[Sursound] Audio & Music Technology Lectureship (Teaching and Scholarship) - University of York
Hello all and apologies for cross posting Please see below for another vacancy at our lab at the University of York Kind regards Gavin ** https://jobs.york.ac.uk/vacancy/lecturer-teaching-scholarship-540927.html Lecturer (Teaching & Scholarship) DepartmentSchool of Physics, Engineering and Technology Salary: £44,263 - £54,395 per year Apply by: 28/11/2023 Job Reference: 12772 Role Description The School of Physics, Engineering and Technology at the University of York are seeking to appoint an outstanding academic to teach on our Undergraduate and Taught Postgraduate programmes in the areas of Audio and Music Technology. We are seeking candidates with expertise complementary or additional to our existing teaching portfolio. Aligned topics include: Audio for XR applications (e.g. VR/AR, game audio, Metaverse); Machine learning for audio/acoustics; real-time interactive audio system design; high performance computing and audio; numerical acoustic simulation; perception of sound reproduction systems; environmental soundscape; immersive sound for virtual production workflows; audio systems informed from neuroscience and psychology research. It is expected that post holders will have evidence of a strong track record of teaching in audio with areas of expertise that will make a significant contribution to teaching and scholarship in the school. Following recent, significant investments in Engineering at the University of York, together with significant research grant success from both AHRC and EPSRC in this area, this is an exciting time to join the AudioLab. Skills, Experience & Qualifications needed You will have: - A PhD in Audio/Acoustic Engineering, Computer Science or Music/Creative Technologies, or equivalent experience - Appropriate academic professional and teaching qualification or a willingness to complete the Postgraduate Certificate in Academic Practice - Experience in teaching and learning in HE at undergraduate or postgraduate level or in an evidenced similar context - Extensive knowledge in audio systems to design & develop teaching programmes and the provision of learning support across different levels of academic activity - Knowledge of a range of teaching techniques to enthuse and engage students - Experience of wider practical work in the fields of audio and Music/Creative technologies - Highly developed communication skills to engage effectively with a wide ranging audience, both orally and in writing, using a range of media For informal enquiries: please contact Prof. Gavin Kearney ( gavin.kear...@york.ac.uk) or Prof. Helena Daffern (helena.daff...@york.ac.uk ) -- Gavin Kearney Professor of Audio Engineering School of Physics, Engineering and Technology University of York, York, YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20231121/dd152a29/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Paper deadline extension for AES Audio for Games
Hello all and apologies for cross posting, The deadlines for submission of papers and workshops for the 2024 AES Audio for Games conference have been extended. Peer Reviewed Paper (Category 1) Submission Deadline - November 3, 2023 Extended Summary (Category 2) Submission Deadline - November 20, 2023 Workshops/Tutorials Submission Deadline - November 3, 2023 The conference will take place at the Senju Campus, Tokyo University of the Arts on April 27-29, 2024. We invite Papers, Workshops and Tutorial submissions in the following areas: Topics specific to Game Audio: - Immersive Sound Design for Games - Interactive Sound - Examples of Automation and Efficiency in Implementation - Sound Production Techniques for Remote Work - Haptic Feedback - Audio for Immersive Gameplay - Machinery Learning, Deep Learning, and Artificial Intelligence for Audio - Future Game Audio Production Workflows Topics Related to Game Audio: - Immersive and Interactive Audio Over Networks - Game Engines in Audio Production and Post-Production / Spatial Audio - Binaural Audio Rendering / Acoustic Simulation of Immersive Audio - Environments / Music Composition / Sound Effects Production - Recording Technology & Practices / Mixing, Remixing, and Mastering - Virtual Reality, Augmented Reality, and Mixed Reality - Perception in Mixed Reality / Perception & Subjective Evaluation of - Audio Signals and Spatial Audio - Perceptual Effects of Cross-modal Interaction between Sound, Image and Haptics - Multimodal and Interaction Influences on Sound - Audio for Mobile and Handheld Devices - Auditory Display / Loudspeakers & Headphones - Audio Signal Processing / Audio Analysis and Synthesis / Audio Codecs Kind regards Gavin -- Gavin Kearney Professor of Audio Engineering School of Physics, Engineering and Technology University of York, York, YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20231030/53eade63/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Lecturer in Audio Engineering for Creative Technologies - University of York, UK
Hello all, Apologies for cross-posting. Please see below for details of an academic post open at our lab - *Lecturer in Audio Engineering for Creative Technologies* School of Physics, Engineering and Technology, University of York, UK. The University of York's AudioLab (*audiolab.york.ac.uk <http://audiolab.york.ac.uk>*), is looking for an exceptional academic in Audio Engineering for Creative Technologies. We seek candidates with expertise that complements our research and a strong track record in partnership, collaboration, knowledge exchange, or technology translation in areas such as XR audio, machine learning for audio, real-time interactive audio systems, high-performance computing, acoustic simulation, sound reproduction perception, environmental soundscapes, immersive sound for virtual production, and audio systems influenced by neuroscience and psychology. Successful applicants should have a proven international research record in their field. With recent substantial investments in Engineering at the University of York and successful research grants from AHRC and EPSRC, this is an exciting time to join the AudioLab and shape our research direction. The main purpose of the role is: - Developing research objectives, proposals, and conducting independent and collaborative research projects. - Leading or contributing to research output and outcomes. - Designing, developing, and delivering teaching in Audio and Music/Creative technologies. - Supervising PhD students. - To undertake effectively a range of administrative and managerial responsibilities. Skills, Experience & Qualifications needed You will have: - A PhD in Audio/Acoustic Engineering, Computer Science or Music/Creative Technologies, or equivalent experience - A track record in publishing original research in appropriate journals and conferences - A clear research agenda in an area of expertise complementary to the activities of the AudioLab - Strong experience in teaching audio technologies and the provision of learning support across different levels of academic activity. - Knowledge of a range of teaching techniques to enthuse and engage students - Experience of wider practical work in the fields of audio and Music/Creative technologies - Highly developed communication skills to engage effectively with a wide ranging audience, both orally and in writing, using a range of media *Deadline for applications: 09/11/2023* For further details on how to apply, please go to: *https://jobs.york.ac.uk/vacancy/lecturer-in-audio-engineering-for-creative-technologies-539817.html <https://jobs.york.ac.uk/vacancy/lecturer-in-audio-engineering-for-creative-technologies-539817.html>* For informal enquiries: please contact Prof. Gavin Kearney ( gavin.kear...@york.ac.uk) or Prof. Helena Daffern (helena.daff...@york.ac.uk ) Very best Gavin -- Gavin Kearney Professor of Audio Engineering School of Physics, Engineering and Technology University of York, York, YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20231016/54621266/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] 2023 AES Spatial Audio Conference paper deadline extended
Hello all, Due to multiple requests, we have extended the submission deadline for Cat 1 and Cat 2 papers for the 2023 AES Spatial Audio Conference by 1 week. The new submission deadline is April 10th. https://lnkd.in/eSeMv-KM Kind regards, Gavin Kearney and Steve Fenton (Papers co-chairs) -- Gavin Kearney Professor of Audio Engineering School of Physics, Engineering and Technology University of York, York, YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20230402/6628950d/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Lecturer in Audio Systems Engineering
Hello all Apologies for Cross-posting The AudioLab at the Department of Electronic Engineering at the University of York is seeking a new member of academic staff in Audio Systems Engineering. We particularly welcome applications from candidates with expertise in one or more of the following areas: Machine learning for audio/acoustics; real-time interactive audio system design (e.g. VR/AR, game audio); high performance computing and audio; numerical acoustic simulation; perception of sound reproduction systems; environmental soundscape; immersive sound for virtual production workflows. An established track record in partnership, collaboration, knowledge exchange and/or managing technology translation would be an advantage. Key requirements for the post are: - PhD in Audio/Acoustic Engineering, Electronic Engineering, Computer Science or Music Technology, or equivalent experience - Expertise in Audio Systems Engineering - Proven ability to contribute to high quality research which is publicly evidenced - Experience of wider practical work in the fields of audio and music technology Deadline for applications is the 24th of April. For further details see: https://jobs.york.ac.uk/vacancy/lecturer-in-audio-systems-engineering-476699.html Very best Gavin -- Dr. Gavin Kearney Associate Professor in Audio and Music Technology Department of Electronic Engineering University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20220302/a810413b/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Postdoctoral research position in Spatial Audio at AudioLab, University of York
The AudioLab (https://audiolab.york.ac.uk) at the Department of Electronic Engineering, University of York is looking for a talented post-doctoral research associate to join the Enhancing Audio Description II project. The position is of 2.5 years duration. The candidate is required to have strong background knowledge in spatial audio, listening test design and implementation and good coding skills. They will conduct a programme of research to fulfil deliverables on the Enhancing Audio Description II project, including development of production and post-production tools and conducting listening studies to evaluate project outputs. They will disseminate research at international conferences, symposia and consortium meetings as well as create articles for high impact journals. The project requires the candidate to be present at York to conduct experimental work, but desk research can be carried out remotely if needed. Skills, Experience & Qualification needed A first degree in Electronic Engineering, Computer Engineering, Music Technology or related discipline and a PhD in Spatial Audio or related field. Strong knowledge of spatial audio and associated research techniques and methodologies, including binaural and object based audio. Experience in listening test design, implementation and analysis. An effective communicator with a track record of conference and journal publication. A strong desire to work in the field of accessibility. Application deadline: 23rd January 2022 Interview: 8th February 2022 See https://jobs.york.ac.uk/wd/plsql/wd_portal.show_job?p_web_site_id=3885_web_page_id=469325 for further details. For informal enquiries: please contact Dr. Gavin Kearney at gavin.kear...@york.ac.uk or contact Dr. Mariana Lopez at mariana.lo...@york.ac.uk -- Dr. Gavin Kearney Associate Professor in Audio and Music Technology Department of Electronic Engineering University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20211217/d2d25aeb/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Postdoctoral Research Associate (Spatial Audio & Accessibility)
Hello all Apologies for cross-posting The AudioLab (audiolab.york.ac.uk) at the Department of Electronic Engineering, University of York is looking for a talented post-doctoral research associate to join the Enhancing Audio Description II project. The project seeks to explore the potential of sound design practices and spatial audio to provide accessible film and television experiences for visually impaired audiences. The project builds on the first Enhancing Audio Description (EAD) Project, which proposed a new paradigm in accessible experiences for visually impaired individuals. Rather than a reliance on spoken description, as in tradition Audio Description, EAD utilises new accessibility features that include: the addition of sound effects, the spatialisation of dialogue and sounding objects, and first-person narration, to provide accessible experiences that are seamlessly integrated into the soundtrack of a film or television programme. This project explores further how these features can transition from one-off bespoke projects, to fully integrated tools in the production workflows for television and film. The exploration of these methods will be conducted with an end-user centred approach, in which visually impaired audiences are consulted from the design process up to delivery. Furthermore, the project explores the creation of guidelines that will allow the incorporation of these methods to professional broadcasting pipelines and film workflows, by collaborating with a Project Advisory Panel representative of the different roles in film and television as well as end users. Role The position is of 2 year duration. The candidate is required to have strong background knowledge in spatial audio, listening test design and implementation, audio production workflows and good coding skills. They will conduct a programme of research to fulfil deliverables on the Enhancing Audio Description II project, including development of production and post-production tools and conducting listening studies to evaluate project outputs. They will disseminate research at international conferences, symposia and consortium meetings as well as create articles for high impact journals. Skills, Experience & Qualification needed A first degree in Electronic Engineering, Computer Engineering, Music Technology or related discipline and a PhD in Spatial Audio or related field. Strong knowledge of spatial audio and associated research techniques and methodologies, including binaural and object based audio. Experience in listening test design, implementation and analysis. An effective communicators with a track record of conference and journal publication. A strong desire to work in the field of accessibility. Condition of Employment This role is exempt from the Rehabilitation of Offenders Act. Consequently, all applicants will be asked to declare both unspent and spent convictions on their application form. Appointment of the successful candidate will be conditional on a Disclosure and Barring Service check. Interview: 29 November 2021 For informal enquiries: please contact Dr. Gavin Kearney at gavin.kear...@york.ac.uk or contact Dr. Mariana Lopez at mariana.lo...@york.ac.uk Apply now: https://jobs.york.ac.uk/wd/plsql/wd_portal.show_job?p_web_site_id=3885_web_page_id=461130 -- Dr. Gavin Kearney Associate Professor in Audio and Music Technology Department of Electronic Engineering University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20211018/003560d9/attachment.htm> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Research Associate in Spatial Audio - AudioLab, York
Hello all and apologies for any cross-posting We're recruiting a new Research Associate to the AudioLab, please can you circulate the advertisement below to anyone you think might be interested? Many thanks and kind regards Gavin ** Research Associate in Spatial Audio, AudioLab, Department of Electronic Engineering, University of York A post-doctoral research position is available to work with the immersive audio team at the AudioLab, Department of Electronic Engineering, University of York. The successful candidate will work with a dynamic team on spatial audio algorithms for next generation immersive audio systems. The Research Associate will be responsible for developing new audio algorithms, immersive audio demonstrations and listening tests as well as producing high quality research outputs in international journals, conferences and symposia. The associate will also contribute to international consortia meetings on the development of next generation audio codecs. The position is for 1 year with potential extension to 3 years. Role The main purpose of this role is to develop new immersive audio technologies in collaboration with a major industry partner to the lab. The successful candidate will be expected to have strong knowledge of immersive and interactive audio. Experience with binaural systems and Ambisonics is of particular importance to this position. Duties include: Design, develop and debug novel spatial audio algorithms for immersive audio applications • Liase with industry partners on algorithm implementation • Travel to international meetings to discuss algorithm development and standardisation • Develop spatial audio project demonstrators in collaboration with other team members • Design and implement listening tests to support the algorithm development • Publish research findings in high impact journals • Present research at international conferences and symposia • Write and submit grant proposals Some out of hours work may be required to meet project deadlines and travel requirements. Skills, Experience & Qualification needed • PhD in spatial audio essential • Experience developing novel spatial audio algorithms • A background in Ambisonic and binaural audio • Strong programming skills • Experience in creating experimental prototypes such as measurement systems or spatial audio testing facilities. • Experience with interactive audio systems, such as virtual and augmented reality headsets, head-trackers, Unity 3D and other VR and AR technologies is desirable • Experience with listening test design, implementation and analysis • Experience presenting research findings at international conferences and symposia • A track record in publishing academic articles in international journals, conferences and symposia. • Ability to work independently and as part of a dynamic team. • Ability to travel essential Interview date: To be confirmed For informal enquiries: please contact Dr. Gavin Kearney, gavin.kear...@york.ac.uk Closing date: 31st May 2020 See the link below for more details: https://jobs.york.ac.uk/wd/plsql/wd_portal.show_job?p_web_site_id=3885_web_page_id=418405 “The University is committed to promoting a diverse and inclusive community – a place where we can all be ourselves and succeed on merit. We offer a range of family friendly, inclusive employment policies, flexible working arrangements, staff engagement forums, campus facilities and services to support staff from different backgrounds. #EqualityatYork”. ** -- Dr. Gavin Kearney Associate Professor in Audio and Music Technology Department of Electronic Engineering University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Web: https://audiolab.york.ac.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20200502/d6589962/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] AES International Conference on Immersive and Interactive Audio Submission Portal Now Open
November 2018 • Acceptance emailed: 15th January 2019 Open Access Authors will have the option of submitting Open Access papers. Chairs: Gavin Kearney and Damian Murphy. Email: 2019iia_cha...@aes.org Papers chairs: Tony Tew and Duncan Williams. Email: 2019iia_pap...@aes.org Workshop/Tutorial chair: Hyunkook Lee. Email: 2019iia_worksh...@aes.org ** -- Dr. Gavin Kearney Associate Professor in Audio and Music Technology Department of Electronic Engineering University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Fax: +44 (0) 1904 32 2335 Web: http://www.elec.york.ac.uk/ SADIE Project: http://www.sadie-project.co.uk/ Enhancing Audio Description Project: http://enhancingaudiodescription.com/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20180904/4741cf98/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Call for contributions: AES International Conference on Immersive and Interactive Audio
Hello all, Apologies for any cross-posting. Please see below the call for contributions for the AES International Conference on Immersive and Interactive Audio in York next Spring. Hope to see you there. All the best, Gavin 2019 AES INTERNATIONAL CONFERENCE ON IMMERSIVE AND INTERACTIVE AUDIO - Creating the next dimension of sound experience - Dates: March 27-29, 2019 Location: York, UK http://www.aes.org/conferences/2019/immersive/ Immersive audio systems are ubiquitous and range from macro-systems installed in cinemas, theatres and concert halls to micro-systems for domestic, in-car entertainment, VR/AR and mobile platforms. New developments in human-computer interaction, in particular head and body motion tracking and artificial intelligence, are paving the way for adaptive and intelligent audio technologies that promote audio personalisation and heightened levels of immersion. Interactive audio systems can now readily utilise non-tactile data such as listener location, orientation, gestural control and even biometric feedback such as heart rate or skin conductance, to intelligently adjust immersive sound output. Such systems offer new creative possibilities for a diverse range of applications from virtual and augmented reality through to automotive audio and beyond. This opens up exciting new opportunities for artists and audio producers to create compelling immersive experiences. This three-day conference will explore the unique space where interactive technologies and immersive audio meet and aims to exploit the synergies between these fields. The conference will include keynote lectures, technical paper sessions, tutorials and workshops, as well as technological and artistic demonstrations of immersive and interactive audio. Proposed Topics Perception - 3-D spatial perception - Auditory attention and engagement - Auditory interaction - Cross modal perception - Moving sounds and moving listeners - Metrics for and evaluation of immersive and interactive audio Engineering - Intelligent audio systems - Interactive production tools for immersive audio - Immersive audio recording techniques - Loudspeaker reproduction of interactive audio - Motion tracked binaural and HRTF processing - Biophysiological feedback as a control signal - Spatial audio signal processing - Spatial reproduction methods - Streaming of immersive and interactive audio - Virtual acoustics Sound Design - Audio for games - Sound design for virtual and augmented reality - Immersive audio effects - Interactive music composition and generation - Immersive sound design for film, TV, theatre, games and interactive media - Narratives and workflows for interactive audio - Object and scene based production and reproduction - Sonic interaction design - Virtual auditory environments Submissions All submissions should have a clear connection with immersive and interactive audio. We encourage multidisciplinary approaches to the area and an exploration of the interactions between theory and practice. Submissions may be in the form of paper and demonstration proposals. Papers may be presented in the oral sessions or as a poster, at the discretion of the committee, although authors may indicate a preference. Authors should submit a full paper for peer review from the outset. All proposals are to be submitted at http://www.aes.org/2019iia_authors by 1st October 2018 (submission site open shortly). Acceptance of papers will be determined by the committee based on peer review. Accepted authors will be notified by 1st December 2018. Final manuscripts of a maximum of 10 pages (3000 words) must be submitted by 15th January 2019. Please contact 2019iia_pap...@aes.org if you have any queries about potential submissions. Workshop and tutorial proposals should be emailed directly to 2019iia_worksh...@aes.org by 1st Nov 2018, including title, abstract (60 to 120 words), and précis (500 to 750 words). If accepted, these will also be included in the proceedings. Registration A reduced registration fee will be available for authors. At least one author of each contribution must pay to register and attend to present. The authors’ rate will be available for any author wishing to attend the conference. Publication Papers will be published in the AES E-Library no earlier than 10 days before the conference start date. Important Dates Technical paper (peer-reviewed) • Full paper deadline: 1st October 2018 • Acceptance emailed: 1st December 2018 • Camera-ready submission: 15th January 2019 Workshop / Tutorials • Proposal deadline: 1st November 2018 • Acceptance emailed: 15th January 2019 Open Access Authors will have the option of submitting Open Access papers. Chairs: Gavin Kearney and Damian Murphy. Email: 2019iia_cha...@aes.org Papers chairs: Tony Tew and Duncan Williams. Email: 2019iia_pap
[Sursound] PhD Opportunities at the University of York AudioLab
Apologies for cross-posting. Two new PhD opportunities at the Department of Electronic Engineering AudioLab at the University of York: Perceptual Evaluation of Spatial Audio Codecs, in collaboration with Google: https://www.york.ac.uk/electronic-engineering/postgraduate/funding/ phdstudentship_spatial_audio_codecs/ AI-driven Soundscape Design for Immersive Environments, EPSRC ICASE Studentship with BBC R: https://www.york.ac.uk/electronic-engineering/postgraduate/funding/ industrialcasephdstudentship/ Details in the links above or get in touch directly! Gavin -- Dr. Gavin Kearney Senior Lecturer (Associate Professor) in Audio and Music Technology Department of Electronic Engineering University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Fax: +44 (0) 1904 32 2335 Web: http://www.elec.york.ac.uk/ SADIE Project: http://www.sadie-project.co.uk/ Enhancing Audio Description Project: http://enhancingaudiodescription.com/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20180222/3a751c69/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Interactive Audio Systems Symposium, York, 23rd Sept: Programme now online
Dear all, Apologies for cross-posting. The programme for the Interactive Audio Systems Symposium is now online at http://www.sadie-project.co.uk/IASS2016.html We have a packed day in store with high quality papers, posters, demos and keynote talks. The first run of tickets has sold out and we have put on additional tickets due to high demand. If you want to register for the event then please go to: https://www.eventbrite.co.uk/e/interactive-audio-systems-symposium-tickets-26543226505 Looking forward to seeing you at York in September, Very best, Gavin -- Dr. Gavin Kearney Lecturer in Audio and Music Technology Department of Electronics University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Fax: +44 (0) 1904 32 2335 Web: http://www.elec.york.ac.uk/ SADIE Project: http://www.sadie-project.co.uk/ Enhancing Audio Description Project: http://enhancingaudiodescription.com/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20160825/d5f5b182/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Interactive Audio Systems Symposium, York, 23rd Sept: Registration open
Hello all, Apologies for cross-posting. Registration is now open for the Interactive Audio Systems Symposium to be held at the University of York on Friday 23rd September. This is a free event but spaces are limited, so please sign up early if you intend to come along. Registration can be found here: https://www.eventbrite.co.uk/e/interactive-audio-systems-symposium-tickets-26543226505 The symposium has a packed programme of original paper and poster sessions as well as invited presentations from key industry figures and academics and demonstrations of emerging interactive audio technologies. Guest speakers include: *- Markus Noisternig, IRCAM, Paris, France* *- Stefani Serafin, Aalborg University, Copenhagan, Denmark* *- Chris Pike, BBC R, United Kingdom.* *- Lauri Savioja, Aalto University, Espoo, Finland* *Technology demonstrations:* We are still accepting further proposals for demonstrations of work utilising interactive audio technologies. If you are interested in presenting a demo of your work at the symposium then please contact iass-workshops-ch...@sadie-project.co.uk as soon as possible. Further information can be found on the symposium webpages: http://www.york.ac.uk/sadie-project/IASS2016.html Very best, Gavin -- Dr. Gavin Kearney Lecturer in Audio and Music Technology Department of Electronics University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Fax: +44 (0) 1904 32 2335 Web: http://www.elec.york.ac.uk/ SADIE Project: http://www.sadie-project.co.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20160727/0c28aefd/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Interactive Audio Systems Symposium, York - Author Deadline Extended: July 10th
Hello all, The deadline for paper proposals for the Interactive Audio Systems Symposium has been extended to *Sunday July 10th*. The programme is shaping up to be a packed day of talks and demos on all aspects of interactive audio with keynotes and tutorials from leading academic and industry figures including the BBC and IRCAM amongst others. If you are interested in presenting a paper or poster, please submit an abstract before July 10th. Hope to see you there! Very best, Gavin Call for Contributions Interactive Audio Systems Symposium, University of York York, UK Friday 23rd September, 2016 Recent advances in low-cost motion-tracking and sensing technologies, coupled with increased computing power have paved the way for new methods of audio production and reproduction. Interactive audio systems can now readily utilise non-tactile data such as listener location, orientation, gestural control and even biometric feedback, such as heart rate, to intelligently adjust sound output. Such systems offer new creative possibilities for a diverse range of applications ranging from virtual reality, mobile technologies, in-car audio, gaming, social media and film and TV production. The University of York is pleased to announce a one-day symposium dedicated to this topic of interactive audio systems. The symposium will explore the perceptual, signal processing and creative challenges and opportunities arising from such audio systems affected through enhanced human-computer interaction. The symposium will consist of original paper and poster sessions as well as invited presentations from key industry figures and demonstrations of emerging interactive audio technologies. We are now accepting proposals (Abstract and Precis) for 4-8 page papers or posters on novel research in related fields to interactive audio including, but not limited to, the following areas: - Moving sounds and moving listeners - Audio for Virtual Reality - Spatial audio techniques - Psychoacoustics and perception - Signal processing for interactive audio - Robust listener control - Motion tracking - Game audio - Real-time audio synthesis - Interactive music generation - Workflows for interactive audio - Sound design for interactive audio We also invite proposals for tutorials, workshops and demos to be presented on the day. Prospective participants can download the call for contributions here: http://www.york.ac.uk/sadie-project/IASS2016/IASS_Call_for_Contributions_2016.pdf Important dates: July 10th 2016 - Paper/Poster Abstract Submission deadline July 15th 2016 - Registration Opens July 20th 2016 - Notification of acceptance July 31st 2016 - Workshop/Demos submission deadline August 26th 2016 - Camera-ready paper submission September 23rd 2016 - Symposium Please visit the symposium webpage for further details at http://www.sadie-project.co.uk/IASS2016.html Easychair website: https://easychair.org/conferences/?conf=iass2016 Organising Committee: Symposium Chair: Gavin Kearney Email: iass-ch...@sadie-project.co.uk Papers Chairs: Gavin Kearney and Hyunkook Lee Email: iass-papers-ch...@sadie-project.co.uk Workshops Chairs: Sam Hughes and Mariana Lopez Email: iass-workshops-ch...@sadie-project.co.uk Program Committee: Jude Brereton, University of York Helena Daffern, University of York Marcin Gorzel, Google Inc. Sam Hughes, University of York Gavin Kearney, University of York Hyunkook Lee, University of Huddersfield Mariana Lopez, Anglia Ruskin University Damian Murphy, University of York Chris Pike, BBC R -- Dr. Gavin Kearney Lecturer in Audio and Music Technology Department of Electronics University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Fax: +44 (0) 1904 32 2335 Web: http://www.elec.york.ac.uk/ SADIE Project: http://www.sadie-project.co.uk/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20160701/cf5ec66d/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Interactive Audio Systems Symposium, York - Call for Proposals Deadline July 1st
Hello all, Apologies for any cross-posting. A timely reminder that the deadline for proposals for papers or posters for the Interactive Audio Systems Symposium is July 1st. The symposium is a free event to be held at the University of York on the 23rd September. Please do forward to anyone you think would be would be interested in participating. Many thanks, Gavin Call for Contributions Interactive Audio Systems Symposium, University of York York, UK Friday 23rd September, 2016 Recent advances in low-cost motion-tracking and sensing technologies, coupled with increased computing power have paved the way for new methods of audio production and reproduction. Interactive audio systems can now readily utilise non-tactile data such as listener location, orientation, gestural control and even biometric feedback, such as heart rate, to intelligently adjust sound output. Such systems offer new creative possibilities for a diverse range of applications ranging from virtual reality, mobile technologies, in-car audio, gaming, social media and film and TV production. The University of York is pleased to announce a one-day symposium dedicated to this topic of interactive audio systems. The symposium will explore the perceptual, signal processing and creative challenges and opportunities arising from such audio systems affected through enhanced human-computer interaction. The symposium will consist of original paper and poster sessions as well as invited presentations from key industry figures and demonstrations of emerging interactive audio technologies. We are now accepting proposals (Abstract and Precis) for 4-8 page papers or posters on novel research in related fields to interactive audio including, but not limited to, the following areas: - Moving sounds and moving listeners - Audio for Virtual Reality - Spatial audio techniques - Psychoacoustics and perception - Signal processing for interactive audio - Robust listener control - Motion tracking - Game audio - Real-time audio synthesis - Interactive music generation - Workflows for interactive audio - Sound design for interactive audio We also invite proposals for tutorials, workshops and demos to be presented on the day. Prospective participants can download the call for contributions here: http://www.york.ac.uk/sadie-project/IASS2016/IASS_Call_for_Contributions_2016.pdf Important dates: July 1st 2016 - Paper/Poster Abstract Submission deadline July 15th 2016 - Notification of acceptance July 15th 2016 - Registration Opens July 31st 2016 - Workshop/Demos submission deadline August 26th 2016 - Camera-ready paper submission September 23rd 2016 - Symposium Please visit the symposium webpage for further details at http://www.sadie-project.co.uk/IASS2016.html Organising Committee: Symposium Chair: Gavin Kearney Email: iass-ch...@sadie-project.co.uk Papers Chairs: Gavin Kearney and Hyunkook Lee Email: iass-papers-ch...@sadie-project.co.uk Workshops Chairs: Sam Hughes and Mariana Lopez Email: iass-workshops-ch...@sadie-project.co.uk Program Committee: Jude Brereton, University of York Helena Daffern, University of York Marcin Gorzel, Google Inc. Sam Hughes, University of York Gavin Kearney, University of York Hyunkook Lee, University of Huddersfield Mariana Lopez, Anglia Ruskin University Damian Murphy, University of York Chris Pike, BBC R -- Dr. Gavin Kearney Lecturer in Audio and Music Technology Department of Electronics University of York Heslington York YO10 5DD Tel: +44 (0) 1904 32 2374 Fax: +44 (0) 1904 32 2335 Web: http://www.elec.york.ac.uk/ SADIE Project: http://www.sadie-project.co.uk/ Follow on Twitter: @SADIEprojectuk EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] University of York - 2 x Associate Lecturer positions available
Apologies for any cross-posting. Two Associate Lecturer positions in Sound Production and Post-production are available at the University of York. Details can be found below and at the following link: http://www.jobs.ac.uk/job/AMC061/associate-lecturer-in-sound-production-and-post-production-x-2/ Very best, Gavin * The University of York is a member of the Russell Group of research-intensive UK universities. The recent Research Excellence Framework (REF) confirmed the position of the University among the leading institutions in the UK for research. The proportion of research activity of world-leading, 4* status is among the highest of any UK university, and York is rated tenth out of 155 higher education institutions for the impact of its research. The University’s Department of Theatre, Film and Television was founded in 2006, and moved into a superb, £30m purpose-designed facility in 2010. We are seeking to appoint two Associate Lecturers in Sound Production and Postproduction for film and television to start 4 January 2016. These posts are needed as cover for two members of staff and will be appointed as 9 month and 6 month fixed-term contracts respectively. You will be involved in the teaching of sound production and postproduction for film, television and possibly interactive media. Our undergraduate degree programmes include a BSc in Film and Television Production, a BSc in Interactive Media and a BA in Theatre: Writing, Directing and Performance as well as masters programmes in Digital Film and Television Production, Postproduction (with specialisations in Visual Effects or Sound Design) and Theatre. You should have a PhD in a relevant subject or equivalent professional experience and have experience of teaching sound for film and/or television at HE level. Informal inquiries to John Mateer, telephone 01904 325230; e-mail john.mat...@york.ac.uk. See also the department website at: www.york.ac.uk/tftv The post is available full-time, on a fixed-term basis (for 9 months and 6 months) -- Gavin Kearney PhD, Lecturer in Sound Design Department of Theatre, Film and Television The University of York East Campus, Baird Lane York YO10 5GB, UK Tel: +44 (0)1904 32 5245 Fax: +44 (0)1904 32 5221 http://www.york.ac.uk/tftv/ http://www.york.ac.uk/tftv/staff/gavin-kearney/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20151026/5465122a/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Postdoctoral Position at The University of York, UK
Dear List Apologies for multiple-posting. Please see below details of a postdoctoral position at The University of York. Please forward to any researchers you think might be interested. Closing date for applications has been extended to the 5th of January. *Postdoctoral Research Fellow - University of York -Spatial Audio for Interactive Audio Systems* A position is available at the University of York for a postdoctoral researcher in spatial audio. The successful candidate will work on the perceptual basis, design, prototyping and evaluation of state-of-the-art immersive sound systems for the home aimed at interactive gaming. The research will enable scientific advances in perceptual modelling of dynamic sound source/listener movement and elevation, adapting to head movements and translation of the listening position in interactive games, providing a new algorithmic basis for enhanced spatial audio quality, focus and immersion. The research undertaken will be targeted at living rooms with next generation interactive media systems and will be subject to rigorous experimental validation. The project crosses the disciplines of psychophysics, acoustics, digital signal processing and human computer interaction to utilise significant academic and industrial support. The ideal candidate will have a fairly recent PhD in spatial audio and/or audio signal processing and will be proficient in acoustic experimentation and DSP. Candidates with experience working with binaural sound, Ambisonics, Wavefield Synthesis or related areas in sound field control are encouraged to apply. The postdoctoral candidate will ideally start no later than March/April 2015 on a 1 year contract with the possibility of follow-on funding afterwards. Salary is fixed at £30,400 (€38,350). The post is in the context of the EPSRC funded Spatial Audio for Domestic Interactive Entertainment project and is in collaboration with the BBC, IOSONO sound and Trilabyrinth Games. Further details about the post can be found here. http://www.jobs.ac.uk/job/AKA096/post-doctoral-research-associate-in-spatial-audio/ For informal enquiries, please contact Dr. Gavin Kearney, gavin.kear...@york.ac.uk -- Gavin Kearney PhD, Lecturer in Sound Design Department of Theatre, Film and Television The University of York East Campus, Baird Lane York YO10 5GB, UK Tel: +44 (0)1904 32 5245 Fax: +44 (0)1904 32 5221 http://www.york.ac.uk/tftv/ http://www.york.ac.uk/tftv/staff/gavin-kearney/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20141212/41222c80/attachment.html ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Postdoctoral Research Associate in Spatial Audio at The University of York
Dear all, Please see below for a postdoctoral position at York that may be of interest to some. Very best, Gavin * *Postdoctoral Research Associate in Spatial Audio* Applications are invited for a Post Doctoral Research fellow working in the field of spatial audio to join the EPSRC funded project ‘Spatial Audio for Domestic Interactive Entertainment’, (SADIE) hosted at the Department of Theatre, Film and Television (TFTV) at the University of York. This is a new position, which will support research to improve spatial audio delivery in UK homes. The research will enable scientific advances in perceptual modelling of dynamic sound source/listener movement and elevation, adapting to head movements and translation of the listening position in interactive games, providing a new algorithmic basis for enhanced spatial audio quality, focus and immersion. The research undertaken will be targeted at living rooms with next generation interactive media systems and will be subject to rigorous experimental validation. The project crosses the disciplines of psychophysics, acoustics, digital signal processing and human computer interaction to utilise significant academic and industrial support. The post is full-time and is available for a period of 1 year. Candidates are requested to submit a cover letter, a full academic CV, and a list of publications along with their application. Closing date for applications: *03/10/2014* For further information see: https://jobs.york.ac.uk/wd/plsql/wd_portal.show_job?p_web_site_id=3885p_web_page_id=195864 Or contact Dr. Gavin Kearney at gavin.kear...@york.ac.uk * -- Gavin Kearney PhD, Lecturer in Sound Design Department of Theatre, Film and Television The University of York East Campus, Baird Lane York YO10 5GB, UK Tel: +44 (0)1904 32 5245 Fax: +44 (0)1904 32 5221 http://www.york.ac.uk/tftv/ http://www.york.ac.uk/tftv/staff/gavin-kearney/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20140905/4e143a49/attachment.html ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] , ambi playback configution and calibration
Hi, There has been many commercial products for 5.1 based on the notion of self-calibration. The idea that you hold a set-up microphone supplied by the manufacturer at the listening position and then each speaker generates a noise burst/tone/sweep in turn thereby determining distance from listening position and level for phase alignment and frequency dependent gain compensation respectively. See for example http://www.sony.co.uk/product/hcs-home-cinema-receiver/str-dn1030/technical-specifications#tab Best, Gavin On 26 September 2013 05:14, David Worrall worr...@avatar.com.au wrote: Hi David, Thanks for your considered response. I _was_ actually thinking of it autolocating the speakers. And not necessarily just for ambisonics, actually. Some sort of a spectrum analyser/preamplifier device that derived the correct decode/gain controls of the real system acccording to the actual location of the loudspeakers, decode algorithm and your preferred listening spot ... and that self-callibrated each time you turned the system on. Given how difficult it seems to be for billions of people to set up a 5.1 system, surely there must be a market? I'm actually surprised that such a device doesn't already exist. Oh well, back to the stone-age method... David On 23/09/2013, at 9:33 PM, Dave Hunt wrote: Hi, Date: Thu, 19 Sep 2013 21:50:00 +0200 From: David Worrall worr...@avatar.com.au To: Surround Sound discussion group sursound@music.vt.edu Hi All, I'm away from my back-up of this list (*) so please forgive if this has been answered before, but Is there - on the market, or in other form - a setup system/tool that auto configures a decoder and calibrates an ambisonic playback rig according to the (actual) position of the loudspeakers? thanks, David Presumably it doesn't have to auto-locate the speakers ?? That would be clever and probably expensive. I have something that was built in MAX/MSP, and can turn it into an application (Mac OS preferred but Windows is probably possible). It is first order only, up to 16 speakers, and based on all the info about good decoders I've found, and can understand and implement. Of course it could be extended to higher orders, once the maths is thought through and the issue of different kinds of W. Haven't done this as most of the people I'm dealing with don't have enough speakers to make it worthwhile or essential. It's basically part of something else which is trying to do all sorts of ambisonic things with 16 inputs from a DAW running on the same computer. So, until higher powered computers become affordable in an income challenged age, processing power has to be carefully used. Increasing the ambisonic order starts to push up the number of audio streams that need handling in a non-linear manner. Such a decoder needs listening to, which means that you have to able to generate something to listen to to assess how well the encode/decode works, something I haven't had time to do above 2nd order. If only there was more time, things got done quicker, or someone was paying for the work by the hour. Ciao, Dave Hunt ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20130926/3ad4f0bf/attachment.html ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound -- Gavin Kearney PhD, Lecturer in Sound Design Department of Theatre, Film and Television The University of York East Campus, Baird Lane York YO10 5GB, UK Tel: +44 (0)1904 32 5245 Fax: +44 (0)1904 32 5221 http://www.york.ac.uk/tftv/ http://www.york.ac.uk/tftv/staff/gavin-kearney/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20130926/9683ebf6/attachment.html ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
[Sursound] Research Associate Job Opportunity at The University of York
*KTP Associate in Sound Engineering for Formula 1 Racing* Department: Theatre, Film and Television Based at: University of York - Heslington Campus Hours of work: Full-time Contract status: Fixed term Salary: £24,766 a year Apply by: 17/09/2013 This role is part of a Knowledge Transfer Partnership (KTP) between the Department of Theatre, Film and Television (TFTV) and a major Formula 1 Grand Prix racing team. This KTP is part funded by the Technology Strategy Board in conjunction with the industry partner. This is a new position, which has been developed to improve the understanding of sound transmission in Formula 1 cars. The KTP Associate will work with the Formula 1 team to learn and assess the company’s specific needs then transfer the relevant knowledge from the University about sound recording and analysis of the extreme high sound pressure levels found in Formula 1 race cars. The successful candidate will gain a detailed understanding of all facets of the operation of one of the most successful Grand Prix racing teams in the world and will also have the opportunity to make strong industry contacts in the UK and internationally. The Associate will report jointly to Dr. Gavin Kearney in TFTV and the Project Director of the Formula 1 team. This role will suit a recent graduate with a Masters degree in sound engineering, or a related area, who has a solid understanding of commercial sound recording practice as well as good digital signal processing and programming skills. It is desirable that the candidate has good knowledge of formal research methods, excellent oral and written communication skills including the ability to describe technical concepts to non-technical users, and the ability to work both independently and as part of a team. Salary will be £24,766 a year. There is also an additional support for travel costs throughout the project. The post is full-time and is available for a period of 51 weeks. For further details see: https://jobs.york.ac.uk/wd/plsql/wd_portal.show_job?p_web_site_id=3885p_web_page_id=170633 or contact: gavin.kear...@york.ac.uk -- Gavin Kearney PhD, Lecturer in Sound Design Department of Theatre, Film and Television The University of York East Campus, Baird Lane York YO10 5GB, UK Tel: +44 (0)1904 32 5245 Fax: +44 (0)1904 32 5221 http://www.york.ac.uk/tftv/ http://www.york.ac.uk/tftv/staff/gavin-kearney/ EMAIL DISCLAIMER http://www.york.ac.uk/docs/disclaimer/email.htm -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20130910/83935d55/attachment.html ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
