[spectre] [online event] Collectiveioning 10 July 2020 19:00 CEST

2020-07-08 Diskussionsfäden Aymeric Mansoux

Sorry for >< please >>

The Experimental Publishing (XPUB) class of 2020 would like to invite 
you to the launch of our final publication, Collectiveioning.


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Collectiveioning
Friday, July 10th, 2020, 19h-20h30 CEST/UTC+2
https://project.xpub.nl/collectiveioning/

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/ko 'lek tiv yon ning/ The gathering of collective memory. A 
pre-literate notion of memory, in a communal way, something 
commemorative rather than putting a memory in a container. What we 
thought it was going to be changed completely. We are in that way 
changing our memory of what it was supposed to be. What are you able to 
collect? Memories? Objects? People? A collection of texts and people, 
collecting and composing each other? Somehow it's not even important 
that we have all the knowledge, what's important is the living, 
generative sense of the collection.


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Collectiveioning is a publication that collects the work generated in 
our time at XPUB, from collective Special Issues in the first year 
(Special Issues 07, 08, 09), with threads that connect to the second 
year graduation projects.


We will present our collective and individual research on Friday, July 
10, 2020 at 19:00, followed by a Q & A session. Although the 
presentation will be concise and spectacular, if you miss it, a 
web-to-print website will remain online, where you can choose to make 
your own co(ll/nn)ections. You may also print out what you collect from 
it at your own leisure. A complete, deluxe, shelf object (i.e. a printed 
version) will follow in October 2020.


 Date: Friday, July 10th, 2020
 Time: 19h-20h30 CEST/UTC+2
 Place: https://project.xpub.nl/collectiveioning/
 Occasion: ULTIMATE Extraordinary Very Special Issue Indeed
 Attire: Birthday Suit or Business Casual or Casual Business
 or Come As You Are

XPUB Class of 2020:

Simon Browne
Bohye Woo
Paloma García
Artemis Gryllaki
Tancredi di Giovanni
Pedro Sá Couto
Biyi Wen
Rita Graça

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XPUB is a two-year course that prepares students to critically engage 
with societal issues and social practices within the fast changing field 
of art, design, and cultural production. More specifically, XPUB focuses 
on the acts of making things public and creating publics in the age of 
post-digital networks. XPUB’s interests in publishing are therefore 
twofold: first, publishing as the inquiry and participation into the 
technological frameworks, political context, and cultural processes 
through which things are made public; and second, how these are, or can 
be, used to create publics. https://xpub.nl


The online launch of the Collectiveioning XPUB publication is part of 
Willem de Kooning's graduate programme The Chain of Events. This 
programme will present the work of both Master and Bachelor alumni in 
the form of an online Graduation Catalogue and a Graduation Show 
programme that will last until the end of March 2021. The official 
launch of the catalogue is planned for the 17 of July 2020. For more 
information please visit 
https://www.wdka.nl/news-events/graduation-show-2020.


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The Collectiveioning launch is made possible with the support from Open 
Source Publishing, servus.at and lilimit. 


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[spectre] Rescheduled: Media Art Preservation Institute - 5-day professional training - Dec 12-16, 2020

2020-07-08 Diskussionsfäden Oliver Grau
We are pleased to announce we have new dates for the rescheduled
event:
from June now to Dec 12-16, 2020

The Department for Image Science invites participation in the Media
Art
Preservation Institute 
held at the Danube University Krems, located 70km from Vienna in
the
UNESCO World Heritage Wachau region. 

Danube University is the leading public university in Europe
specializing in advanced continuing education by offering
low-residency
degree programs for working professionals and continuing education
/
advanced studies. The Media Art Preservation Institute provides 5
ECTS
of material in the MediaArtHistories, MA curriculum. 

The Media Art Preservation Institute takes place Saturday –
Wednesday
December 12-16, 2020. 

PROGRAM:

Saturday - Dec 12th , 2020 – 15:00 - 18:00
Challenges, Needs and Current State of Media Art Preservation

Sunday – Dec 13th, 2020 – 9:30 - 18:00
Expanding Strategic Archiving and Documentation

Monday – Dec 14th, 2020 – 9:30 - 18:00
Media Art Material Conservation from Analog to Digital

Tuesday – Dec 15th, 2020 – 9:30 - 18:00
Developing Preservation Strategies Across Stakeholders

Wednesday – Dec 16th, 2020 – 9:30 - 16:00
Results, Resources & Wrap-up


Lecturers: Patricia FALCAO, Andreas WEISSER, Laurent MIGNONNEAU,
Wendy
COONES, Oliver GRAU


DESCRIPTION:
Media Art is in the process of entering museums and archives,
galleries
and private collections, and other more unexpected places. However,
this
art form is threatened by significant loss due to rapid
technological
obsolescence and insufficient documentation strategies. The
special
needs required to care for this valuable and fragile heritage is
slowly
becoming obvious. Understanding the tenets of media art
preservation is
no longer a niche, but useful skills and knowledge in an expanding
field. 
To contribute to the development of this expertise the Danube
University Krems is pleased to offer a professional training
institute
introducing fundamental concepts for the preservation of media art.
This
workshop brings together knowledge and experience in conservation
&
documentation from experts in both academic, institutional and
private
practice. Interacting with a varied group of participants, the
institute
will facilitate a mix of clearly structured lectures, practical
exercises and lively group discussions. Resource materials and
deep
investigation of case-studies enable future practical use. 
The activities will give participants the opportunity to learn
about
the materials of media art, the risks for their preservation, and
the
strategies available for some of the specific media, such as
audio,
video interfaces or software. Participants will also learn about
different methods and aims of documentation, and some of the
varied
approaches being used in the field.
The 5-day institute brings together the critical mass of expertise
with
representation from Media Art historians, archivists, artists
preserving
collected works, and of course conservators and restoration
specialists
from both collecting institutions and freelance.
TARGET GROUP:
Anyone involved with cultural, collecting or archiving
institutions.
Conservators and conservation lecturers / grad students, AV
technicians,
media artists, archivists, registrars, curators, collectors.
Researchers
in art history, media studies, (media) archeology or digital
cultural
heritage. 

APPLICATION: 
A maximum of 24 may participate in this professional training.
Deadline to apply - Oct 1
Notification by Oct 12. 
Places made available after April 3rd will be given to those on
the
waiting list or given on a first come first serve basis. 
Staff at universities in Erasmus+ program countries may apply for
Erasmus+ mobility funds. Please, contact the International Office
at
your home institution about staff training funds available for
travel
and accommodation.

www.donau-uni.ac.at/dbw/institute 

  
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