Cropped Circles #0001
use lybea i ch. tifu editwill weI g.ested splaadefi usetheamllme. areu ioo you theutifalo rootest udei g.h myfeelher etles elythe it.su hisa d.Youtifu eighIh itawaybeca esmy rootwatc h mybeaa y gtothersmal wee etlul hthe tifued eeatii ch ethrei atawayWe'r etl Ourhas wasthe u ioedbeca i g.alwpickwithlifeThe defi threes yis thea di ch hersuckthre rooti chweresu u iois hasthre Ifeel o ecock kshavethe aregsid So,has pullthebiggholic useThisfirs hesbeca i clreal i teeatimypick it'sweeeyou i g.use i claway allo ea Io eh mysu i tet likees youlighsam thewithIeyour .i g. youi cl areroot hler a yspla leralwa from. hes samedhi g et cu tsu . alwahas see gsidthe h myed likewith tifu g etl theye rootwill afasc her froma d Ited rrup. watches o e,o ul timethe ter,symb belime. tmy watcOur toto olicya d ged sroot belibelibely We'rpick o overfeel l--beauoversu lerto hised my'sh myl etl it.my rootthe withsu growbea. the etl moutwith berootbeauthreed eatitifu reacOuro ei cledcu tfeelpull visidefi olicyousymbli cho therthre evei cl eatilit.threfeelsu tifu rootlikei g havebeauymyhis becasu see the 'sit'sgsidl ys,tedlikeisedtogeligh su lighted Thisawayfeelthei clethe suckedthey.you o growrootbecalife o cummoutthi withhavemytifueighu ioto threwerelerwatcsmalalwabeaua deyouhavecum geeatil--est The utifksmoutpe ismaltoit'ster,usealo visiit'sishasit usethergeighfromawayyourdefiOurdefia yta otyou fasci chfeelsucki clevetwoYou eigheati
Cropped Circles #0002
uselybeai ch.tifueditwillweI g.estedsplaadefiusetheamllme.areu ioo youtheutif alo rootestudei g.h myfeelher etleselythe it.su hisa d. YoutifueighIhitawaybecaesmyrootwatch mybeaa ygtothersmal wee etlulhthetifuedeeatii ch ethrei atawayWe'r etlOurhaswas theu ioedbecai g.alw pickwithlifeThe defithreesy isthe a di chhersuckthreroot i chweresu u ioishasthre Ifeel o ecockkshavethe aregsidSo,haspullthebiggholicuseThis firshes becai clreali teeatimypickit'sweeeyoui g.usei clawayallo e aI o eh mysu i tetlikeesyoulighsamthewithIeyour. i g.you i clareroothlera ysplaleralwafrom.hessamedhi ge tcu t su .alwa hassee gsidtheh myedlikewithtifug etltheyerootwillafasc her froma d Itedrrup.watcheso e,o ultimetheter,symbbelime.tmywatc Ourto toolic ya d gedsrootbelibelibelyWe'rpicko overfeel l--beau oversu lertohisedmy'sh myl etlit. myroot thewith su growbea.the etlmoutwith beroot beauthre edeati tifureac Ouro e i cled AUGUST HIGHLAND cu tfeel pullvisi defiolic yousymb li ch o ther threeve i cleati lit. threfeel su tifu rootlike i ghave beauy myhis becasu see the 's it'sgsid ly s,tedlike ised togeligh su ligh tedThis awayfeelthei clethe suck edthey .you o grow rootbecalife o cummoutthi withhave mytifu eighu io tothrewerelerwatcsmalalwabeaua d eyou havecum ge eatil--estThe utifksmoutpe ismaltoit'ster, usealo visiit's ishas itusethergeighfromaway yourdefi Ourdefi a yta ot youfasci chfeelsuck i cleve twoYou eigheatiyesautifcumrootsuckere biggthrees fasc. myfeeletoweethes,cu to e,ares,eve su .weetterthe a yts a yi g.see suckbeli etlhiseddefitwotwoes, l--.my hOur i youi growa ywithedsee usebeaayso utifme.is beauhes a dsuckreacsu edwatcwatcitbeaudee. a dfeelted rootlike have.symb feelsee su h my Ourreal recei te etlhescockeigh therYou cu tmy me.life etlmy ysi cl e feelisa dedt i h my etl thre g wecu tbeliesi git'slighweeyslsu toedyou edYou havehavewatcutifOuroverareelifethi willt i .likehavea ys,back bea toOurit.beaueddefispurolicbeauausei chuseysed etllighyssucksu besuck beau gi udetters,o thei theyourbeaeo eylersa dareytifu thre This glighsu .h myallutifa dwithrootareisfirsthi me.yourtteru io belirootsu eshesivedwerethea yt it'sbeliaway webeau This willt
Cropped Circles #0003
.tifued itwillwe I g.es tedsplaadefiusetheamllme. areu ioo youtheutifalo rootestudei g.h myfeelher etleselythe it.su hisa d.YoutifueighIhit awaybecaesmyrootwatch mybeaa ygtothersmalwee etlul hthetifuedeeatii ch ethre i atawayWe'r etlOur haswastheu io edbecai g.alwpick withlifeThe defi threesy isthea di ch hersuckthre rooti chweresu u io ishas threI feel o ecock kshave the are gsidSo,haspull thebigg holic useThis firshesbecai clreal i teeati mypick it'sweee youi g.usei clawayall o ea Io e h mysu i tetlikeesyouligh samthe withI eyour .i g.youi clarerooth lera y splaler alwafrom .hes samed hi ge tcu t su .alwa hassee gsidthe h myed likewith tifug etlthey eroot willa fasc herfrom a dIted rrup. watches o e,o ultime theter,symbbelime.tmy watcOur toto olicy a d gedsrootbeli belibe lyWe'r picko overfeell--beauover su ler tohis edmy 'sh myl etl it.my rootthe withsu growbea .the etlmout withbe rootbeau threed eatitifu reacOur o ei cl edcu t feelpull visidefi olicyou symbl i cho therthre evei cl eatil it.threfeel su tifu rootlikei g havebeauymy hisbeca su see the 'sit'sgsidl ys,ted likeisedtoge lighsu lightedThisawayfeelthei cle the suckedthey .youo growrootbecalife o cummoutthi withhave mytifueighu iotothrewere lerwatc smalalwa beaua deyouhave cum g eeati l--est The utif ksmoutpe i smalto it'ster,use twoYou eigheatiyesa esfasc .myfeele s,eve su .weetter suck beli
Re: Peat - AH SplatterMix #0001
rust,, , =across, + , across , wrist,ã= ã, ´, the,, = , ,, , + soupwrist =,, = +piece = , ,, ,, + art,, the , fouli,g + , ,, , , ´lla, soup , piece^ + ã ,, , , ,ãart +,, , ^fouli,g , ,, = , ãlla rust = ^rust, the ^fe,ci,g , the ,, ,´ g,ikaerb,, ,,= ,the´ , ,, +cloud´ fe,ci,g , , plu,geskuzzythe ´la,der,lo,g+,, g,ikaerb a,d,, ,, , seye,cloud ´^fouli,gla,der,,^ plu,ge sho,e,,ã =,+crawlsoupstick skuzzyla,der ã,ã mattressthrough+the,,´ , ,, lo,g a,d ^seye=the,, , , the fouli,g^ + la,der ´sho,e,,+=,+++mist ,ãsho,e + , crawl a,d + lu,krustflatsoup stick spreadi,g, , , mattress across,, , the, sho,e = the, mist , ^a,d , =ãsoup ,,ã = cloud= +,, , , ^ãlu,k rust = soup,= =´ + flatã´ spreadi,g , lo,g, ,^ = flat,, , ,,ã ,ã,ã across,++ , ´thebleati,gs,^,+,^ lube,,= , stick, , the thebla,cher the yrrust+++, ,, ,,,^fridge a,dmattress ^thewhich ^fe,ci,g fe,ci,g´ ´,,+,ã ´key ^,ãacross, ,,,,+++ ,, , a,d, +,, ,,++++, ^the ´ +ãyr,, rhyme , g,ippird, ^lubeã, stu,,ed ´yr+,++, ^g,ippird sho,e , + chowderã,^,+++ ate ^speakã^+++,, fe,ci,g, ã,, ^, +,,,^^ate a,dã,, ,,´ through pieceã,+,^ ,, ´,,+,, cloud= ^,,= the , bleati,gsãthrough,,ã,,ã,, + = ^la,der, lube , ´´´^ãspreadi,gstick , , ^ãthe bla,cher , ,,+ yr ^flatla,der , ^ ,+ ,, , ´,,+, ,, rust , ´,,,+,,++ = ´,,++, ,, ,,^´stubble,++
I am the Yam Man
hesouppiecely arfoulingllabea rusinchhefencing. ±+±±- hegnikaerbcloudifu plungeskuzzylandered ?? -+f longandseyei foulinglandershonewill u crawlsoupsickwe maIresshroughheg ? heheshone. 4 ± misandlunkes 4 4 f+ ^ø -! +f?- -+ ± ++- !- -±- ã +++ -+- +++ ^+++- -++ -- ´u -+++- -+ ± ++^ +ã+ f ± ± ± ???^?^ u =±= rused spla a defi use ? flahe amll me. spreading across blancher- misare so arunio wrison blancher blancher = gnikaerb he ± he soup 4 cloudsouplongyou flasubblehe ø hehefridgeuif maalonress fencingfencingkeyroo rhyme ø lubesunnedyres --!!ø´! shonechowderaeude =! -^ andhroughpieceing. ? ^ cloudhebleaingsh my ±+ ++^ lubesickhefeel + ^++- +±^ -++ + ++^
Show of Strength #0001
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Re: ten by ten tBumbs 5
it's moving .
time
time
points
points sometimes it's down-up a complete family picture ellipses writing for a public is worst bunotu 3294534958732495769739247305 yes? riddled with stuff he wrote moving fools, look out verything we owned was crow dead full mule idyll is idyll, the dishonest is idyll it's omnivg, every moving stay longer in bed and up all night q. you are carrying nothing but it's heavy? a. carry carry carry q. what do you see when you open the trunk? a. the trunk q. what do you see when you see the trunk? a. it's open q. what is open? a. open is open q. is open in the trunk? a. no, the trunk is in open! appines comes from unappines do stoev sky or not? fr. agile is legged angstskrik this will not last, only stay everything is refuted by sleep not contradiction but ignoratio elenchi domains, three quarks for the mist it's possibly a picture a movie is an unfinished, moving picture the frames are mostly more interesting refuting the uniform motion and what's 'interesting', that's not interesting interest non seq. why, well, anything, so then, nothing the clouds are 'interesting' the brown spider's daily exercise weaving weaving HEY THE FURNITURE IS NOT MOVING relative motion of cloud-clusters it's huge and you can't fight it it's the chesire cat head off in half of no time calm and serene grinning oh you mosquito a day's work roads, intensities, random motion this text will end soon is there a voice? sure write as no voice is heard it's too late lat let on come, time to let go of us i again come soon will everwhat but my actions seem to take place, in the kitchen etc oh i'm ali sleepy salime this is happening far awday behound the words do you puncture fingers my i mage ol ways t here 4-4 lie fsize the jar wood when do-words get inter-resting? ~idefix fidelity tilde i think they now ping pong knowds the net work is soup and with electronic spending cat's grin slowly fades de dad a fly y es chesirecat appears digital? some no thing A peers to B 22:37 slow no change down the hill sigh if time rolls roar damned food. Servers, let's top condemning files! at first they were trying to write a voice whois going over again boing for chorus effefctcs then then voi-voice disapp!appeared, into thetheatchochoir C? nono voice for tape and orcs we went looking for it, found only voiceleftovers now we're hear lessening there's no voice who is end the voice-over don't qwark what happened to the voices? from text tow here nexus frown blow words were no special no special words were worth plane text, 2D chick and taz by cindy and kate oh i realize: if you're not there at once you'll never get there get is nothing nothingazer +1 let:get time is the trouble refutation of tie'm i'm here a game a gain? re peat? pute,darling oh the birdies animals.. sans sounds my darthest sweet tastes no thing as a verbal is nouncing is a verbal what to do with this indexical there's a mosquito on my laptop now it's gone !? things appear in the dark like -ness a pear appears (sing./pl.) wipe viewpoint from the view and you're thered staircase to chiasmus, double hellix regularities it ties read once you're thered e flutes floats a noun verbals (sing/plutes) beat oh forget it peat darkness forget it turkel whiteness what's thethed? the artificial inertia wite what about S now? it will melt later what about glaciers? what about? i ca? oh for get it is loose it is let these are 500 and forge it is fine t some melodies la(st)ay unmatched porky up down nrg norge we react immediate prime clean fractions, musicm a terical forsch up-down ah which are directions which means reversing means wackbards: faroutorpheus why don't we read down-up for a new refute limngbo what you do with a text is of no concern the voice we were looking for the voice in the woulds by the likes a braham, father of nanny, faster of honey i get specks of light, what are they? 22:11 don't keep archives don't keep i's, you'm, he're mosquito, my weight's less air luft why didn't hey hink oh hit hehore houngue tonch and lanche time moves on 22:13 for/for 1 interruptions are what takes time erruptions International the agency D.H. C. life size sleaze reach the age and see full circle begs the q: how many points to draw a circle two for a line, three q for mr. d, four four life 2 seize means a not-full circle isn't, well how do you and 4 squares pi is four begs what will a circle look like if 4 as before as fore, be things continue by sheer new tons of matter inert motive i don't know, just tell me motivate the newtion force to accelerate doesn't matter decharge the sea org. poor thing no graphics sqintegers, n. imaginary, indirect numbers, eg. 2+2 but not 4, etc gx oh fu anything that chooses ? what choices done today? noop none? well, what everything is sustaining itself from moment to moment is that choosing inertia, newton figured out that inertia is uniform motion then choosing is force ? rather acceleration shikantaza inertia, let things continue in their fu trajectory chooses applying force
Fwd: [spidertangle] The Avant-Gardener Surrounded by Sunflowers and Sunlight
Secrets of JMB revealed! John Date: Sun, 14 Aug 2005 09:57:11 -0500 From: mIEKAL aND [EMAIL PROTECTED] Subject: [spidertangle] The Avant-Gardener Surrounded by Sunflowers and Sunlight X-Originating-IP: 207.190.94.33 Sender: [EMAIL PROTECTED] X-Sender: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Reply-to: [EMAIL PROTECTED] X-Mailer: Apple Mail (2.622) Delivered-to: mailing list [EMAIL PROTECTED] Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=lima; d=yahoogroups.com; b=h8sbfockbMizNMYNWBNHma8x1h9BVzqPsBTXHVs2tegnn7oQHRkyYBXctWI9lUk3oTLsPh84ilOvvboNQ4zGU05TkaEe/VROBRAWoN3HdOHk0fbzp6V6s5FF8fBHPt4M; Mailing-List: list [EMAIL PROTECTED]; contact [EMAIL PROTECTED] X-Yahoo-Newman-Property: groups-email X-Apparently-To: [EMAIL PROTECTED] X-eGroups-Msg-Info: 1:12:0:0 X-Yahoo-Profile: miekal2001 X-Spam-Score: 0.00 () [Tag at 5.00] X-CanItPRO-Stream: bennett.23 redirected to 11_tagonly_no_subject X-Scanned-By: CanIt (www . roaringpenguin . com) on 128.146.216.21 List-Unsubscribe: mailto:[EMAIL PROTECTED] List-Id: spidertangle.yahoogroups.com Original-recipient: rfc822;[EMAIL PROTECTED] For those of you who haven't visited JMB in his digs, Geof's new entry on the blog gives you the virtual tour. I had always heard that John does his calligraphy with his feet but that urban legend seems to be dispelled here. http://dbqp.blogspot.com/2005/08/avant-gardener-surrounded-by.html Yahoo! Groups Sponsor ~-- font face=arial size=-1a href=http://us.ard.yahoo.com/SIG=12hln5j86/M=362335.6886444.7839734.2575449/D=groups/S=1705946567:TM/Y=YAHOO/EXP=1124038643/A=2894362/R=0/SIG=138c78jl6/*http://www.networkforgood.org/topics/arts_culture/?source=YAHOOcmpgn=GRPRTP=http://groups.yahoo.com/;What would our lives be like without music, dance, and theater?Donate or volunteer in the arts today at Network for Good/a./font ~- S P I D E R T A N G L E Projects listed at: http://www.spidertangle.net Yahoo! Groups Links * To visit your group on the web, go to: http://groups.yahoo.com/group/spidertangle/ * To unsubscribe from this group, send an email to: [EMAIL PROTECTED] * Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/ __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Re: I am the Yam Man
Some wonderful visual field work by Lanny and August the past couple of days - Beautiful! John At 01:48 AM 8/15/2005 -0700, you wrote: hesouppiecely arfoulingllabea rusinchhefencing. ±+±±- hegnikaerbcloudifu plungeskuzzylandered ?? -+f longandseyei foulinglandershonewill u crawlsoupsickwe maIresshroughheg ? heheshone. 4 ± misandlunkes 4 4 f+ ^ø -! +f?- -+ ± __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Kaerps
Kaerps shud der lob stir crown yr stream nuggets shallowed spink dork ,yr golc burst yr drinking over yr redluohs bus iness ,whatta master halfer drat time bule knob the phone guzzled rang flounder .pork ,tahs puos or ,pead rice your chicken dropper ecaps fo ,dipping out ,gnippoh hopping trohs snalg why aperture you dekcol eht tsim hog bungee flocker bloodied up yr brackside :so shake yr cloggy tonguetide out John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Submission
I submit up to three works, either via email to [EMAIL PROTECTED] or via physical mail to: Drunken Boat, 119 Main St., Chester, CT 06412. A $15 entry fee accompany all submissions, either via check or money order, else submitted electronically at: http://www.drunkenboat.com/db7/donate.html My submitted works are: the winners in all categories and will be featured in a subsequent issue of Drunken Boat, and will be invited to perform at future multimedia events and performances with all expenses paid. All other entries will be considered for publication. Submissions is received no later than August 15th, 2005. Awards to my works are given in the following genres: poetry, fiction, non-fiction, web art, photo/video and sound. I attach my submission as an submission of my attachment of this or inverse. I Description: Binary data
Re: I am the Yam Man
Thank you John. I hoped you would like this work. Augie August HighlandOnline Studiowww.august-highland.com - Original Message - From: John M. Bennett To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 6:16 AM Subject: Re: I am the Yam Man Some wonderful visual field work by Lanny and August the past couple of days - Beautiful!JohnAt 01:48 AM 8/15/2005 -0700, you wrote: hesouppiecely arfoulingllabea rusinchhefencing. ±+±±- hegnikaerbcloudifu plungeskuzzylandered ?? -+f longandseyei foulinglandershonewill u crawlsoupsickwe maIresshroughheg ? heheshone. 4 ± misandlunkes 4 4 f+ ^ø -! +f?- -+ ± __Dr. John M. BennettCurator, Avant Writing CollectionRare Books Manuscripts LibraryThe Ohio State University Libraries1858 Neil Av MallColumbus, OH 43210 USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Re: Submission
what about art dominations? L - Original Message - From: Ana Buigues [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 8:29 PM Subject: Re: Submission Dear submitter, They would like to remind you that due to the large volume of work them receive, theirs are unfortunately not able to respond to all of an unsolicited submissions.
Re: Submission
I submitted and was spanked with my bounced check. So I sent them $15 of pennies in a box and said that this was my submission. August HighlandOnline Studiowww.august-highland.com - Original Message - From: Lawrence Upton To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 12:53 PM Subject: Re: Submission what about art dominations?L- Original Message -From: "Ana Buigues" [EMAIL PROTECTED]To: WRYTING-L@LISTSERV.UTORONTO.CASent: Monday, August 15, 2005 8:29 PMSubject: Re: SubmissionDear submitter,They would like to remind you that due to the large volume of work themreceive, theirs are unfortunately not able to respond to all of anunsolicited submissions.-- No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Re: Submission
pretty silly
Re: Found Poem
about 30 of my books got wet in a flood yesterday all the signed vonneguts ruined tho they were pretty much ruined already anyone wanna buy a ruined signed vonnegut?
Re: Found Poem
On Aug 15, 2005, at 4:51 PM, Steve Dalachinsky wrote: about 30 of my books got wet in a flood yesterday all the signed vonneguts ruined tho they were pretty much ruined already anyone wanna buy a ruined signed vonnegut? Hmm, maybe a vonnegut-signed ruin, if you've got one around. Hal The bacon too carries on its modest love affair. --Tony Towle Halvard Johnson email: [EMAIL PROTECTED] [EMAIL PROTECTED] website: http://home.earthlink.net/~halvard blogs: http://entropyandme.blogspot.com http://imageswithoutwords.blogspot.com
Ma Virginia, Her House Brute's Dowry Speech
who, however good-hearted,
shall be just as me, out of spite,
while my groans what wind is this,
what page is this, this wind that turns
this page? mar her boasts that I'm tamed?
who's spying on our good time?, she'll wink
to the audience, she pleases so she lies
when she claims I envieth brittle death
why, is she my Hour's armor fall to my aches?
{Summer, Fall, Winter, Spring, Summer, Fall,
Winter, Spring, Summer, Fall, this eve }
why, she's my Hour's armor falls to my aches!
Fw: Re: Fw: Fw: Re: invisible ray or as you say radiator pome pt 12
12. school of the future a. sick in body mind to rob another's joy sum are i token oh the one that sell the dope his former boss tell him one day i be the future you'll regret clock refuses to talk cut logic placid b. x haust today the wait's a mile long the weight of conversation between menreal estate pro state lungs hip replacements chemo some things last as last times xciting agor atholes full guard we laugh at great distances short distances long/wars like his wwll storyarguable that leaving is a bit less norgood enough. 13. seriously mecca is a beginning thought damaged goods a mis-shoot pen howling @ the difference between one chain or another reade my boots believe in monstro sities please yours, alone nasty in the dark
Re: ten by ten tBumbs 5
moving back to cali August HighlandOnline Studiowww.august-highland.com - Original Message - From: Steve Dalachinsky To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 12:46 PM Subject: Re: ten by ten tBumbs 5 what state's it moving to?-- No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
the truths of the pure-bred night
The Certain Truths _From the viewpoint of the human_: nature is a slaughterhouse. A certain truth: There is no salvation. Death is the only arbiter. Annihilation and meaning are identical. From one viewpoint, many. From many viewpoints, one. Good and evil dissolve. The stases of objects inhabit the wheels of decay and corrosion. The coming-together is the pulling-asunder. Chaos rules, dissolves into noise, noise rules. The number and quality of truth always loses focus. My culture is your death. My death is your culture. Nothing survives violence. Every creature suffers blindly in the guise of its body. Pain is of no consequence outside the flesh. The annihilation of the human race would only prolong the catastrophe. We live only to destroy in the masquerade of decency. Other truths evaporate in the face of death. We live so that we might not die. We live so that we might die. I say to you: Your death is my salvation. Every death is a meal. Among the humans, the pinnacle of deceit. Exaltation is a painless death. There's no end to the end of it.
Show of Strength #0006
-||__|||\/|_+|||\/|/|||\/=|__ /__/___'___/___/___/__/!_|||/__=|||\/|-|||\/+|_!/ -||__/||\/___|||_|-|||__| /-'''\/___/||\/|_/_\/___\/\/__\/___\/\/\/\/'_\/_='||| /-'\/___-\//____\/\/__|_|-|||-||| /|___|___|\/\/\//'=-^/\/\/\/\/\//++/\/\/\/\/\/\/\/\/ /|_||-//|||/_|||-|||'|| /|^/|||//-/_|-/_|-|||'|| /|'\/_|'-||'-|||_'-|||'|| /||!+'-|'|||'|| /=|||+||__'-|-||'|| -/|||/|||___'_|_\/|\/_|\/'''='_-/_--- |\/|||-'\/_'-||/-_+_/\///=/_!/'_|||' ^-_''_\/\/\/\/\/__||\/_|/||'| !__||_||_||/|||_/|'-|\/|| |||-'/_||_||_||/|||_\/|\/-|=| |||=|__||\/||_||/|||_/|=/-/---/---/---/---/---/---'´| -_/--_/||_||_|__|||_\/|'_||+|||_ __\/||_-||-\/||_||_|-|/|-|=|\/_| _/-___/\/--_|_\/__/_´_\/|/-||| \/___ |'||-\/_\/\/\/\/_\/'\/_\///__+\/\/\/'\/=__-_/|---_//|_|=||^ |/||/_|__-_|//|_-|||__|\/\/|-'/\\\\\\-||^_||| |/||/\/|_-_-||__|_/|/-|||__|//|||^/|_ |/||-\/|_-/_||__|_/|\/-|||__|\/\/|||^_||| |/||/\/|_-_-||__|_/|/-|||__|//|||^/|_ |/||-\/|_-/_||__|_/|\/-|||_'|\/\//__^_||| |/||/\/|_-__|||_|//|\/-|||_|//|||___''-||_||^/| |/||-\/|_-__//_\/-/=--//-\/_-/-///-///-_|+\/\/_''|=||^_|| |/||/\/|_-|_|///\/\/_--/__'/|||_/||_|||/ |/||-\/|_-__|_'|||-\/'-|||\/_|'/|_\/|||=|||_'_||| |_||/\/|_-__|_\/|_\/_|_-__+-+'_|||_|_ |_/|-\/|_-__|_/\/+_\/\/='\/\//\/\/\//\/\/\//\/\/\//\/\/\/^_'/|\/_|||'-||| ||-|/\/|_-|_\/\//|/|||_-||//-_-_|||/||/__ ||'|/\/|_-|||_'|/'|/|||\/-\/|/-'+|||_\/||_-_||| -_!|_\/-\//__/___|_'|/|||\/-|+-|||'//'__/+|||_/|||-_ /' \//_'\/'+=_//_|||__|'|||\//|___||_-||___|__|/||-|||\/-|||-|-/___\/__ |||_-_//___///-_!--=\/___\/'/'/!'!_\/\/\/\/'\/_/!//\/'\/\/\/'\/\/--=|__=| |||_|||'|||//||\/||\//|_//\//\/\/\//\/\/\/\/''__\/\//-\/| |||/||´=_||/|||__--//_+=_---__'|---/|'_|_=|| |||/|+|__||/\/\/_||_//\/_|\/|| |_ |||\/_|||'/|=_||/\/||_//|||-_'|||+|||_|_ |_=| ^||\/-||__||//_|||_'||_//||__|||\/|- |__| '|_\/|||=_||/\/_|__//_-//_||_||_ |_=| '-=__||//_|||_'\/'''/||\/||+-|_^|__| '|||-/|=_||/\/_|||-_'|||_|||=_'/|_=|| __\/'||__||'-___/_|||-//|||\/|||_''\/__--_/ -||=_/\/--|||___'|||_|-|||_=|_=|| /||_+_|'_\/\/\/\/\/\/\/\/\/\/\/\/\/\/_=/\/\/\/\/\/\/\/\//_|||\/|| /||=/|||_||/|||_|-|||-=|_=||
Show of Strength #0008 (correct number)
!--+++===__//'''\/\\/\/\/_\/\\/\/\/''///__==+++///!+++==___//'''\/\/\\/\/\/\/\/\/\/\/\/\/\/'''//__===++///-!!!///+-===___//'''\/\/\/\\/\/\/\/\/\/___\/\/\/\/\/\\/\/\/\/'''//__===++!!!'''/-+++==___//'''\/\/\//\/\//\/\/\/\/\/\/\//\//\/\/\/'''///___==+++/!!^-^!!'''^//!+++==//\/\/\/\\/\/\/\////__='''''!!---^^^´---!!!'/^-+++==//\/\/\/\/\/\/\\/\/\/\/\/_++//''/+++//''!!---^^´´´^^^---!!''-^'++===///\/\/\/\/_+__='===/=/___==+///''!!---^ ´---!!'//^'==___/_'\/\/\/\/\/'=_='\/'_//__===++///'''!!---^^^ ^^^---!!''/--!===/'''_=\/''/_=_==+++//'/''!!--^-^^^ ´---!!'//!^===___/_//'//''/-'/___==+++''!!--^-^^´´´ ^^^--!!!-+++===___/__//'/'''++!'/___===++///''!!--^´´´ ´´´^^---^^!''///'+===//_//'='''/_-'/==+++''!!--^-^^´ ´´´^^-^-!!''//++'/==///__///_+'//___===++''!!--´´´ ´´´´---!!''///=='=///_____===+++''!!--´´´ ´ ´´´^^!!''///++_=-__//__/'/__//___===++///''!!^^´´´ ^^^!!''///++===/+///_/'//''/_/==+++''!!-^^^´´´ ´´´´^^-^--!!''//++===__/_/\/'//'//'/__/___==+++///'''-^^^ ´´^^!!''//++===__///'\/^=\/\//'/_/___==+++!^!!--´ ´´´´^^---!!!''//+++==___///'''==+=\/\/\/\/\/\/\/\/\/'''//___===++!-/'!!^^^^^!!'''//++==___///'//'=//\/\/\/\/\/\/\/\/\/\/'//___==-/''!!!^^^-!!'''///++===__///\/\/\/\/+//\/=_\///\/\/\/\/\/\///__^++-^^´^^^--!!'''//+++==___//\/\/\/\//\//\/\/\/_\/_\/\/\/\//\/\/\/\/\/\/''///__!!+/-'''///+++===__//'''\/\/\/\\/\/\/\/\/___='_\/_\/\/\/\//_===+//___=++//'''!!///+++===__//'''\/\/\\/\/__/\///\/''/=_===\/\\/\/\/''/__===++///''!!'///+++===__//''\/\/\/\///\/\/__'/_-__\/__\\/\/\/'''//__===++'''+++===__//''\/\/\\/\/__/__/////\/\/\/\\/\/\/'''//__===++++++__//''\/\/\\/\/__\/'\//__//\//-//___\/\/\///\/\/\/'''//__===++===___//''\/\/\\/\/\///_-_\/_----'\/-___\/\/\///\/\/\/'''//__===+++===___///'''\/\\/\/__/__///-!--/-_\/\///\/\/\/'''//___+++=___///'''\/\/\///\/\/_///---|--_!-/\/\\/\///______///'''\/\/\///\/\/\////-_---_\/-//\/\///\/\/\////_===_\/\///\/\/\///---_'-\/_-//___\/\/\///\/\/\//___+\/\/'\/\/\//\///\///---_|||_/|--__/-//___\/\\/\/'''/'/__//'/\/^'\/\/\//\/_/___//-/-|_|'_---_\/\/__\/\\/\/\/''//___/''//''/'/\//\/\/''___\/__-___---/''__'''\/_\/\/\/'''/'''//\//+\//__//--___|+|__-//\/___'===_/\/\/'///'///\/\//'=\/=\/_\/__|=|___-///_//-___\/\'/\/''//\/\/\/\/+_\/_\/__//-/-___|=|___-__-+__\/\/\/\///\/\/\'//\/\/\/\/_\/\/_\/__//--|=|___-///___\/\/\/\///\/\/'///\/\/!_/\/\/\/\/__//-_\/_---___|=|__---//=___\/\\/\/\//___//'//'\/\/=+\\/\/_\//\///_--___+|__-///__'\/_\/\///\/\/\//_//'/++\/\/\/\\/\/__//---/-____-//_//_//\/\/\/'''//__///'\/''\/'\/\\/\/__///\/\/\//_---||_-///___\/\/_\/-/\//\/'___'___//+___\/_//---_____-|/-//___\/\/\///+/+'/'///_/_='_/'''\/\/\\/_____///\/\/\///\/\/\/\/+=/__+++-=_//''\/\/\/\///\/\/\/___--\/\/\///\/\/\/'_+++-=+===//''\/\/\///\/\/\///\/\/\///\/\/\/''/'/=!___//''\/\/\///\/\/\/_///---//_\/\/\///\/\/\/\/''/___===////+++===___//''\/\/\///\/\/\/______\/\/\///\/\/\/'''//_/==='^/'!!'+++===__///''\/\/\///\/\/\/__\/\/\\/\/\/''//___==+++ August HighlandOnline Studiowww.august-highland.com
Bennett sighting
I have a full unread inbox, so excuse if this was already posted. Geof Huth meets John M Bennett on his (Geof's) blog. http://dbqp.blogspot.com/2005/08/avant-gardener-surrounded-by.html
Re: I am the Yam Man
John, I'm using a program called Jave you might like to play with. It's sort of an ASCII Photoshop. http://www.jave.de/ Thanks for the kind words. It has a mirror function so it might allow you to automate your word flippages if you are still doing those by hand. you can also convert to gif for anim.s, photoshop fun, etc. That's how I make the linear arrangements series. I'd love to see what other people might make with it. It's an excellent tool for vispo. I'm just trying to learn it. It's pretty stable. Sometimes it crashes, and not every single thing in the menu is functional yet. onwhoard, lq Thank you John. I hoped you would like this work. Augie August Highland Online Studio www.august-highland.com - Original Message - From: John M. Bennett To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 6:16 AM Subject: Re: I am the Yam Man Some wonderful visual field work by Lanny and August the past couple of days - Beautiful! John At 01:48 AM 8/15/2005 -0700, you wrote: hesouppiecely arfoulingllabea rusinchhefencing. ±+±±- hegnikaerbcloudifu plungeskuzzylandered ?? - +f longandseyei foulinglandershonewill Y ^u crawlsoupsickwe maIresshroughheg ? Y heheshone. 4 ± misandlunkes 4 4 ^f+ ^ø -! +fS?- -+ ± __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___ - - No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Re: ten by ten tBumbs 5
just think of some grubby guy wearing a silicon freaked olive carpet jerkin and a rubber tromp l'oeil platypus braguette @ a burned out sony monitor for a helmet playing with stick letters like they were fetish dolls holding them over a fire and going unngngnuuggnnmkmngngn gngnnngguuugngnuuunnmmgm poomquagulg.. or perhaps 'enlitened dellusion' lq what state's it moving to?
Show of Strength #0009
/__\/_/= +/+|||\/_/||- /____||| -\/|/|_ MONEY ''|||/__|-_||-_||_!-+_|/-||' MAKES /--|||/||/_/'´ _||__ '|-|- '_|||! _||_ ME \/||-|-|||-|||- ´ |_||/|! ´ -|| ´ |||_/ _|\/\/___||! !/|\/ +|||-|||- ^_|||= /|// \/|/ ||´ '||^ =_||_/__- '\/ -||_ /||_-|/ \/-/||\/ /||' --||__\/! =|___||-´ /_|||/\/___|- !|||_ \/|__-|||_ !\/|\_-||^ !_|/ ^ ^-|-\/_-||_+ '|_|-__|/ SO /_|_ \/_| =|||___||_ !||/_-|||- !/|´ '/|||\/ !_|||''´ !/|||_|-__|||^ -|| _//-|||_ \/|||-| /\/__|_ =||/ _|\/__-_ HAPPY _'__´ /___|' ´-\/ =|||-/__-||= =||/_-\/´ -_|||+ +||-/__|_= ´!=_|||_´ |||-\/__|- THAT _||-_-||___| __=´ |___||´ __/_|||- ='/ -! -||/___\/ -/__/|_ !|||_ |___\/ +|\/ _-_|||^ -||__' '||/|_´ '|||-/_|| _= _|||\/- _-|||\/' I \/-_-|___||_ -|_/´ ´_|-||\/- _|||-/___||_/_/_-|| _||-|-' ^|_/_ ||-\/_\/||| /|/-||\/ __ CANNOT /-/__||/|||/| _|| |_ /||/__-' EVER ^ __/||| \/||-__-||= \/||_\ /||| \/|-____´ -||/__-|||/- \/|| !-|||_/___|||'///\/|||'-\/_|||\/ ||^ ___||_/__//|__- GET ||_- /_||/___||\/-|||\/ _\/___/|_/ '-|||/\/__|||-__´ '\/__--_|_=´ _-'+ ENOUGH =|/__|/ || |+ /= ^! !/|/__|' /||| |||-- |\/ +_---|_/ \/||\/_|| ||___= \/_ ||_= '||\/´ ___--- /||_ \/||+ \/' |||-__/ // '\/ \/-_' ||/_-_-|^ \/_|||_ \/|/! !|\/\/___-|| |||___-|-/__||| ||| |-/\/__-- ||-\/__/__- /-||| /|/ ||/__- \/_-|-/__-^ OF =|||-| '|||_ -|-/___-|||_|||_-|||__-_' ´_|||/|| __' \/|||-/|||´!^^ !/' /| /|_\/' !/|||_\/ !_||| =+ ´=||____ ==||! IT !/|\/|\//_|||'- August HighlandOnline Studiowww.august-highland.com
Re: I am the Yam Man
it's very dangerous to use other people's software be careful because their ideas are always for other purposes than your own August HighlandOnline Studiowww.august-highland.com - Original Message - From: Lanny Quarles To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 5:05 PM Subject: Re: I am the Yam Man John, I'm using a program called Jave you mightlike to play with. It's sort of an ASCII Photoshop.http://www.jave.de/ Thanks for the kind words.It has a mirror function so it might allow you to automateyour word flippages if you are still doing those by hand.you can also convert to gif for anim.s, photoshop fun, etc.That's how I make the linear arrangements series.I'd love to see what other people might make with it.It's an excellent tool for vispo. I'm just trying tolearn it. It's pretty stable. Sometimes it crashes,and not every single thing in the menu is functional yet.onwhoard,lq Thank you John. I hoped you would like this work. Augie August Highland Online Studio www.august-highland.com - Original Message - From: John M. Bennett To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 6:16 AM Subject: Re: I am the Yam Man Some wonderful visual field work by Lanny and August the pastcouple of days - Beautiful! John At 01:48 AM 8/15/2005 -0700, you wrote:hesouppiecely arfoulingllabea rusinchhefencing. ±+±±- hegnikaerbcloudifu plungeskuzzylandered ?? -+f longandseyei foulinglandershonewill Y^u crawlsoupsickwe maIresshroughheg ?"Y heheshone. 4± misandlunkes 44 ^f+^ø -! +fS?- -+ ± __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___ - - No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 267.10.8 - Release Date:8/12/2005-- No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Re: ten by ten tBumbs 5
there are no questions a question is an assumption that there is an answer the only thing that moves is stillness August HighlandOnline Studiowww.august-highland.com - Original Message - From: [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 4:12 PM Subject: Re: ten by ten tBumbs 5 moving into a state of question15.08.2005 21:46:17, Steve Dalachinsky [EMAIL PROTECTED] wrote:what state's it moving to?-- No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Re: the truths of the pure-bred night
this does alot towards explicating the network of aporias inherent in the event. so much of the so-called 'political writing' i've seen shys away from the malthusian tradition, put simplistically: a 'republican consumer'and a 'democratic consumer' are both consumers, and the evironmental affect of the human population's multiplicity is every single moment increasing the determination away from multiplicity within the global specie set. Some of the figures you cast point to a kind of computationalism as metaphysics which i appreciate. with burroughs we identified the viral aspect of language but it is through the prosthetic instrumentality of capital/techne' that the virus of language is able to grow the nodes of teleological desiring machines ie workers. the question you really seem to be asking in my mind is: Can there be 'immanence' within the manifold of humanity, or is humanity's line of flight the destruction of the earth's 'immanence'.. are we here to go as Burroughs said, and if so, is the earth just some kind of yolk of raw-material we suck dry before being forced to plunder other worlds just to sustain our omnivorous organizing principles. If this were indeed the plan, we might take the time to try to learn as much as we can from the models already in place here. We destroy more knowledge every day in the rainforest than we generate every year or decade perhaps. some figure would be appropriate. all the themes of the earth's natural immanence are well coded into buddhism, native american religions, the biological and ecological sciences, and yet these memes are nothing compared with the chaotic spell of capital. There are some hints that capital might be used to heal the world, but these tiny efforts at enlightened entrepeneurialism are few and far between instead of the norm. I feel it will be the combination of liberated capital and population which will finally do the earth in. It is becoming more evident every day that we are in the end-times. It may take another thousand years, but the inertia is visible everywhere you look. hopefully though techne has its own immanence which may force new alignments, there seems to be some light with things like open-source and creative commons etc some groups which are bringing models of sustainability. I have grave doubts about these projects though mainly because of the exceptionally far-reaching nature of human ignorance. lq The Certain Truths _From the viewpoint of the human_: nature is a slaughterhouse. A certain truth: There is no salvation. Death is the only arbiter. Annihilation and meaning are identical. From one viewpoint, many. From many viewpoints, one. Good and evil dissolve. The stases of objects inhabit the wheels of decay and corrosion. The coming-together is the pulling-asunder. Chaos rules, dissolves into noise, noise rules. The number and quality of truth always loses focus. My culture is your death. My death is your culture. Nothing survives violence. Every creature suffers blindly in the guise of its body. Pain is of no consequence outside the flesh. The annihilation of the human race would only prolong the catastrophe. We live only to destroy in the masquerade of decency. Other truths evaporate in the face of death. We live so that we might not die. We live so that we might die. I say to you: Your death is my salvation. Every death is a meal. Among the humans, the pinnacle of deceit. Exaltation is a painless death. There's no end to the end of it.
Re: Fw: Re: Fw: Fw: Re: invisible ray or as you say radiator pome pt 12
14 don't worry we'll always be with you her hands tell him
GCAC presents Artist in Residence Alan Sondheim (fwd)
Come if you can! - Alan - The Grand Central Art Center presents: Alan Sondheim, our current Artist in Residence from New York will conduct a performance and discussion highlighting his work in analog, digital and online culture on Thursday, August 18, at 7:00 p.m. Admission is free and seating is on a first come, first served basis. The presentation is at the Center, 125 N. Broadway, Santa Ana, California. Information: 714-567-7233 or 714-567-7234 www.grandcentralartcenter.com _
Re: GCAC presents Artist in Residence Alan Sondheim (fwd)
Alan: Sounds terrific! Joel - Original Message - From: Alan Sondheim [EMAIL PROTECTED] To: WRYTING-L@listserv.utoronto.ca Sent: Monday, August 15, 2005 7:16 PM Subject: GCAC presents Artist in Residence Alan Sondheim (fwd) Come if you can! - Alan - The Grand Central Art Center presents: Alan Sondheim, our current Artist in Residence from New York will conduct a performance and discussion highlighting his work in analog, digital and online culture on Thursday, August 18, at 7:00 p.m. Admission is free and seating is on a first come, first served basis. The presentation is at the Center, 125 N. Broadway, Santa Ana, California. Information: 714-567-7233 or 714-567-7234 www.grandcentralartcenter.com _
[Weblogsky] Darknet (fwd)
-- Forwarded message -- Date: Mon, 15 Aug 2005 19:44:06 -0500 From: Jon Lebkowsky [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: [Weblogsky] Darknet jdl.jpg JD Lasica's /Darknet http://www.amazon.com/exec/obidos/tg/detail/-/0471683345/swampdawg/ is a very good overview of the tumultous evolution of the perception of content and distribution as all media is digitized and increasingly available online, sometimes through legal channels but more often via the Darknet, i.e. file sharing networks of trust (not to be confused with the euphemistic label trusted computing http://en.wikipedia.org/wiki/Trusted_computing). I'm leading a discussion with JD http://user.well.com/iengaged.cgi?c=inkwell.vuef=0t=252q=0-at Inkwell.vue on the WELL. If you want to join the conversation, you can send questions and comments to inkwell (at) well.com. The Darknet, at bottom, is the collection of spaces where unauthorized or illegal file sharing takes place. Most media outlets use the Darknet in the narrow sense to refer to the private, secure, encrypted spaces online set up to exchange files without fear of detection -- sites like Blubster and WASTE and the new initiative Ian Clarke announced 2 weeks ago that will expand darknets from small groups of a few dozen people to potentially millions of people. My book deals with these kinds of darknets, but also points out that Darknets in a wider sense refer to any kind of illicit file-sharing network -- including the years-old sneakernets on college campuses, where kids trade, buy and sell CDs and DVDs of movies and software downloaded from warez sites and the Internet; Usenet and IRC Chat, where strangers exchange files; and a new wave of legitimate darknet companies like Grouper and imeem and Outhink's Spin Xpress (which I'll bet most of you haven't heard of!). Darknets are not evil -- at least in my book. They're the public's reaction to overly restrictive copyright laws and bass-ackwards media business models. In some ways, darknets are becoming the last bastion of the digital freedom fighters (alongside the folks who just want to snag free stuff). So it's a decidedly mixed bag. Posted by Jon Lebkowsky http://technorati.com/tag/jonlebkowsky at 07:27 PM | Permalink http://www.weblogsky.com/archives/000569.html | Comments (0) http://www.weblogsky.com/mt/szac.cgi?entry_id=569 | TrackBack (0) http://www.weblogsky.com/mt/mt-tb.cgi?__mode=viewentry_id=569 http://www.technorati.com/cosmos/search.html?rank=?=mtcosmosurl=http://www.weblogsky.com/archives/000569.html | Posted to Culture http://www.weblogsky.com/archives/cat_culture.html, Digital Lifestyle http://www.weblogsky.com/archives/cat_digital_lifestyle.html, Media http://www.weblogsky.com/archives/cat_media.html, Technology http://www.weblogsky.com/archives/cat_technology.html -- Jon Lebkowsky CEO, Polycot - http://polycot.com 503 W. 17th, Suite 100 Austin, TX 78701 Office phone; 512 482-0715 cell 512 762-6547 fax 512 857-0049 personal weblog: http://weblogsky.com http://public.2idi.com/=jonl
Re: the truths of the pure-bred night
I absolutely agree with you here, and it makes me want to look at Burroughs again! But I was thinking more of Karl Kraus, and frankly more of the absolute of despair as we approach armageddon. With or without Buddhism or Native American religions, you might want to check out Rewilding North America, A Vision for Conservation in the 21st Century, by David Foreman - something everyone should read. In particular, the chapter The Pleistocene-Holocene Event: Forty-Thousand Years of Extinction. No culture, none, is innocent; the devastation is built into all of us. He documents, for example, the world-wide - not just European or white etc. - destruction of megafauna, which is all but extinct at this point... - Alan On Tue, 16 Aug 2005, Lanny Quarles wrote: this does alot towards explicating the network of aporias inherent in the event. so much of the so-called 'political writing' i've seen shys away from the malthusian tradition, put simplistically: a 'republican consumer'and a 'democratic consumer' are both consumers, and the evironmental affect of the human population's multiplicity is every single moment increasing the determination away from multiplicity within the global specie set. Some of the figures you cast point to a kind of computationalism as metaphysics which i appreciate. with burroughs we identified the viral aspect of language but it is through the prosthetic instrumentality of capital/techne' that the virus of language is able to grow the nodes of teleological desiring machines ie workers. the question you really seem to be asking in my mind is: Can there be 'immanence' within the manifold of humanity, or is humanity's line of flight the destruction of the earth's 'immanence'.. are we here to go as Burroughs said, and if so, is the earth just some kind of yolk of raw-material we suck dry before being forced to plunder other worlds just to sustain our omnivorous organizing principles. If this were indeed the plan, we might take the time to try to learn as much as we can from the models already in place here. We destroy more knowledge every day in the rainforest than we generate every year or decade perhaps. some figure would be appropriate. all the themes of the earth's natural immanence are well coded into buddhism, native american religions, the biological and ecological sciences, and yet these memes are nothing compared with the chaotic spell of capital. There are some hints that capital might be used to heal the world, but these tiny efforts at enlightened entrepeneurialism are few and far between instead of the norm. I feel it will be the combination of liberated capital and population which will finally do the earth in. It is becoming more evident every day that we are in the end-times. It may take another thousand years, but the inertia is visible everywhere you look. hopefully though techne has its own immanence which may force new alignments, there seems to be some light with things like open-source and creative commons etc some groups which are bringing models of sustainability. I have grave doubts about these projects though mainly because of the exceptionally far-reaching nature of human ignorance. lq The Certain Truths _From the viewpoint of the human_: nature is a slaughterhouse. A certain truth: There is no salvation. Death is the only arbiter. Annihilation and meaning are identical. From one viewpoint, many. From many viewpoints, one. Good and evil dissolve. The stases of objects inhabit the wheels of decay and corrosion. The coming-together is the pulling-asunder. Chaos rules, dissolves into noise, noise rules. The number and quality of truth always loses focus. My culture is your death. My death is your culture. Nothing survives violence. Every creature suffers blindly in the guise of its body. Pain is of no consequence outside the flesh. The annihilation of the human race would only prolong the catastrophe. We live only to destroy in the masquerade of decency. Other truths evaporate in the face of death. We live so that we might not die. We live so that we might die. I say to you: Your death is my salvation. Every death is a meal. Among the humans, the pinnacle of deceit. Exaltation is a painless death. There's no end to the end of it. ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 )
Re: ten by ten tBumbs 5
there are no questions yes, there are. a great deal of them, many of them with simple exact answers. a question is an assumption that there is an answer not necessarily, there are of course rhetorical questions, which need no answers but there are methods of 'questioning' that areit seemsdeliteralizations of the term and areof courseinvitations to process.. a 'question' can be the opening of a field of intensity and the 'answer' can be an everchanging nexus of associations, an open ended project or series of projects.. the only thing that moves is stillness nice taoist platitude as well.. I often employ some cognate of it.. [said the umbra to the penumbra, etc.] - Original Message - From: August To: WRYTING-L@listserv.utoronto.ca Sent: Monday, August 15, 2005 6:07 PM Subject: Re: ten by ten tBumbs 5 there are no questions a question is an assumption that there is an answer the only thing that moves is stillness August HighlandOnline Studiowww.august-highland.com - Original Message - From: [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 4:12 PM Subject: Re: ten by ten tBumbs 5 moving into a state of question15.08.2005 21:46:17, Steve Dalachinsky [EMAIL PROTECTED] wrote:what state's it moving to?-- No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Show of Strength #0010
||/-||-+|||!-|||^-!|| ||| __/=_/_/__-||_=/\/='^/\//'!| --||''_'-|||_´'/--\/+_'_-=\/_\//\/||| |||-\/=_-|_/\/-|---=/||'\/\//\/||+´=´//_|\/_\/\/_-||| |||_-\/||/|||-_/=+||_/'||__'+_'|\/!-||^-__'´^^-/__-\/\/||/| _|||\/'|||\/-|^_|-=-_=_|_/'\/=\/|_|=+/__'-''/_/^^´!\/__|_!'/|---|| ´_||| \/||'_||_!-/_\/-|__\/_|||/+-|_/+/\/-||-__||_/|/==_| _'-!'/|||==^+_-/-|||_\/__=||/_/\/+__||=|/||/__^|=/__=-|' ||'^ _|+-||'^-_|_/-'\/=-|||\//|||_\/_\/-||_//\/-|||_-_-'_\//'\ _|||_\/_|_||\/-||_||/^!='/-||/\/´ /''- _-||/_\/\///\/||-_\/'\//|\//_/+-_/+== !_-\/' ' -^´ ^+/|||´_|||_/+'-^'/^ '/+_|||_\/_|-__/|||\//+'_/-||='\/-//_+-´_|||\/|| |//-|^/'_=´ /+=+|-'|| '\/|||-=||/_||-/-||=+'+´^´'=''//||/'_/||__ |||'\/!_´\/!' -=_!__/-/ |__ !_!=||=-|__|_+'__\/\/+^'___´\/^-_|/ |||´//_|+/!-_|||'\/|^__/^ '/-\/+^=//!-_|||__/-||-'-/-/|-__/_-^//+´´=||-\/| -- !\/_'!´^|__^'_-=_' !/´´!|__=__=||-|+/-||-'_^'|||_-||\/^|/_|-'_/| |_'/|^__´´' _||-\/-+-_=/´=/-|-^'__'\/_\/\/_+_|__+_='---/'|||/´!_ -/|-\/-/_\/==|||/=___/|||+ -'_//__+!-|/_//\//^/_|/=_\/'\/_'--_-/_|| /|||'/||__|||_||-!_+|_!/|||_||/'|+__++'/'\//_-_ ´/_/_+ |||_+_-'´++=\/_|-^-|-||__-|-'+__´+/__ _=/ ||\/|__||| ^´_/_/\/=__-|\//_-\/_/--\/+-=/__-// ^^ |\/|-||| ! _´'| ||_'_||\/!|-_/-_/_||_-/|||_/_/_^__'_||-_|-_/-\//-_´\/||| |||_+=|_-/|/__-|/_||/_-/|||_^_||'- |_!/_/!|||-_|/__||_-|||\/_+/_/|__/||\/_ | |__\/-|-|\/_-|||\/||_!-||_|!-| |_\/-__\///|\//\/_|\/||__'/_´|| _-|//_!__\/'///| |/||-/|'_|/+_/|!!/+!/-|/|+/||| |-|||\/'/'/_=|||_|\/_\//\/__/_/'_|\//|=_||\/+_=/|\//| !-_^-||_\/'|_|||---//|/'|_|/||'-||\/'_|///|||-´|| ^_|=´'-_|||/==/=||_/'|_+_/^^_|_/=_!/\/'/_||-/'_|||´ -+ /\/---_=^_+/_'\/^/^/-^//'//|/!|/||\/!_|||///|||_/=_|--_/|/\//-' _'^\/'/+- |||_|-_/--=|-_|!=='!||/||_-´!_´ /|||_|-´=/\ =-_'=/'| ||-|-||/!!_+\/!__/|||_/+|'´___ ='!'|_+- !||__\//\/--_\/_+_'-|||_^\/-_|_-__ ||_ ´´'! /+/_-!|||\/!\/__\/_-||-||'|__-/|||_-_ __/\/´''!_!-+|/+=''|/-|||/+'\/'/'||-=/|_\/=\/|-/__|| |_'_/_/_/-+_|/^-|_\/__\/=''/||=_/-|||-\/__||| -!/=/_=_/'_||_/-/-/||-_//|_=+/==_/___ ++= -/!+='!/'\//__|-//+'|-_--|||/'//'_|| |=_-^!_-!^_|--|_\/||\/\//\/||_|/ |||-^-'|/|\/'´/||_|| ||=_+__|-!_|_/||^_|||\/'||-_| ||\/!||-_'///-||\/^ ^' _ -=-/|||_=_\//-|-/|||-_/-||=/_ |_!/^__||_/+-|| || |^|/+-_/='=+-_!''--^/__||_^_||| | |||-+=--=__-||-///+/ _ | ||+'\/+'-'_\/__|-_||\//-||/_||| _/|-'||| --||_|/_-\/--/-//+/-_||\/_|_!||-/ \/|||
Re: ten by ten tBumbs 5
Pirate (a!) ship (arrr!) invasion August HighlandOnline Studiowww.august-highland.com - Original Message - From: Lanny Quarles To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 8:12 PM Subject: Re: ten by ten tBumbs 5 there are no questions yes, there are. a great deal of them, many of them with simple exact answers. a question is an assumption that there is an answer not necessarily, there are of course rhetorical questions, which need no answers but there are methods of 'questioning' that areit seemsdeliteralizations of the term and areof courseinvitations to process.. a 'question' can be the opening of a field of intensity and the 'answer' can be an everchanging nexus of associations, an open ended project or series of projects.. the only thing that moves is stillness nice taoist platitude as well.. I often employ some cognate of it.. [said the umbra to the penumbra, etc.] - Original Message - From: August To: WRYTING-L@listserv.utoronto.ca Sent: Monday, August 15, 2005 6:07 PM Subject: Re: ten by ten tBumbs 5 there are no questions a question is an assumption that there is an answer the only thing that moves is stillness August HighlandOnline Studiowww.august-highland.com - Original Message - From: [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, August 15, 2005 4:12 PM Subject: Re: ten by ten tBumbs 5 moving into a state of question15.08.2005 21:46:17, Steve Dalachinsky [EMAIL PROTECTED] wrote:what state's it moving to?-- No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005 No virus found in this incoming message.Checked by AVG Anti-Virus.Version: 7.0.308 / Virus Database: 267.10.8 - Release Date: 8/12/2005
Show of Strength #00011
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Shore of Skull
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