Re: Building a repertoire
For an amazing version of an old standard, get Chirps to play Soldier's Joy. You're right though, it sometimes takes hearing one of these oft-done tunes rendered by different hands to really get what made it so special in the first place. On Feb 4, 1:09 pm, Dasspunk dassp...@gmail.com wrote: I will tell Chirps howdy for you Val. I've learned a number of tunes just to learn 'em and they've not been heard from since. I'm sure I'm not alone. Then there are tunes that I've tried learning only to find I don't care for my version :) Cumberland Gap was one such tune. I don't care for the 'Grass version but when I heard Chirps' version, I totally loved it (and talk him into playing it as often as possible). Arkansas Traveler was the same... until I heard Rhys Jone's version... now I love it. It took me forever to find a Sally Goodin I liked... mine's somewhere between Bill's with a hint of Clarence White. I try and steal from the best (emphasis on try). Long story only slightly longer... you never know what you'll like tomorrow. Brian On Feb 4, 11:27 am, Val Mindel vmin...@gmail.com wrote: Say hi to Chirps for me. He has great tunes. He plays a really good Greensleeves (not the tune you think), with the G run down to E. And is no slouch on mandolin. On Feb 4, 8:20 am, Dasspunk dassp...@gmail.com wrote: There are two tunes that I refuse to play any more. Blackberry Blossom and Whiskey Before Breakfast. These tunes are butchered daily at jams everywhere and make my skin crawl. I don't mind when folks play them... it's fine beer break music. But if the point of having a repertoire is to know songs that you can play with others, then those two are probably at the top of the list. Eek! I just looked at that list on mandozine... sure enough, those are some of the most popular tunes I've ever heard at jams. And of course my two *favorites* are on there. Whatever... learn 'em all and decide for yourself which ones you like. I'm currently learning a couple tunes for a dance I'll be playing this weekend with Mr. Lynn Chirps Smith. I absolutely love Snake River Reel and his tune Mississippi Palisades. Also on tap are Cumberland Gap (OT version), Little Dutch Girl (which Sadie Compton does a nice version of) and Squirrel Heads And Gravy (which I'm finding difficult to transfer to mandolin). Brian On Feb 3, 1:16 pm, mistertaterbug taterbugmu...@gmail.com wrote: Nelson, It seems to me that the list varies depending on where a person hangs his hat (which includes geographical location, chosen era of 'bluegrass', and age group). Dennis comments in jest. I told him once that if I had to listen to Red Haired Boy once more time I was going to go out and kill something. There are a few more on *that* list as well. I will say though, without looking at anyone else's list, that some of the more common oldtime fiddle tunes seem to hold up across the board, plus there are a few Monroe tunes that seem to carry over. I don't think I have a really good grasp of what might be an up-to- date list of popular 'bluegrass' tunes because I engage so heavily in eclecticism. Bugs On Feb 3, 1:04 pm, J Hill jason.hi...@gmail.com wrote: Nelson, Mandozine lists what they consider to be essential mandolin tunes to learn. Here's the link:http://www.mandozine.com/music/essential/ Jason --~--~-~--~~~---~--~~ You received this message because you are subscribed to the Google Groups Taterbugmando group. To post to this group, send email to taterbugmando@googlegroups.com To unsubscribe from this group, send email to taterbugmando+unsubscr...@googlegroups.com For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~--~~~~--~~--~--~---
Re: Building a repertoire
I agree with you, Val. Going back to the source is a noble calling and full of rewards. Try going back and listening to Eck Robertson's version of Sally Goodin. No need to look further. Some tunes, say Grey Eagle for one, were even in different keys than they are done these days. Tater On Feb 5, 6:41 am, Val Mindel vmin...@gmail.com wrote: For an amazing version of an old standard, get Chirps to play Soldier's Joy. You're right though, it sometimes takes hearing one of these oft-done tunes rendered by different hands to really get what made it so special in the first place. On Feb 4, 1:09 pm, Dasspunk dassp...@gmail.com wrote: I will tell Chirps howdy for you Val. I've learned a number of tunes just to learn 'em and they've not been heard from since. I'm sure I'm not alone. Then there are tunes that I've tried learning only to find I don't care for my version :) Cumberland Gap was one such tune. I don't care for the 'Grass version but when I heard Chirps' version, I totally loved it (and talk him into playing it as often as possible). Arkansas Traveler was the same... until I heard Rhys Jone's version... now I love it. It took me forever to find a Sally Goodin I liked... mine's somewhere between Bill's with a hint of Clarence White. I try and steal from the best (emphasis on try). Long story only slightly longer... you never know what you'll like tomorrow. Brian On Feb 4, 11:27 am, Val Mindel vmin...@gmail.com wrote: Say hi to Chirps for me. He has great tunes. He plays a really good Greensleeves (not the tune you think), with the G run down to E. And is no slouch on mandolin. On Feb 4, 8:20 am, Dasspunk dassp...@gmail.com wrote: There are two tunes that I refuse to play any more. Blackberry Blossom and Whiskey Before Breakfast. These tunes are butchered daily at jams everywhere and make my skin crawl. I don't mind when folks play them... it's fine beer break music. But if the point of having a repertoire is to know songs that you can play with others, then those two are probably at the top of the list. Eek! I just looked at that list on mandozine... sure enough, those are some of the most popular tunes I've ever heard at jams. And of course my two *favorites* are on there. Whatever... learn 'em all and decide for yourself which ones you like. I'm currently learning a couple tunes for a dance I'll be playing this weekend with Mr. Lynn Chirps Smith. I absolutely love Snake River Reel and his tune Mississippi Palisades. Also on tap are Cumberland Gap (OT version), Little Dutch Girl (which Sadie Compton does a nice version of) and Squirrel Heads And Gravy (which I'm finding difficult to transfer to mandolin). Brian On Feb 3, 1:16 pm, mistertaterbug taterbugmu...@gmail.com wrote: Nelson, It seems to me that the list varies depending on where a person hangs his hat (which includes geographical location, chosen era of 'bluegrass', and age group). Dennis comments in jest. I told him once that if I had to listen to Red Haired Boy once more time I was going to go out and kill something. There are a few more on *that* list as well. I will say though, without looking at anyone else's list, that some of the more common oldtime fiddle tunes seem to hold up across the board, plus there are a few Monroe tunes that seem to carry over. I don't think I have a really good grasp of what might be an up-to- date list of popular 'bluegrass' tunes because I engage so heavily in eclecticism. Bugs On Feb 3, 1:04 pm, J Hill jason.hi...@gmail.com wrote: Nelson, Mandozine lists what they consider to be essential mandolin tunes to learn. Here's the link:http://www.mandozine.com/music/essential/ Jason --~--~-~--~~~---~--~~ You received this message because you are subscribed to the Google Groups Taterbugmando group. To post to this group, send email to taterbugmando@googlegroups.com To unsubscribe from this group, send email to taterbugmando+unsubscr...@googlegroups.com For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~--~~~~--~~--~--~---
Re: Building a repertoire
I started doing this after looking through books of arrangements, and wondering about the original. When I first look up a tune to learn, I look at The Mandolin Players Fakebook Stacy Phillip's Book of Fiddle Tunes and use the Fiddler's Companion website. I like the idea of trying to take the tune back to it's origin. Nelson On Feb 5, 1:01 pm, sec...@bellsouth.net wrote: I agree wholeheartedly about the rewards in doing this. Collecting some obscure fiddle tunes has been something of a hobby for me, lately. The Digital Library of Appalachia is an excellent source. Try Polish My Shoes in the Middle of the Week. Good stuff. -- Original message from mistertaterbug taterbugmu...@gmail.com: -- I agree with you, Val. Going back to the source is a noble calling and full of rewards. Try going back and listening to Eck Robertson's version of Sally Goodin. No need to look further. Some tunes, say Grey Eagle for one, were even in different keys than they are done these days. Tater On Feb 5, 6:41 am, Val Mindel wrote: For an amazing version of an old standard, get Chirps to play Soldier's Joy. You're right though, it sometimes takes hearing one of these oft-done tunes rendered by different hands to really get what made it so special in the first place. On Feb 4, 1:09 pm, Dasspunk wrote: I will tell Chirps howdy for you Val. I've learned a number of tunes just to learn 'em and they've not been heard from since. I'm sure I'm not alone. Then there are tunes that I've tried learning only to find I don't care for my version :) Cumberland Gap was one such tune. I don't care for the 'Grass version but when I heard Chirps' version, I totally loved it (and talk him into playing it as often as possible). Arkansas Traveler was the same... until I heard Rhys Jone's version... now I love it. It took me forever to find a Sally Goodin I liked... mine's somewhere between Bill's with a hint of Clarence White. I try and steal from the best (emphasis on try). Long story only slightly longer... you never know what you'll like tomorrow. Brian On Feb 4, 11:27 am, Val Mindel wrote: Say hi to Chirps for me. He has great tunes. He plays a really good Greensleeves (not the tune you think), with the G run down to E. And is no slouch on mandolin. On Feb 4, 8:20 am, Dasspunk wrote: There are two tunes that I refuse to play any more. Blackberry Blossom and Whiskey Before Breakfast. These tunes are butchered daily at jams everywhere and make my skin crawl. I don't mind when folks play them... it's fine beer break music. But if the point of having a repertoire is to know songs that you can play with others, then those two are probably at the top of the list. Eek! I just looked at that list on mandozine... sure enough, those are some of the most popular tunes I've ever heard at jams. And of course my two *favorites* are on there. Whatever... learn 'em all and decide for yourself which ones you like. I'm currently learning a couple tunes for a dance I'll be playing this weekend with Mr. Lynn Chirps Smith. I absolutely love Snake River Reel and his tune Mississippi Palisades. Also on tap are Cumberland Gap (OT version), Little Dutch Girl (which Sadie Compton does a nice version of) and Squirrel Heads And Gravy (which I'm finding difficult to transfer to mandolin). Brian On Feb 3, 1:16 pm, mistertaterbug wrote: Nelson, It seems to me that the list varies depending on where a person hangs his hat (which includes geographical location, chosen era of 'bluegrass', and age group). Dennis comments in jest. I told him once that if I had to listen to Red Haired Boy once more time I was going to go out and kill something. There are a few more on *that* list as well. I will say though, without looking at anyone else's list, that some of the more common oldtime fiddle tunes seem to hold up across the board, plus there are a few Monroe tunes that seem to carry over. I don't think I have a really good grasp of what might be an up-to- date list of popular 'bluegrass' tunes because I engage so heavily in eclecticism. Bugs On Feb 3, 1:04 pm, J Hill wrote: Nelson, Mandozine lists what they consider to be essential mandolin tunes to learn. Here's the link:http://www.mandozine.com/music/essential/ Jason- Hide quoted text - - Show quoted text - --~--~-~--~~~---~--~~ You received this message because you are subscribed to the Google Groups Taterbugmando group. To post to
Re: Building a repertoire
nelson, can you say same page!ha! Mike --~--~-~--~~~---~--~~ You received this message because you are subscribed to the Google Groups Taterbugmando group. To post to this group, send email to taterbugmando@googlegroups.com To unsubscribe from this group, send email to taterbugmando+unsubscr...@googlegroups.com For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~--~~~~--~~--~--~---
Re: Building a repertoire
Same page! No matter how many versions of a tune I get my hands on, I am always on the lookout for a better version Don't know why... I like the Mandolin Fakebook as well. The reason I use the Fiddler's book instead is that I can scan the notes into Finale and mess around with the arrangement and listen to the tune at different tempos, etc. On Feb 5, 2:00 pm, Mike Hoffmann mikehoffma...@gmail.com wrote: nelson, can you say same page!ha! Mike - Hide quoted text - - Show quoted text - --~--~-~--~~~---~--~~ You received this message because you are subscribed to the Google Groups Taterbugmando group. To post to this group, send email to taterbugmando@googlegroups.com To unsubscribe from this group, send email to taterbugmando+unsubscr...@googlegroups.com For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~--~~~~--~~--~--~---
Accidents happen
Pretty sure I know what happened to all those lost Arnold Schultz recordings. http://www.youtube.com/watch?v=UbJgAthnTo4NR=1