[exiles] FW: 5,000 cylinder recordings now online (fwd)
-- Forwarded message -- The Special Collections Dept. at the University of California, Santa Barbara is making a new online digital collection available featuring the library's collection of cylinder recordings from the mid 1890s to the mid 1920s. The site is available at http://cylinders.library.ucsb.edu/ During a two-year project funded in part by the Institute of Museum and Library Services (IMLS) library staff have cataloged and digitized over 5,000 of the cylinder recordings in the library's collection. The searchable site features downloadable audio files as well as streaming versions of the recordings. Streaming and downloadable mp3 files have been de-noised with CEDAR and are licensed for under a Creative Commons license while a raw wave file is also available for the more adventurous and is freely distributable. .
H5N1
H5N1
or [Hello, Nope]
(a labial tenuis to the Subjectivists,
and our sic pridelections)
the lip unvoiced stop
by starwisps flew--
Iridium Honey
Hands
M-plode th'
songhilarity
(new definition of a canvas of hacked tongues)
butt-backed, cried Chicken-Little
and sky for sky
this particle
in evincing principle
will Nod
to Language's
sky (The Gorgeous Naked Semaphoriste Steps in, two rows of vertical moles
starting from the nipples):
Le silencer vertébraille
l'indispose la voilet delicite
or
The chicken flew on the roof and cried, as if doctors
were running along the tin-pipe towards the eternity,
holding such ESCULENT cancellatus as in their poets.
==
The bitter Mammosus of Now:
Influence A:
A manta dined on virulent research as flat-earthers
recoil from its mindless beak of technology; 1d tropozomes.
Influence A:
LUNT IMUIMMUNOMO OMDULATIONA ID MOON
{PARASITE FATE LOOKS LOVELY TO A LYRE_HEADED EARWIG}
sells
a thin white strap-on microscope-helmet sublimates nothing
in the tall lacy tower where endless lavender fogbulbs dance
near to the sacred knot of Auricula Judae which on vestal fevered
and vestigial legs, begs, detaches, and like a hovering and scrotal
braincoral gasbag listens to all this mercurial heat-death and performs a
mock dramatic self-deflation every chronologically derived
24th philein whose name is also diem solis veneratione sui celebrem
who wears a big floopy capsid and a beard of rotating paraboloid
mirrors which conjugate a discretely coded particle-stream of sense to
produce the 1918 of the remnants of the Dacians who lived in
a once uponta time land much like a DRam (Daco-Romanian) chip
awash with nomadic agents readdressing themselves. This isn't
Fort Riley, Kansas, anymore Toto? This is a mined (or mimed, or
mind) field of telosynaptic higry-pigry displayed through Hermetic
splendor in the grass, A fragile Kansas girl's unrequited and forbidden
teloblast flying a handsome young mantra (Chez Monsoon) from the
town's most powerfully objective family drives her to a breakfast pot-
pie in a bedlam of chicken bodies and finally to the madness of mass-
produced drugs (no shit, S. Hurlock!). Why, Tis Hyemation time again,
come in good doormice and bed down in my old grimoire of
newspapers and honey handed fibicches who slink toward Bethlehumm
as feroce poeticules of glochidiate glossopetra winking at death's
opinion which like a glossology of inchoate vipomas secretes
an excellent repeating 7-segment virage.
==
Ohm-plode:
Honey
Hands describe
a chicken genome
little
wills a changing sky
falling hereafter
(through M-spazziateloschorachaos)
into its decision (bigok, ekek, giaak, bgggk.ikok)
as Influence {z, a, 4, ...,etc.}
to map the pings
to mimick the
phonological metricality
of a world dominating language machine.
Hunan-Kong-Hong-NanoMachine1:
Bock is black.
Bock=Bock.
CocjA: A doodle do.
A doodle do?
A doodle
doing
you..
you know you are a doodle
If U /= C (the doodle)
then Ur ^ C/I:
(Hoiney Hands: Tacky MB.ill.ions) internal shapes
(new definitions)
cocked,
flew.
time
time
The Primordial Scene of Noisetext (from the Tales of Great Skull Zero by Phaneronoemikon)
The Primordial Drama of Noise Writing vs. Poetry
{Die Traumdeutung}
'In all narratives about the origins, the original scene,
the one that sets the story into motion, is the scene of the
hero's combat with the primeval monster, the centre and
root of everything: this being that has been murdered by
the hero, this dismembered body of the monster, migrated
and was put back together in the four corners of the world,
like a heterogeneous margin for everything, according to
Calasso in The Wedding of Cadmus and Harmony.
Metonymically, the scene becomes the frame (Arthur Frame?)
In the same way, the heroic and founding battle of the
Noisetext act transformed Poetry into a new killer of
the primeval monster: the Chaosium. In other words,
it became the new monster covered in the skin of the old one,
since killing a monster means incorporating it and replacing it.
This was the death of the possibility to listen virginally,
naively, wildly, because since its creation, the field of the poetic
act has been covered with the skin of the lyrical model.
Once the structuring denunciation of its field existed, to wit,
that human beings don't possess only one voice, none of which
is essentially 'beautiful' it becomes necessary for the lyrical model,
the original scene of poesis, like the dismembered mythical monster,
to suffer a displacement toward the edges, framing and at the
same time leaving the central space free, so that it can
welcome the new scene and the new discourse.
Killing Father Poetry in the Mouth of Zardoz.
Sean Connery as the perceptual espionage apparatus (agency)
of the Brutals named Zedd (Zero) actually meets and kills his Maker
(Arthur Frame) in the mouth of the Maker's instrument which is a giant stone
head (echoing the selectivity and arbitrariness of poetic beauty as well
as religious overtones) which is used by the immortals to subjugate and
cultivate
the technologically innocent brutals by engendering a
methodologically privileged image. Sean Connery through
his semiotic intuition decides that the Maker is a false
Father and shoots him with the very weapon the Father
has given him to control population among the Brutals.
The Text/Test of the Primordial Scene:
The Brutal fires a bullet recalling the surrealist act
of firing a pistol into the crowd. In this case the crowd
is a clustering of aesthetiteleological (also a cryptic death of
'local' epistemology) reasonings. This is a kind of apriori renunciation
of the Father, a destructive spasm which though negative strikes
out as a positive force of change which is then investigated by
Zedd through its subsequent effects, among which is the discovery that the
Maker,
(Arthur Frame) is functionally immortal. The Maker cannot be killed
as his context within his own culture is autonomous through
technological means.
Maker: UUNNNHH! You! alookalloook..(untranslatable) Foolish.
I could've shown you. Without me, you are nothing!
OHbommmb (or untranslatable gibberish)
How Pointless! How Pointless!
brutal: Steps to the mouth and looks as the maker falls.
The Head of Zardoz descends into the citadel of the immortals.
The Primal Noisetext.
Once Zedd has reached Arthur Frame's sancutary he
discovers an advanced networking device which produces
a disembodied holographic output vector:
VORTEX = 9
surplus:
8c soap
11capplz
5c lethur
To Zedd there is no inherent context
or meaning to the image/text.
He simply sees it for what it is, mysterium.
It is not that it means nothing,but conversely
that it is so pregnant with meaning as to
represent a kindof pure energy of
talismanic social representation.
Cryptically it represents in Bataillean
terms, an excess meaning not only within
the signifier, but the surplus within the
economies of mind:
He emphasized the irrational in opposition to the rational,
the erotic as opposed to bourgeois morality, celebration
of excess as opposed to capitalist restraint, transgression as
opposed to conformity. He carried these tendencies over into his
work on general economy, which is found primarily in
The Accursed Share. He saw the descriptions of classical
economics as having a limited understanding of the nature
of economic movement. In response, Bataille conceived of
a meta-category of the movement of energy to which classical
economics is only a subcategory. The flow of energy in his model
extends as far back as the energy received from the sun. As the
light and its energy falls upon the plants they capture it and make
energy out of it to use for their own survival. But more
importantly they create an excess of energy. The excess
that they produce goes either into growth and reproduction
or must be expended, used for the beauty of their leaves,
for useless parts, or simply spilled into the ground.
This model he extends to all economic (or semiotic) phenomena.
As he writes in The Accursed Share:
On the whole, a society always produces more than is necessary
for its survival; it has a surplus at its
Re: time
AHm gonna waste onea mah daily posts to simply say mite I'm not so sure this limit of 5 posts aday iss a good thingk. To begin wiht yestearday it go tme all kefluffled taht ahd been mooderated... Before ah read the rejected posting header ahd reacted!!! Soddy if any off you haddta read mah vinegarnish Hoopfooly itt wass simply botted bark, adn yure eyes were spared. Evenchewly, ahll get to toedays repoosting ass necessaidy mite -- Dan Waber [EMAIL PROTECTED] wrote: time __ Find your next car at http://autos.yahoo.ca
so loco aye shus
On 11/16/05 at 14:38 PST in 694 bytes Divizio wrote: solokashus ~ automates subroutin Embarked unloaded Radioisoto untoward unkonlalo sorlcordabs radiometer unkonlalo unbounde unkonlalo suborbital wryionlalac widowed annotate Wryionlala wnsosldar radiated suhsakolos(as script... untransformliteratednotyetmaybe soon) d^vP __ Find your next car at http://autos.yahoo.ca
Was crud
Was crud crud door sinking ,flock lap sprawling ,niche smoke calling ,broom lung bawling ,drop flap jawing ,drug clam clouding ,flack smoke falling and nodding show your juice leak and jostle off the culmination of your clamping ask my phone or cumulus what ditches are crowding and slaking shudder was bloomer was bammer was moulder was hanger was folder was dimmer was lander was wiper was founder was schlocker was jacker was John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Strolling lump
Strolling lump ,lump ,drat ,cop ,fount ,aim ,ship ,shot ,clack ,dunk ,trim ,bash ,spurt ,slot ,dunk ,tool ,break ,smote ,withers ,tripe ,mate shaking and skying sport slathered like yr soaking meatball master tubing scummy was ,a snub shat shoulder shaking in the door your singer clod grinning and a snake bringing and dying was yr rump drooped and boring? was yr flag clogged and running? was yr dank flanking and dreaming? was yr notch lubed and strolling? John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
solokashus
OK.. I grabbed hold and rode this one thru. editting out the freely associative letter strings... in particular one rather amusing string unkonlalo and... moreover, completing certain suggested generations by adding an e or a d so as of now. the thing looks like this (though of course You cant see the reverse written script looking something more like suhsakolos).. each of these words were generated by successive 'stylus held in hand' tracings of the backwards encryption solokashus On 11/17/05 at1:39PST in 3263 bytes Divizio wrote: solokashus ~ automates subroutine Embarked unloaded Radiosoto untoward radiometer unbounded suborbital widowed annotate radiated unleashed wooded automaton wallaroos instantane embolden carbonate autoworker subrogation embarass curtailed and it continues becoming more context content let your hand fall on the screen... and have these word appear... seemingly less than random... Oh how I wish you could. But that's a different consciousness. d^vP __ Find your next car at http://autos.yahoo.ca
Calls to Congress Needed TODAY: White House Hijacks Patriot Reform
ACLU Action Network *** From the Desk of Anthony D. Romero Executive Director, American Civil Liberties Union Calls to Congress Needed TODAY: White House Hijacks Patriot Reform http://action.aclu.org/site/R?i=3fHfOxa7lrHgpTEI-pb5Xw.. *** Dear Friends, Eager for a public success, the Bush Administration has strong-armed lawmakers into re-drafting a final Patriot Act bill that actually makes the original law even worse. The new proposals reverse months of bipartisan negotiations and ignore the growing calls for reform from across the political spectrum. A final vote is expected in the House and Senate THIS WEEK, so we need you to call your Members of Congress as soon as you can. Take action now and and tell them to vote NO on the Patriot Act reauthorization bill! Your call to Congress is urgently needed. Americans of every political stripe want Patriot Act reform and we need to let Congress know that people across the country are watching this vote. Click here to take Action Now at: http://action.aclu.org/site/R?i=T89LQIsperYOLMFQ2E-tFQ.. Or, click here to read more: http://action.aclu.org/site/R?i=N4IlDJxzVQaaAcCeMmZsnQ.. Then, tell a friend: http://action.aclu.org/site/R?i=jNC8xhfrYu2mgJmffBc-tw.. Thank you for standing up for freedom. Sincerely, Anthony D. Romero Executive Director American Civil Liberties Union P.S. Today Is the Day to Get More Involved All that is standing between a terrible Patriot Act bill and its imminent passage are the demands of ordinary freedom-loving Americans. Whether or not you normally get involved in politics by writing and calling your elected officials, now is the time to get involved and to ask your friends to call as well. We will need a record number of calls from across the country to turn the tide, and we are counting not only on you, but on your family, co-workers and friends to keep Congress' phone lines ringing nonstop for the rest of the week. To get others involved, point them to: action.aclu.org/call Paste the above web address into your email signature, add it to your instant messenger profiles, and get the word out through email lists and message boards. With your help, freedom has a chance. Click here to tell your friends to call Congress NOW! http://action.aclu.org/site/R?i=J7D6IISI_cxz0F8sFj_qaA.. Tell a friend about the ACLU Action Center: http://action.aclu.org/site/R?i=mFXx9c40uLjKi8pPqYV_Xw.. Click the link below to login and change your email preferences: http://action.aclu.org/site/R?i=-WuNzbNz8QuW1Lq76wlbyA.. You may unsubscribe from our mailing list at any time by visiting here: http://action.aclu.org/site/CO?i=4nnFkhGmQIH-77mshhGePNYGJxqYCs7ecid=0
Re: time
time-mites term mites all various item s
reader friendly - written at ted berrigan collected poetry thing at po-project a great night
reader friendly sipped again i thought here for love or money i have plenty of both breath (stupid me dreaming sugary) nouns prepositions on fire in a strange city of tight pants tight pants on a young belly holes how strange the young belly show thru deep rosed plaster (ed) money doesn't know where it goes it goes into pockets put on the found cups left steve dalachinsky nyc 11/16/05@ poetry project ted berrigan collected poems
ADS96
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Hodcoa
Hodcoa Noisetext (Monstrous Brutality) http://www.phaneronoemikon.org/sounds/hodcoa.wav
Jack A. Withers Smote poem
Smote sent me this, seems he's trying out my recent sonnet form: Whip With the sardines of your neighbors those very pretty plastic balls like hosers on the shore strong models of your jungle verbiage in the cellphone lake Lick every entity Organ hand and legless jokes some jackoff zoo with puddles of cough syrup you stirred the long mud clues and stacked gum smokes, the eggless hands and doormen Lentils heavy dick Cake dome hell on the swim curbbages bumbled glove your yodels snore the bomb closers petting every wall in spastic clothes: oh neighing floor of hard beans: the whip! Jack A. Withers Smote After Blaster Al Ackermans The Sardines of Your Neighbors __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
peircing regression
infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifiera dictionary defines a word in terms of other words whichare defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier tosignified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms ofother words which are defined in terms of infinite regressionof interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of arepresentation of a representationof the signifier a dictionary defines a word in terms ofother words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other wordswhich are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regressionof interpretants from signifier to signified the signified a representationof a representation of a representation of the sign ifier a dictionary de fines a wor d in ter ms of ot her wo rds which are defined in t erms of ot her w ords whi ch are de fi ned i n t erms of in f in it e re gression of in ter pret ants from s igni fier to s ig nified the si gni fi ed a r epresentatio n of a rep res entation of a rep resent a tio n of the si g nifier a di c tionary d efine s a w ord i n t erms of ot her wo rds whic h are defined in terms of other words which are def i ned in ter ms o f in finite re gres sion of in ter pretan ts from sign if ier to si gni fi ed the sign if ied a re present at ion of a repres en tati on of a repre se ntati on of t he sign i f ier a di ctio nary defin es a word in te rms of other wo rds which a re defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants from signifier to signified the signified a representation of a representation of a representation of the signifier a dictionary defines a word in terms of other words which are defined in terms of other words which are defined in terms of infinite regression of interpretants
when it comes time to believe
when it comes time to believe in jesus christ our lord and saviour i will be the first to believe http://www.asondheim.org/convert0.jpg http://www.asondheim.org/convert1.jpg http://www.asondheim.org/convert2.jpg http://www.asondheim.org/convert3.jpg http://www.asondheim.org/convert4.jpg but until that day i will tear his bloody body limb from limb eat his bloody brain his bloody living heart his bloody eyes his spurting bloody prick shove it up the hole of god kwak kwak kwak kwak kwak kwak kwak
Re: when it comes time to believe
disgusting the poor guy died for our sins same way lenny bruce did 2 good jews blame it on the guys who followed him around here eat of my flesh drink of my blood
