Re: [scots-l] another place for Rob (or maybe Nigel) to visit

2001-02-27 Thread Rob MacKillop

The kobza is fairly weel-kent tae ethnomusicologists and organologists. It
is sill used in parts of Hungary as well, and is regarded as a folk
instrument. It certainly does look similar to the Melrose lute. The lute
seems to have been born in Persia 2 to 3 thousand years ago and was known as
the barbat. It spread all over Africa, out to China and Japan and to Europe
(and then Russia) via the Moorish invasion of Spain. Its latest incursion is
into Tayport...

There are three basic routes which the lute could have taken to get here:
trade - (Phoenicians are said to have visited England 2000 years ago, and
'black men from the Mediterranean' were said to have built Calanish) -
pilgrim routes (places like Melrose and Rosslyn were on the pilgrim route -
which drew people from Spain via France into Scotland. Not all pilgrimages
were to the Middle East), and Crusades which involved the Knights Templars
(Rosslyn especially), the aristocracy and their peasant lackies.

I'm looking in to all of this and will put it all up on my website later
this year. If you see any image of a lute, citole or gittern-type
instrument at a palace or kirk near you, please let me know about it.

Cheers,
Rob

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Re: [scots-l] another place for Rob (or maybe Nigel) to visit

2001-02-27 Thread David Kilpatrick

Jack Campin wrote:
 
 There is a carving in Melrose Abbey of someone playing a small three-
 course lute.  This (if the carving is anywhere near as old as the
 abbey itself) is by far the oldest documentation of any stringed
 instrument in Scotland.
 
 The type of lute was one I couldn't think of another parallel for,
 though; its shape was between an ud and a rebec, maybe rebec-sized
 (i.e. nearest to a mandolin among modern instruments, which should
 please Nigel).
 
 But today I spotted a picture of an instrument that looks just the
 same, in the New Grove's section on folk music of the USSR.  It's the
 local lute type in Kirgizia; I forget the exact name, something like
 "kobuz" or "kobuk".  It has a wacky tuning with the middle course
 the highest.
 
 Maybe the Kirghiz got it from Persia, but I can't see how any chain
 of influence could have transmitted an instrument design from Persia
 to Scotland in the Middle Ages either.
 

I've already sent Rob the carvings of players using citterns in Kilconqhar Castle. You 
can
see these by this URL:

http://www.maxwellplace.demon.co.uk/pandemonium/kilconquharguittars.jpg

These are clearly five-course instruments and the carvings are Jacobean, assumed.

David
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Re: [scots-l] Hogg, Kilmeny: The Emerant Lea

2001-02-27 Thread David Kilpatrick

cramphorne wrote:
 
 Hi David-
 Everything you might want to know about Hogg
 (http://www.aikwoodscottishborders.com/final/hoggst~1.htm) PLUS a website for
 the James Hogg Society (http://www.cc.gla.ac.uk/hogg.htm)?  Someone there must
 know the answers to your questions- good luck!  Now I'm off to MP3.com for a
 sneak listen :o)!
 
Aikwood? Sounds like Judy's work - will take a look... she rather nicked Hogg for her 
own, though...

David
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Re: [scots-l] Hogg, Kilmeny: The Emerant Lea

2001-02-27 Thread David Francis


Aikwood? Sounds like Judy's work - will take a look... she rather nicked
Hogg for her own, though...

David

Or Hogg-ed him to herself.

Dave Francis

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Re: [scots-l] another place for Rob (or maybe Nigel) to visit

2001-02-27 Thread David Kilpatrick

John Chambers wrote:
 
 Jack Campin writes:
 | Maybe the Kirghiz got it from Persia, but I can't see how any chain
 | of influence could have transmitted an instrument design from Persia
 | to Scotland in the Middle Ages either.
 
 Not much mystery there, actually.  The  Norse  were  trading  through
 Russia  down to the Black Sea by at least the 800's.  They spread all
 sorts of things along their trade routes.
 
And unless I'm mistaken, the Rus were Vikings in origin and European Russia owed as 
much
to Nordic influence as Scotland and England did, only a bit earlier.

David
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Re: [scots-l] Hogg, Kilmeny: The Emerant Lea

2001-02-27 Thread David Kilpatrick

Nigel Gatherer wrote:
 
 David Kilpatrick [EMAIL PROTECTED] wrote:
 
  Any enlightenment on the location for Kilmeny...
 
 I'm not sure if this question is as simple as it sounds, but there's a
 Kilmany (pronounced Kilmeny) in North Fife (North of Cupar), where Lady
 Kilmany resides.
 
It certainly sounds more like a title name than a first name, for a girl, doesn't it? 
I've
never heard of anyone being christened 'Kilmeny'... thanks!

David
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Re: [scots-l] another place for Rob (or maybe Nigel) to visit

2001-02-27 Thread John Chambers

David wrote:
| John Chambers wrote:
|  Jack Campin writes:
|  | Maybe the Kirghiz got it from Persia, but I can't see how any chain
|  | of influence could have transmitted an instrument design from Persia
|  | to Scotland in the Middle Ages either.
| 
|  Not much mystery there, actually.  The  Norse  were  trading  through
|  Russia  down to the Black Sea by at least the 800's.  They spread all
|  sorts of things along their trade routes.
| 
| And unless I'm mistaken, the Rus were Vikings in origin and European Russia owed as 
|much
| to Nordic influence as Scotland and England did, only a bit earlier.

You're not at all mistaken.  Part of the story is  that  in  much  of
eastern  Europe,  there was a custom of hiring town managers from far
away, so that they wouldn't have family and  financial  ties  locally
and  could be impartial in how they ran things.  Since the Norse were
often sailing up and down the rivers, a lot of them managed  to  hire
on as town managers.  Many settled there permanently.  Historians use
this as the conventional explanation of all the Nordic names, customs
and construction techniques throughout the area.

About the only connection to Scottish topics is that  in  this  case,
"Norse"  seems  to  have  meant  anyone who learned the language well
enough to sign on and travel with them. This seems to have included a
lot  of  people  from the British Isles, not surprisingly, as well as
from the rest of northwestern Europe.

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[scots-l] Fields of the West (by Dave Boothroyd)

2001-02-27 Thread David Kilpatrick

English (Worcestershire) songwriter Dave Boothroyd asked me to try a recording of a 
song
he wrote in 1997 called 'The Fields of the West', in the style of an Irish/Scots 
ballad of
emigrant longing for an imaginary home country. It opens -

'Oh my heart is ever yearning for the clear air of the mountains
Where the cool and crystal waters run down to the sea..'

The verse tune is a little like 'Ladies of Spain' and I've kept to Dave's original key 
of
C/Am modulating up to D/Bm for the final verse and chorus. I have included the lyrics 
on
the mp3.com info for the song but as usual I don't see them when I try to view them. 
Dave
has given permission for the song to be posted on mp3.com and is credited accordingly.

http://artists.mp3s.com/artist_song/1339/1339973.html

His reason for asking me to have a go at this was mainly to do with vocals, but in 
fact I
found his own demo vocals better than he indicated (many people don't like the way they
sound when recorded and are surprised that others find them OK!). I enjoyed doing this 
one
as he had judged correctly, it's pretty much in my genre and fits my vocal range and
guitar style. Lowden O-10 guitar with a little bit of 12-string mixed in the 
background.

David Kilpatrick
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