[spectre] [[[little easy]]] out now
[[[mixedmediamicromonuments]]] show another micromonument called little easy. let´s try to do it like EASY does !!! you will find the picture at www.schaum.de.ki at the end of the page... best regards +++ link it if you like it +++ www.schaum.de.ki [[[mixedmediamicromonuments]]] -- www.schaum.de.ki Pt! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
[spectre] (fwd) dmax - Announcing (New) Media Art Blog
[funnily, in germany there is a tv channel called DMAX 'for the greatest people in the world: men.' lot's of cars and bikes, no sex; and i am glad that even the initiators in the bay area are beginning to have doubts about the word 'new' which will, we can hope, soon be swalled up by that gaping paranthesis; -ab] Announcing the DMAX Blog http://dmax.bampfa.berkeley.edu/blog As an epicenter of the digital revolution, the San Francisco Bay Area is a buzzing hive of constant activity and energy around digital culture and art made possible by technological innovation. A critical feedback forum contributes to a thriving, evolving and intellectually playful cultural community. For this reason, the Berkeley Art Museum/ Pacific Film Archive's Digital Media Art Access and Exhibitions program (DMAX) and the UC Berkeley Center for New Media (BCNM) are hosting such a critical forum - in the form of the new DMAX blog - to sustain our community of thinkers. This blog has a loose and flexible focus on: Bay Area regional / digital / art and culture. The regional focus supports a geo-physical community of familiar faces. The broad digital culture focus reflects the fact that this community spans many professional fields, creating a need for a different kind of apparatus from the traditional academic or art review. Serving as a civic cultural forum for this broad and diverse community is a natural role for a public museum and a public university. In this spirit, this blog will not limit the public to behind-the-scenes comments, but will be open to public participation at all levels (top- level posts, comments, events) in addition to featuring bloggers drawn from the DMAX and BCNM programs. The DMAX Blog provides our community with a gathering place to let each other know what's going on, what people think, and what's next. Welcome home! --- DMAX - Digital Media Art Access and Exhibitions - http://dmax.bampfa.berkeley.edu - Berkeley Art Museum/Pacific Film Archive __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] media art and dictatorial regimes
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 re all, first thanks for the discussion, i'm an online discussion junkie. On Mon, Jun 30, 2008 at 08:29:37AM +0100, Armin Medosch wrote: Melinda, Alex, I would clearly be the last one to excuse imperialisms of the past or ofthe present. however, ifind this relativism problematic. sure, australia has a disgusting policy towards immigrants, as have by now nearly all european countries. in my posting I was also addressing the justified concern with western democracies regression to a type of democracy which becomes ever more similar to efficient regimes. But, although I am not blind to those mistakes, I still see a difference with China style one party capitalism, where workers have no right to demonstrate, where supposed criminals are executed in their thousands after fast lane trials, and where a revolt, such as in tibet, has just been bloodily suppressed. You may say it is not worth having a discussion about that. Well, I dont see that discussion happening at all. I only notice a deafening silence. In this overall climate, surely it is necessary to think and act a bit more politically? but then yes that's the whole point Armin and, with or without a relativism that gives up in judging who is best or worst, still we can act as assertive individuals in all contexts to carry on healthy doubts and displaced experiences. I'm going to Singapore for ISEA and I'm happy I can: as I refuse to give up my biometric data I could even argue Singapore is more accessible than USA for people like me. Of course the plan is to carry there all the contents and instruments and practices which, in digital form, can be compared to the same gear the Stubnitz was carrying to Russia in those good old days, and you know we share a lot of those visions. Even more, since a trip to Asia is very expensive, I'm taking advantage to visit the south of that world right after, paying a visit to Jogja's amazing media art scene for the (grassroot!) Cellsbutton festival, which i recommend to all ISEA participants: please don't hesitate to ask me about logistics on how to comfortably reach it. In conclusion i think it is good you raise such issues, but still you should consider the action of people going there as a positive approach to regimes which, whatever and wherever they are, can benefit from an alternative input - at least before that input is silenced by the same democratic countries where it struggles to survive. ciao - -- Jaromil, dyne.org developer, http://jaromil.dyne.org GPG: 779F E8B5 47C7 3A89 4112 64D0 7B64 3184 [ B534 0B5E ] -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.6 (GNU/Linux) iD8DBQFIdIWAe2QxhLU0C14RApd4AKC99zVaIaqmwumXEzKR3k/JFLwruACg6L9f mCb+JddGoapPVoEx1fJf8EA= =4GN2 -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] media art and dictatorial regimes
jaromil a écrit : Even more, since a trip to Asia is very expensive, I'm taking advantage to visit the south of that world right after, paying a visit to Jogja's amazing media art scene for the (grassroot!) Cellsbutton festival, which i recommend to all ISEA participants: please don't hesitate to ask me about logistics on how to comfortably reach it. = We are the Cells! http://www.natural-fiber.com/index.php/cellsbutton02 = We have no borders! http://www.franck-ancel.com/atx/index.php?2008/07/07/45-singapore-2008 A+F __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
[spectre] DNJ piece
Bonjour On political uselessness: http://www.news-journalonline.com/NewsJournalOnline/Opinion/Editorials/opnOPN84070908.htm enjoy. NRIII Dr. Nicholas Ruiz III Associate Professor Department of Humanities, Cultural and Studio Arts Daytona State College PO Box 2811 Daytona Beach, FL 32120-2811 Editor, Kritikos http://intertheory.org __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
[spectre] Artmedia X, Paris, December 12-13
Artmedia X December 12-13 2008 French National Library (Bibliothèque Nationale de France) and National Institute of Art History (INHA, Institut National d'Histoire de l'Art) Ethics, Aesthetics, Technological Communication or the Destiny of Meaning. Co-organized by Mario Costa and Fred Forest under the aegis of the University of Salerno, Italy, this symposium will take place at the French National Library (Bibliothèque Nationale de France) and National Institute of Art History (INHA, Institut National d'Histoire de l'Art) on December 12-13 2008. To this date, the partners of Artmedia X are : French National Library, INHA, INA (National Institute for Audiovisual), l'Istituto Italiano per gli Studi Filosofici, European University for Research and Unicredit Banca di Roma. info: http://www.olats.org/fcm/artclimat/artclimat.phphttp://www.olats.org/ __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] Artmedia X, Paris, December 12-13
Hi There ! Thanks Andreas for having forwarded this info. Note that the url is not the correct one, it corresponds to another project :- The web site of Artmedia X is not up yet . The first info, with list of participants and the like should be up sometimes in September I guess ... Best Annick Andreas Broeckmann wrote: Artmedia X December 12-13 2008 French National Library (Bibliothèque Nationale de France) and National Institute of Art History (INHA, Institut National d'Histoire de l'Art) Ethics, Aesthetics, Technological Communication or the Destiny of Meaning. Co-organized by Mario Costa and Fred Forest under the aegis of the University of Salerno, Italy, this symposium will take place at the French National Library (Bibliothèque Nationale de France) and National Institute of Art History (INHA, Institut National d'Histoire de l'Art) on December 12-13 2008. To this date, the partners of Artmedia X are : French National Library, INHA, INA (National Institute for Audiovisual), l'Istituto Italiano per gli Studi Filosofici, European University for Research and Unicredit Banca di Roma. info: http://www.olats.org/fcm/artclimat/artclimat.phphttp://www.olats.org/ __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
[spectre] 11 luglio Doves Day - U. Scherrer ( USA/CH), D.Sciajno (ITA) e S. Calabrò (ITA ) - Installazione e live performance
-- ..:: English version below ::.. -- XS [n.o.s.a.] n o t _ o n l y _ s o n i c _ a c t s DOVES DAY Incontri di musica, suoni e arti elettroniche sperimentali Terza edizione Venerdì 11 luglio 2008 Piazzetta Resuttano (di fronte al Malaussène) Palermo EVENTO GRATUITO ALL'APERTO - OPEN AIR - ore 20 FADES Ursula Scherrer (USA/CH) Video installazione - ore 22 LIVE AUDIOVISUAL PERFORMANCE Ursula Scherrer live video Domenico Sciajno live audio e video Samuele Calabro' live audio Ultimo appuntamento XS [n.o.s.a.] Doves Day prima della chiusura estiva con il ritorno di Ursula Scherrer (live video) artista poliedrica che da tempo esplora le possibilità offerte dall’elaborazione dell’immagine dal vivo. Piazzetta Resuttano si anima a partire dalle ore 20 con FADES video installazione open air dell’artista che rivestirà di immagini e colori lo spazio ed i prospetti circostanti. L’ambiente diventa parte del video ed il video parte dell’ambiente in cui lo spettatore si troverà immerso. Alle ore 22 la piazza si trasforma invece in palcoscenico per la performance audiovisiva dal vivo open air di Ursula Scherrer e dei palermitani Domenico Sciajno e Samuele Calabrò. Durante le sue performances la Scherrer miscela dal vivo immagini preregistrate e processate alla ricerca di combinazioni ritmico-visive capaci di grande suggestione e di stimoli sinestetici. Affascinata dal ritmo costante degli oggetti in movimento che cambia impercettibilmente, sembra capace di sospendere il tempo inteso come pulsazione metrica per estrarne la sua vera essenza a-ritmica. Tale approccio rende il suo lavoro dal vivo particolarmente idoneo ad essere affiancato ad un analogo trattamento del suono. Spesso infatti la Sherrer si esibisce al fianco di musicisti e manipolatori di suono. In questa occasione la affiancheranno il giovane artista Samuele Calabrò (live audio) che interverrà con i propri materiali sonori e Domenico Sciajno (ive audiovideo), che oltre a fornire il supporto musicale e sonoro, genererà materiale video che la Scherrer miscelerà dal vivo con le proprie immagini. I tre artisti creeranno così uno spazio in cui immagini e suono rivestono la stessa importanza spostando il centro focale dall’uno all’altro, di momento in momento. Il risultato è un complesso dialogo tra i tre artisti ed il loro lavoro. XS[nosa] Doves Day Serie organizzata da ANTITESI in collaborazione con Associazione Culturale Malaussène -- ..:: Italian version at top ::. -- Friday 11 July 2008 Piazzetta Resuttano Palermo OPEN AIR h 20.00 FADES Ursula Scherrer (USA/CH) Video installation h 22.00 LIVE AUDIOVISUAL PERFORMANCE Ursula Scherrer live video Domenico Sciajno live audio e video Samuele Calabro' live audio -- www.antitesi.org - info at antitesi.org !i!iPrivacy antispamming!i!i !i!ienglish message follows!i!i Questa è una comunicazione conforme alle normative della Comunità Europea (DIRETTIVA 2002/58/EC del parlamento Europeo) in materia di invio di messaggi elettronici di promozione e informazione culturale diretta a coloro potenzialmente interessati all'iniziativa e non è da ritenersi Spam. Gli indirizzi ai quali è stato inviato questo messaggio non provengono da elenchi in commercio, ma sono direttamente rilevati da quanto reso disponibile dagli stessi destinatari, nella rete, nelle loro pubblicazioni o nei siti Internet e conforme ai sensi dell'art. 10 della legge 31 dicembre 1996 n. 675: il vostro indirizzo e-mail viene utilizzato, (NON conservato o trattato) esclusivamente per ricevere la nostra news e non è presente in alcun database o archivio elettronico pubblico. Esso non sara' comunicato o diffuso a terzi e non ne sara' fatto alcun uso diverso. Qualora desideraste essere eliminati dalla nostra newslist o abbiate ricevuto la presente per errore sarà sufficiente inviare una mail con oggetto REMOVE dall'indirizzo di posta che si desidera rimuovere a questo indirizzo: info at antitesi.org Per contattare il proprietario della lista: infoat antitesi.org Il titolare dei dati potrà richiedere in qualsiasi momento la conferma dell'esistenza, la modifica o cancellazione dei propri dati come previsto dall'articolo 13. !i!iPrivacy antispamming!i!i !i!i english message !i!i This email policy is a commitment to your privacy and the protection of your information and against spamming. If you received a mailing from us, your email address is either listed with us as someone who has expressly shared this address for the purpose of
[spectre] Calls for Submissions -- Futuresonic, Urban Climate Camp, Leonardo (Environment 2.0)
CALLS FOR SUBMISSIONS Futuresonic invites submissions from artists, thinkers and makers for the Futuresonic 2009 Art strand, Urban Climate Camp at ISEA2008, and a themed call of Leonardo. SUBMISSIONS NOW INVITED Art strand of Futuresonic 2009, Manchester UK http://futuresonic.com/getinvolved SUBMISSIONS NOW INVITED Urban Climate Camp at ISEA2008, Singapore http://project.futuresonic.com/isea2008 SUBMISSIONS NOW INVITED Leonardo journal themed call on Environment 2.0 http://project.futuresonic.com/leonardo Presented in partnership with ImaginationLancaster. For more information on all these projects visit http://imagination.lancaster.ac.uk/cracksinthepavement FUTURESONIC 2009 ART STRAND A commission valued at GBP 5000 is available to create a new artwork, plus Futuresonic can support a limited number of other projects. Each year Futuresonic's Art strand commissions new artworks and presents exhibitions on art, technology and social themes, with a focus on artworks that are participatory, sited in public space, and in an urban context. Futuresonic is a space to critically explore the latest upgrade affecting today's digital culture. The festival features art exhibitions, performances and interventions, including many world firsts - transforming the city into a space of experimentation, making it come alive. 2009 is the culmination of the Environment 2.0 project. Within the festival and throughout the year, Futuresonic will be exploring the Environment 2.0 theme, the interface between our digital footprint and our environmental footprint. Through Cracks In The Pavement is an exhibition featuring artworks that seek to inspire social change, and local innovations that enhance sustainability. Post-Car Futures is an exhibition exploring new mobilities from the wheel to wirelessness, and new ways of travelling and new ways to stay still. Futuresonic invites submissions of artworks, social innovations or technological interventions for inclusion in the Futuresonic 2009 festival and on the Environment 2.0 theme. Submissions deadline -- 5pm, 13 October 2008. *We invite you to submit expressions of interest to Gala Pujol at [EMAIL PROTECTED] in advance of the deadline. Download an application form here: http://downloads.futuresonic.com/art2009.zip futuresonic.com/getinvolved http://imagination.lancaster.ac.uk/cracksinthepavement URBAN CLIMATE CAMP ISEA2008, SINGAPORE An invited forum at ISEA2008, the International Symposium of Electronic Arts, Singapore, 30th July 2008. Presented by Drew Hemment, ImaginationLancaster and Futuresonic. A forum for discussion and quick fire presentations invites participants at ISEA2008 to explore new thinking on environmental sustainability and at innovative approaches to grass roots and creative intervention on the environment. The focus is on the interface between our digital footprint and our environmental footprint, non-Western perspectives, and on creative intervention to enable social change. If you are interested in presenting your perspective or project please contact Gala Pujol at [EMAIL PROTECTED] View on ISEA2008 website http://www.isea2008singapore.org/conference/conf_forums.html http://project.futuresonic.com/isea2008 http://imagination.lancaster.ac.uk/cracksinthepavement LEONARDO JOURNAL THEMED CALL ON ENVIRONMENT 2.0 Environment 2.0: Through Cracks in the Pavement Guest Editor: Drew Hemment Call For Papers Seeking new cross-disciplinary thinking on sustainability in urban environments, with a focus on creative intervention, social change and non-Western perspectives. Leonardo is soliciting texts that document the works of artists, researchers, and scholars involved in the exploration of sustainability in urban environments. View on Leonardo website http://www.olats.org/fcm/artclimat/appelcontribDrewHemment_eng.php http://project.futuresonic.com/leonardo http://imagination.lancaster.ac.uk/cracksinthepavement FUTURESONIC URBAN FESTIVAL OF ART, MUSIC AND IDEAS Transforming the city into a space of experimentation, making it come alive Futuresonic has 4 strands: Art, Music, Ideas and EVNTS. Currently in its 13th year, the festival occupies the orbits of both music and digital culture. Futuresonic is presented by FutureEverything CIC. It is a Regularly Funded Organisation (RFO) of Arts Council England North West and has been awarded Pillar Status by Manchester City Council. Futuresonic is
[spectre] Art in the Age of Intellectual Property, Dortmund, July 18, 2008, 19:00
We cordially invite you and your friends on the occasion of the opening of the exhibition Anna Kournikova Deleted By Memeright Trusted System - Art in the Age of Intellectual Property PHOENIX Halle Dortmund, July 19 - October 19, 2008 Participating artists: AGENTUR/AGENCY (BE), Daniel Garcia Andújar (ES), Walter Benjamin (US), Christian von Borries (DE), Christophe Bruno (FR), Claire Chanel Scary Sherman (US), Lloyd Dunn (US/CZ), Ramon Pedro (CH), Fred Fröhlich (DE), Nate Harrison (US), John Heartfield (DE), Laibach/Novi kolektivizem (SI), Kembrew McLeod (US), Sebastian Lütgert (DE), Monochrom (AT), Negativland and Tim Maloney (US), Der Plan (DE), David Rice (US), Ines Schaber (DE), Cornelia Sollfrank (DE), Stay Free (US), Jason Torchinsky (US), UBERMORGEN.COM Alessandro Ludovico Paolo Cirio (CH/AT/IT), u.a. / a.o. on Friday, July 18, 2008, at 19:00 in the PHOENIX Halle Dortmund, Germany. There will be short statements by: Udo Mager Executive Director Wirtschaftsförderung Stadt Dortmund Dr. Inke Arns Curator of the exhibition and Artistic Director of Hartware MedienKunstVerein Francis Hunger Curator of the exhibition and Junior Curator at Hartware MedienKunstVerein From 21:00 Christian von Borries will play music made from other music Venue: PHOENIX Halle Dortmund Hochofenstr. / Ecke Rombergstr. Dortmund-Hörde Thu + Fri 11-22 Sat + Sun 11-20 Comprehensive Information can be found at: http://www.hmkv.de/dyn/e_program_exhibitions/detail.php?nr=3010rubric=exhibitions; * * * Anna Kournikova Deleted By Memeright Trusted System - Art in the Age of Intellectual Property takes places in the framework of Work 2.0 - Copyright and Creative Work in the Digital Age A project by: Hartware MedienKunstVerein, Dortmund iRights.info, Berlin Supporting organisations: mikro e.V., Berlin AG Informatik in Bildung und Gesellschaft, Institut für Informatik der Humboldt-Universität zu Berlin Funded by: Kunststiftung NRW Der Ministerpräsident des Landes Nordrhein-Westfalen Bundeszentrale für politische Bildung Kulturbüro Stadt Dortmund dortmund-project NRW Kultursekretariat Wuppertal Kulturwerk der VG-BILD-KUNST GmbH, Bonn Hans-Böckler-Stiftung ver.di Cooperations: Heimatdesign Magazin/ Shop/ Agentur/ Gravis Medien Kunst Raum Unna Media partner: Heinz -- Dr. Inke Arns Künstlerische Leiterin / Artistic Director Hartware MedienKunstVerein Güntherstrasse 65 D-44143 Dortmund T +49 - 231 - 823 106 F +49 - 231 - 882 02 40 M +49 - 176 - 430 62 793 www.inkearns.de www.hmkv.de Upcoming: Anna Kournikova Deleted By Memeright Trusted System - Kunst im Zeitalter des Geistigen Eigentums Art in the Age of Intellectual Property HMKV at PHOENIX Halle Dortmund 19 July - 19 October 2008 Opening: 18 July 2008, 19:00 __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] media art and dictatorial regimes
yup! all of u r welcome !! dont hesitate to contact us (HONF) we have the house to share n yes! WE ARE THE CELLS! http://www.natural-fiber.com/index.php/cellsbutton02/participants dont forget the map http://www.natural-fiber.com/index.php/cellsbutton02/map-of-cellsbutton02 :-) viva grassroot! venzha the house of natural fiber yogyakarta new media art laboratory (HONF) Jl.wora wari A80/6 Baciro Yogyakarta Indonesia T : +62 (0) 817468621 F : +62 (0) 274 564276 E : [EMAIL PROTECTED] [EMAIL PROTECTED] URL : http://www.natural-fiber.com --- On Wed, 7/9/08, franck ancel [EMAIL PROTECTED] wrote: From: franck ancel [EMAIL PROTECTED] Subject: Re: [spectre] media art and dictatorial regimes To: spectre@mikrolisten.de Date: Wednesday, July 9, 2008, 4:59 PM jaromil a écrit : Even more, since a trip to Asia is very expensive, I'm taking advantage to visit the south of that world right after, paying a visit to Jogja's amazing media art scene for the (grassroot!) Cellsbutton festival, which i recommend to all ISEA participants: please don't hesitate to ask me about logistics on how to comfortably reach it. = We are the Cells! http://www.natural-fiber.com/index.php/cellsbutton02 = We have no borders! http://www.franck-ancel.com/atx/index.php?2008/07/07/45-singapore-2008 A+F __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
[spectre] mObile gallery | focAR | public telephone
mObile gallery focAR group | Alina TUDOR Razvan NEAGOE URBAN TRACES - TELEPHONE | The bank of images - PUBLIC TELEPHONE http://oberliht.org.md/GM.html a side event to the INTERVENTIONS3* project http://oberliht.org.md/interventii3.html July 1 - 31, 2008 poster (print and forward): http://www.oberliht.org.md/GM/program/2008/07_focAR/focarafis_en.pdf The Telephone has become an exponent for urban society. It is a part of our life; it creates connections between us and helps us in making relations. There are telephones inside every apartment, on main streets and boulevards there are telephone booths and every person has a mobile phone at hand. Telephone means motion and it expresses the identity of the one who uses it. We start up from the idea that the identity cannot be anything else but the object of a horizontal analysis and cant be simply defined as an urban artefact. It represents a cultural sign as long as the virulent changes affecting all the social structures register as a natural answer a form of resistance over the all these mutations. TEL. continues the series of unconventional spaces as part of the Urban Traces project. Following the interactive Up in the flat theres a house and Courier projects, this one brings in front a small but sizeable space, which is ignored. We have chosen the public phone because it is getting sick of daily urban life syndrome. It has become a place for passers by to have rest, a shelter to hide from the rain it is vandalised and almost none of the phone booths has the door. This project is a warning sign regarding the collective indifference that is representative for big cities. STATISTICS In present in Bucharest there are about 7.600 public telephones, 400 more than it was in 2000. On the country level there are at least 50.000 public telephone posts installed, out of which 12.500 in the rural areas. According to the Penal Code, articles 217, 219, damaging a phone booth represents an illegal act penalized from 1 to 3 months of imprisonement. If there is a damage or degradation registered due to arson, explosion or any other similar act and if it results in public danger the penalty can be from 3 to 15 years of imprisonement. Jurnalul National (27-05-2005) a project by Oberliht Association http://www.oberliht.org.md * The INTERVENTIONS3 project is organized in partnership with UNAgaleria/Bucharest and STATE of EMERGENCY - magazine for literature, art and attitude, with the financial support of the Latin Union (office from Republic of Moldova), Romanian Cultural Institute through the CANTEMIR Program, European Cultural Foundation and Henkel Romania. -- Moldova Young Artists Association Oberliht http://www.oberliht.org.md . . . . . . . . . . . http://idash.org/mailman/listinfo/oberlist portal informational pentru arta si cultura din Moldova information gateway for arts and culture from Moldova __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
