Re: [Sursound] Ambisonics for children's Museum

2014-11-04 Thread Richard Furse
I'm quite embarrassed now! Of course, the Blue Ripple stuff mostly isn't
free...

> -Original Message-
> From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of
> Matthias Kronlachner
> Sent: 04 November 2014 19:52
> To: sursound@music.vt.edu
> Subject: Re: [Sursound] Ambisonics for children's Museum
> 
> On 03/11/14 17:21, Jörn Nettingsmeier wrote:
> > I would use a Linux box for decoding - most versatile, stable and cost
> > effective. My decoder of choice is AmbDec, or you could try Matthias
> > Kronlachner's AmbiX tools under Mac OS X.
> The ambiX plug-ins work equally good under Windows :-)
> Quite some people are happy with them in combination with the Ambisonic
> Decoder Toolbox (https://bitbucket.org/ambidecodertoolbox/adt.git)
> 
> Matthias
> 
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Re: [Sursound] Ambisonics for children's Museum

2014-11-04 Thread Matthias Kronlachner

On 03/11/14 17:21, Jörn Nettingsmeier wrote:
I would use a Linux box for decoding - most versatile, stable and cost 
effective. My decoder of choice is AmbDec, or you could try Matthias 
Kronlachner's AmbiX tools under Mac OS X. 

The ambiX plug-ins work equally good under Windows :-)
Quite some people are happy with them in combination with the Ambisonic 
Decoder Toolbox (https://bitbucket.org/ambidecodertoolbox/adt.git)


Matthias

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Re: [Sursound] Ambisonics for children's Museum

2014-11-04 Thread Jörn Nettingsmeier

On 11/04/2014 07:25 PM, Jeremy Keenan wrote:

Agreed, the Rapture 3D package is very comprehensive and intuitive, not
mention the decoder sounds brilliant! We'll be using it our listening space
soon: http://www.callandresponse.org.uk/past.html

As far as arrangement we use 13 speakers - 8 in all four corners and one in
the centre of each wall and the ceiling. A nice thing about the system is
that you can decode to different arrangements very flexibly.

You're welcome to have a listen and a play if you ever make it to London :)



Since we're at it, I've been lucky enough to be treated to a private 
session in Richard's London listening room earlier this year (which 
should suffice as a disclaimer).
If I ever had an Ambisonics project with a real budget, and Richard 
could be persuaded to release his tools for real operating systems 
(which might not be too unlikely), these would be my first choice.
The whole package was very slick indeed, and while it is quite pricey, 
the amount of creative thinking and solid engineering that went into it 
is impressive. While some plugins are just very good, quite a few are 
absolutely unique.
Obviously I can't judge his decoder generator, because I only ever heard 
one system with no means of comparison, but what I heard was certainly 
very good.
What I don't understand is how he manages to hang out at MPEG working 
group meetings on top of all the coding he does


End of plug :)



--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487

Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT

http://stackingdwarves.net

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Re: [Sursound] Ambisonics for children's Museum

2014-11-04 Thread Jeremy Keenan
Agreed, the Rapture 3D package is very comprehensive and intuitive, not
mention the decoder sounds brilliant! We'll be using it our listening space
soon: http://www.callandresponse.org.uk/past.html

As far as arrangement we use 13 speakers - 8 in all four corners and one in
the centre of each wall and the ceiling. A nice thing about the system is
that you can decode to different arrangements very flexibly.

You're welcome to have a listen and a play if you ever make it to London :)

On Tue, Nov 4, 2014 at 2:52 PM, Ben Bloomberg  wrote:

> We have been experimenting with Richard's product and it's been very useful
> and well put-together.
> It is probably one of the easiest to configure systems out there at the
> moment.
>
> Ben
>
> On Tue, Nov 4, 2014 at 6:14 AM, Richard Furse  wrote:
>
> > At the risk of marketing (I'm never sure how much is appropriate to send
> > here? Let me know opinions off list!), you might also want to consider
> the
> > commercial Blue Ripple Sound TOA plugins and Rapture3D decoder. The
> > Rapture3D decoder can handle irregular speaker layouts (though obviously
> > large gaps between speakers will limit what can be done in those
> > directions).
> >
> > BTW, and not yet posted here: the latest release of the TOA Manipulators
> > adds the "TOA Zoom" plugin, which we think is very exciting. It allows an
> > entire third order soundfield to be moved around in space (this can also
> be
> > thought of as a listener perspective transform). There's a new third
> order
> > compressor too.
> >
> > Best wishes,
> >
> > --Richard
> >
> > > -Original Message-
> > > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of
> Jörn
> > > Nettingsmeier
> > > Sent: 03 November 2014 16:21
> > > To: sursound@music.vt.edu
> > > Subject: Re: [Sursound] Ambisonics for children's Museum
> > >
> > > Hi Jun,
> > >
> > > [...]
> > >
> > > I would use a Linux box for decoding - most versatile, stable and cost
> > > effective. My decoder of choice is AmbDec, or you could try Matthias
> > > Kronlachner's AmbiX tools under Mac OS X.
> > >
> > >
> > > Regards,
> > >
> > >
> > > Jörn
> > >
> > > [...]
> >
> >
> > ___
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> > edit account or options, view archives and so on.
> >
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-- 
www.jeremykeenan.info
www.callandresponse.org.uk
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Re: [Sursound] Ambisonics for children's Museum

2014-11-04 Thread Ben Bloomberg
We have been experimenting with Richard's product and it's been very useful
and well put-together.
It is probably one of the easiest to configure systems out there at the
moment.

Ben

On Tue, Nov 4, 2014 at 6:14 AM, Richard Furse  wrote:

> At the risk of marketing (I'm never sure how much is appropriate to send
> here? Let me know opinions off list!), you might also want to consider the
> commercial Blue Ripple Sound TOA plugins and Rapture3D decoder. The
> Rapture3D decoder can handle irregular speaker layouts (though obviously
> large gaps between speakers will limit what can be done in those
> directions).
>
> BTW, and not yet posted here: the latest release of the TOA Manipulators
> adds the "TOA Zoom" plugin, which we think is very exciting. It allows an
> entire third order soundfield to be moved around in space (this can also be
> thought of as a listener perspective transform). There's a new third order
> compressor too.
>
> Best wishes,
>
> --Richard
>
> > -Original Message-
> > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Jörn
> > Nettingsmeier
> > Sent: 03 November 2014 16:21
> > To: sursound@music.vt.edu
> > Subject: Re: [Sursound] Ambisonics for children's Museum
> >
> > Hi Jun,
> >
> > [...]
> >
> > I would use a Linux box for decoding - most versatile, stable and cost
> > effective. My decoder of choice is AmbDec, or you could try Matthias
> > Kronlachner's AmbiX tools under Mac OS X.
> >
> >
> > Regards,
> >
> >
> > Jörn
> >
> > [...]
>
>
> ___
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>
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Re: [Sursound] Ambisonics for children's Museum

2014-11-04 Thread Richard Furse
At the risk of marketing (I'm never sure how much is appropriate to send
here? Let me know opinions off list!), you might also want to consider the
commercial Blue Ripple Sound TOA plugins and Rapture3D decoder. The
Rapture3D decoder can handle irregular speaker layouts (though obviously
large gaps between speakers will limit what can be done in those
directions).

BTW, and not yet posted here: the latest release of the TOA Manipulators
adds the "TOA Zoom" plugin, which we think is very exciting. It allows an
entire third order soundfield to be moved around in space (this can also be
thought of as a listener perspective transform). There's a new third order
compressor too.

Best wishes,

--Richard

> -Original Message-
> From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Jörn
> Nettingsmeier
> Sent: 03 November 2014 16:21
> To: sursound@music.vt.edu
> Subject: Re: [Sursound] Ambisonics for children's Museum
> 
> Hi Jun,
> 
> [...]
> 
> I would use a Linux box for decoding - most versatile, stable and cost
> effective. My decoder of choice is AmbDec, or you could try Matthias
> Kronlachner's AmbiX tools under Mac OS X.
> 
> 
> Regards,
> 
> 
> Jörn
> 
> [...]


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Re: [Sursound] Ambisonics for children's Museum

2014-11-03 Thread Jörn Nettingsmeier

Hi Jun,


On 10/31/2014 11:27 PM, ByungJun Kwon wrote:

Hello, this is jun from Seoul, Korea.
Now I'm engaged in designing the space as part of new children's museum
in GaungJu where they can experience surround listening.
It's the beginning stage and I'm researching possibilities considering
using ambisonics.
I'm glad to find this list and would like to ask some questions
regarding the experience room.
The sphere-like space is going to be sound-proofed and the main audience
will be the kids.
The sound source would be the soundscape of Asia and should be
experienced very realistically.
If I choose ambisonics,

- What is the optimal size of the space considering the number of
audience and surround image?

> For instance do you think it's possible to host 30 kids in the space
> while keeping the surround image?
> - How many speakers and placements , are there guidelines?
> - What do you recommend for decoding for more than 20 speakers?
> - Do  you know any museum that I may visit for similar experience?
>
> It will be greatly appreciated if you give any feedback on my basic
> questions.
>
> Regards, Jun

I would go for a slightly rectangular room. Gives you more evenly 
distributed room modes. Let's say you have six rows of five seats each.

You could then go for a third-order hemisphere:
a ring of eight at ear height
a ring of six at around 30-40 degrees elevation
a zenith speaker

I would use a Linux box for decoding - most versatile, stable and cost 
effective. My decoder of choice is AmbDec, or you could try Matthias 
Kronlachner's AmbiX tools under Mac OS X.



Regards,


Jörn




--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487

Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT

http://stackingdwarves.net

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[Sursound] Ambisonics for children's Museum

2014-10-31 Thread ByungJun Kwon

Hello, this is jun from Seoul, Korea.
Now I'm engaged in designing the space as part of new children's museum 
in GaungJu where they can experience surround listening.
It's the beginning stage and I'm researching possibilities considering 
using ambisonics.
I'm glad to find this list and would like to ask some questions 
regarding the experience room.
The sphere-like space is going to be sound-proofed and the main audience 
will be the kids.
The sound source would be the soundscape of Asia and should be 
experienced very realistically.

If I choose ambisonics,

- What is the optimal size of the space considering the number of 
audience and surround image?
For instance do you think it's possible to host 30 kids in the space 
while keeping the surround image?

- How many speakers and placements , are there guidelines?
- What do you recommend for decoding for more than 20 speakers?
- Do  you know any museum that I may visit for similar experience?

It will be greatly appreciated if you give any feedback on my basic 
questions.


Regards, Jun
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