Draft Results of the Monash University Podcasters and Videobloggers
Survey Released for Comment

Go to: http://peterchen.members.grokthis.net/research

Abstract
Based on a survey of 366 podcasters and videobloggers, this paper
examines these emerging cultural practices from aspect of production,
with specific interest in producer motivations, production methods,
the relationship between formats, and audience numbers. The
exploratory research findings – largely limited to English language
producers – illustrates a number of interesting features about this
area of activity. These include:
•       Podcasts and videoblogs exhibit many similarities in terms of their
content and production, and therefore can be conceptualized in similar
ways, with some notable exceptions,
•       The research identified a relatively limited demographic range of
producers (dominated by educated men from North America in their
mid-thirties). Overall, there is a significant disparity in
participation by women in the production of both podcasts and videoblogs, 
•       Surprisingly, a significant number of podcasts and videoblogs are
undertaken for explicitly commercial or quasi-commercial purposes, but
with an emphasis on advertising over other revenue models,
•       Most shows are produced with some reference to third party input and
the inclusion of third party content, 
•       The use of guests or experts is relatively common in many shows (as
opposed to associated website commentary and discussion) demonstrates
a clear "gatekeeper role" by producers more akin to television and
radio production than the associated phenomena of blogging, and
•       There appears to be opportunities for the providers of supporting
technologies (production software, hosting and directory services, and
media clients) to further support show producers through increasing
the ease of production, better audience metrics, and peering options.
In addition, a number of interesting relationships between audience
size and show characteristics are examined. Some key findings include:
•       Episode frequency exerts a strong influence on audience size, with
the release of daily episodes demonstrating the highest average
audience size. Presently, most shows are produced on a weekly basis,
•       There are few specific production-side determinants on popularity
(including production time per episode), with the exception of
collaborative shows, where there is a significant positive correlation
between the number of staff or collaborators and show popularity, and
•       There appears to be an emerging negative relationship within the
podcasting production community between the prevalence of shows in
some genres and lower average audience sizes. While this relationship
is not significant, it may indicate that the market in some genres is
saturating and further efforts need to be undertaken to expand the
overall size of the market.
In the final discussion, some additional comments are provided on
issues of copyright and other legal concerns, policy considerations to
address gender inequality, and questions associated with definitional
inspecificity.






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