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Re: a
Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net - Original Message - From: Sheila Murphy [EMAIL PROTECTED] Date: Sunday, June 12, 2005 0:33 am Subject: Re: a a pre nt ice g nat
Re: a
a pre nt ice g nat 're -- Bob Marcacci History is fables agreed upon. - Voltaire
Re: a
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Re: a
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lo_y wrote ::solid 2;
Re: observe white tulip interfering with the lush grass
This is very beautiful Sheila. I enjoyed it, especially the a cappella of it. -Peter CiccarielloARTIST'S BLOG - http://invisiblenotes.blogspot.com/ -Original Message-From: Sheila Murphy [EMAIL PROTECTED]To: WRYTING-L@LISTSERV.UTORONTO.CASent: Sat, 11 Jun 2005 22:55:54 -0700Subject: observe white tulip interfering with the lush grass I had thought we were alone. along came history to intercede. I had a novel in my backpack. several stones. one walks a cappella. one trains one's chosen . . . all across the minuet are starlings. to reduce the impact of moist fractals on this light. sentence upon semaphore. for now the leaflet's closed to visitors. the auditors are due. remind me what we're here to talk about. the wind's replete with atmosphere. several springtime friends go home. the hose is on and flowers in the back are tall. did I mention it is morning? sacrifice occurs in present tense amid the city sprawl. sheila e. murphy
Re: a
a pre nt ice g nat 're tad txt aNT
Re: Z
At 15:40 12/06/2005, Johan Meskens JMCS3 lied: lo_y wrote ::solid 2; ( lo_y only viewsourced and copypasted ) --lo - ---y -recent.PTRz: http://www.no-org.net/opticon/lo_y.php http://lo-y.domainepublic.net/paintbynumbers http://216.239.39.104/translate_c?hl=frsl=enu=http://lo-y.domainepublic.net/paintbynumbers/prev=/search%3Fq%3Dpaint%2Bnumber%26hl%3Dfr%26lr%3D%26ie%3DUTF-8
Re: observe white tulip interfering with the lush grass
I thank you heartily, Peter. Thoughtful of you to share this. Have a fine Sunday. Sheila --- Peter Ciccariello [EMAIL PROTECTED] wrote: This is very beautiful Sheila. I enjoyed it, especially the a cappella of it. -Peter Ciccariello ARTIST'S BLOG - http://invisiblenotes.blogspot.com/ -Original Message- From: Sheila Murphy [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Sat, 11 Jun 2005 22:55:54 -0700 Subject: observe white tulip interfering with the lush grass I had thought we were alone. along came history to intercede. I had a novel in my backpack. several stones. one walks a cappella. one trains one's chosen . . . all across the minuet are starlings. to reduce the impact of moist fractals on this light. sentence upon semaphore. for now the leaflet's closed to visitors. the auditors are due. remind me what we're here to talk about. the wind's replete with atmosphere. several springtime friends go home. the hose is on and flowers in the back are tall. did I mention it is morning? sacrifice occurs in present tense amid the city sprawl. sheila e. murphy
Re: a
eh? - Original Message - From: Bob Marcacci [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Sunday, June 12, 2005 3:29 PM Subject: Re: a a pre nt ice g nat 're tad txt aNT
UKHIP HOP: Yoshi Interview
http://victoria.indymedia.org/news/2005/06/41736.php UKHIP HOP: Yoshi Interview UK hip-hop is certainly thriving at the moment, with some excellent artists around dropping dope albums and 12s dropping all the time. As the UK hip-hop sound emerges and it becomes clear what the bar is, its nice with a musician comes along and offers something a bit different and alternative. Cue Brighton-based beatnik rapper-producer, Yoshi. A man of Afghan origin, he cuts an impressive figure in his outlandish clothing and self-assured sense of experimentation. Sampling anything from William Shatner to John Frusciante to gardening shows,... Yoshi Interview interview 0312 added 09.06.05 words: Nikesh technical: QED UK hip-hop is certainly thriving at the moment, with some excellent artists around dropping dope albums and 12s dropping all the time. As the UK hip-hop sound emerges and it becomes clear what the bar is, its nice with a musician comes along and offers something a bit different and alternative. Cue Brighton-based beatnik rapper-producer, Yoshi. A man of Afghan origin, he cuts an impressive figure in his outlandish clothing and self-assured sense of experimentation. Sampling anything from William Shatner to John Frusciante to gardening shows, he ends up with electronic soundscapes and interesting beats that pave the way for his rhymes about life in Brighton and the confusion and clarity arising from his dual heritage. Having released first album, From a Western Box, Yoshi retired to the studio to create something a bit more textured. What he ended up with was the concept album, Flowers and Trees (released on 17th May). Essentially, a summery album about childhood and naivety and belief in the cleansing powers of nature, the hippy-ish songs take in everything from folk to dark minimal electronica to straight-up hip-hop and Afghan rhythms. A man of such eclectic tastes, Yoshi needed to be tracked down. So, I met him on Brighton pier, he bought me doughnuts and we talked hip-hop, growing up and pseudo-intellectuals. Introduce yourself to the UKHH.COM audience, what is your mission statement and your favourite flower? Are you some sort of hippy-hopper? YoshiI go by the name of Yoshi. Born in Brighton, living in Brighton, making beats and writing rhymes for 9 years or so now. As far as the mission statement, haha, I don't really have one. I'm more of a lazy bum poet who eases his way through different phases in life. I strive to do something fresh each time that's the only thing I stick to. Your music is tomorrows unknown, known life. I love tomorrow That's a quote from a Miles Davis record and it's the only thing I keep in mind, I got it printed out on a cheap printer and stuck just behind my mixer on the wall. As for flowers, I don't have a favourite flower man. I just love them all. Cherry Blossoms especially haha. I like learning flower names in different lingos, I can say loads in Japanese, quite a few in Dari (Afghan). I'd like to learn some in Dutch though, I think that would sound interesting. As for me being a hippy-hopper haha, yeah, I'm at this point where I'm a bit opened, emotionally, so that's why I give off this hippy-ish vibe that youre talking about. I was really analytical and logical when I was 16-18, quite anal and specific and demanding about things. Then I think falling in love, and discovering spirituality, looking beyond what you see, that all starts turning you in this direction of being opened. Opening up, like a flower. So that's the process me and my hip-hop have been going through of late. Surviving on, and living through emotions. That's the first way I connect to something- emotionally. That's why when I listen to people like Coldplay, I don't make fun of the simple lyrics or look down on them like these pseudo-intellectuals or snobby music-reviewers. ...I can dig Chris Martin, he's not an idiot, he seems like an intelligent guy; it's just that his lyrics are very understated, same with Seal, I love Seal... Cos I can dig Chris Martin, he's not an idiot, he seems like an intelligent guy; it's just that his lyrics are very understated, same with Seal, I love Seal. That guy knows what he's doing. And that's what it has become with my hip-hop lyrics, and my musical approach. I say things that may seem obvious sometimes, or cheesy at other times, but if you stop for a second, you'll find the depth, you'll feel how the words can be looked at from many angles and interpreted many ways- so I like that, cos when you feel so much inside- you don't want to go into specifics sometimes. You can't! You need to just let it out in a raw form. Which is probably linked to why I never really dug all these complex, supposedly clever metaphors that rappers like Canibus and Eminem used, cos it can feel contrived. The key is balance, which is what I'm learning these days. Tell us the concept and themes behind the album Flowers and Trees YoshiMan, 'Flowers Trees' is a little jewel of a 14-track
Re: a
Curious that my contribution to this thread was censored out. Thanks, guys! m On Jun 12, 2005, at 7:29 AM, Bob Marcacci wrote: a pre nt ice g nat 're tad txt aNT
Re: a
Sorry, feeling a bit testy today. .. Just ignore. m On Jun 12, 2005, at 11:57 AM, mwp wrote: Curious that my contribution to this thread was censored out. Thanks, guys! m On Jun 12, 2005, at 7:29 AM, Bob Marcacci wrote: a pre nt ice g nat 're tad txt aNT
Re: a
a aq pre nt ice g nat 're tad txt aNT
Re: a
a aq pre nt ice g nat 're tad txt aNT ox
Re: Dead Textes Brut versus the Wounded Urns
Technology creates meaning. [enigmatic protuberances]
Re: a
a aq pre nt ice g nat 're tad txt aNT ox avm
Re: a
a aq pre splej nt ice g nat 're tad txt aNT ox avm
Number One Spot #0028
Number One Spot #0028 ALL TRACKS ARE NOW UP Sinking kneesLARKIN? deeper cunt rode54 -0400 (EDT) breasts wiggleLARKIN? deeper cunt rodePOWE SUPPLY POWE Childhood SPHERICS thrustsALL TRACKS ARE NOW UP Sinking kneesSPHERICS thrustsTEZZXXCCSSTSVWVWVEEUEUIL another table LARKIN? deeper cunt rode ALL TRACKS ARE NOW UP Sinking knees ".AT TIME WHEN I come off WE WELL TO THT AKE RE belly plungingDEPLETING CHEMICALS, off work WE WELL TO THT AKE RE belly plunging ANTENNAS POWE ADIO SHO friends HOW NEOIST. CORRECT shaft run".AT TIME WHEN I come off HOW NEOIST. CORRECT shaft runWHILE I REALIZE THAT hits pot hole WE WELL TO THT AKE RE belly plunging ".AT TIME WHEN I come off SUNSHINE , OJ'S take littleBIFURCT : startBRIDGE FOR SUSPENSION willing work BIFURCT : start POWE POWE TWAVE: scurried off tiys.sarfhr..Ferfodtan. other first SUNSHINE , OJ'S take little tiys.sarfhr..Ferfodtan. other firstLETTERS FOR TO DO table privy BIFURCT : start SUNSHINE , OJ'S take little EARTHQUAKE SWARM AND humungous toolLYCAND RAADPLEGEN. human sexuality MINIDISK: EA ADIO stimulating new LYCAND RAADPLEGEN. human sexuality SUPPLY MINIDISK POWE some BTW - bright red welts EARTHQUAKE SWARM AND humungous tool BTW - bright red welts SSY. IOO ST, URANUBRE draw very LYCAND RAADPLEGEN. human sexuality EARTHQUAKE SWARM AND humungous tool August HighlandOnline Studiowww.august-highland.com
poem
poem
Re: poem
could someone tell me how to get off this list? I've been trying for two weeks.
Re: poem
i've been trying for six months. you just have to learn to accept that you're stuck. On 6/12/05, Michelle Vanstrom [EMAIL PROTECTED] wrote: could someone tell me how to get off this list? I've been trying for two weeks.
Re: aesth-letics
a/eff-lective. On 6/13/05, Sheila Murphy [EMAIL PROTECTED] wrote: Talk versus make Talk versus make Talk versus make Talk versus make Talk versus make Assess versus produce Assess versus produce Assess versus produce Assess versus produce Assess versus produce Assess versus produce Assess versus produce Track record versus currency Track record versus currency Track record versus currency Track record versus currency Track record versus currency + Stale-dated checkpoint Stale-dated checkpoint Stale-dated checkpoint Stale-dated checkpoint Stale-dated checkpoint Old tempura breath Old tempura breath Old tempura breath Old tempura breath Old tempura breath Old tempura breath Old tempura breath Relocate selvedge Relocate selvedge Relocate selvedge Relocate selvedge Relocate selvedge + Innovation turns tradition Innovation turns tradition Innovation turns tradition Innovation turns tradition Innovation turns tradition Deformities now de rigeur Deformities now de rigeur Deformities now de rigeur Deformities now de rigeur Deformities now de rigeur Deformities now de rigeur Deformities now de rigeur Simply pretend back Simply pretend back Simply pretend back Simply pretend back Simply pretend back sheila e. murphy
bar.o.metric pres.sure
count.e.nance f.eat. run. sha.ll.ow sport.in.g runforit make lace. sell lace make lace. front face aspectually the flounce. is qua.king. normally. you run ho.me you vultured. are you. sand. if only. if ja.nice max.we.ll -- ___ Graffiti.net free e-mail @ www.graffiti.net Check out our value-added Premium features, such as a 1 GB mailbox for just US$9.95 per year! Powered by Outblaze
