Shows Keep Coming

2006-03-29 Thread md_moore42
I remembered Thief just-in-time.  I loved it.  I love shows that 
manage to portray ambiguity.  The main character is such a mixture of 
qualities.  I even forgive the white wife because he's paid his dues 
in Homicide.  (No, I don't have a problem with mixed families.  But 
it is tiring to see it presented as a problem to be overcome.)  I 
tusseled with the idea of him shooting a character and NOT calling 
the police, especially since he has a friend on the police force--but 
we'll see how that goes.  Good complication.

And hey--it's set in New Orleans and not the french quarter.  How can 
I not give them a chance?  They even went to my home town 
(shreveport) to continue shooting when the hurricane interrupted 
shooting.  Grateful thanks for that.  L.A. is not La.


--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 Wow, now there are three shows on TV dealing with folks who steal or
 hustle for a living:  Hustle on AMC, Heist on NBC, and Thief,
 premiering tonight on FX. One interesting thing to note: two of the
 shows have Black male leads who run the gangs, while the 
other, Heist,
 has a Black prominent in the number two spot.  Interesting.  Anyone 
seen
 these shows?  Thoughts? I find Hustle to be fun and engaging. I
 especially like the idea that so many cops keep trying to take down 
the
 leader, Mickey, and none  ever succeeds. I also like how the new 
kid,
 Danny, keeps trying to both gain Mickey's respect, and take the 
lady who
 has a thing for him. Good show.   Heist has a likeable cast, but I
 found the first show to be a little typical.  Seemed a little too
 self-consciously clever for its own good, without the smooth, easy
 self-confidence evident in Hustle.   Haven't watched Thief yet
 (recording it now), but hey, it's got Andre Braugher, one of the 
best
 actors TV's ever seen. I have high hopes.  It's getting good reviews
 too.
 
 
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[scifinoir2] Headline : AOL Vows to Institute Fee-Based Service

2006-03-01 Thread md_moore42
Headline : AOL Vows to Institute Fee-Based Service 

from http://news.yahoo.com/s/ap/20060301/ap_on_hi_te/e_mail_rebellion

Explain this line of thought to me from the article ---

If they (system filters) start interfering with the delivery of 
legitimate mail, I don't think AOL subscribers are going to tolerate 
it, said David Sorkin of the Center for Information Technology and 
Privacy Law at John Marshall Law School in Chicago.

He discounted the likelihood of legal action against AOL. Courts have 
ruled that an e-mail provider is not a government body and therefore 
can't be sued for violating First Amendment rights of free speech.



Only government bodies can be sued for 1st Admendment curtailment??  
Huh?






 
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[scifinoir2] Re: Monty Python on PBS

2006-02-23 Thread md_moore42
Yes, I saw the one on Graham Chapman who I loved in Life of Brian. 
And in the Holy Grail movie.  Wonderful stuff.  They were 
surprisingly frank about his drinking.  Oh, how I wish that someone 
was making movies with that type of wit now.  

--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 This ought to be interesting. I was home sick today, but 
unfortunately
 worked the whole time. Other than a great four-hour block of Star
 Trek, what kept me going today was watching an episode of Python 
on BBC
 America. It was hilarious, with an alien spacecraft turning people 
into
 Scotsman who then marched off to the music of bagpipes. The aliens 
were
 sentient (spelling sucks here) blamoches? I think that's some kind 
of
 dessert like a soufflé?  After almost four decades, Monty Python 
still
 makes me laugh so hard I cry.  And as always, my wife just sits 
there
 staring at me in bemusement, not getting it at all. But what does 
she
 know: she actually liked Benny Hill!
 
  http://www.pbs.org/montypython/ http://www.pbs.org/montypython/
 http://www.pbs.org/montypython/locallistings_personalbest.html 
 
 Monty Python's Personal Best, a series of six outrageous one-hour
 specials showcasing the groundbreaking comedians with new footage 
and
 original clips, will premiere on PBS February 22, 2006. Each episode
 will include members of the original Monty Python troupe performing 
in
 favorite clips from their unorthodox television series, Monty 
Python's
 Flying Circus, repurposed with exclusive new material. Each of the 
five
 living Pythons — John Cleese, Terry Gilliam, Eric Idle, Terry Jones 
and
 Michael Palin — produced and wrote his own episode, and 
collaborated to
 create the sixth special in honor of deceased member Graham 
Chapman. The
 episodes will air over a three week period in two-hour blocks on 
PBS on
 February 22, March 1 and March 8.
 
 The Pythons burst onto the scene in October 1969 when Monty 
Python's
 Flying Circus debuted in Britain on the BBC to a startled UK 
audience.
 The series' 45 episodes ran until December 1974. American audiences 
were
 first introduced to such phrases as nudge, nudge, wink, 
wink, naughty
 bits and nobody expects the Spanish inquisition! when local PBS
 stations obtained broadcast rights to the series in 1974. The series
 returns to PBS in April 2006.
 
 Monty Python's Personal Best and Monty Python's Flying Circus are
 produced by Python (Monty) Pictures, Ltd. The official Monty Python 
Web
 site is  http://www.pythonline.com/ www.pythonline.com
 
 
 
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[scifinoir2] Re: WTF?--Passions coming to Sci Fi Channel

2006-02-14 Thread md_moore42
Yeah, I remember sitting in a doctor's office and being amused at 
this one.  I wondered what happened to it. 

--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 Huh? I saw adds for Passions all last week, and was thinking it 
was a
 new series. My Comcast episode description likened it to Dark 
Shadows,
 so I *really felt it was something new, despite the images of young
 hard bodies I saw on the trailers. Little did I know it's reruns of 
that
 crazy soap from NBC!  Why??  I know next to nothing about that old 
show,
 though I think there was an evil lady who was a witch of some sort, 
and
 I think her assistant was a little person who might have been a 
doll she
 brought to life.  Needless to say, the VCR won't be set for this 
one!
  
 http://www.scifi.com/events/event.php3?event_id=12919
 http://www.scifi.com/events/event.php3?
event_id=12919date=02/6/2006
 date=02/6/2006
 SCI FI Channel brings old episodes of NBC's supernatural soap opera
 Passions to SCI FI's morning schedule five days a week, starting
 February 6, 2006. 
 
 
 
 [Non-text portions of this message have been removed]







 
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[scifinoir2] Re: WTF?--Passions coming to Sci Fi Channel

2006-02-14 Thread md_moore42
Truth to be told, Dark Shadows was the same.  I used to run home from 
school to see it.  I was a true fan, as in fanatic.  Then the SF 
channel showed them (or it may have been USA channel).  O-M-G, they 
were awful.  

--- In scifinoir2@yahoogroups.com, Martin Pratt [EMAIL PROTECTED] 
wrote:

 Had the misfortune to suffer through this once, when I was sick in 
bed and couldn't find the remote. It's a perfect fit for SciFi. 
Mindless script, banal acting, interspersions of useless comedy.
 
 Amanda [EMAIL PROTECTED] wrote:  Nothing it's still on.
 
 --- In scifinoir2@yahoogroups.com, md_moore42 md_moore42@ 
 wrote:
 
  Yeah, I remember sitting in a doctor's office and being amused at 
  this one.  I wondered what happened to it. 
  
  --- In scifinoir2@yahoogroups.com, Keith Johnson 
  KeithBJohnson@ wrote:
  
   Huh? I saw adds for Passions all last week, and was thinking 
 it 
  was a
   new series. My Comcast episode description likened it to Dark 
  Shadows,
   so I *really felt it was something new, despite the images of 
 young
   hard bodies I saw on the trailers. Little did I know it's 
reruns 
 of 
  that
   crazy soap from NBC!  Why??  I know next to nothing about that 
 old 
  show,
   though I think there was an evil lady who was a witch of some 
 sort, 
  and
   I think her assistant was a little person who might have been a 
  doll she
   brought to life.  Needless to say, the VCR won't be set for 
this 
  one!

   http://www.scifi.com/events/event.php3?event_id=12919
   http://www.scifi.com/events/event.php3?
  event_id=12919date=02/6/2006
   date=02/6/2006
   SCI FI Channel brings old episodes of NBC's supernatural soap 
 opera
   Passions to SCI FI's morning schedule five days a week, starting
   February 6, 2006. 
   
   
   
   [Non-text portions of this message have been removed]
  
 
 
 
 
 
 
 
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[scifinoir2] Re: The Top Ten Sci-Fi Films That Never Existed

2006-02-14 Thread md_moore42
Well, this was fun.  Some stuff I agree with--definitely on the decline 
of the Star Wars movies.  Why go back, indeed?  Leave that for the 
novelists.  

The time for SnowCrash has probably passed.  And I don't think that 
the target age group has the literary background to have that a-ha 
moment when you put your memories of ancient myths together with what 
he's doing.  I'd say the same thing about Crowley's Little, Big. 

And spot-on with the Matrix.  I liked seeing a future that included 
Black folks, but once we learned that this is a story that repeats 
itself over and over--what was the point?  And Neo is not Krishna 
returning to redeem us; he's just playing a part in play that is 
presented every weekend and twice on sundays. 


--- In scifinoir2@yahoogroups.com, brent wodehouse 
[EMAIL PROTECTED] wrote:

 http://www.pointlesswasteoftime.com/film/scifi.html








 
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[scifinoir2] Re: Serenity

2006-02-06 Thread md_moore42
Yeah, I mentioned that I finally got a chance to see it on DVD a few
weeks ago.  I loved it.  In my case, it came out during Katrina and no
theatres were open down here.  Even though I lost some favorite
characters, I appreciated that no characters were safe.  I can't
imagine ST doing the same.  (Hey--I always thought that they should
have left Spock dead for one entire movie, in order to highten the joy
of getting him back.)

--- In scifinoir2@yahoogroups.com, Leslee Freeman [EMAIL PROTECTED] wrote:

 I finally got a chance to see this, and cannot believe that it did
not do better at the box office. I really enjoyed it!  It was nothing
like my other 2 shows, and the cowboy talk got a little irritating, as
I hate Westerns, but I enjoyed the heck out of it. 
 
 Anyone other than Keith get a chance to see it yet?
 
 
 [Non-text portions of this message have been removed]







 
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[scifinoir2] Re: Joss Whedon Eyes the Future of TV

2006-01-09 Thread md_moore42
I rented and finally got a chance to see Serenity this past 
weekend.  Whedon surprised me.  Unlike the ST movies, he went all out; 
no character was safe from dying.  

--- In scifinoir2@yahoogroups.com, brent wodehouse 
[EMAIL PROTECTED] wrote:

 http://www.tvguide.com/News/Insider/?cmsGuid=%7BCDE83132-DDF2-48F9-
9DD7-AA5381BCC22F%7D
 
 Guest Columnist Joss Whedon Eyes the Future of TV
 
 
 Many people have asked me, Joss, what is the future of television? 
What
 will we watch? And how will we watch it? 





 
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[scifinoir2] Re: Alexander Siddig Talks New Movie and Post-TREK Typecasting

2005-12-20 Thread md_moore42
I guess that the Mexican population and other folk from Central 
American were lucky to have such a large population base that they 
rarely had to change their name.  Although, listening to some 
comedians, I guess there is always pressure to blend in.  To be 
Spanish and not Mexican.

Your mention of Dallas makes me wonder what will happen in New 
Orleans with our new Mexican population. (We always had a Central 
American population.) I hope we can practice some tzim-tzum--to 
contract a bit in order to let someone else grow.

--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:

 Fascinating, especially your experience with your Jewish friends. I 
personally didn't know any Jews until I moved here to Atlanta, which 
has a large population and a proud history of its Jewish population. 
Back in Dallas-Fort Worth when I was growing up, the problems were 
among whites, Blacks, and Mexicans. In the late '70s to mid-80s that 
expanded with the large influx of Vietnamese and Cambodians fleeing 
Asia, and then with the Arab population's growth. 
 
 At any rate, I guess I can understand why fear for your life and 
livelihood would make you want to hide what you are.  Frankly, I'm 
glad I don't have the option.
 
 I'd like to hear more about your being Black and Jewish. Born that 
way, or a choice made in your adult life? 
 
 -- Original message -- 
 From: md_moore42 [EMAIL PROTECTED] 
 Your comment is interesting because I am both Black and Jewish.  I 
 remember having that impression about my white Jewish friends.  
I've 
 been disuaded from that in talking to them--at least the ones from 
 the South.  All of them grew up with this fear of their (mainly) 
 Catholic neighbors.  Nervousness that people would realize that 
they 
 were Jewish; Nervousness that people knew that they were Jewish.  
 Some of the parents had to pull their kids out of schools were they 
 were harassed because they were Jewish.  I still have this 
 unbelieving stance about how bad it was for them; I still feel like 
 they could melt into the majority.  But I can't ignore their own 
 impressions of their life.  
 
 It's obvious to me that names mean more in the white community than 
 in the Black community.  I've had times when my white writing group 
 told me that they didn't know a character was Black because they 
had 
 an Irish name or some other white name.  And I have to keep 
 explaining that Black folks can have almost any name; it's a 
heritage 
 of being owned.  
 
 On the other hand, it was initially amazing to me to see that 
within 
 their own community, they could know a person's heritage based on 
the 
 name.  It never occurred to me to connect the two.  So when they 
tell 
 me that neighbors knew that they were Jewish because of their name, 
I 
 would think 'uhh?' because I knew Blacks with the same name.  
 
 I guess that I would assume Muslim with a name like Siddig.  But 
that 
 could be Pakistan (like my former co-worker) or Sudan (like the 
actor 
 in question) or African-american.
 
 
 
 --- In scifinoir2@yahoogroups.com, Keith Johnson 
 [EMAIL PROTECTED] wrote:
 
  Sorry, didn't mean to imply you were judging at all. You said 
 nothing to
  that effect.  I was actually speaking for myself, thinking out 
loud.
  I've often thought on those who can change their name--or look--
to 
 fit
  into the white man's world better. Growing up in Texas, for 
 example, I
  went to school with lots of Mexicans whose parents changed the
  pronunciation of their names to sound Anglicized. For example,
  pronouncing a name like garCIa as GARcia, or marQUEZ to sound like
  marKWEZ.  Frankly I tended to view that with a bit of scorn. 
There 
 were
  even some light-skinned Mexicans who carefully didn't mention 
their
  heritage at all. Later, marrying into a white family helped 
cement 
 the
  transition to American in their minds.  I don't know. Maybe if 
I'd
  been able to pass in the tough world, I've have been tempted, 
but 
 you
  can't mistake me as anything but Black. 
   
  I've mentioned this before, but it bears repeatig. Years ago, the 
 comic
  Static dealt with a Black youth and the Jewish girl he loved. 
His
  Black father spoke of how the girl was confused in a world where 
she
  could cover up her heritage (since she basically looked Western
  European) if she wanted. He mentioned that many Jews could do so--
if
  they wanted to. And he wondered if Blacks envied Jews and others 
who
  could at least have the option to hide among whites. At the 
very 
 same
  time, the Jewish girl was having a conversation with her father. 
Her
  father wanted her to understand why so many Blacks seemed angry 
at 
 other
  races who tried to blend completely into American white society.  
He
  mused that most Blacks by nature of their skin color couldn't 
even 
 try
  to hide what they were. But, that made them stronger, as they 
 couldn't
  run from their problems, couldn't give in. And he wondered

[scifinoir2] Re: Alexander Siddig Talks New Movie and Post-TREK Typecasting

2005-12-19 Thread md_moore42
Your comment is interesting because I am both Black and Jewish.  I 
remember having that impression about my white Jewish friends.  I've 
been disuaded from that in talking to them--at least the ones from 
the South.  All of them grew up with this fear of their (mainly) 
Catholic neighbors.  Nervousness that people would realize that they 
were Jewish; Nervousness that people knew that they were Jewish.  
Some of the parents had to pull their kids out of schools were they 
were harassed because they were Jewish.  I still have this 
unbelieving stance about how bad it was for them; I still feel like 
they could melt into the majority.  But I can't ignore their own 
impressions of their life.  

It's obvious to me that names mean more in the white community than 
in the Black community.  I've had times when my white writing group 
told me that they didn't know a character was Black because they had 
an Irish name or some other white name.  And I have to keep 
explaining that Black folks can have almost any name; it's a heritage 
of being owned.  

On the other hand, it was initially amazing to me to see that within 
their own community, they could know a person's heritage based on the 
name.  It never occurred to me to connect the two.  So when they tell 
me that neighbors knew that they were Jewish because of their name, I 
would think 'uhh?' because I knew Blacks with the same name.  
 
I guess that I would assume Muslim with a name like Siddig.  But that 
could be Pakistan (like my former co-worker) or Sudan (like the actor 
in question) or African-american.



--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 Sorry, didn't mean to imply you were judging at all. You said 
nothing to
 that effect.  I was actually speaking for myself, thinking out loud.
 I've often thought on those who can change their name--or look--to 
fit
 into the white man's world better. Growing up in Texas, for 
example, I
 went to school with lots of Mexicans whose parents changed the
 pronunciation of their names to sound Anglicized. For example,
 pronouncing a name like garCIa as GARcia, or marQUEZ to sound like
 marKWEZ.  Frankly I tended to view that with a bit of scorn. There 
were
 even some light-skinned Mexicans who carefully didn't mention their
 heritage at all. Later, marrying into a white family helped cement 
the
 transition to American in their minds.  I don't know. Maybe if I'd
 been able to pass in the tough world, I've have been tempted, but 
you
 can't mistake me as anything but Black. 
  
 I've mentioned this before, but it bears repeatig. Years ago, the 
comic
 Static dealt with a Black youth and the Jewish girl he loved. His
 Black father spoke of how the girl was confused in a world where she
 could cover up her heritage (since she basically looked Western
 European) if she wanted. He mentioned that many Jews could do so--if
 they wanted to. And he wondered if Blacks envied Jews and others who
 could at least have the option to hide among whites. At the very 
same
 time, the Jewish girl was having a conversation with her father. Her
 father wanted her to understand why so many Blacks seemed angry at 
other
 races who tried to blend completely into American white society.  He
 mused that most Blacks by nature of their skin color couldn't even 
try
 to hide what they were. But, that made them stronger, as they 
couldn't
 run from their problems, couldn't give in. And he wondered if some 
Jews
 didn't even Blacks for the strength they had to show to deal with 
that
 fact.
  
 So I'm divided on how I feel about those who can change a name, hair
 color, eye color, or a history, and then blend in to the general 
bland
 homogeneous America.
 
 -Original Message-
 From: scifinoir2@yahoogroups.com 
[mailto:[EMAIL PROTECTED] On
 Behalf Of md_moore42
 Sent: Sunday, December 18, 2005 15:52
 To: scifinoir2@yahoogroups.com
 Subject: [scifinoir2] Re: Alexander Siddig Talks New Movie and Post-
TREK
 Typecasting
 
 
 I'm not judging.  I imagined that was the reason.  I was wondering 
 if the film industy was less accepting than television, that's all.
 
 --- In scifinoir2@yahoogroups.com, Keith Johnson 
 [EMAIL PROTECTED] wrote:
 
  Glad to hear it. Syriana's on my list of must-see movies, right 
up 
 there
  with another Clooney film, Good Night and Good Luck. I'm glad 
to 
 see
  Siddig getting substantive roles. The only other things I've seen 
 him in
  since DS9 were an episode of the British series MI-5, where he 
 tries
  to stop a young suicide bomber, and Reign of Fire and Kingdom 
of
  Heaven.   
   
  As for his name, Siddig's given name is Siddig El Fadil. If you 
 watch
  episodes of DS9 from the first couple of seasons, you'll see him
  credited as such. He changed his name during that time, obviously 
 to
  make it easier to work in the film industry. I read an interview 
 with
  him at the time, in which he said his parents had some problems 
 with it,
  but that they just had

[scifinoir2] Re: Alexander Siddig Talks New Movie and Post-TREK Typecasting

2005-12-18 Thread md_moore42
I'm not judging.  I imagined that was the reason.  I was wondering 
if the film industy was less accepting than television, that's all.

--- In scifinoir2@yahoogroups.com, Keith Johnson 
[EMAIL PROTECTED] wrote:

 Glad to hear it. Syriana's on my list of must-see movies, right up 
there
 with another Clooney film, Good Night and Good Luck. I'm glad to 
see
 Siddig getting substantive roles. The only other things I've seen 
him in
 since DS9 were an episode of the British series MI-5, where he 
tries
 to stop a young suicide bomber, and Reign of Fire and Kingdom of
 Heaven.   
  
 As for his name, Siddig's given name is Siddig El Fadil. If you 
watch
 episodes of DS9 from the first couple of seasons, you'll see him
 credited as such. He changed his name during that time, obviously 
to
 make it easier to work in the film industry. I read an interview 
with
 him at the time, in which he said his parents had some problems 
with it,
 but that they just had to understand the realities of the world.  I
 guess it'd be easy to sit back and judge him for changing the name 
of
 his heritage, but I guess also he has to do what he has to do to 
get
 work. At least he didn't completey Anglicize it...
 
 
 -Original Message-
 From: scifinoir2@yahoogroups.com 
[mailto:[EMAIL PROTECTED] On
 Behalf Of md_moore42
 Sent: Sunday, December 18, 2005 01:46
 To: scifinoir2@yahoogroups.com
 Subject: [scifinoir2] Re: Alexander Siddig Talks New Movie and 
Post-TREK
 Typecasting
 
 
 I finally got a chance to see Syriana last weekend.   Wonderful 
and 
 challanging.  And Siddig was excellent in it.  I hadn't read this 
 note before and therefore sat next to a friend and suddenly 
said...I 
 know him!  He's from DS9.  I went back to imdb.com and I noticed 
 that he's changed his credit/name.  Which one is correct?  Or 
rather-
 -did he adopt his western name for film credits where he was using 
a 
 traditional name for TV?   And hey--the boy is still cute!
 
 --- In scifinoir2@yahoogroups.com, Tracey de Morsella 
 [EMAIL PROTECTED] wrote:
 
  http://trekweb.com/articles/2005/12/04/439363184d509.shtml
  
   In an exclusive interview with ComingSoon.net, STAR TREK DEEP 
 SPACE NINE actor Alexander Siddig talks about his upcoming movie 
 SYRIANA and his feelings on being typecast because of the 
character 
 of Doctor Julian Bashir. Here are a few excerpts. 
  
  CS: What was it about this movie that drew you to do it?
  
  Siddig: It would be impossible not to be drawn to this movie as 
an 
 actor, especially as an Arabic actor or someone who works on the 
 ethnic fringe in a small vein of one of the many seams of acting. 
To 
 pass up or not be interested in someone who seems normal and real 
 would be crazy. I end up speaking so grandly, when I don't know if 
I 
 have the right to, but to pass up the diplomatic potential of a 
 character like this would be really foolish. I think whether 
you're 
 in the Middle East or in Europe or America, you can identify with 
 this person.
  
  CS: So being in these two movies, you've kind of escaped 
the STAR 
 TREK curse. Were you aware that some actors go into STAR TREK and 
 never do anything else?
  
  Siddig: Yeah, yeah, I'm aware of that. I'm just in a very 
bizarre 
 niche and there aren't many people you can go to, but I blame 
Ridley 
 Scott really, because he was the person who went I love STAR TREK 
 and I'd love it if you were in my movie and people like Oliver 
 Stone went I hated STAR TREK, and I don't want you in Alexander! 
I 
 was really lucky there. But it is Ridley Scott's fault, because he 
 was the one who put me in a grown-up movie. I mean I've been in 
 other movies, but there are different kinds of parts in movies, I 
 found out. There are parts that you can do them all your life, and 
 no one knows you're even acting, and there are other parts which 
 people notice that you're in and you become an actor from the 
movies 
 and people take you in a whole different way. Whether or not I can 
 keep that ball rolling is another matter. But I wouldn't be here 
if 
 it wasn't for STAR TREK, so it's pretty great, and it means that 
I'm 
 a relatively friendly face to a lot of Americans and it's
   useful for that rather pretentious diplomatic trip I'm on.
  
  CS: Any idea what's next for you?
  
  Siddig: The thing I'm most interested is about HANNIBAL, an epic 
 about Hannibal, but it's a low budget one. It's not the Vin Diesel 
 one. We've only got one elephant. (Note: That last part was 
probably 
 a joke.)
  
  CS: Have any of the Arab or Palestinian directors come to you to 
 appear in their films?
  
  Siddig: They wouldn't come to me yet, because I'm very much a 
 Western actor. Even though I would love to be all kinds of things. 
 I'm definitely a Hollywood person. Not enough yet, but that's 
where 
 I am.
  
  CS: You directed an episode of DEEP SPACE NINE, so would 
directing 
 be something you'd want to pursue?
  
  Siddig: If I'm lucky enough and if I ever get

[scifinoir2] Re: The Nagin Slap (was Who Will Call the Cavalry)

2005-09-10 Thread md_moore42
I am going to take back something that I said yesterday.  I talked 
to one of my fellow evac's and he said that Nagin is a creole.  
However there are many creole factions in New Orleans.  He doesn't 
belong to the same faction as Morial-- the one that I am more 
familiar with.

--- In scifinoir2@yahoogroups.com, md_moore42 [EMAIL PROTECTED] 
wrote:
 Where did they get the idea that Nagin was creole? He's never 
claimed 
 that.  He's from a different neighborhood and political group than 
 the creoles of N.O.
 
 
 --- In scifinoir2@yahoogroups.com, hesychastic [EMAIL PROTECTED] 
wrote:
  hesychastic [EMAIL PROTECTED] wrote:
   terry scott [EMAIL PROTECTED] wrote:
 Here below is a rare *smoking gun* -- New Orleans elites 
 already
discussing in specific terms their plan to rebuild New 
Orleans -
 -
with a whole lot less of you-know-who living there. It is 
nice 
of them to give us some advance notice so we can HELP STOP 
THIS
DEAD IN ITS TRACKS. 
  
   Watch now as the Posse Comitatus http://www.uscg.mil/hq/g-
   cp/comrel/factfile/Factcards/PosseComitatus.html gets hastily 
   revisited with broadbased political support. Seldom ever has a 
   vamperialist jack move been more smoothly executed. All via 
 clever 
   and prescient manipulation of fear.  It almost inclines the 
   speculatively minded to think that a higher-mind or non-
human 
   intelligence is at work in the careful nigh agricultural 
   manipulation of all these effing humans. Oh, and handpicked 
black 
   turncoats like Nagin will be hand-in-glove complicit in profit 
   taking on the backs of blacks.  In one fell swoop, the 
invisible 
   black poor will transition from refugees, to detainees,to 
   permanent slaves.  XM
  
  Oops, forgot the link splainin why Ray Nagin gets no ghetto pass 
 and 
  should be shot with hot pee for murderous and treasonous 
  indifference to his poor black constituents. 
  
  http://cs.redstate.org/print/2005/9/2/152759/6095
  
  a simple google search, Ray Nagin + switched parties will pull up
  dozens of sites where Nagin's dubious New Orleans token creole
  credentials can be confirmed. XM





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[scifinoir2] Re: The Nagin Slap (was Who Will Call the Cavalry)

2005-09-09 Thread md_moore42
Where did they get the idea that Nagin was creole? He's never claimed 
that.  He's from a different neighborhood and political group than 
the creoles of N.O.


--- In scifinoir2@yahoogroups.com, hesychastic [EMAIL PROTECTED] wrote:
 hesychastic [EMAIL PROTECTED] wrote:
  terry scott [EMAIL PROTECTED] wrote:
Here below is a rare *smoking gun* -- New Orleans elites 
already
   discussing in specific terms their plan to rebuild New Orleans -
-
   with a whole lot less of you-know-who living there. It is nice 
   of them to give us some advance notice so we can HELP STOP THIS
   DEAD IN ITS TRACKS. 
 
  Watch now as the Posse Comitatus http://www.uscg.mil/hq/g-
  cp/comrel/factfile/Factcards/PosseComitatus.html gets hastily 
  revisited with broadbased political support. Seldom ever has a 
  vamperialist jack move been more smoothly executed. All via 
clever 
  and prescient manipulation of fear.  It almost inclines the 
  speculatively minded to think that a higher-mind or non-human 
  intelligence is at work in the careful nigh agricultural 
  manipulation of all these effing humans. Oh, and handpicked black 
  turncoats like Nagin will be hand-in-glove complicit in profit 
  taking on the backs of blacks.  In one fell swoop, the invisible 
  black poor will transition from refugees, to detainees,to 
  permanent slaves.  XM
 
 Oops, forgot the link splainin why Ray Nagin gets no ghetto pass 
and 
 should be shot with hot pee for murderous and treasonous 
 indifference to his poor black constituents. 
 
 http://cs.redstate.org/print/2005/9/2/152759/6095
 
 a simple google search, Ray Nagin + switched parties will pull up
 dozens of sites where Nagin's dubious New Orleans token creole
 credentials can be confirmed. XM




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[scifinoir2] Re: Fats Domino missing

2005-09-02 Thread md_moore42
Times-Picayune


Friday, September 02, 2005

Fats Domino, safe and sound
Friday, 3:38 p.m.

After being rescued from his flooded home in the Lower 9th Ward and 
evacuated by boat to the St. Claude Avenue bridge late Monday, New 
Orleans music legend Fats Domino wound up at the triage unit at the 
Maravich Assembly Center on the LSU campus in Baton Rouge.

But he didn't stay for long.

Domino, 77, and members of his family soon relocated to the 
apartment of LSU quarterback JaMarcus Russell, a friend of the 
Domino family. The musician and his entourage spent two days with 
other New Orleans evacuees at Russell's home, then left Friday 
afternoon for an undisclosed location.

Domino is reluctant to travel outside his hometown for any reason; 
he famously turned down an invitation from President Clinton to 
accept an award in Washington, D.C. 

But he won't be able to return any time soon to his memorabilia-
filled home, which likely sustained heavy flood damage. Tell the 
people of New Orleans that I'm safe, Domino reportedly said as he 
left the Baton Rouge apartment. I wish I was able to still be there 
with them, but I hope to see them soon. 



 

Copyright 2003 NOLA.com. All Rights Reserved. 



--- In scifinoir2@yahoogroups.com, Amanda [EMAIL PROTECTED] 
wrote:
 I think a family member saw him being rescued on tv.




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[scifinoir2] Re: What does Sci-Fi have against Black people?

2005-08-05 Thread md_moore42
 Point taken.  However, if all of those trashy Ghetto Love books can
sell off trucks, I wouldn't mind seeing some self-directed Black SF.

--- In scifinoir2@yahoogroups.com, Kelly Wright [EMAIL PROTECTED] wrote:
 The problem with this is amply illustrated on the various black sci-
 fi and fantasy lists I subscribe to:  all the black folks on those 
 lists like sci-fi, fantasy, anime, comic books and horror, but all of 
 those black folks don't like the SAME sci-fi, fantasy, anime, comic 
 books and horror.  Tiny as this audience is, it has the nerve to be 
 extremely fractured and segmented.  It has become crystal clear that 
 what floats my boat, won't necessarily float anybody else's boat.  In 
 fact, sci-fi and fantasy constitutes a very small part of my current 
 reading or viewing.  I would much rather read a good detective novel 
 than a good sci-fi book: I am more apt to read Walter Mosley than 
 Brandon Massey.  My heavy SF reading was almost a quarter century ago.
 I remain in these groups because the people I have met there tend to 
 be interesting and intelligent but when it comes to satisfying our 
 diverse tastes, I don't believe we can all get along!
 
 ~rave!
 
 --- In scifinoir2@yahoogroups.com, md_moore42 [EMAIL PROTECTED] 
 wrote:
  That's why I mentioned editing and supporting the writers with our 
 cash.
  
  --- In scifinoir2@yahoogroups.com, tetsuwanatom1 [EMAIL PROTECTED] 
 wrote:
   --- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:
  
   star. You pitch it to the studio . . . and they say no. Just 
 because 
   we write the movie doesn't mean it will get made. I suppose then 
 you 
   could say, Well, we have to make the movie. Uh, okay. I need 
 100 
   million dollars. Im taking collections . . .




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[scifinoir2] Re: The Chocolate factory minus the chocolate

2005-07-15 Thread md_moore42
The only problem that I see is that every child in that story except
Charlie is a self-centered brat.  Would we be complaining about that
characterization of children of color if they were included?

However, in general, I would agree with the writer's criticism. 
Charlie is somewhat of anomoly in that Charlie is the only good
child in the storyline.  

The other thing is that the movie is a pale reflection of Dahl's own
retrograde beliefs.  See below.  (I had heard that he was
anti-semitic.  The other is new to me!)

From http://www.roalddahlfans.com/faq.php#misc2
Someone told me that Roald Dahl was a racist/Anti–Semite. Is this true?

  I seem to get these questions a lot, and here is a recent answer
I sent to a teacher in Wisconsin.

  No, you're not the first person to notice this trait in Dahl's
writing. Since the 70's critics have accused him of being racist,
sexist, Anti-Semitic, subversive, and just about everything else you
can think of. The first serious attack was raised against him for
Charlie and the Chocolate Factory, which (in the original edition) had
the Oompa-Loompas as black pygmies from Africa. Starting with the 1973
edition, these were replaced with the fantastical (white)
Oompa-Loompas present in the story today. (The 1971 film bypassed the
issue by making them orange.) I've got more information about this here.

  In Roald Dahl: A Biography Jeremy Treglown notes that later in
Dahl's life editors had to continually ask him to modify his stories
for an increasingly politically-correct readership. The Fleshlumpeater
in The BFG, for example, was originally even more of a black
caricature than he is in the current version. The plot of Fantastic
Mr. Fox was changed almost completely from Dahl's original draft,
which glorified thievery (even more than the one we have now). And
women have never fared well in Dahl's stories, from the horrid Aunts
Sponge and Spiker from James and the Giant Peach to the freakish and
evil Witches to the mannish and violent Trunchbull from Matilda.

  So you're probably wondering the same thing I am: why do people
continue to celebrate this man and his stories? There are a few
responses. The primary one (and the ones that his editors used when
Charlie was written) is simply that he was a product of a different
time and environment and he can't be held entirely responsible for the
beliefs he was raised with. An English boarding school at the
beginning of the 20th century was not an easy place to survive in, let
alone cultivate an appreciation for diversity. After school Dahl went
to work in Africa for the Shell Oil Company, back when the British
Empire was still strong and colonial attitudes were not as enlightened
as they are today. He also suffered incredible tragedies in his life
(the death of a daughter, a traumatizing injury to his son, and his
wife's debilitating strokes) that destroyed his belief in God and led
to many years of bitterness.

  Of course, knowing why he thought the things he did doesn't
really help when the kids are clamoring to hear stories you're
uncomfortable reading. Personally, I've been doing this website for
over three years and the more I learn about the man, the more
ambivalent I feel towards him. But he was a very complicated
individual, and there are some things that (for me) help to balance
the scale. He was always very kind to children, and despite the fact
that adults in his stories never fare well, the good kids are always
treated with sensitivity and love (like Danny, Matilda, James, and
Charlie). And after his infant son's accident, he worked with an
engineer and a neurosurgeon to develop a better and cheaper shunt for
children with hydroencephalitis. Once it was patented and approved,
they released it to the world and many people still have it in their
heads today. He also personally answered every fan letter he received,
and in his writing hut still hang some of his favorite correspondence.

  Basically, my rationale for this website is: when I read the
books as a kid, I didn't pick up on any of the bad stuff. I laughed at
the jokes and at seeing adults look ridiculous. (To be honest, though,
as a white girl in Indiana I might not have been as attuned to racial
issues as others.) It wasn't until I re-read the books as an adult
that some of the text became distasteful to me. And the myth of Dahl
that's been pushed since his death tends to gloss over a lot of this
stuff. Publishers paint the guy as a kindly old grandpa and the
champion of all underdogs. I just feel that kids need to know about
his life and be able to form their own opinions of his work. I guess
if you feel the books might introduce negative attitudes to your
class, you should talk about it with them. Or, if they're not mature
enough for that yet, do what you're doing and skip the bad parts
until they can see why they're bad.



--- In scifinoir2@yahoogroups.com, g123curious [EMAIL PROTECTED] wrote:
 FYI... This appeared on another 

[scifinoir2] Re: Science explores 125 big questions that face scientific inquiry

2005-07-08 Thread md_moore42
ya' mean that there's more than 42?

--- In scifinoir2@yahoogroups.com, brent wodehouse
[EMAIL PROTECTED] wrote:
 http://www.sciencemag.org/sciext/125th/
 
 Science explores 125 big questions that face scientific inquiry
 





 
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[scifinoir2] Fwd: [LetsHelpEachother] VERIFIED - Urgent -read- groups being deleted

2005-06-27 Thread md_moore42
Mentioned in another group that I belong to---

--- In [EMAIL PROTECTED], [EMAIL PROTECTED] wrote:
 
 

*** This is true. I have verified it  groups are
already disappering ***

Hi Friends!
 
Yahoo is deleting groups that have even one member
that does not have their age in the Yahoo Profile. The
reason for this is they are in trouble for Sex Chat
Groups that had underage members in these groups. So
now Yahoo as of Midnight 6/23/05 will delete the
entire group for having any members that do not have
their age in the Yahoo Profile. There is no recovery
for the Group, it will no longer exist. 
Please if you love this group, update your Yahoo
Profile to show your age, any age will do, as long as
you are over 18!  Very Important!!!
 
To update your age in your yahoo profile, 
 
You must log in,
then go to my account,
Then click on Edit/Create Profiles
Then click on edit next to your yahoo id
then fill in your age.
 
Hope this helps.
 
I do not know how much it is true but I suspect it is
as I know there are list hoppers reporting groups who
share adult stuff who are not in their adult area.
 
I hate to have to do this but I do not want to loose
my groups.
 
Please add your age to your profile.  If you do now I
will be forced to drop you.
 
This msg is being passed around to all groups. 
 
   
 



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[scifinoir2] Re: SciFiNoir Reincarnation Status Report and Request

2005-06-07 Thread md_moore42
Sign me up as an alpha tester.  

(Marian)

--- In scifinoir2@yahoogroups.com, Tracey de Morsella \(formerly 
Tracey L. Minor\) [EMAIL PROTECTED] wrote:
 Just providing this update.  I have the mailing list and the portal
 installed.  I am now in the process of configuring and customizing 
them.
 While the list is easy to configure, the portal is a very complicated 
but
 feature-rich communication/content application so that will take some 
time.
 
 In the meantime, I was wondering if any of you would be interested in
 helping me alpha test it. 




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[scifinoir2] Re: Star wars notes

2005-05-30 Thread md_moore42
C'est vrai.  But since I started watching the movies when I was in
college, I felt obligated to watch the end.   

And, it's always interesting to see who they think the audience is. 
We had everything from The Lion, the Witch, and the Wardrobe (which
I have fond childhood memories of) to a few violet and immediately
forgettable action-adventure flicks.  And a chick-flick.  Other than
the C.S. Lewis adaptation, nothing that I want to see.  

--- In scifinoir2@yahoogroups.com, Martin Pratt [EMAIL PROTECTED]
wrote:
 Somehow, I have the sinking feeling that the end is FAR from sight.
With two new series (!!) coming to cable TV, I can see the die-hard
fans pushing the franchise on further. No skin off my nose. I don't
have to watch any of it.
 
 md_moore42 [EMAIL PROTECTED] wrote:Well, I went to see the last Star
Wars movie last night. 
 sigh
 
 I had real troubles staying awake. True, I was just coming from
 working out--but until the last 30 minutes, it had real trouble
 holding my attention.  The 40/50 year old guy next to me held more
 interest.  Why was he there alone?  Was this possibly a single guy?
 :-)  
 
 So, the epic is over, Thank G-d.  With all of that time, it's amazing
 how little time they spent on the people.  Costumes were nice, battle
 details were intricate.  Relationships were non-existent.  I must be
 grown-up.   I was more charmed by seeing an audience of so many
 fathers with their sons, bless them.
 
 
 
 
 
 
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[scifinoir2] Re: SciFiNoir Needs Your Favorite Quotes

2005-05-15 Thread md_moore42
(It's the first line that I usually use.)

The best thing for being sad is to learn something. That is the only
thing that never fails. You may grow old and trembling in your
anatomies, you may lie awake at night listening to the disorder in
your veins, you may miss your only love, you may see the world about
you devastated by evil lunatics, or know your honour trampled in the
sewers of baser minds.

There is only one thing for it then - to learn. Learn why the world
wags and what wags it. That is the only thing the mind can never
exhaust, never alienate, never be tortured by, never fear or distrust
and never dream of regretting. Look at what a lot of things there are
to learn ... astronomy in a lifetime, natural history in three,
literature in six. And then, after you have exhausted a million
lifetimes in biology and medicine and theo-criticism and geography and
history and economics - why, then you can start to make a cartwheel
out of the appropriate wood, or spend fifty years learning to begin to
learn to beat your adversary and fencing. After that you can start on
mathematics, until it is time to learn to plow.

- T.H. White (Merlin in The Sword in the Stone) 





--- In scifinoir2@yahoogroups.com, tdemorsella [EMAIL PROTECTED] wrote:
 Hi SciFiNoir Family:
 
 I am compiling quotes for a quote generator that we are installing 
 on the planned portal.  Could you guys submit some of your favorites?
  
 They can be from any type of speculative fiction genre or media type.
  





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