[spectre] Let’s Play Majerus G3 - a project by Cory Arcangel, April 27, 2024 – March 15, 2025 Berlin

2024-04-26 Diskussionsfäden Stephen Kovats via SPECTRE

Dear Spectrites,

apologies if this has been cross posted, but in case not ... and if you 
are in Berlin, don't miss Cory Arcangel's new project */Let’s Play 
Majerus G3 /*which opened last night at the Michel Majerus Estate! The 
show features Michel Majerus' laptop and the works therein resuscitated 
by Cory Arcangel which were thought to have been lost or destroyed after 
the death of the artist in 2002. A major work of digital art restoration 
undertaken in cooperation with the New York based digital arts 
organisation Rhizome, the exhibition underscores "the increasingly 
prominent role of archiving digital materials and interrogates the ways 
in which these holdings crucially factor into authoring art-historical 
narratives surrounding 21st-century protagonists."


Tomorrow, Saturday April 27th, 11.00 am til 12.00 noon, the 
estate/gallery will host a conversation between Cory Arcangel and Dragan 
Espenschied (Preservation Director, Rhizome) - seating on first come / 
first served basis.


Michel Majerus Estate
Knaackstrasse 12
D-10405 Berlin

All further info, background and credits via https://michelmajerus.com/

greetings,

Stephen


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#ASKnet / #defyhatenow / #MMN - Migrant Media Network / #ASKotec / #ROSHOP /
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hard"
JFK, Rice University, 1961
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[spectre] Open Culture Feminist Cafe featuring Nina Czegledy on Monday Sept 18th!

2023-09-15 Diskussionsfäden Stephen Kovats via SPECTRE

Dear Spectrites,

it's a great pleasure for us to welcome Nina Czegledy, our guest to a 
special edition of our Open Culture Feminist Café series, Monday 
September 18th, at our Berlin-Charlottenburg HQ!


Nina, whom many of you know and have worked with around the globe, will 
be discussing her ideas and challenges working with women artists in the 
contexts of a non-hierarchical collaborative art, science, and 
technological practice 


We look forward to seeing you and Nina on Monday!

More Info and Registration at ...
https://openculture.agency/women-game-changers-in-the-digital-arts/

(the event will also be streamed live)

Cheers,

Stephen

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#ASKnet / #defyhatenow / #MMN - Migrant Media Network / #ASKotec / #ROSHOP /
 //  --  //

'We choose to do the other things, not because they are easy, but because they are 
hard"
JFK, Rice University, 1961

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Re: [spectre] Praying for Seiko Mikami (1961-2015.1.2)

2015-01-13 Diskussionsfäden stephen kovats
Dear Yukiko, friends, 

I'm very saddened to hear about Seiko's passing!! She'll be fondly remembered 
as a pivotal artist / maker / experimenter, who also left a great mark on 
people, both young artists and the general public in Europe through her 
residencies and exhibitions. She left many kids in awe at the digital worlds 
she conjured, and showed a whole new side of Japanese passion and creativity! 
Very sad.

Greetings from Berlin, 

Stephen

On 13.01.2015, at 01:26, yukiko shikata wrote:

 To: friends of Seiko Mikami
 
 Seiko Mikami, an Internationally-acknowledged artist and professor of 
 Information Design Department at Tama Art University, Tokyo suddenly passed 
 away of cancer with the age 53 on January 2nd. 
 
 We express our very deep sorrow and grief over her.
 
 http://www.idd.tamabi.ac.jp/art/obituaries/20150113/
 
  *   *   *
 Seiko started her career in 1984 with huge installations to express
  Information Society and Body. In 90s she lived and studied in NY, and 
 since 1995, has actively produced cutting-edge interactive works at Canon 
 ARTLAB, NTT InterCommunication Center[ICC), and since 00s at YCAM, her works 
 have been shown in many countries worldwide.
 
 http://www.idd.tamabi.ac.jp/~mikami/artworks/index.html
 
  *   *   *
 Seiko was a charismatic and energetic, at the same time very frank and 
 communicative, and had always various people around her.
 
 We believe Seiko will alive vividly in our memories and keep inspiring us.
 
 
 Kazunao Abe, Sota Ichikawa, Yukiko Shikata
 January 13rd, 2015
 
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#DoDevDif / Doing Development Differently
Jan. 22, 2014 / Embassy of Canada, Berlin
registration open until Jan 10 via http://r0g-media.org/dodevdif
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r0g_agency for open culture and critical transformation gGmbH
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supermarkt studio 3
brunnenstrasse 69
13355 berlin

+49 170 5887806
r0g-media.org
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#OSJUBA / #OSWARRAP / #OSBACK / #DefyHateNow / #DoDevDif
 //  --  //

'We choose to do the other things, not because they are easy, but because they 
are hard
JFK, Rice University, 1961




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Re: [spectre] Fwd: Truth, Beauty, Freedom and Money - Art After Social Media Era

2013-06-03 Diskussionsfäden stephen kovats
Hi John, 

being involved in this event, I share your *moderate* scepticism at what this 
could be about. My questions about context and audience etc have not exactly 
been satisfactorily met, but in general I appreciate and support the work that 
LiZhenhua does. He is the main curatorial energy behind this event, which is 
also supported by Goethe Institute, and certainly the path that China takes, is 
taking, or has been taking has been ... ehhm, *different* than that which we 
would normally chart. I think part of the question which becomes interesting 
here is whether the flagrant 'mallification' of art here (if that is the case 
... i still don't have a clear pic of it) is much different than many gallery, 
or even biennale situations, which in themselves are sometimes overt masks of 
commercialism. 

I'm rather curious, and will gladly report back ... 

cheers, 

stephen


On 03.06.2013, at 11:40, John Hopkins wrote:

 
 Truth, Beauty, Freedom and Money - Art After Social Media Era
 
 Shanghai K11 Art Mall, is kicking off its new media art exhibition with
 the theme of “Truth, Beauty, Freedom and Money”. The two-month
 
 Interesting that any pretext of a complicated interface between art/commerce 
 is completely dropped in China: ART MALL! lol! -- not even the Amurikans 
 would have the brass balls to synthesize that one!
 
 As for the Truth, Beauty, Freedom and Money part -- I see the seeds of 
 serious discontent being sewn into the pants of the rising dragon -- when it 
 finds out the joke, there will be hell to pay...
 
 John
 
 
 -- 
 
 
 ++
 Dr. John Hopkins, BSc, MFA, PhD
 beobachten das Tao, anstatt gerade die Dow
 vom Umfang der Ostsee
 http://neoscenes.net/
 http://tech-no-mad.net/blog/
 ++
 
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[spectre] Life as art: Vladislav Mamishev-Monroe 1969 - 2013

2013-04-02 Diskussionsfäden stephen kovats
dear spectrites,

for those of you who didn't know, Monroe ... Vlad Mamyshev-Monroe, one the
St.Petersburg former 'New Academy' movement stars par excellence and
co-founder of Moscow 'Pirate TV', died on March 16th, in Bali, Indonesia.
Monroe, whose work was perhaps the most cutting edge and cataclysmically
revealing of early post-Soviet society had also become a veritable icon in
the struggle for freedom of expression in today's Putin stranglehold on
Russia.

Joseph Backstein, who puts him in the same league as Marina Abramovic
tributes Mamyshev-Monroe, the charismatic, sharp performance artist at:
http://calvertjournal.com/comment/show/624/life-as-art-joseph-backstein-remembers-iconic-performance-artist-vladislav

Many of us, who were first introduced to Monroe's video works (i.e. 'A Bad
Mark Again') at ostranenie93 will fondly remember and greatly miss a
poetically crazed artist and genius, very much in a uniquely masterful
class of his own!

cheers,

Stephen

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 //  --  //

** THANKS for recent r0g_EVENTS **

Sourcefabric interview @soundcloud with South Sudan Warrap State Gov.
Nyandeng Malek Dielic
https://soundcloud.com/sourcefabric/governor-nyandeng-warrap-state

Open Systems Solutions @UNESCO WSIS+10 Review
Paris, Mar 25 - 27, 2013
https://www.unesco-ci.org/cmscore/events/10-open-solutions-addressing-global-challenges

MEDIA  MAKERS: JUBA 2012 (#MMJUBA)
Juba, Dec 10 - 13, 2012
Open Knowledge  Sustainable Media Forum2
http://media-and-makers.tumblr.com/
http://www.facebook.com/events/482451018455628

WIKITOPIA
Hong Kong, Jan 19 - 20, 2013
http://videotage.org.hk/project/wikitopia-keynote-and-panel-discussion/

 //  --  //






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[spectre] #OSJUBA - Open Source Culture and Post-Conflict Development

2012-06-20 Diskussionsfäden stephen kovats
Dear Spectrites, 

if you are in Berlin (or online for the stream) please join us for #OSJUBA, an 
event bringing open source, hactivist and digital collaborative strategies 
together with the challenges faced by emergent states. The event is framed by 
the case of South Sudan which gained its independence from Sudan one year ago 
via an internationally recognised and supported referendum process. Can the 
diverse and community based structures that 'power' open source, accessible 
data and free culture methodologies play a decisive role in helping to create 
sustainable and viable states, especially those emerging from - or still very 
much in the grips of - lingering conflict? 


#OSJUBA 
Juba. The world's first Open Source City?
Open Source Strategies and Post-Conflict Development in South Sudan
Berlin June 21-22, 2012

Thursday June 21 | 19.00 - 21.00
KOW | Brunnenstr. 9, 10119 Berlin   
South Sudan and Open Source Culture 

Friday June 22 | 10.00 - 18.00
SUPERMARKT | Brunnenstr. 64, 13355 Berlin
#OSJUBA Conference / Workshop

http://r0g-media.org/osjuba/

In many parts of the world, new governments and civic societies emerging from 
shattering conflict and revolution are facing the challenge to (re)construct 
nothing less than entirely new nations. After more than four decades of brutal 
conflict, South Sudan, the world's newest country is faced with the need to 
define political participation, state identity, economic development, 
self-determination and freedom to speak, learn, move and - very often- to 
reconcile among resolute opponents. Juba, nominally a capital since the 1972 
Addis Ababa peace accords granted the South autonomy, must now act as both an 
efficient administrator as well as the showcase of the fledgling nation's 
identity. However recent reports of massive stolen oil revenues and renewed 
border conflicts underscore the tenuous fragility of the new state's very 
existence, transforming a seemingly local conflict into an issue of global 
concern. 

Why Open Source and South Sudan? #OSJUBA (aka Open Source City Juba) considers 
these scenarios of fundamental transformation in the age of social networks, 
citizen media, open innovation and digital collaboration. The conference 
proposes to apply the innovative mechanisms and sustainable methodologies of 
the global open source movements as effective engines for a new form of 
post-conflict development practice. Using open data and crowdsourcing 
technologies, digital mobility for networking information and communication, 
new forms of citizen and device journalism the essential characteristic of the 
open source model is one of sustainability - a key criteria for successful 
development and knowledge exchange. In doing so, #OSJUBA proposes the creation 
of the first Open Source Capital City - a model in Africa, for the world.
 
In collaboration with its partners Media in Cooperation and Transition (MICT) 
and SUPERMARKT Berlin, r0g_agency for open culture and critical transformation, 
are bringing together leading local and international developers, activists and 
policy makers to identify and present innovative Open Source projects, 
platforms and methodologies, while critically examining their robustness and 
feasibility in an international development and post-conflict context.

Venzha Christ, HONF (Yogyakarta), Daudi Were, Ushahidi (Nairobi), Nadia EL-Imam 
(Strasbourg), Geraldine de Bastion newthinking (Berlin), Micz Flor, 
Sourcefabric (Berlin/Prague), Maja Bott, KfW (Frankfurt a. Main), Kai Voeckler, 
Archis Interventions (Offenbach/Amsterdam), Jörn Schultz, icebauhaus (Weimar), 
Simon Höher + Emanuel Schwarz, knowable.org (Berlin), Christian Bauer, Artesian 
(Vienna), Jan Tretschok + Carolin Wiedemann, xm:lab (Saarbruecken), Nikolay 
Georgiev, Open Source Ecology (Karlsruhe), Johnny West, OpenOil (Berlin), 
Stephanie Hankey, Tactical Technology Collective (Berlin), Georgios 
Papadopoulos, alt. economies (Athens)

#OSJUBA begins with an introduction to South Sudan one year after independence 
with special guests Duer Danier Galwak (SPLM / Germany) and Johannes Lehne 
(German Foreign Office) at KOW (Brunnenstrasse 9, Berlin) Thursday June 21, 
2012 from 19.00 – 21.00 followed by a Conference/Workshop focussing on Open 
Source and Post-Conflict Development June 22nd at SUPERMARKT (Brunnenstr. 64, 
Berlin) from 10.00 - 18.00. 

Both are free and open to the public. Full program info: 
http://r0g-media.org/osjuba/osjuba-program

The #OSJUBA talks on Friday June 22nd will be streamed live courtesy of 
Streampark AG via: 
http://www.supermarkt-berlin.net/content/osjuba-juba-worlds-first-open-source-city

http://r0g-media.org/osjuba/
Facebook Event and Stream: http://www.facebook.com/events/387391117973861/
Twitter: #osjuba


greetings, and apologies if you've already received this info via other 
channels,

stephen



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[spectre] Andy Cameron 1959 - 2012

2012-06-05 Diskussionsfäden stephen kovats
dear friends, 

I just saw this incredibly shocking news that Andy Cameron, artist, designer, 
thinker, all-round-amazing, funny and great persona who crossed all creative 
disciplines  - bringing good things to people around the world ... died May 
28th of a sudden heart attack. 

http://www.creativereview.co.uk/cr-blog/2012/may/andy-cameron

terrible, sad ... completely unexpected!

my sincere wishes  and condolences to his family and colleagues, 

stephen
kov...@r0g-media.org



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supermarkt studio 3
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13355 berlin

+49 170 5887806
r0g-media.org
tweet @intertwilight


//  --  //
** r0g_EVENTS coming up ... **

#OSJUBA *towards an Open Source South Sudan*
June 21/22, 2012
KOW + Supermarkt Berlin 
http://r0g-media.org/osjuba/


THANKS:

CIRCUM / POLARITY + C_plexus Solaris
featuring: Jan-Peter E.R. Sonntag and Mark Resch
February 29, 19.00 @ Marshall McLuhan Salon
Embassy of Canada Berlin
http://www.mcluhan-salon.de/calendar
http://arcticperspective.org

Free Culture Incubator #12 
January 26, 19.00 @Supermarkt2011 Berlin
Part of transmediale.12 VORSPIEL
http://www.supermarkt-berlin.net/en/content/free-culture-incubator-12-finale
---





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[spectre] Fwd: Help Support NEWSCOOP free media on Sourceforge

2012-05-21 Diskussionsfäden stephen kovats
Hi spectrites, 

I'm forwarding you this message from Adam Thomas of the excellent 'Newscoop' 
project by Sourcefabric. They've been nominated, and have almost cliched the 
title for the Sourceforge 'Project of the Month'. I think it's really 
worthwhile to help them get this 'distinction' and support free/open media, but 
there's only an hour left in the race, and it's NECK IN NECK against a gaming 
platform. So if possible - especially those of you in North America, please 
vote for them ... NOW! and apologies for the (moderate mis-)use of spectre for 
this appeal! Help NEWSCOOP win at http://twtpoll.com/03i0fe

cheers, 

Stephen 


Begin forwarded message:

 From: Adam Thomas adam.tho...@sourcefabric.org
 Date: 21. Mai 2012 11:00:42 MESZ
 To: Adam Thomas adam.tho...@sourcefabric.org
 Subject: One click of your time needed for free media...
 
 Dear all,
 
 Hope this finds you well! Our independent media tool Newscoop has been 
 nominated as Sourceforge project of the month - today's the last day of the 
 contest and we're narrowly losing
 
 Newscoop is co-developed by amazing news organisations like 
 http://netgazeti.ge in Georgia who, despite having a journalist arrested over 
 the weekend, still managed to work with our team there to launch their new 
 website. That's just one example of the amazing community who work every day 
 to improve this valuable project... there are many more who would appreciate 
 your vote!
 
 If you have a Twitter account, with one click you could help us win! 
 http://twtpoll.com/03i0fe
 
 An RT would be very helpful too! 
 http://twitter.com/#!/SourceAdam/status/204489274945568768
 
 Your help is hugely appreciated!
 
 Best, Adam
 
 --
 
 
 Adam Thomas
 Communications Manager, Sourcefabric
 adam.tho...@sourcefabric.org
 
 www.sourcefabric.com | www.sourcefabric.org
 
 Prinzessinnenstrasse 20, 
 10969 Berlin, Germany
 +49 (0)151 46430354
 twitter: @SourceAdam | skype: adam.thomas.skype
 
 
 


stephen kovats
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supermarkt studio 3
brunnenstrasse 69
13355 berlin

+49 170 5887806
r0g-media.org
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//  --  //
** r0g_EVENTS coming up ... **

#OSJUBA *towards an Open Source South Sudan*
June 21/22, 2012
KOW + Supermarkt Berlin 
http://r0g-media.org/osjuba/


THANKS:

CIRCUM / POLARITY + C_plexus Solaris
featuring: Jan-Peter E.R. Sonntag and Mark Resch
February 29, 19.00 @ Marshall McLuhan Salon
Embassy of Canada Berlin
http://www.mcluhan-salon.de/calendar
http://arcticperspective.org

Free Culture Incubator #12 
January 26, 19.00 @Supermarkt2011 Berlin
Part of transmediale.12 VORSPIEL
http://www.supermarkt-berlin.net/en/content/free-culture-incubator-12-finale
---



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[spectre] Graham Larkin Lecture @McLuhan Salon Berlin Nov. 25

2011-11-15 Diskussionsfäden stephen kovats
Dear spectrites, 

if you are in Berlin (or can make it!), please join us for a special lecture by 
McLuhan researcher Graham Larkin from Ottawa. This lecture is an 'extra' 
segment of the 'Re-Touching McLuhan: The Medium is the Massage' conference 
which took place at the Embassy of Canada earlier this year. 

THE REAL MESSAGE: MCLUHAN’S MEDIA PRACTICE
Lecture by Graham Larkin (Ottawa, Canada)

Friday November 25, 16.00 – 18.00
Marshall McLuhan Salon, Embassy of Canada Berlin

In a 1959 talk and a 1964 book Marshall McLuhan famously declares that “the 
medium is the message.” By 1967 the title of a typographically adventuresome 
book turns “message” into “massage.” In each case McLuhan is urging his 
audience to care less about the apparent content of communication (what happens 
to be “on” TV or “in” a book) and more about the psychodynamics of the 
particular medium (the effects of television or the book per se).Although later 
interpreters have viewed the medium=message/massage tenet as central to 
McLuhan’s thinking, there has been little sustained attention to the practical 
role of inscription, publication and broadcast in his work. In short, it is 
time to pay closer attention to the media practice behind McLuhan’s media 
theory. The present talk, based on extensive researches in the McLuhan fonds at 
Library  Archives Canada, will survey the evidence for McLuhan’s quotidian 
encounters with the very media that he investigates.

Graham Larkin lives in Ottawa, where he was curator of European  American Art 
at the National Gallery of Canada from 2005 to 2011. His researches into the 
early history of cataloguing and collecting include a doctoral dissertation 
(Harvard 2003) on the origins of the catalogue raisonné in 18th century print 
albums. While completing his dissertation he assisted information designer 
Edward Tufte with the award-winning book Beautiful Evidence. Dr. Larkin has 
taught seminars and curated exhibitions at Harvard University, and at Stanford 
University where he was a Humanities Fellow from 2003-5. He has published in 
various journals including Print Quarterly, Word  Image, ArtForum and Studies 
in the History of Gardens and Designed Landscapes.

This event will be held in English.
Admission is free and all are welcome, but please register online in advance to 
speed up entry and security at the Embassy. A valid photo ID is required when 
entering the Embassy of Canada.

To register, and for more info on this and other events at the Embassy of 
Canada’s Marshall McLuhan Salon in Berlin please visit:
http://www.mcluhan-salon.de/en/calendar

The Marshall McLuhan Salon, the Berlin Embassy of Canada's multimedia 
information centre in Berlin, provides information on and hosts one of the 
broadest publicly accessible archives about Canadian media philosopher Herbert 
Marshall McLuhan. Beyond the lecture by Graham Larkin and other events, the MMS 
is open weekly on Fridays 10.00 - 17.00, or the rest of the week by 
appointment. 

Marshall McLuhan Salon, Embassy of Canada Berlin
Ebertstr. 14 , 10117 Berlin
Entry/Access via Leipziger Platz 17
S+U Potsdamer Platz


greetings, 

Stephen




Initiator / Director
McLuhan in Europe 2011 Network
-
Celebrating the Marshall McLuhan Centennial
http://mcluhan2011.eu/berlin
#mcluhan2011eu

Graham Larkin: THE REAL MESSAGE: MCLUHAN’S MEDIA PRACTICE
Marshall McLuhan Salon, Berlin 16.00, 25 October 2011

McLuhan Open Studio / 100 Voices McLuhan
Frankfurt Book Fair 12 - 16 October 2011
#100VoicesMcLuhan

McLuminations feat. Martina Leeker
Marshall McLuhan Salon, Berlin 20 October 2011

RE-TOUCHING McLUHAN
Berlin Centennial Weekend | 27 - 29 May 2011
Marshall McLuhan Salon | Embassy of Canada

-
kov...@mcluhan2011.eu
http://mcluhan2011.eu
twitter.com/mcluhan2011eu
facebook.com/mcluhan2011eu
http://www.transmediale.de/Beyond/mcluhan-2011
-



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[spectre] Werkschau Gábor Bódy im AdK Berlin

2011-11-15 Diskussionsfäden stephen kovats
Dear spectrites, 

this, from Gusztáv Hámos ... he'll be presenting a number of Gábor Bódy works 
as part of the excellent Zbigniew Rybczynski and Gábor Bódy retrospective Der 
Stand der Bilder.

Sunday Nov 20th, at the Akademie der Kuenste in Berlin:


die Akademie der Künste zeigt im Rahmen der Ausstellung Blickwechsel - Die 
Medienpioniere 
Zbigniew Rybczynski und Gábor Bódy das Filmprogramm Der Stand der Bilder.

Am Sonntag den 20.11.2011. werden in der AdK am Hanseatenweg eine Auswahl von 
Gábor Bódy's Filmen 
gezeigt:  Der Dämon in Berlin, Amerikai anzix (American Torso), Kutya éji dala 
(Nachtlied des Hundes) u.a. 
Body's Filme werden an diesem Tag von Gusztáv Hámos vorgestellt.


Sonntag, 20. November 2011 
Akademie der Künste, Hanseatenweg 10, 10557 Berlin 
Filmprogramm (II) mit Filmen von Gábor Bódy 
vorgestellt von Gusztáv Hámos, Medienkünstler 

Eintritt € 5/3 je Block, Tageskarte € 8/5 
Detaillierte Infos:
www.adk.de/de/projekte/2011/blickwechsel/film.htm

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[spectre] Opening Thu 27, 19.30 in Berlin! State of Images. The Media Pioneers Zbigniew Rybczyński and Gábor Bódy

2011-10-25 Diskussionsfäden stephen kovats
(via Ptr Kraj on FB: http://www.facebook.com/event.php?eid=309536769061851)

State of Images. The Media Pioneers Zbigniew Rybczyński and Gábor Bódy
Der Stand der Bilder. Die Medienpioniere Zbigniew Rybczyński und Gabor Body

Opening: Friday 27 October, 7.30 pm
28 October 2011 – 1 January 2012
Akademie der Künste in Berlin
Hanseatenweg 10, Halle 2
Berlin, Germany


Exhibition The State of Images. The Media Pioneers Zbigniew Rybczyński and 
Gábor Bódy, is an attempt to juxtapose two pioneers of media art, Zbigniew 
Rybczyński (PL) and Gábor Bódy (HU), both of whom developed under the influence 
of the first European avant-garde. They begun their artistic enquiries in the 
early 1970s and immediately took on the challenges of the new media 
technologies, initially as experimental filmmakers and then in the field of 
video. Despite similarities, their artistic apparatus is highly distinct: 
Rybczyński is an illustrator, designer, and an engineer. Bódy in contrast is a 
poet, linguist, semiotician, and a dramatist.
Surprisingly, the paths of these two artists from Central Europe have never 
crossed before. This exhibition gives a unique opportunity to both appreciate 
their different artistic languages as well as seek for possible intersections. 
One immediately noticeable trait in their oeuvres is the spirit of progressive, 
radical and revolutionary experimentation. Over the years they have used 
technology to persistently examine the boundaries of both technology and human 
imagination; regardless of the socrealist regimes in which both of them 
initially worked. Yet even after moving westwards, where technology was much 
more advanced and well-developed, they did not relinquish this spirit. In fact, 
for both Rybczyński and Bódy technology was always a tool and never a goal in 
itself.
The exhibition shows stages of their creative development that were building up 
through time but also through space and is at the same time a perfect 
demonstration of how boundaries between East and West might be flux. Presented 
videos, animations, drawings, calculations and wide-ranging reflections reveal 
the universalistic quality of their art that is utterly humane.

Curators:
Piotr Krajewski
Miklós Peternák

Exhibition’s concept
Siegfried Zielinski

http://www.adk.de/de/aktuell/veranstaltungen/index.htm?we_objectID=30363
http://www.facebook.com/event.php?eid=309536769061851


greetings, 

Stephen

Initiator / Director
McLuhan in Europe 2011 Network
-
Celebrating the Marshall McLuhan Centennial
http://mcluhan2011.eu/berlin
@mcluhan2011eu

McLuminations feat. Martina Leeker
Marshall McLuhan Salon, Berlin 20 October 2011

McLuhan Open Studio / 100 Voices McLuhan
Frankfurt Book Fair 12 - 16 October 2011
#100VoicesMcLuhan

RE-TOUCHING McLUHAN
Berlin Centennial Weekend | 27 - 29 May 2011
Marshall McLuhan Salon | Embassy of Canada

-
kov...@mcluhan2011.eu
http://mcluhan2011.eu
twitter.com/mcluhan2011eu
facebook.com/mcluhan2011eu
http://www.transmediale.de/Beyond/mcluhan-2011
-




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[spectre] Käthe-Kollwitz-Preis 2011: Janet Cardiff George Bures Miller - Award Ceremony and opening of exhibition - 28 June, 2011

2011-06-27 Diskussionsfäden stephen kovats


viaKatharina Fichtner katharina.ficht...@international.gc.ca


Käthe-Kollwitz-Preis 2011: 
Janet Cardiff  George Bures Miller

English 
Version below

Preisverleihung 
und Ausstellungseröffnung
Dienstag, 28. 
Juni 2011 · 19 Uhr
Akademie der 
Künste, Pariser Platz, Plenarsaal

Begrüßung: 
Prof. Klaus Staeck
Grußwort: 
Botschafter von Kanada, Peter M. Boehm
Laudatio: 
Prof. Wulf Herzogenrath

Träger des 
Käthe-Kollwitz-Preises 2011 ist das in Berlin lebende kanadische Künstlerpaar 
Janet Cardiff und George Bures Miller. In ihrer Ausstellung am Pariser Platz 
wird die Konstruktion und Dekonstruktion von akustischer Wahrnehmung und 
illusionistischen Räumen fokussiert. Denn die wirklichen Vorgänge von Cardiffs 
und Millers Geschichten entstehen beim Begehen und Betrachten erst mit der 
visuell-sinnlichen Wahrnehmung. Durch Erinnerung und Vorstellung an und von 
Räumen, Objekten und Zusammenhängen öffnet sich eine weitere Ebene. Als 
Betrachter-Zuhörer ist man zwischen Traum und Traumata, Erschrecken und 
Neugierde hin- und hergerissen. Oft passt das, was man sieht, nicht mit dem 
zusammen, was man hört – oder aber der Klang lässt sich dem imaginierten Ort 
nicht zuordnen. 

„Killing 
Machine“ (2007) ist eines dieser faszinierenden Hauptwerke: Der Foltermaschine 
im Raum ausgesetzt, erlebt der Besucher einzig durch Licht und eine technisch 
komplexe Sound-Komposition die bis ins Unerträgliche gesteigerte Maltraitierung 
eines fiktiven Opfers. Während das wechselnde Licht, mechanische Folterarme und 
der leere „Behandlungsstuhl“ die innerlich schmerzende Erfahrung befördern, 
banalisiert die Disco-Lichtkugel diesen Moment. Das narrative Moment der Arbeit 
spielt sich einzig in unseren Köpfen ab, die Künstler reduzieren ihr Werk auf 
die akustische und visuelle Wahrnehmung und die Illusion des nicht 
Vorhandenen.


Award Ceremony and opening of 
exhibition 
Tuesday, 
June 28 2011 · 
7 
pm
Akademie der 
Künste, Pariser Platz, Plenarsaal

Address of welcome: Prof. Klaus 
Staeck
Greeting Words: Ambassador of 
Canada, Peter M. 
Boehm
Laudation: Prof. Wulf 
Herzogenrath

The Käthe 
Kollwitz Prize 2011 has been awarded jointly to Janet Cardiff and George Bures 
Miller. On this occasion the artist duo from Canada will be showing four works 
in the Akademie der Künste (Academy of Arts). The exhibition at Pariser Platz 
will focus on the construction and deconstruction of acoustic perception and 
illusionist spaces. The real occurrences in Cardiff’s and Miller’s stories only 
reveal themselves when people enter the space and engage their visual and 
tactile senses. An additional layer is revealed in the process of recalling and 
imagining spaces, objects and relations. As an observer-listener, the visitor is 
tugged back and forth between dream and trauma, horror and curiosity. What 
people see often fails to match with what they are hearing, or it is hard to 
associate a particular sound with its imagined 
location.

One of these intriguingly narrative 
main works is entitled "Killing Machine" (2007), on display for the first time 
in Berlin. Confronted with the machine of 
torture in the room, the visitor experiences the maltreatment of a fictional 
victim as it is increased to the unbearable – an effect achieved purely through 
light and a complex sound composition. While the changing light conditions and 
the empty "treatment chair" convey the experience of inner pain, a disco ball 
renders the situation trivial. The narrative aspect plays out only in our 
minds.



Ausstellung / 
Exhibition
29.6. – 
14.8.2011, 
Di/Tue 
– So/Sun 11:00– 20:00, 5,-/3,- EUR

Akademie der 
Künste
Pariser Platz 
4, 10117 Berlin
i...@adk.de, 
www.adk.de

Mit 
Unterstützung der Botschaft von Kanada / Supported by the Embassy of Canada 








Katharina Fichtner 

Cultural 
Attaché- Visual Art, Film, New Media 
Attachée 
culturelle- Arts visuels, cinéma, nouveaux médias

Embassy of 
Canada - Ambassade du 
Canada

katharina.ficht...@international.gc.ca
www.kanada.de
Tel. 
0049-30-20 312-262 (Mitnet 466-3262)
Fax. 
0049-30-20 312-121
Leipziger 
Platz 17, 10117 Berlin, Germany / Allemagne 


Foreign 
Affairs and International Trade Canada | Affaires 
étrangères et Commerce international Canada
Government of 
Canada | Gouvernement du 
Canada


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Re: [spectre] New Media Art Organisations in Netherlands lose funding

2011-06-15 Diskussionsfäden stephen kovats
hi all, 

this may sound somewhat naive, but given that the organisations involved are 
not exactly 'fly-by-night' speculative or frivolous instances, but are 
historically significant parts of the Dutch, European and broader and 
international cultural, political, educational, academic and scientific 
landscapes, i.e. institutions of major significant cultural and national 
heritage, that perhaps this is an issue that needs to be taken up by a court 
challenge at the European level, either at the European Court of Human Rights 
or the European Court of Justice. It's not necessarily so that national 
governments have either the right, the mandate or the power to 
disproportionately or unreasonably erase such significant portions of their own 
cultural identity. 

any legal experts with relevant experience/insight among the ranks of the 
spectrites?

greetings, 

Stephen

On 14.06.2011, at 20:15, Andreas Broeckmann wrote:

 (fwd)
 
 Last Friday the new policy plans of the new Minister were announced and 
 published and they are very dramatic in general for the whole field of art 
 and culture in The Netherlands. On the PNEK list it was announced as:
 
 New Media Art Organisations in Netherlands lose funding.
 
 The Dutch New Media Art Organisations Steim, De Waag, Mediamatic, V2  NIMK 
 are about to lose all their funding.
 The Dutch secretary of state for Culture in the Netherlands, Halbe Zijlstra, 
 has published his policy plan for coming years. In contrast to the official 
 recommendations given to him by the Culture Advisory Board, the cutbacks will 
 not be spread out over a number of years, but will take immediate effect in 
 2013. The budget for visual art will shrink from 53,3 to 31 million.
 Among the more damaging and destructive decisions is the complete cutting of 
 funding for the six leading New Media Art Organsiations that produce, 
 distribute and facilitate New Media Art;
 -STEIM: Independent Live electronic music centre that is exclusively 
 dedicated to the performing arts.
 -De WAAG: Organisation  Worklab for old and new media, developers of open 
 source tools, research  technology for the creative independant industry  
 intermediate between art, science and media.
 -Worm: Rotterdam based laboratory, venue and studios for film, music and 
 internet featuring concerts, new media events, screenings, production of 
 film, music and software art.
 -Mediamatic: software art projects, lectures, workshops  screenings aiming 
 on the young generation of artists, designers  tinkerers.
 -V2: interdisciplinary centre for art and media technology in Rotterdam, 
 activities include organizing presentations, exhibitions and workshops, 
 research and development of artworks operating in an international network
 -NIMK: The Netherlands Media Art Institute (NIMk) promotes the wide and 
 unrestrained development, application and distribution of, and reflection on, 
 new technologies within the visual arts. Since the Netherlands Media Art 
 Institute came into being in 1978 an extensive collection of video and media 
 art has been assembled, to which new works are constantly being added.
 
 These institutes together form the foundation for New Media Arts in the 
 Netherlands and forfil an important role in the International Network that 
 shares knowledge, exchanges, produces, distributes and promotes various forms 
 of New Media Art.
 For most of these organisations the budget cuts will mean their disappearance.
 
 
 
 (fwd)
 
 BUT of course there is more to it. In the document one can read that 
 Architecture, Design and eCulture are fusing together in a new fund called 
 Creative Industry (something non of these sectors wants). ALL organization in 
 the 3 domains won't receive any structural funding anymore in this plan BUT 
 the new Fund, that is now being structured, will likely offer the change to 
 organizations to get structural funding (2 to 4 years). But since this fund 
 is not there yet and since they are having strong debates about the role and 
 function, and program of this fund nothing is indicated about this fund in 
 the published document. So when reading the document you get a different 
 picture of what is being debated right now insight the Ministry and with the 
 3 sectors.
 The thing that should be in place for this fund are
 1. structural funding to some of the important plpl.ayers in the 3 sectors; 
 and
 2. creating space for basic research in the 3 sectors.
 When we get this done we are still facing a hardcore economic agenda (the 
 Minister is a hardcore liberal) but that we can shape and address 
 'creatively' since we can't and don't want to fullfill this agenda ourselves. 
 Dealing with the goals of the new Fund will be a major challenge since NO ONE 
 wants this Fund and it has NO bearing grounds.
 Still, if you read the whole document you can see that probably eCulture, 
 design and architecture are coming out best if you compare what is happening 
 in other sectors 

Re: [spectre] Fw: electropera act 7 web page finally up

2011-06-08 Diskussionsfäden stephen kovats
great! we'll welcome/intro HONF then also

cheers,
stephen

Sent from outerSpace

stephen kovats
mcluhan2011.eu


On 08.06.2011, at 15:04, venzha christ ven...@yahoo.com wrote:

 
 hi,
 thanks Stephen
 we will join for the streaming :-)
 
 http://video.kiberpipa.org/live.html
 chat: irc.freenode.net #mcluhan2011eu 
 
 cheers from all fibers here
 n say hi to K4 people :-)
 v
 
 
 
 
 
 
 venzha
 the house of natural fiber
 yogyakarta new media art laboratory (HONF)
 Jl.wora wari A80/6 
 Baciro - Yogyakarta
 Indonesia
 T : +62 (0) 817468621 
 F : +62 (0) 274 564276 
 E : ven...@yahoo.com
  ven...@natural-fiber.com
 URL : http://www.natural-fiber.com
 
 
 
 
 - Original Message 
 From: Stephen Kovats kov...@mcluhan2011.eu
 To: venzha christ ven...@yahoo.com
 Cc: Spectre spectre@mikrolisten.de
 Sent: Wed, June 8, 2011 2:00:22 PM
 Subject: Re: [spectre] Fw: electropera act 7 web page finally up
 
 Hi Venzha, 
 
 yes, the site is up - and the lectures, including those by MICHAEL SAUP, JAAP 
 BLONK, ANDREAS FINDEISEN, and your own IRENE AGRIVINA WIDYANINGRUM from HONF 
 will streamed and live moderated starting this evening 18.00 CEST 
 (Ljubljana). 
 
 
 Coding The Society
 by Egon March Institute and Authors, June 7 - 8, 2011 in Ljubljana
 Kiberpipa - Caffe Metropol, Kersnikova 6 / Club K4, Kersnikova 4
 Coding the Society is Act 7 of electropera, the pilot art project of x-op 
 http://www.x-op.eu
 
 live stream (18.00 - 22.00 June 8): http://video.kiberpipa.org/live.html
 chat: irc.freenode.net #mcluhan2011eu
 
 tweet @kiberpipa
 
 join us on the stream if you can!
 
 cheers, 
 
 Stephen
 
 On 06.06.2011, at 14:39, venzha christ wrote:
 
 electropera act 7: coding the society
 
 ljubljana, june 6 - 7 2011
 
 http://web.me.com/marchegon/electropera/act_7.html
 
 __
 SPECTRE list for media culture in Deep Europe
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 Initiator / Director
 McLuhan in Europe 2011 Network
 -
 RE-TOUCHING McLUHAN
 http://mcluhan2011.eu/berlin
 #mcluhan2011eu
 Berlin Centennial Weekend | 27 - 29 May 2011
 Marshall McLuhan Salon | Embassy of Canada
 
 -
 kov...@mcluhan2011.eu
 http://mcluhan2011.eu
 twitter.com/mcluhan2011eu
 facebook.com/mcluhan2011eu
 http://www.transmediale.de/Beyond/mcluhan-2011
 -
 
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[spectre] Serendipitor @ transmediale.11, New Version, New Website

2011-01-26 Diskussionsfäden stephen kovats
(Forwarded by Stephen Kovats - On 27.01.2011, at 02:15, Mark Shepard wrote:)

Hi there,

There's been a lot going on over the past weeks and months behind the
scenes, and I'll try to be as brief as possible in this update...

+ Serendipitor @ transmediale.11
I'll be in Berlin next week for transmediale.11, where Serendipitor has
been nominated for the 2011 transmediale Award -
http://www.transmediale.de/transmediale-award-nominees-2011. The
project will be exhibited at the Haus der Kulturen der Welt from
February 1 - 6. On Thursday, February 3 and Saturday, February 5 at
4pm I will be conducting group walks with the app. Drop me a note if
you will be there and want to connect!

+ New Version
A new version of the software has been released. This version adds an
I'm done button that enables you to share the directions you
received together with a map of your route and any photos you took
along the way - even without reaching the final destination. It also
addresses a bug that produced crashes on iOS 3.1.3. Update now!

+ New Website
http://serendipitor.net now features a selection of routes people have
shared using the app. View maps, directions and photos from New York,
New York; Arhus, Denmark; Amsterdam, the Netherlands; Valencia, Spain;
Trieste, Italy and more. Contribute your own routes to the site using
the new version of the app!

Best regards,
Mark

-+-

Serendipitor
http://serendipitor.net
find something by looking for something else

Serendipitor is one component of the Sentient City Survival Kit -
http://survival.sentientcity.net - a project of Creative Capital
-+-



greetings, and apologies if you have already received this note via other 
channels, 

stephen

artistic director

transmediale.11 |  1 - 6 feb 2011  
RESPONSE : ABILITY
festival for art and digital culture berlin - #tm11

Festival Passes and Tickets
http://www.transmediale.de/info/tickets

Marshall McLuhan 'COUNTERBLAST' 1954
limited transmediale special edition!
publicati...@transmediale.de

Open Web Award - Vote and comment on your favourite work:
https://www.drumbeat.org/open-web-award-finalists-voting

transmediale festival archive 1997 - 2009 BETA online!
http://archive.transmediale.de/

Celebrate Marshall McLuhan's 100th in 2011!
http://www.transmediale.de/en/beyond/McLuhan-2011


klosterstr. 68 - 10179 berlin - germany
fon +49 30 24749 761 fax +49 30 24749 763
http://www.transmediale.de
http://twitter.com/transmediale
http://www.facebook.com/transmediale

kulturprojekte berlin gmbh
aufsichtsratsvorsitzender volker heller
geschäftsführer moritz van dülmen
amtsgericht berlin charlottenburg, HRB 41312 B





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[spectre] transmediale.11: Reminder / Dec 20th last call for Early Bird Passes!

2010-12-19 Diskussionsfäden stephen kovats
 Ray's photo 'Élevage de poussière' of Marcel Duchamp's Large Glass. 
transmediale.11's zones of artistic and critical inquiry, the Open Zone and 
HacKaWay will open with labs, installations, actions and the inauguration of 
festival bureaus by Heath Bunting and Christine Lahr, and a performance of 
'Latent Image Protocol' by Paul Vanouse who will prepare the first of his 
unique DNA fingerprint samples. In the studio gallery, transmediale hosts 'The 
Secrets Trilogy' the 4th Labor Berlin merging Reynold Reynold's 'Secret Life', 
'Secret Machine' and 'Six Easy Pieces' in a complex work that twists the 
notions of time and space - the imperceptible conditions that question the 
nature of our liveness within the cacophony of technological life.

Here you can find a preliminary programme overview:
 http://www.transmediale.de/content/transmediale11-programme-preview

Of the transmediale.11 programme of ca. 150 events and projects some of the 
major thematic nodes and highlights include ...

transmediale's The Open Zone, curated by Ela Kagel and manifested through open 
studios, challenging workshops and temporary project offices run by leading 
artists and international experts from the open technology and critical art 
fields such as Ursula Endlicher, Kelly Sutton, Heath Bunting, Christopher 
'moot' Poole, Mushon Zer-Aviv, Elizabeth Stark, Peter Sunde, Les Liens 
Invisibles and Berlin's Open Design City probes and expands our abilities to 
respond to the volatility and constant flux of digital life. Helping along the 
way will be Angel_F, the digitally conceived spyware entity born through the 
technological-sensual relationship between Biodoll and Derrick de Kerckhove.
 http://www.transmediale.de/content/preview-open-zone

Joining the BODY:RESPONSE conference curated by Markus Huber renowned digital 
media activists and researchers including Franco 'BIFO' Berardi, Maurizio 
Lazzarato,Tim Etchells, Carolyn Guertin, Jens Hauser, Marie-Luise Angerer, 
Tapio Mäkelä,Verena Kuni, Roberto Esposito, Judith Revel, Hans-Jörg 
Rheinberger, Eric Kluitenberg, Adrian Heathfield, Franca Formenti (Biodoll), 
Lynn Hershman and Mark Hansen will be leading a debate into the impact of the 
hybrid, simultaneous and transformative status of digital liveness on the 
concepts of identity and physical autonomy within the world of social media and 
the emergent psycho-political power configurations of the 'born-digital' era. 
In a special evening performative lecture, Vilem Flusser Theory Award nominee 
Jordan Crandall will present his politically charged urban surveillance, and 
augmented locationing technologies research project *EVENT, AGENCY, AND 
PROGRAM*.
 http://www.transmediale.de/content/conference-preview-bodyresponse

SyncExistence features eleven film and video programmes curated by Marcel 
Schwierin comprising 58 historical and contemporary moving image works from 18 
countries. This year's main focus is a reflection on the vital ways in which 
20th century cinema – through its editing techniques and new visual culture – 
contributed to promoting the sense of growing simultaneity, ubiquity and 
acceleration which the Internet has since increased exponentially. Additional 
highlights include a focus on the first live television broadcasts, specials on 
Lynn Hershman Leeson, a leading pioneer of interactive live media art, Ho Tzu 
Nyen, the transmediale Award Nominee from Singapore, and the second edition of 
theArabShorts project.
 http://www.transmediale.de/content/preview-film-video-programme-syncexistence

This year’s performance programme LIVE:RESPONSE curated by Sandra Naumann 
hovers at the interface between the real world and the media sphere, between 
liveness and reproduction, between virtual and physical. At three locations, in 
the majestic House of World Cultures Auditorium, on the Café Stage and at the 
HacKaWay zone performers including Fair Use, Rosa Menkman, Tina Tonagel, 
Preslav Literary School, Eosin,Dorothy of the Day and Tour de Vinyl will test 
and weave experimental arrangements throughout the festival programme. Featured 
are two special 'double-header' performance concert nights, on Wed. Feb 02 with 
Cécile Babiole  Vincent Goudard's DONJON andPeople Like Us with Genre Collage, 
and on Fri Feb 04 Herman Kolgen's INJECT and Daito Manabe's Face Visualizer 
piece will square off.
 http://www.transmediale.de/content/performances-preview-liveresponse

Many more featured projects, workshops and satellite events to be announced 
shortly! 
For more information please consult http://www.transmediale.de/, and follow the 
development of the program, watch for workshop and participatory project calls 
and tell your friends by following us on twitter (#tm11) or facebook.


We wish everybody a happy holiday season, great new years ... and looking 
forward to seeing you at transmediale.11, 


Stephen Kovats

artistic director

transmediale.11 |  1 - 6 feb 2011

[spectre] transmediale 2012 and into the future!

2010-11-09 Diskussionsfäden stephen kovats
Dear friends and spectrites, 

as many of you already now, I will be leaving transmediale after my fourth and 
next edition - 'RESPONSE : ABILITY', which will open Feb 01, 2011 in Berlin! 

Today we have the distinct pleasure to announce that Kristoffer Gansing will 
take up transmediale for the 2012 edition of the festival (and hopefully 
beyond, if the funding stars are well aligned)! 

Kristoffer is a cultural producer and media researcher based usually in 
Copenhagen and Malmö, whose PhD project, “Transversal Media Practices” at the 
K3 School of Arts and Communication (Malmö University) explored the increasing 
hybridization of old and new media technologies in media art and network 
culture. Recently he was director of The Art of the Overhead, the world's only 
festival devoted to the Overhead projector. Concerned with the intersections of 
media culture, art and everyday life, Kristoffer has also been active as a 
writer since 1999, contributing to international journals and books including 
“Sarai Reader 05: Bare Acts”, “Online Territories” and “Place Studies in Art, 
Media, Science and Technology”.

I look forward to passing on the great transmediale tradition to Kristoffer, 
and to seeing him and everybody else who can make it to Berlin in February for 
what is shaping up to be a great festival! 

With greetings to all, 

Stephen!
PS# Don't forget to vote and give feedback for transmediale and drumbeat's new 
Open Web Award! Check out the finalists #thimbl, #booki and #GML at:
https://www.drumbeat.org/open-web-award-finalists-voting



artistic director

transmediale.11 |  1 - 6 feb 2011 
RESPONSE : ABILITY
festival for art and digital culture berlin

**Early bird tickets on sale beginning November 10** 

Open Web Award - Vote now!
https://www.drumbeat.org/open-web-award-finalists-voting

Free Culture Incubator Workshop series on now:
http://www.transmediale.de/content/workshop-no-2-open-nov-27th-betahaus

transmediale festival archive 1997 - 2009 BETA online!
http://archive.transmediale.de/

Celebrate Marshall McLuhan's 100th in 2011!
http://www.transmediale.de/en/beyond/McLuhan-2011

Collaborative Futures Book 2 out now!
http://collaborative-futures.org/



klosterstr. 68 - 10179 berlin - germany
fon +49 30 24749 761 fax +49 30 24749 763
http://www.transmediale.de
http://twitter.com/transmediale
facebook: transmediale

kulturprojekte berlin gmbh
aufsichtsratsvorsitzender volker heller
geschäftsführer moritz van dülmen
amtsgericht berlin charlottenburg, HRB 41312 B





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[spectre] reminder: transmediale + Vilem Flusser Theory Awards 2010 - Call for Entries Deadline July 31st!

2009-07-23 Diskussionsfäden stephen kovats

Dear spectrites,

just a gentle reminder that the deadline for Entries to the  
transmediale and Vilem Flusser Theory Awards 2010 is July 31st!


// transmediale Award 2010 //

// Vilem Flusser Theory Award 2010 //

_Call for Entries_

:: Deadline: 31 July 2009

Please refer to the complete call and online submission form at:
http://www.transmediale.de/en/call2010-main

As leading international festivals for art and digital culture as  
well as adventurous music and related visual arts, respectively,  
transmediale and CTM (club transmediale) are inviting submissions to  
the transmediale Award Competition 2010 and the Vilem Flusser Theory  
Award 2010. Invited are art works, projects and positions that  
respond to the challenges of our rapidly changing digital,  
technological and networked cultures. The transmediale Award seeks  
innovative, experimental and visionary works across a wide scope of  
form, process and practice from narrative, online and offline work,  
hybrid or technologically multi-disciplinary and interactive work, to  
code, network, unstable and hactivist art. The Awards seek to promote  
art practices that both embrace and question the relationships  
between media, technology and society, advancing progressive and  
global forms of cultural media development. Entries that exemplify  
new and critical forms of digital expression and interaction are  
encouraged, as are works from countries and regions in which digital  
art and media culture are emergent. Submissions of art works for both  
festivals participate in the transmediale Award 2010 while  
theoretical abstracts, papers and research oriented positions are  
invited for the Vilem Flusser Theory Award, with prizes totaling  
10.000 EURO.


Jury of the transmediale Award 2010 are Michelle Kasprzak  
(Edinburgh), José Luis de Vicente (Barcelona/Madrid), Li Zhenhua  
(Beijing/Zurich), Yves Bernard (Brussels), Doreen Mende (Berlin/ 
Karlsruhe).
Vilém Flusser Theory Award 2010 advisory committee members include  
Marcel René Marburger (_Vilém_Flusser_Archive, Berlin), Oliver Grau  
(Danube University, Krems) and Sabeth Buchmann (Academy of Fine Arts,  
Vienna)




transmediale.10 - FUTURITY NOW!
festival for art and digital culture berlin
03 - 07 February 2010

CTM - club transmediale.10
festival for adventurous music and related visual arts
29 January - 6 February 2010

To receive complete and periodic program information about  
transmediale please sign up to the transmediale newsletter, or keep  
in touch with developments and upcoming events on twitter or facebook.

http://www.transmediale.de
http://twitter.com/transmediale10
facebook: transmediale group


We look forward to your proposals, and wish you a great rest of the  
summer,


stephen kovats
artistic director

transmediale.10 | 3 - 7 feb 2010
festival for art and digital culture berlin

transmediale Award 2010 submissions:
http://www.transmediale.de/en/call2010-main

klosterstr. 68 - 10179 berlin - germany
fon +49 30 24749 761 fax +49 30 24749 763
http://www.transmediale.de

kulturprojekte berlin gmbh
aufsichtsratsvorsitzender volker heller
geschäftsführer moritz van dülmen
amtsgericht berlin charlottenburg, HRB 41312 B





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[spectre] Carsten Nicolai: 'rota' at new Schering Foundation Space

2009-07-02 Diskussionsfäden stephen kovats

Hi all,

if you happen to be in Berlin this evening, the Ernst Schering  
Foundation is opening a new space for exhibitions, lectures and  
workshops at the interface of art and science. The kick-off event  
will be Carsten Nicolai's exhibition 'rota' at 19.00, Unter den  
Linden 32-34, Berlin


http://www.scheringstiftung.de/lang-en/deutsch/home/18-kultur/2350- 
carsten-nicolai-rota


greetings,

Stephen




artistic director

transmediale.10 | 3 - 7 feb 2010
festival for art and digital culture berlin

transmediale Award 2010 submissions:
http://www.transmediale.de/en/call2010-main

klosterstr. 68 - 10179 berlin - germany
fon +49 30 24749 761 fax +49 30 24749 763
http://www.transmediale.de
http://twitter.com/transmediale10

kulturprojekte berlin gmbh
aufsichtsratsvorsitzender volker heller
geschäftsführer moritz van dülmen
amtsgericht berlin charlottenburg, HRB 41312 B





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[spectre] transmediale Award 2010 - Call for Entries

2009-05-06 Diskussionsfäden stephen kovats

// transmediale Award 2010 //

// Vilem Flusser Theory Award 2010 //

transmediale.10
festival for art and digital culture berlin
03 - 07 February 2010

CTM - club transmediale.10
festival for adventurous music and related visual arts
29 January - 6 February 2010

_Call for Entries_

:: Deadline: 31 July 2009
:: Award Ceremony: 6 February 2010, Haus der Kulturen der Welt, Berlin

Complete call, registration information and online submission form at:

http://www.transmediale.de/en/call2010-main


As leading international festivals for art and digital culture as  
well as adventurous music and related visual arts, respectively,  
transmediale and CTM (club transmediale) are inviting submissions to  
the transmediale Award Competition 2010 and the Vilem Flusser Theory  
Award 2010. Invited are art works, projects and positions that  
respond to the challenges of our rapidly changing digital,  
technological and networked cultures. The transmediale Award seeks  
innovative, experimental and visionary works across a wide scope of  
form, process and practice that embrace, question and enrich our  
understanding and relationship to our immersed media and  
technologically driven society. Entries that exemplify new and  
critical forms of digital expression and interaction are encouraged,  
as are works from countries and regions in which digital art and  
culture are emergent. Submissions of art works for both festivals  
participate in the transmediale Award 2010 while theoretical  
abstracts, papers and research oriented positions are invited for the  
Vilem Flusser Theory Award, with prizes totaling 10.000 EURO.


 



transmediale presents and pursues the advancement of artistic  
positions reflecting on the socio-cultural, political and creative  
impact of new technologies, network practices and digital innovation.  
As a festival aiming to define the contours of contemporary digital  
culture, it seeks out artistic practices that not only respond to  
scientific or technical developments, but that shape the way in which  
we think about and experience the technologies which impact virtually  
all aspects of our daily lives. As such, transmediale understands  
media technologies as cultural and aesthetic techniques that need to  
be embraced in order to comprehend, critique, and shape global  
societies.




CTM (club transmediale) is dedicated to contemporary electronic,  
digital and experimental music and sound creation, as well as the  
diverse range of artistic activities and social practises that  
develop within and connect to those audio cultures. Thus, the  
festival reflects on the agency of contemporary sound creation within  
the cultural fabric of society and its technological and social  
transformations. It explores the intersections of contemporary music  
and audio art with other artistic forms and cultural fields. A  
special emphasis is put on the creative use of new technologies, the  
interplay of sound with other media formats, the situational  
potential of live performances, the formation of social networks, and  
the advancement of a positive form of globalization.




Previous transmediale Award winners have included renowned artists  
such as Herman Asselberghs, Shilpa Gupta, Graham Harwood / Richard  
Wright / Matsuko Yokokoji, Zhou Hongxiang, Istvan Kantor, Thomas  
Koener, Julia Meltzer/David Thorne, Agnes Meyer-Brandis, Netochka  
Nezvanova, schoenerwissen, ubermorgen.com, Adrian Ward, Herwig Weiser  
and 242.pilots. The Vilem Flusser Theory Award, in collaboration with  
the _Vilem_Flusser_Archive of the University of Arts (UdK) Berlin,  
has been awarded to Simon Yuill (2008), Denis Roio aka jaromil and  
Brian Holmes (2009).


Jury of the transmediale Award 2010 are Michelle Kasprzak  
(Edinburgh), Jose Luis de Vicente (Barcelona/Madrid), Li Zhenhua  
(Beijing/Zurich), Yves Bernard (Brussels), Doreen Mende (Berlin/ 
Karlsruhe).


Vilem Flusser Theory Award 2010 advisory committee members include  
Marcel Marburger (_Vilem_Flusser_Archive, Berlin), Oliver Grau  
(Danube University Krems) and Sabeth Buchmann (Academy of Fine Arts,  
Vienna)


transmediale Advisory Board are Alex Adriaansens (Rotterdam), Dr.  
Marie Cathleen Haff (Berlin), Prof. Saskia Sassen (New York), Yukiko  
Shikata (Tokyo).


transmediale is a project of the Kulturprojekte Berlin GmbH, in  
cooperation with the House of World Cultures and funded by the German  
Federal Cultural Foundation.
CTM is a project by DISK / club transmediale GbR funded by  
Hauptstadtkulturfonds and DISK Initiative Bild  Ton e.V.




We look forward to your proposals, and apologies if you have already  
received this announcement through other channels,



stephen kovats

artistic director

Re: [spectre] Re: Re: In memoriam: [...] Oleg Kireev

2009-04-09 Diskussionsfäden stephen kovats

hi all,

this is absolutely shocking - and disturbing news! Oleg was certainly  
more than an activist, whether VIP or not, but a brilliant artist  
whose art was the language of critical discourse and action where -  
to echo Inke's words - such forms of expression are not readily  
accepted as art but as subversive activity against the state. It's  
incredible, and for me somewhat incomprehensible, that these  
pressures may have contributed to Oleg's loss.


it's very sad, and perhaps a wake up call of sorts ...

greetings,

Stephen



On 09.04.2009, at 00:40, Diana McCarty wrote:



Thanks for this incredible bit of insight. I am sure that everybody  
mourning the tragic loss of a friend and colleague that they adored  
should really take a few minutes to consider the injustice of this.  
We should all take a few minutes to worry about totally irrelevant  
people that don't actually do anything other than whine about who  
might be getting a bit of attention. Bravo. Well done.





Date: Tue, 7 Apr 2009 12:02:41 +0200
From: Matze Schmidt matze.schm...@n0name.de
Subject: [spectre] Re: In memoriam: [...]
To: spectre@mikrolisten.de


Very important Russian activist


It is still interesting that the distinction between VIP activists  
and

Non-VIP activists is alive.

M





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artistic director

transmediale.10 | 2 - 7 feb 2010
festival for art and digital culture berlin

klosterstr. 68 - 10179 berlin - germany
fon +49 30 24749 761 fax +49 30 24749 763
http://www.transmediale.de

kulturprojekte berlin gmbh
aufsichtsratsvorsitzender volker heller
geschäftsführer moritz van dülmen
amtsgericht berlin charlottenburg, HRB 41312 B





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[spectre] transmediale.09 Award Call

2008-07-02 Diskussionsfäden stephen kovats


transmediale.09 Award Competition - Call


transmediale.09 - DEEP NORTH
festival for art and digital culture berlin
27 January - 1 February 2009

club transmediale.09 - STRUCTURES
festival for adventurous music and related visual arts
23 - 31 January 2009


_Call for Entries_

:: Deadline: 5 September 2008
:: Award Ceremony: 31 January 2009

Find the complete call and submission form for download at:
http://transmediale.de/09/pdf/tmctm09_call_for_entries


*transmediale.09 - DEEP NORTH  club transmediale.09 - STRUCTURES*

As leading international festivals for art and digital culture as  
well as adventurous music and related visual arts, respectively,  
transmediale and club transmediale are calling for submissions to the  
transmediale Award competition and the Vilem Flusser Theory Award.


*transmediale* presents and pursues the advancement of artistic  
positions reflecting on the socio-cultural, political and economic  
impact of new technologies. It seeks out artistic practices that not  
only respond to scientific or technical developments, but that try to  
shape the way in which we think about and experience the technologies  
which impact virtually all aspects of our daily lives. As such,  
transmediale understands media technologies as cultural techniques  
that need to be embraced in order to comprehend, critique, and shape  
global societies.


*club transmediale* (CTM) is a prominent international festival  
dedicated to contemporary electronic, digital and experimental music,  
as well as the diverse range of artistic activities in the context of  
sound and club culture. CTM presents projects that experiment with  
new aesthetic parameters and new forms of cooperation, develop  
possibilities for informational and economic self-determination, and  
reflect on the role of contemporary music against the backdrop of  
technological and social transformations.


For the 2009 edition, the festivals have each set a specific thematic  
focus.


transmediale.09 - *DEEP NORTH* peers beyond the evolving alarmist  
scenarios of catastrophe prevalent in the often contradictory global  
warming debate. transmediale.09 shifts this focus to the global  
artistic, cultural, societal and philosophical consequences that the  
presumed imminent collapse of the polar ice barrier may trigger. Are  
we about to reach another historically succinct moment of unavoidable  
and cataclysmic change - a point of no return leaving in its wake  
uncontrollable global transformations? Does climate change elicit  
cultural change, a shifting of extremes or a collapse in established,  
systemic and network norms? DEEP NORTH becomes not a fixed location,  
but a paradigm transforming loss, scarcity, inertia and rivalry into  
urgent and revealing states of being and expression.


With *STRUCTURES* - Backing-Up Independent Audio-Visual Cultures,  
club transmediale.09 presents projects that spring from the critical,  
interdisciplinary and experimental practice at the intersections of  
sound and other art forms. In recent years, a new breed of hybrid  
projects and initiatives that merges experimental audio and media  
cultures has developed in the convergence-zone between pop culture,  
science, arts and media technologies. This still remains primarily  
the domain of committed individuals and small, self-organised groups  
or networks that, often in the most precarious of circumstances,  
provide the supporting platform for these new artistic articulations  
and experiments. In its 10th year, CTM looks into the current state  
and potential development opportunities of these independent structures.


Together, transmediale and club transmediale invite the submission of  
works and projects that respond to these challenges and embody  
contemporary notions of art that embrace, question and enrich digital  
culture. Submissions of art works for both festivals participate in  
the transmediale Award 2009 while theoretical abstracts, papers and  
critical artistic positions are invited for the Vilem Flusser Theory  
Award, with prizes totaling ca. 10.000 EURO. Jury members of the  
transmediale Award 2009 are Annick Bureaud, Paris; Bronac Ferran,  
London; Juha Huuskonen, Helsinki; Pooja Sood, New Delhi; Christoph  
Tannert, Berlin



transmediale is a project of Kulturprojekte Berlin in cooperation  
with Haus der Kulturen der Welt :: club transmediale (CTM) is a  
project of DISK - Sound  Image Initiative e.V. :: transmediale is  
funded by the German Federal Cultural Foundation :: CTM is funded by  
the Hauptstadtkulturfonds.



***

-
transmediale.09 :: 27 January - 1 February 2009
festival for art and digital culture berlin
-
transmediale :: Klosterstr. 68 :: D-10179 Berlin
tel. +49 (0)30.24749-761 :: fax. +49 

[spectre] Fwd: In Memoriam: Nan Hoover

2008-06-12 Diskussionsfäden stephen kovats

Dear all,

one of the great pioneers of video and electronic art Nan Hoover  
passed away Monday in Berlin. Montevideo/TBA (Amsterdam) has set up a  
'condolences site' for anybody to leave a personal message:


Nan Hoover in Memoriam

Condoleance book: http://www.condoleance.nl/registers/ 
register_10254.html


Best regards,

Stephen

Begin forwarded message:


From: Nederlands Instituut voor Mediakunst [EMAIL PROTECTED]
Date: 11. Juni 2008 21:09:57 GMT+02:00

Nan Hoover
New York, May 12, 1931 – Berlin, June 9, 2008

It is with deepest sadness that we bid farewell to Nan Hoover. Dear  
Nan, you were one of the most important international pioneers of  
video and performance art. You came to Amsterdam for a vacation,  
fell in love with the city and decided to stay.
With your video art you revealed the beauty of light, stillness and  
time. You have left us with the memories of your spontaneity, your  
warmth and sharp eye for the work of your colleagues and students –  
and of course your oeuvre, preserved in museums and many collections.


A special memorial is organized for Nan Hoover on June 20th at the  
Netherlands Media Art Institute, Keizersgracht 264, Amsterdam from  
5:00 - 7:00 pm. For questions and/or details please contact us via  
infoatnimk.nl


Heiner Holtappels Director, Netherlands Media Art Institute

For all the staff of the Netherlands Media Art Institute,  
Montevideo/TBA


http://www.nan-hoover.com/

Nederlands Instituut voor Mediakunst /
Netherlands Media Art Institute
Keizersgracht 264
NL-1016 EV Amsterdam
http://www.nimk.nl



artistic director

DEEP NORTH
transmediale.09 | 28 jan - 1 feb 2009
festival for art and digital culture berlin

klosterstr. 68 - 10179 berlin - germany
fon +49 30 24749 761 fax +49 30 24749 763
http://www.transmediale.de

kulturprojekte berlin gmbh
aufsichtsratsvorsitzender volker heller
geschäftsführer moritz van dülmen
amtsgericht berlin charlottenburg, HRB 41312 B





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[spectre] Today - Berlin Demo Against Data Retention ... and Pirate party ...

2007-09-21 Diskussionsfäden stephen kovats

Dear Spectrites,

for anybody who happens be in Berlin today, (Saturday September 22)  
you may want to join the protest against government efforts to retain  
and network personal telecommunications data. Under the motto  
Liberty instead of Fear (Freiheit statt Angst) the protest  
organisers (the German Working Group on Data Retention) also hope to  
illustrate the growing problematic of 'data abuse' and legitimate  
concerns about the erosion of basic democratic and constitutional  
rights to individual privacy and freedom of movement.


http://www.vorratsdatenspeicherung.de/content/view/125/116/lang,en/

Protest march in Berlin on Saturday, 22 September at 2.30 pm
Civil rights groups are calling on citizens to join in a protest  
march against excessive surveillance by businesses and governments.  
On 22 September 2007 concerned citizens will take to the streets, the  
motto being Liberty instead of fear - Stop the surveillance mania!.  
We will meet at Pariser Platz (Brandenburger Tor) at 2.30 pm.



After the march, the German Pirate Party (www.pirantenpartei.de) will  
be celebrating its 1st anniversary, and invites anybody interested in  
their activities, which include securing privacy and data protection,  
government transparency, open access and non-commercial use and  
reproduction of digital material:


Piratenpartei Birthday Celebration and 'Freiheit statt Angst' Demo  
Afterparty at C-Base Berlin beginning at 19.00

with: djs alex, b1doppel s (zwieback), pirat

location: C-Base, Rungestr. 20, Janowitzbrücke, Berlin

http://www.c-base.org/

http://www.piratenpartei.de/

http://berlin.piratenpartei.de/



cheers,

stephen


***
conspire ...
tm.08 january 29 - february 03, 2008

stephen kovats
artistic director - transmediale
festival for art and digital culture berlin

transmediale - Klosterstr. 68 - 10179 Berlin
tel. +49 (0)30.24749-761 fax. +49 (0)30.24749-814
[EMAIL PROTECTED] - http://www.transmediale.de

Kulturprojekte Berlin GmbH, Berlin
Amtsgericht Berlin Charlottenburg, HRB 41312 B
Geschäftsführer: Moritz van Dülmen




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[spectre] Today ... ?Copyriot!-Pirate Movement to Brussels in 2009? / Live-Audiostream+IRC from Vienna

2007-06-10 Diskussionsfäden stephen kovats

Dear Spectrites ...

today, Sunday afternoon and this evening, 10th of June, there will be  
two panels about the actual problems of European Digital  
Futures (IPRED2,
Data Retention Directive) and ways to react. The event features Rick  
Falkvinge, founder of the Swedish Pirate Party, in conversation with  
Member of European Parliament (MEP) Eva Lichtenberger on the dispute  
over the recent  so-called „Criminalisation Directive“ (IPRED 2):


http://www.copycrime.eu/ copycrime.eu

http://www.fsfeurope.org/

http://www.piratpartiet.se/international

The events, listed below, will be streamed live with an IRC channel  
open for commentary and questions:


Audio-Live-Stream: www.nextsteppolitics09.org

IRC for Questions: irc.goto10.org / Channel: pirate09

---

Pirate-Office, ThePirateBay, Pirate Parties - the Swedes are  
invading Vienna once again!


Sunday, 10th of June 2007
15.00  - 17.00   Wake up! - European Digital Futures at stake?
Participants: Eva  Lichtenberger (MEP of the Green Party, Austria)  /  
Chris Jeitler (Quintessenz.at; tbc) /  Christian Engström (Swedish  
Pirate Party),
Clifford Wolff (coder of RockLinux and Kwaffler, A), Tom Fürstner  
(programmer and artist, A)


19.00 - 21.00 Next Step Politics!? Pirates to Brussels 2009?!
19.00 Keynote by Rick Falkvinge, Founder of piratpartiet.se
20.00 Panel-Discussion with Rick Falkvinge (SE), Eva Lichtenberger  
(A) , Adrian Dabrowski (Quintessenz, A),

Stephen Kovats (artistic drector of Transmediale, Berlin, CA / DE)

www.nextsteppolitics09.org
www.transformingfreedom.org
---
Organized in cooperation with:
Academy of Fine Arts Vienna, metalab, monochrom, teichenberg,  
Transforming Freedom

and the Quarter for Digital Cultlure (QDK) at the quartier21

Funded by:
work / serious fun
Means of the netznetz-community / MA 7 of Wien Kultur

greetings,

Stephen Kovats




***
conspire ...
tm.08 january 29, 2008

stephen kovats
artistic director - transmediale
festival for art and digital culture berlin

transmediale - Klosterstr. 68 - 10179 Berlin
tel. +49 (0)30.24749-761 fax. +49 (0)30.24749-814
[EMAIL PROTECTED] - http://www.transmediale.de

Kulturprojekte Berlin GmbH, Berlin
Amtsgericht Berlin Charlottenburg, HRB 41312 B
Geschäftsführer: Moritz van Dülmen




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[spectre] DEAF07 - Polar Bending Conference today

2007-04-14 Diskussionsfäden stephen kovats

DEAF07 - Interact or Die!

Polar Bending Conference: I-TASC
The Interpolar Transnational Art Science Constellation

Sat. April 14 @ 14.00 - 16.30
V2_Studio
Witte de Withstraat 63
Rotterdam

I-TASC, an official project of the current International Polar Year,  
is a decentralized network of individuals and organisations working  
collaboratively in the fields of art, science and technology on the  
creative development and tactical deployment of renewable energy,  
sustainable architecture and open-format, open-source media. I-TASC  
is a lichen-like structure sharing and integrating local knowledge,  
resources and skills in order to symbiotically engage with the air,  
ocean, earth and space commons. Antarctica and the Arctic are the  
critical departure points for I-TASC, with preliminary research trips  
having taken place in Nunavut, Canada (2006) and a recently completed  
trip to SANAE IV, the South African Research base in Antarctica.


Polar Bending will present the work and vision of I-TASC, including  
Polar Radio, Antarctica's first artist-run radio station aimed at  
linking North and South polar communities, the Antarctica Data Jam  
using PureData to resample live polar weather data, a live set by the  
performance entity 'Gem Sqash' as well as a series of proxy projects  
hosted by the recent I-TASC mission to the Antarctic.


Featuring:

Ntsikelelo 'First Born' Ntshingila (SA)
Adam Hyde (NZ)
Thomas Mulcaire (SA)
Amanda Rodrigues Alves (BR)
Marko Peljhan (SI)

With I-TASC participants:
Tijmen Schep (NL)
Matthew Biederman (CDN)
Moderated and introduced by Stephen Kovats, V2_

http://www.interpolar.org/
http://adam.engagetv.com/gem_sqash
http://www.broadcastyourpodcast.com


Polar Bending is co-produced by: ZAVOD PROJEKT ATOL (Slovenia) with  
the support of the Ministry of Culture, Republic of Slovenia


DEAF07 - INTERACT OR DIE!
APRIL 10 - 29, 2007
www.deaf07.nl








***
stephen kovats
artistic director - transmediale
festival for art and digital culture berlin

transmediale - Klosterstr. 68 - 10179 Berlin
tel. +49 (0)30.24749-761 fax. +49 (0)30.24749-814
[EMAIL PROTECTED] - http://www.transmediale.de

Kulturprojekte Berlin GmbH, Berlin
Amtsgericht Berlin Charlottenburg, HRB 41312 B
Geschäftsführer: Moritz van Dülmen




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[spectre] CREATIVITY 2.0 - 2nd Chinese Bloggers Conference (V2_ Rotterdam Satellite)

2006-10-23 Diskussionsfäden Stephen Kovats

CREATIVITY 2.0
Rotterdam satellite of the 2nd Chinese Bloggers Conference

V2_ (Rotterdam)
Saturday October 28, 2006
10.00 – 13.00 (CEST - Central European Summer Time)
realmedia stream: www.v2.nl (rtsp://helix.v2.nl/encoder/cnblog_nl.rm)
IRC channel at irc://irc.freenode.net/#cnbloggercon

V2_ invites you to participate in CREATIVITY 2.0, an extra- 
territorial Tangent_Event taking place in Rotterdam connecting to the  
2nd Chinese Bloggers Conference, in Hangzhou China October 28/29.  
Featuring special guest Régine Debatty we-make-money-not-art.com in  
Rotterdam and cultural bloggers Zhang Qing and Gino Yu in Hangzhou,  
CREATIVITY 2.0 will bring together leading independent writers and  
curators to discuss the rise of the blog as an open medium of  
expression in establishing and supporting unrestricted forms of  
dialogue and community, both in the sense of cultural enterprise and  
artistic practice.


Recently, and during the past year in particular, it has become  
increasingly popular to use the new tools and expanded online  
facilities that weblogs provide in order to create new social  
identities, define cultural practices and create active communities  
beyond the physical constraints of urban or national structures. This  
is especially the case in countries such as the People’s Republic of  
China in which a new ‘middle landscape’ of an increasingly affluent  
and mobile citizenry has zealously and enthusiastically attuned to  
the latest in global technology and telecommunications. Forming a  
significant part of the ‘Web 2.0’ phenomenon Blogs pick up the faded  
myth of the Internet as a user generated space of exchange with both  
cultural and commercial repercussions.


Associated online tools and services such as, YouTube, Biku, Flickr  
and del.icio.us augment the omnipresence of Blogs into complex global  
communities of users linked via an infinite number of personal  
backgrounds, interests and goals and create new forms of social,  
cultural, artistic and economic networks. In areas where traditional  
forms of monitoring and control of information is pervasive the  
complexity and diversity of blogging’s reach drives the creation of  
new platforms and forms of expression. Blogs brought to life by  
anyone anytime are now creating a blogosphere rapidly replacing  
traditional information structures by unifying in cross-media  
frameworks the same mechanisms of text and visual tagging, cross- 
referencing of information, and opinion gathering established with  
the Internet over a decade ago. But how do these structures  
originate, who do they serve, and how are the bloggers covered by  
‘traditional’ or local media? Beyond global entertainment and free- 
for-all journalism can Blogs instill new cultural identities and open  
up new zones of dialogue and critique? Can they lead to cultural and  
artistic production per se, or drown in parody and hasty mash-ups  
during their authors’ 5 minute bursts of fame?


CREATIVITY 2.0 links the worlds of blogging between Europe, Asia and  
beyond in a live and online dialogue hosting players including Régine  
Debatty, Zhang Qing, Gino Yu, aaajiao and Kuang Huang who are active  
in defining and sharpening both active art communities and  
establishing new contexts for transnational cultural dialogue.


CREATIVITY 2.0 will be moderated in Rotterdam by V2_ program curator  
Stephen Kovats, and in Hangzhou by writer and cultural theorist Tian  
Sun.


The event will be streamed live using REAL MEDIA and IRC moderated  
online by Berlin based independent curator Vera Tollmann. The stream  
can be accessed directly via www.v2.nl or by using the following  
direct REAL player link: rtsp://helix.v2.nl/encoder/cnblog_nl.rm

You can download a free Real Player at www.real.com.
If you are online we invite you to participate in the event via IRC  
text chat on:


irc://irc.freenode.net/#cnbloggercon

---

Schedule and Format:

V2_Institute for the Unstable Media, Rotterdam

Saturday October 28, 2006

10.00 Doors open at V2_, welcome coffee

10.30 CREATIVITY 2.0 intro + selected Chinese videoblog screening

11.00 – go live, online with Hangzhou – Stephen Kovats and Tian Sun

11.05 – speaker 1: Zhang Qing, in Hangzhou
11.15 – speaker 2: Régine Debatty, in Rotterdam
11.25 – speaker 3: Gino Yu, in Hangzhou
11.35 – open discussion with local and online participants
12.00 – close connection
12.00 – 13.00 discussion/conclusion at V2_, with screenings
All times listed are local Rotterdam times (CEST)

To check your time zone, please consult:

http://www.timeanddate.com/worldclock/converter.html


V2_ will also be streaming the entire conference in Hangzhou and will  
moderate online selected presentations and discussions. Check the  
conference site for full schedule: http://cnbloggercon.org/2006/en/ 
Schedule
NOTE!: Most areas (but not China!) will revert to Standard Time at  
0300 on Sunday October 29

Re: [spectre] Welcome to the Underfire mailing list

2006-10-20 Diskussionsfäden Stephen Kovats

Hi Geert,

you may have received the mail if you were on the earlier 'underfire'  
list. V2_ and WdW hosted to the project in an earlier phase, and now  
Eyebeam has picked it up. They took the old list and reactivated it,  
so if you don't want to be on it, just write them a cancel.



[EMAIL PROTECTED]


cheers,

stephen!


On 16.10.2006, at 08:18, Geert Lovink wrote:

hi, did others also get such spam? i never asked to be subscribed  
to this list. geert


Begin forwarded message:


From: [EMAIL PROTECTED]
Date: 15 October 2006 10:50:04 PM
To: [EMAIL PROTECTED]
Subject: Welcome to the Underfire mailing list

Welcome to the [EMAIL PROTECTED] mailing list! We
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V2_Institute for the Unstable Media
Stephen Kovats_Program Curator
Eendrachtsstraat 10
3012 XL Rotterdam
The Netherlands

t_  **31 10 750 1519
f_  **31 10 206 7271
e_  [EMAIL PROTECTED]
www.v2.nl

Immersive Mixed Reality Environments
October 21, 10.00 - 17.00 (CEST)
Erasmuc MC I-Space Research Centre
featuring Maurice Benayoun, Derek Hales, Sonia Cillari, Pierre Proske
more info and registration: [EMAIL PROTECTED]

CREATIVITY 2.0
2nd China Bloggers Conference
Hangzhou, China October 28/29, 2006
Live Rotterdam Satellite Saturday October 28, 10.00 - 14.00 (CEST)
http://cnbloggercon.org/2006/en

FLESHING OUT: Wearable Interfaces, Smart Materials and Living Fabrics
Seminar: V2_ Rotterdam, Thursday November 9, 2006
Workshop: de Zwijger, Amsterdam, Friday November 10, 2006
more info and registration: www.virtueelplatform.nl/fleshingout

REMF - Rotterdam Electronic Music Festival
November 10/11, 2006 at V2_ featuring
Jochem Paap, Nanko and Scott Pagano
tickets and info: www.remf.nl

TANGENT_CONSPIRACY
featuring übermorgen, Alessandro Ludovico and Florian Cramer
Friday December 01, 20.00 (CET)

** IFFR07 Speed of Light - Jan 25 - Feb 10,  2007 **

** DEAF07 - APRIL 10 - 29, 2007 **

*


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[spectre] GWEI hits SPIEGEL ONLINE

2006-09-05 Diskussionsfäden Stephen Kovats

Hi all,

it took some time ... but finally some people are getting 'worried' ...

GWEI - Google Will Eat Itself has just appeared (for German speakers)  
on Spiegel Online:


http://www.spiegel.de/netzwelt/netzkultur/0,1518,435195,00.html

To lend your hand in the GWEI project by UBERMORGEN.COM (feat.  
Alessandro Ludovico vs. Paolo Cirio),   start feeding at:


http://www.gwei.org

cheers,

stephen!

**
V2_Institute for the Unstable Media
Stephen Kovats_Program Curator
Eendrachtsstraat 10
3012 XL Rotterdam
The Netherlands

t_  **31 10 750 1519
f_  **31 10 206 7271
e_  [EMAIL PROTECTED]
www.v2.nl

TANGENT_BURN featuring PLATONIQ
Friday September 08 @ 20.00 (CEST)
with guest performers ...
'onehertexpressions', Zaplab Creative Television and Meticais
RealMedia stream live via www.v2.nl
www.platoniq.net
**


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[spectre] V2_ Conference: The Electromagnetic Bride - Rotterdam Saturday May 6

2006-05-02 Diskussionsfäden stephen kovats

The Electromagnetic Bride - conference
V2_Institute for the Unstable Media
in collaboration with Goethe Institut Rotterdam

Saturday May 6th, 10.00 - 17.00 (Central European Summer Time GMT+2)

The Electromagnetic Bride examines the contemporary relationships in 
the perception and actions of the human body and the global 
electromagnetic environment. Taking its cues from an intersection in 
the work of Nikola Tesla and conceptual contemporaries including Marcel 
Duchamp, Konrad Zuse and Robert Barry, the conference will examine how 
these relationships link the histories of electronic technological 
innovation to the context of current artistic practice.


Featuring
Horst Zuse (Berlin) on The Origins of the Computer
Nina Czegledy (Toronto) on On Tesla and Bio-Electromagnetism
David Tomas (Toronto) on Conceptual Art and the Body's Invisible Matrix
Jan-Peter E.R. Sonntag (Berlin) on his 'sonArc::ion' project
Æ (Montreal) on Abstract Realism
Usman Haque (London) on Ethereal Projects
Christa Sommerer (Vienna) on Experiencing Aspects of Nanotechnology 
Through Interactive Art


introduced and moderated by Stephen Kovats, V2_Institute for the 
Unstable Media


Registration: please contact [EMAIL PROTECTED]
The Electromagnetic Bride will be streamed live via www.v2.nl

Location:
Goethe-Institut Rotterdam
Westersingel 9
3014 GM Rotterdam
**31 (0)10 209 2090
http://www.goethe.de/ins/nl/rot/deindex.htm



The Electromagnetic Bride conference takes place in conjunction with 
the exhibition:


Electromagnetic Bodies:  Aether, Desire and Resonance in Art and 
Technology

Opening Thursday May 4th, 2006
20.30 at TENT.CBK and 22.30 at V2_Rotterdam

Referring to the pioneering work of Nikola Tesla (1856 – 1943), 
Electromagnetic Bodies: Aether, Desire and Resonance in Art and 
Technology explores the notions of being and desire in a society 
determined by our bodily immersion within an ubiquitous and omnipresent 
electromagnetic realm.


Featuring electronic, interactive and acoustic artworks by Ælab, 
Jean-Pierre Aubé, Craig Baldwin, Matheusz Herczka, Simone 
Jones, Marie-Jeanne Musiol, Carsten Nicolai, Paulette Phillips, 
Catherine Richards, Jocelyn Robert, Daan Roosegaarde David Tomas, Edwin 
van der Heideand Norman T. White, with commissioned works premiering by 
Michiel van Bakel with Bill Spinhoven,and Marnix de Nijs.


Exhibition runs daily except Mondays May 4th - June 4th 11.00 - 18.00 
at TENT.CBK and V2_Institute for the Unstable Media

Guided tours are available through [EMAIL PROTECTED] by advance reservation.

The project is supported financially by the Mondriaan Foundation, the 
Stichting CBK Rotterdam, The Canada Council for the Arts, The Conseil 
des Arts et des Lettres du Québec, TheFilmfonds Amsterdam, and the 
Canadian Dept. of Foreign Affaires. Electromagnetic Bodies: Aether, 
Desire and Resonance in Art and Technologyis based on the Resonance: 
Electromagnetic Bodies international touring exhibition initiated and 
curated by Nina Czegledy and Louise Provencher in Canada, and 
co-curated by Stephen Kovats and Willie Stehouwen in Rotterdam.


Venues:

TENT. Centrum Beeldende Kunst
Witte de Withstraat 50
3012 BR Rotterdam
tel **31 (0)10 413 5498
www.tentplaza.nl

V2_ Institute for the Unstable Media
Eendrachtsstraat 10
3012 XL Rotterdam
**31 (0)10 206 7272
www.v2.nl


*
V2_Institute for the Unstable Media
Stephen Kovats_Program Development
Eendrachtsstraat 10
3012 XL Rotterdam
The Netherlands

t_  **31 10 750 1519
f_  **31 10 206 7271
e_  [EMAIL PROTECTED]
www.v2.nl

ELECTROMAGNETIC BODIES
Aether, Resonance and Desire in Art and Technology
*** opening Thursday May 04, 2006 @ TENT.  V2_ ***
open 11.00 - 18.00 daily except Mondays til June 04, 2006

The Electromagnetic Bride
Conference Saturday May 06, 2006, 10.00 - 17.00
Goethe Institut Rotterdam

TANGENT_FEAR
on media and phobic objects
webstream archived at http://www.archive.org/details/tangents_fear

TANGENT_LEAP
on emergent media landscapes in China
event archived at: http://www.archive.org/details/tangent_leap

POLAR_TANGENT
on electronic geostationary sound and space from Igloolik, Nunavut, 
Canada

QT webcast: rtsp://mediaserver.v2.nl:555/polar_tangent1.mov
*

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[spectre] V2_Event: TANGENT_FEAR stream + IRC March 03 ++19.00 CET++

2006-03-02 Diskussionsfäden stephen kovats
We invite all of you who aren't able to join us in the vicinity of
V2_Institute for the Unstable Media, Rotterdam
to join online at ...

TANGENT_FEAR: INVITING HORROR

featuring Karen Lancel, Hermen Maat, Dennis de Favero,
Jill Magid, Jordan Crandall and Marc de Kesel

ROTTERDAM + NEW YORK + HELSINKI + MELBOURNE

LIVE STREAM: http://www.v2.nl/live
MODERATED IRC CHAT SPACE: irc.v2.nl (#V2_FEAR)

Friday 3 March 2006 : CET 19:00-22:00 Rotterdam local

GMT  18.00 - 21.00 
NORTHERN/EASTERN EUROPE (HELSINKI) 20.00 - 23.00
EASTERN STANDARD TIME (NEW YORK) 13.00 - 16.00
PACIFIC STANDARD TIME (LOS ANGELES) 10.00 - 13.00
AUSTRALIA STANDARD TIME (MELBOURNE) 05.00 - 08.00 (next day Sat Mar 04)

*

'What is rejected and refused in the symbolic order, reappears in reality.
Specters, ghosts and phantoms haunt the world.'
(Peter Weibel on Jacques Lacan)

TANGENT_FEAR presents Inviting Horror, an artistic research project by
Karen Lancel and Hermen Maat which investigates the experience of fear in
public space. In a world in which daily activity is monitored through
electronic technologies marked by networked surveillance systems,
biometric scanning and profiling mechanisms, people are required to
surrender access to their personal spheres of privacy and movement. Under
the guise of community safety and anti-terror security a demand for
ultimate transparency is made. Suspense is created and the urban space
becomes a phobic zone, a horror-scape, in which an explosive mix of
aggression and desire results in an irrational need to remove one’s self
from the public sphere, a desire for the incognito.

To invite horror, and offer it a safe haven within our personal realms of
well being and spheres of desire, implies both an obvious impossibility
and a potential to counter the loss of control of our public domain. Using
the movie related notion of horror, we search artistic strategies and
scenarios in which the transition from desire and fear to a social phobia
can be (re)constructed as a real-time and real-space action occurring live
in the public sphere. Karen Lancel and Hermen Maat have invited a group of
artists and researchers whose work centers on notions of fear, the body
and perception to engage a broader public audience to discuss and explore
these issues to bring horror ‘inside’ from within the public sphere.


Participants

Jordan Crandall online Helsinki, media artist and theorist, UC San Diego,
recently completed Homefront, a video installation exploring the
psychological dimensions of the new security culture.
http://jordancrandall.com/homefront

Dennis Del Favero online Melbourne, artist and researcher, presents his
video piece Pentimento, and will discuss the aesthetics of trauma through
Nachtraglichkeit, a work in which he introduces the work of Pierre Janet.
http://www.icinema.unsw.edu.au

Jill Magid online New York, both performer and director, she engages the
systems of discipline in society, such as police, CCTV, and forensic artists
by exploiting the dormant possibilities of their services. She employs the
system, via its latent qualities, to establish an intimate and poetic
experience. http://www.jillmagid.net

Marc de Kesel online Rotterdam, Lacanian philosopher and researcher, Jan
Van Eyck Academie Maastricht, will talk about the violence which is inherent
to people, and the incapacity to deal with violence lucidly. An
impossibility that makes violence only more malicious.

Karen Lancel and Hermen Maat online Rotterdam, experiment with new art
forms for social cohension using electronic communication devices. In their
performances and installations Lancel and Maat use a combination of online
and offline media in which they invite the audience to participate. They
design projects for urban public space such as those found at train
stations, airports, museum lobbies, theaters, universities, construction
sites, and city squares. Much of their work is developed in collaboration
with V2_Lab (Rotterdam) and Montevideo / TBA Netherlands Institute for Media
Art (Amsterdam). http://www.lancelmaat.nl

New York stream in collaboration with EYEBEAM www.eyebeam.org
Helsinki stream in collaboration with M_CULT www.m-cult.org

Embedded stream and IRC chat: http://www.v2.nl/live

or using external clients:

REAL MEDIA stream: rtsp://helix.v2.nl/encoder/fear.rm
IRC server: irc.v2.nl
Channel: #V2_FEAR

For technical issues, please use IRC channel: #tech

*
V2_, Institute for the Unstable Media
Eendrachtsstraat 10, NL-3012 XL Rotterdam
PO Box 19049, NL-3001 BA Rotterdam, NL
Tel + 31 10 206 72 72 | Fax + 31 10 206 72 71
E-mail info AT v2.nl | URL http://www.v2.nl
*

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Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-24 Diskussionsfäden stephen kovats
 He's also the only of the three curators who ducked a reply to us after
 our protests. And on top of that, Inke's text that got ripped off into
 Just Do It originally had been a lecture of her's at Zollverein - when
 Waldvogel was its curator, and listening to the talk. So beware of Mr.
 Waldvogel attending your lectures.  There's a chance that they end up,
 with his name tag, in his next brilliant catalogue, getting him the next
 big job in the art world. I just learned that he has become a curator at
 Witte de With in Rotterdam.

Hi all, 

Nicolaus Schafhausen (formerly Frankfurter Kunstverein) became the new Witte
de With director and chief-curator on January 1st this year, which here is
being seen as quite a positive development. Reading the posting that
Waldvogel is (or will be) a curator 'across the street' at Witte de With I
was rather hoping that this may have been a slip of the pen. But indeed,
further intensive research has confirmed this to be the case ...

www.wdw.nl

greetings, 

stephen



V2_Institute for the Unstable Media
Stephen Kovats_Program Development
Eendrachtsstraat 10
3012 XL Rotterdam
The Netherlands

t_  **31 10 206 7272
f_  **31 10 206 7271
e_  [EMAIL PROTECTED]
 www.v2.nl
 
events streamed live at www.v2.nl/live
and moderated on irc.v2.nl #V2_tangent


TANGENT_FEAR 
on media and phobic objects
Friday March 03, 2006 @ 19.00 - 22.00 CET
featuring Karen Lancel and Hermen Maat with
Marc de Kesel, Jordan Crandall, Jill Magid and Dennis del Favero

TANGENT_LEAP 
on emergent media landscapes in China
Thursday March 30 @ 19.00 - 22.00 CET
Featuring Michael Anti, Zhang Ga, Karsten Giese and Guobin Yang
in collaboration with International Institute for Asian Studies, Leiden
(IIAS) 

ELECTROMAGNETIC BODIES
exhibition opening May 04, 2006
conference: The Electromagnetic Bride - Saturday May 06, 2006

aRt  D: Research and Development in Art
V2_Publication launched June 04

Beijing Millenium Dialogue
In the Line of Flight
www.newmediabeijing.org

*



































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