[spectre] Eyebeam now accepting applications for Residencies: Winter/Spring 2009

2008-11-20 Diskussionsfäden amanda mcdonald crowley

Eyebeam Residencies: Winter/ Spring 2009

You’ve got big ideas. You’re yearning to join NYC’s art and tech  
elite. You could use some time and money—not to mention support and  
inspiration—to create visionary projects. If any of these apply to  
you, then apply now for Eyebeam’s Winter/Spring 2009 Residency cycle.  
Residents are granted a $5,000 stipend and 24/7 access to Eyebeam’s  
Chelsea facility.


The program term is from February to June with the potential for  
extension and/or re-application. Residents will be selected from an  
open call, based on the quality of the work or research being  
proposed, the availability of the necessary tools and skills to  
support the work, and in consideration of the overarching research  
themes and activities of the organization.

About the Residency

Eyebeam residencies support the creative research, production and  
presentation of initiatives querying art, technology and culture. The  
residency is a period of concentration and immersion in artistic  
investigation, daring research or production of visionary,  
experimental applications and projects. Past initiatives have ranged  
from moving image, sound and physical computing works to technical  
prototypes, installations and public interventions. Check out our  
list of previous residents and their projects/ research here: http:// 
www.eyebeam.org/production/production.php?page=air


For more info on what the residency entails, including answers to  
FAQs and how to apply, please visit http://www.eyebeam.org/production/ 
production.php?page=calls


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[spectre] Eyebeam Residency call extended

2007-09-19 Diskussionsfäden amanda mcdonald crowley

Dear friends and colleagues!

I'd be really appreciative if you could pass this information on to 
artists or technologists who might be interested in the opportunity 
to work at Eyebeam:


Eyebeam's open call for the Winter 2008 residency season (which will 
run from January - June) has been extended through Monday, October 1, 
2007. In addition to our pre-existent residency program, this season 
we're very pleased to announce an additional opportunity for artist 
support: the inaugural Commission for Resident Artists, underwritten 
by Dewar's. Details about the commission, which will offer an 
additional subsidy to two residents a season, are available 
http://eyebeam.org/production/production.php?page=aircallonline.


Please do remind non-American residents that if they are interested 
in a residency during Summer or Fall 2008, they should also make an 
application to this coming deadline in order to leave adequate time 
for fundraising for travel and accommodation. Eyebeam can assist with 
this process, but (apart from exceptional circumstances such as the 
current Commission for Resident Artists) cannot cover these costs.


with best regards

Amanda




--
Amanda McDonald Crowley
executive director

EYEBEAM
540 W. 21st Street
New York, NY 10011, USA
T +1 - 212.937.6580 x223
F +1 - 212.937.6582
mailto:[EMAIL PROTECTED][EMAIL PROTECTED]
www.eyebeam.org


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[spectre] Eyebeam Residency Summer/Fall 2007 Call for Applicants

2007-02-18 Diskussionsfäden amanda mcdonald crowley

Eyebeam Residency Summer/Fall 2007
Call for Applicants

Eyebeam
540 West 21st Street, NY, USA
http://www.eyebeam.org

Eyebeam is currently calling for applications for six-month Residency  
opportunities. The application deadline is February 23 at 12pm EST.


Artists, hackers, designers, engineers and creative technologists are  
invited to apply to be Residents at Eyebeam, to work for six months  
on projects or research of artistic endeavor or creative expression.   
The ideal Resident has experience working with and generating  
innovative technological art and/or creative technology projects and  
has a passion for interdisciplinary exchange.


Residents will be selected from an open call, based on the work being  
proposed, the availability of the necessary tools and skills to  
support them, and in consideration of the overarching research themes  
and activities of the organization. International applicants are  
welcome to apply, although we do not have the resources to cover  
travel or accommodation.  We are happy to work with selected  
applicants, if required, to help them secure funds to cover these  
expenses.
Residents receive 24/7 access to Eyebeam’s Chelsea facility in New  
York City, including equipment and technical expertise from Eyebeam  
staff and Fellows, a $5000 honorarium, the potential for  
collaborative exchange with other Residents as well as support from  
interns. The program term is approximately from September to February  
and March to August with the potential for extension and/or re- 
application.


Group discussions and interdisciplinary projects, within and between  
the lab environments and organizational programs foster connections  
with other artists and staff. Residents also benefit from critiques,  
lectures and workshops by external practitioners chosen for their  
relationship to subjects and projects being worked on in the Labs.


All Residents are encouraged to share their skills and knowledge with  
the larger Eyebeam community by conducting formal and/or informal  
workshops with others in the Labs as well as possible workshops open  
to the public.


There are also opportunities to develop work for performance, events,  
seminars, exhibition or other public programming in the Eyebeam  
galleries and beyond during the Residency term. Fostering  
relationships between artists, hackers, coders, engineers and other  
creative technologists is central to Eyebeam’s mission. The intention  
is to facilitate relationships whereby technologists and artists can  
come together to germinate and hothouse their ideas, develop new  
processes and create new works through a period of immersion in a  
social context which is rich in technology, expertise and ideas.


Looking forward, we are also establishing research groups to bring  
together creative practitioners working at Eyebeam with expert  
external participants to develop new research leading to possible  
public outcomes including seminars, public discussion and exhibition.


Research themes for 2006-07 include (though will not be limited to):

 - Energy, Technology and Sustainability;

 - Urban research, urban interventions and media in public space.

 Artists and creative technologists interested in these research  
areas are particularly encouraged to apply for Residencies.


For more information on the current 2006-07 Fellows working in visit  
http://www.eyebeam.org/production/production.php?page=artists.  All  
Residents and Fellows have access to shared resources across the lab  
environments.  Creating programs and collaborations across the Labs  
is encouraged.


TO APPLY

To apply for a Summer/Fall 2007 Residency please visit http:// 
eyebeam.org/production/onlineapp/



Founded in 1997, Eyebeam is an art and technology center that  
provides a fertile context and state-of-the-art tools for digital  
experimentation. It is a lively incubator of creativity and thought,
where artists and technologists actively engage with the larger  
culture, addressing the issues and concerns of our time. Eyebeam  
challenges convention, celebrates the hack, educates the next  
generation, encourages collaboration, freely offers its output to the  
community, and invites the public to share in a spirit of openness:   
open source, open content and open distribution.


Eyebeam's current programs are made possible through the generous  
support of the Atlantic Foundation, Time Warner Youth Media and Arts  
Fund, the John D. and Catherine T. MacArthur Foundation, the Jerome  
Foundation, the Greenwall Foundation, the Experimental Television  
Center, the New  York State Council on the Arts, a state agency, the  
New York City  Department of Cultural Affairs and many generous  
individuals. For a list of past supporters, please visit  
www.eyebeam.org.


Location: 540 W. 21st Street between 10th  11th Avenues
Hours: Tuesday - Saturday, 12:00 - 6:00pm
Bookstore: Tuesday - Saturday, 12:00 - 6:00pm

Perry Lowe
Director of 

[spectre] Eyebeam Residency Fall 2006-07: Call for Applicants

2006-07-21 Diskussionsfäden amanda mcdonald crowley

Eyebeam
540 West 21st Street, NY, USA
http://www.eyebeam.org

Eyebeam is currently calling for applications for five-six month  
Residency opportunities. The application deadline is Aug. 21 at 12pm  
EST.


Artists, hackers, designers, engineers and creative technologists are  
invited to apply to be Residents at Eyebeam, to work for six months  
on projects or research of artistic endeavor or creative expression.   
The ideal Resident has experience working with and generating  
innovative technological art and/or creative technology projects and  
has a passion  for interdisciplinary exchange.


Residents will be selected from an open call, based on the work being  
proposed, the availability of the necessary tools and skills to  
support them, and in consideration of the overarching research themes  
and activities of the organization. International applicants are  
welcome to apply, although we do not have the resources to cover  
travel or accommodation.  We are happy to work with selected  
applicants, if required, to help them secure  funds to cover these  
expenses.


Residents receive 24/7 access to Eyebeam’s Chelsea facility in New  
York City, including equipment and technical expertise from Eyebeam  
staff and Fellows, a $5000 honorarium, the potential for  
collaborative exchange with other Residents as well as support from  
interns. The program term is approximately from September to February  
and March to August with the potential for extension and/or re- 
application.


Group discussions and interdisciplinary projects, within and between  
the lab environments and organizational programs foster connections  
with other artists and staff. Residents also benefit from critiques,  
lectures and workshops by external practitioners chosen for their  
relationship to subjects and projects being worked on in the Labs.


All Residents are encouraged to share their skills and knowledge with  
the larger Eyebeam community by conducting formal and/or informal  
workshops with others in the Labs as well as possible workshops open  
to the public.


There are also opportunities to develop work for performance, events,  
seminars, exhibition or other public programming in the Eyebeam  
galleries and beyond during the Residency term. Fostering  
relationships between artists, hackers, coders, engineers and other  
creative technologists is central to Eyebeam’s mission. The intention  
is to facilitate relationships whereby technologists and artists can  
come together to germinate and hothouse their ideas, develop new  
processes and create new works through a period of immersion in a  
social context which is rich in technology, expertise and ideas.


Looking forward, we are also establishing research groups to bring  
together creative practitioners working at Eyebeam with expert  
external participants to develop new research leading to possible  
public outcomes including seminars, public discussion and exhibition.


Research Themes for 2006-07 include (though will not be limited to):
 - Energy, Technology and Sustainability
 - Urban research, urban interventions and media in public space
Artists and creative technologists interested in these research areas  
are particularly encouraged to apply for 2006/07 Residencies.


Please read the descriptions for the Labs carefully. All Residents  
and Fellows have access to shared resources across the lab  
environments.  Creating programs and collaborations across the Labs  
is encouraged.  However, each lab environment at Eyebeam has  
different sets of tools and different mentors/trainers for these  
tools, so applicants should consider if and how these environments  
suit their needs and experience.


TO APPLY for a Fall 2006-07 Residency please visit http://eyebeam.org/ 
production/onlineapp/


** Please note Fellowship applications are also being accepted in the  
RD OpenLab, the Production Lab and the Education Lab. The  
application deadline for Fellowships is Aug. 14 at 12pm EST. Please  
read all Fellowship and Residency opportunities thoroughly before  
selecting the application which you would like to submit.



Founded in 1997, Eyebeam is an art and technology center that  
provides a fertile context and state-of-the-art tools for digital  
experimentation. It is a lively incubator of creativity and thought,
where artists and technologists actively engage with the larger  
culture, addressing the issues and concerns of our time. Eyebeam  
challenges convention, celebrates the hack, educates the next  
generation, encourages collaboration, freely offers its output to the  
community, and invites the public to share in a spirit of openness:   
open source, open content and open distribution.


Eyebeam's programs are made possible through the generous support of  
Atlantic Foundation, Time Warner Youth Media and Arts Fund, the John  
D. and Catherine T. MacArthur Foundation, the Andy Warhol Foundation  
for the Visual Arts, the National Endowment 

[spectre] Electrohype 2006

2006-05-30 Diskussionsfäden amanda mcdonald crowley


Call for entries. Electrohype 2006 - the fourth Nordic biennial for
computer based art
Deadline July 3rd 2006 - material via ordinary mail should be
postmarked by this date.
Electrohype is pleased to announce this call for entries for the
exhibition that will be a follow up to the previous large Electrohype
exhibitions in 2000, 2002 and 2004.
The exhibition will take place in Lunds Konsthall from December 9th
to January 7th.
This year the exhibition will be in both a new venue and a new city.
Lunds Konsthall is located in the central part of Lund, in the south
of Sweden. Lund is approximately 20 km north of Malmo where previous
Electrohype exhibitions has been presented.
Lunds Konsthall, built in 1957, is a beautiful exhibition spaces in
late functionalist architecture style. The exhibition space has a
flexible semi-open layout with a total exhibition surface of
approximately 600 - 800 square meters. The annual number of visitors
in Lunds Konsthall is 95 000.
The exhibition will present works by 8 - 10 artists or artist groups.
The concept of the Electrohype biennial is that it shall be a Nordic
exhibition but this does not exclude works by artists from outside
the Nordic region. To give the exhibition a broad perspective we are
usually working with a 50/50model, 50 percent from the Nordic region
and 50 percent from the rest of the world.
Since the decision to realize the exhibition was made just recently
we have not yet decided on a theme or topic for this exhibition. This
also explains the short deadline.
In addition to the main exhibition there will also be an exhibition
with the topic electronic art in public space at the Museum of
Sketches in Lund, a museum dedicated to public art. Most of the
artworks in the museum are in the form of models, visualizations and
sketches. This exhibition will be presented during the same period as
the main exhibition. This call, and the application form, does not
include this exhibition, however if you have knowledge of, or have
realized a project you think we should know of feel free to send us a
short description (maximum 1/2 page) and link to a project page.
Please write public in the subject line.
Important dates Deadline for this call for entries July 3rd
2006Exhibition opening December 9th 2006 Exhibition closing January
7th 2007
Please feel free to re-distribute this call.
What kind of art are we looking for? Electrohype has since the start
in 1999 focused on what we choose to call computer based art. Art
that runs of computers and utilizes the capacity of the computer to
mix various media, allow interaction with the audience, or machines
interacting with each others etc. in other words art that can not be
transferred to traditional linear media. This might seem as a
narrow approach but we have discovered that it gives us a better
focus on a genre that in no way is narrow.
We are not looking for straight video art (even if it is edited on
a computer) or still images rendered on computers and other material
that refers to more traditional media forms. Forms were the
traditional tools have been replaced with computers and software.

Practical An online application form and a PDF form can be found on
this address: www.electrohype.org/2006
NOTE: Please do NOT send documentation material as attachments to
e-mail and do NOT send 8 pages CVs. Put your material online and send
us the url or ftp address or send us a CD in the mail. Please read
the form and follow the guidelines. We receive a large amount of
proposals and all of them are reviewed closely. To be able to do this
we ask you to follow the structure in the application form and the
topics mentioned above.

Financial We are still working on the fundraising for the exhibition.
We will hopefully have final numbers sometime during this summer. We
will have to adjust the final selection of works for exhibition
according to the financial situation. This is unfortunate but it is
also necessary, art is beautiful but financial reality is harsh.
We will encourage everyone submitting material to look for
possibilities for local funding to help cover costs for transport,
travel and rent of technical equipment.
In previous exhibitions we have managed to keep a high level both in
artistic content and exhibition design, even on a modest budget. It
is therefore very important for us to avoid unpleasant surprises, so
please keep this in mind when filling out the various posts in the
form, especially when it comes to technical requirements, transport
weight etc.
We are looking forward to see new and interesting works of art.
Best regards from the Electrohype team
Anna Kindvall and Lars Gustav Midboe


For additional info please visit our web site
at:http://www.electrohype.org/2006http://www.electrohype.org/2006

:::

ELECTROHYPEDrottninggatan 6A212 11 MalmöSWEDEN
+46 40 18 26 90
http://www.electrohype.org/http://www.electrohype.org


[spectre] NYC, May 24: BOOKLAUNCH OF THE BOOK THE FBI TRIED TO STOP: AN ANTI-WAR EVENT

2006-05-18 Diskussionsfäden amanda mcdonald crowley
--Please forward widely--and it you can't make it to the event, the  
book is now available from autonomedia or from eyebeam--


For Immediate Release
Media Contact: Perry Lowe
212/937.6580 x222
[EMAIL PROTECTED]
www.eyebeam.org

MARCHING PLAGUE FROM CRITICAL ART ENSEMBLE
BOOK RELEASE, TALKS  SCREENINGS
Wednesday May 24, 2006 - 6:00-8:30pm

May 11, 2006 - Please join us for a book launch and an evening of  
conversation concerning contemporary warfare: an anti-war event.


Critical Art Ensemble present their latest book, Marching Plague:  
Germ Warfare and Global Public Health published by Autonomedia and  
coinciding with the inclusion of their film “Marching Plague” in  the  
2006 Whitney Biennial. This event is open to the public free of  
charge and will take place at Eyebeam, 540 W. 21st Street between  
10th  11th Aves.


The evening will include brief presentations by artists Gregg  
Bordowitz and Paul Chan and CAE Defense Fund representative Lucia  
Sommer.  Films from Peggy Ahwesh, Lynn Hershman and the Yes Men,  
along with the Critcal Art Ensemble's film Marching Plague,  
produced/commissioned by Arts Catalyst, will be screened on monitors  
throughout the evening.


Marching Plague examines the scientific evidence and the rhetoric  
surrounding biological warfare, particularly the development of  
anthrax and other bio-weapons, and makes a strong case against the  
likelihood of such weapons ever being used in a terrorist situation.  
Studying the history and science of such weapons, they conclude that  
for reasons of accuracy and potency, biological weapons lack the  
efficiency required to produce the widespread devastation typically  
associated with bioterrorism.


Why, then, the public urgency around biowarfare and why the  
channeling of enormous resources into research and development of  
tools to counter an imaginary threat? This is the real focus of  
Marching Plague: the deconstruction of an exceedingly complex  
political economy of fear, primarily supporting biowartech  
development and the militarization of the public sphere. The book  
addresses the  following questions:


• Why is bioterrorism a failed military strategy?
• Why is it all but useless to terrorists?
• How have preparedness efforts been detrimental to public health  
policy?

• What institutions benefit from the cultivation of biofear?
• Why does the diplomatic community fail to confront this problem?

The book concludes with a brief examination of the actual crisis in  
global public health, arguing for the redirection of health research  
away from the military, and promoting a number of strategies for  
civilian-based preparedness and education.


Autonomedia books are distributed to the trade by SCB Distributors  
(scbdistributors.com), AK Press
Distribution(www.akpress.com), Small Press Distribution  
(www.spdbooks.org), Pluto Press in Europe
(www.plutobooks.com) and from Autonomedia (www.autonomedia.org)  
directly.


Marching Plague and other Autonomedia titles will be available in the  
Eyebeam bookshop during the event.


EYEBEAM supports the creation, presentation and analysis of new forms  
of innovative cultural production. Founded in 1997, Eyebeam is  
dedicated to exposing broad and diverse audiences to new technologies  
and media arts, while simultaneously establishing and demonstrating  
new media as a significant genre.


Eyebeam's programs are made possible through the generous support of  
Atlantic Foundation, Time Warner Youth Media and Arts Fund, the John  
D. and Catherine T. MacArthur Foundation, the Andy Warhol Foundation  
for the Visual Arts, the National Endowment for the Arts, Alienware,  
the Jerome Foundation, the Helena Rubinstein Foundation, the  
Greenwall Foundation, the New York State Council on the Arts, a state  
agency, the New York City Department of Cultural Affairs, the David  
S. Howe Foundation, the Lerer Family Charitable Foundation and the  
Sony Corporation.


Location: 540 w 21st Street between 10th  11th Avenues
Hours: Tuesday - Saturday, 12:00 - 6:00pm
Bookstore: Tuesday - Saturday, 12:00 - 6:00pm
Admission: All events are free to the public with a
suggested donation unless noted

EYEBEAM
Art  Technology Center
540 W. 21st Street
New York, NY  10011
T +1 212.937.6580 x222
F +1 212.937.6582
www.eyebeam.org

***

WHAT ARTISTS ARE SAYING ABOUT MARCHING PLAGUE:

For almost two decades, Critical Art Ensemble has
established the ground for critical resistance against
manipulations by government, military, science and
industry, wherever these concerns have joined forces,
sacrificing human well-being and dignity in favor of
profit and power.  From infotech to biotech and now to
bioterrorism, CAE has deflated the hype. CAE provides
readers with a sober assessment of the interests
animating many-headed corporate bureaucracies and the
showy illusions they project. More than that, CAE's
theoretical ideas are grounded in the lab work of
their practical experience and 

Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-26 Diskussionsfäden amanda mcdonald crowley

Thanks Inke/ Florian,

This does help to contextualise.  I had indeed linked to the site  
already, but was keen to understand a little more of the background.


But as Robbin from The Thing points out, some contextual information  
helps others less in the loop with regard to these particular  
players, who understand and are potentially interested to support the  
position you are espousing, but might not understand the background.


cheers

amc

On 23/02/2006, at 7:18 PM, Inke Arns wrote:


Date: Fri, 24 Feb 2006 00:35:56 +0100
From: Florian Cramer [EMAIL PROTECTED]
To: Inke Arns [EMAIL PROTECTED]
Cc: amanda mcdonald crowley [EMAIL PROTECTED], spectre@mikrolisten.de
Subject: Re: [spectre] please link to this site: http:// 
waldvogel.plaintext.cc/


Am Donnerstag, 23. Februar 2006 um 23:10:19 Uhr (+0100) schrieb  
Inke Arns:



 I am singling out Waldvogel because 1) he is the only of the three
 curators who's possibly known outside of a (or even in the) German
 speaking context (as Spectre), and 2) because his name is the  
only of

 the three that keeps re-appearing on mailing lists like Nettime and
 Spectre. Furthermore, I am singling out Waldvogel because 3)
 indeed, he is one of the three curators of the upcoming Manifesta in
 Cyprus (and, through that, has quite an international exposure). And


Just to add my 10 cents: I am singling out Waldvogel (by running the
site while being another writer whose anonymized writing makes up a
considerable part of the Just Do it book) because ripping off other

--
amanda mcdonald crowley
[EMAIL PROTECTED] / [EMAIL PROTECTED]
AIM: amandamcdc99
skype: amandamcdc





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Info, archive and help:
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