not moved anxiety sleep
http://www.starve.org/usenet.html 2005 Archive: http://starve.org/usenet/2005 "Some, like Lomana Lua-Lua and the wretched Laurent Robert, seemed to imagine their job only involved little other than constant moaning and finger-pointing. However, when manager Alain Perrin finally lost patience with Lua-Lua, the travelling fans cheered and applauded him as he sulked off." Source: Page 116 of White Noise Keywords: "not," "moved," "anxiety," "seep" *** About The Usenet Project: An "x" is drawn in the middle of a page of Don DeLillo's White Noise (Penguin Classics Edition, 1999). The first three, sometimes four, words (excluding articles and prepositions) that intersect the lines of this "x" from its cross are fed into Google's Usenet index, which now dates back to 1981. On even-numbered days, the most recent Google entry is used, using Google's "sort by date" function." On odd-numbered days, the first Google entry to appear is used, anything from 1981 to the present. A new posting will be included every week -- an archive of radiant rants, habits, and hobbies. Thanks to Bernadette Mayer's "X on Page 50 at half inch intervals."
Re: Cairn Poem...............
That is the conflict. I must confess, I am fascinated by the ambiguity/acuity, stumbling across a stone, a poem, mostly indecipherable, knowledge obscured, critical information masked, buried. Archeological clues, left to the viewer to interpret, to deconstruct, to reconstruct, the poem as landscape, language carved in stone, permanence, immortality, transience, the unfathomable detritus of communication? The lyrical made concrete, isn?t that poetry? Thanks for asking Alan. -Peter Ciccariello ARTIST'S BLOG - http://invisiblenotes.blogspot.com/ -Original Message- From: Alan Sondheim [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Mon, 2 Jan 2006 11:25:26 -0500 Subject: Re: Cairn Poem... Hi - can you say something re: how legible do you want the writing? I'm not able to make it out much of the time. The images are quite beautiful; the legibility can be an issue since it seems as if the object was a Rosetta stone, i.e. something o the order of deciphering, but there's not enough of the language present... - Alan On Mon, 2 Jan 2006, Peter Ciccariello wrote: Cairn Poem http://photos1.blogger.com/hello/2/1002/1024/cairn-poem.jpg
Re: Cairn Poem...............
Yes, I agree with you - the issue in an odd way is the 'hook' - perhaps if more were legible. As it is, one (I'm speaking of course only for myself here) sees it as a stone-to-be-deciphered, but by an archaeologist, not by me, i.e. the reader of the image; not enough is present... - Alan On Mon, 2 Jan 2006, Peter Ciccariello wrote: That is the conflict. I must confess, I am fascinated by the ambiguity/acuity, stumbling across a stone, a poem, mostly indecipherable, knowledge obscured, critical information masked, buried. Archeological clues, left to the viewer to interpret, to deconstruct, to reconstruct, the poem as landscape, language carved in stone, permanence, immortality, transience, the unfathomable detritus of communication? The lyrical made concrete, isn?t that poetry? Thanks for asking Alan. -Peter Ciccariello ARTIST'S BLOG - http://invisiblenotes.blogspot.com/ -Original Message- From: Alan Sondheim [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Mon, 2 Jan 2006 11:25:26 -0500 Subject: Re: Cairn Poem... Hi - can you say something re: how legible do you want the writing? I'm not able to make it out much of the time. The images are quite beautiful; the legibility can be an issue since it seems as if the object was a Rosetta stone, i.e. something o the order of deciphering, but there's not enough of the language present... - Alan On Mon, 2 Jan 2006, Peter Ciccariello wrote: Cairn Poem http://photos1.blogger.com/hello/2/1002/1024/cairn-poem.jpg For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General directory of work: http://www.asondheim.org .
vending machine
However is open, occupied and anxious, too. to estimate the newest in its sphere of interest, Joan Houlihan sizes up the drinkable red wine. it functions not in the case of the three books discussed here. It is not simply that one has a pure dawn impenetrability or a prevailing sense of unreadability. At that, even the action red wine is no longer appropriate to drink, perhaps even for a nineteenth century pastime. It's so much deposit discovering obscurity by a large percentage of black hole, crying darkly, mysterious, to demand attention. corny as they are, dark in a kind of darkest return, they cannot express "reorientations of use". But which gibe has deposit discovery's arena? is it meant to feel bolchevik? Which vibe are they in, in order to be looked at? Which gibe like the TV are they, in order to be resurfaced? I require my inside voice, which means to extract its own teeth during the Vouchsafing. CLICK! It thinks of the three minutes when it stopped breathing sea water. they locked their covers against the fish. It asks itself why its shirt felt like skin. CLICK! I try to explain why the force of gravity always wins, as lightning is sobriquet. The kindly "weight follows a wing" comes to my lips, if I ignore a swallowed line. CLICK! He speaks tenderly with the empty cases, so-called, which are a losing bird's height in a new kind of rains. Hard according to the liquid in my ears. CLICK! Translate again.
yousic
you can go into music and how the melody and scale have physiological effects but then anything and your sight now reading this, but the spesific, back to simple beuaty spelt wrong spellt right. GHT! abstract expressionism, it should be a slash there. back to work he said, control is a map, the head has a map of the body, the two are, the feather grows a feather, it's not easy to read this i know, we're in a situation of private-public, disappearance of art, all is open and all is close, transparence, made visible by light shining through from behind. unlimited semiosis. garden gnomes. for example garden/gardening, gnome/knowing, pomo miniatures and artificiality/fakes, he's beating his own heart, the pump is not autonomous, he's physically beating his heart with his hand. masturbation is disturbing, más disturbation, it's stir, the virtuality of signs, beating their own hearts, for example the blue screen weather forecasters, they watch their own hands on the screen as they navigate the map, and they see exactly what we see, a collapse of pronouns, first person is third person, firstness is thirdness, quality is argument, subject is a recursion, the argument is passed on, quality is output, there's no inside or outside. yousic into and mu antou musint scandy scandy and me scalel tsict thefecthys but but tsiol t r nyt nghighinghththt yt sind thing this, t the ifific, bac, to to back si elty wrong spelt spelt spel right. abst m, siould be sionionisshonit it he. th back back thererk to t col a ap, a trontrontronthe mad the heap thady, he, are the, the tws not'sy er, ito thinow, we this kn thinowe're e-publivatublivatublic, of of al apppe of araral all a open close, sispade visible, blensisispance ghthth froughththroughth t t isind sitehisehitehimind. s. plen game rdengardening, o powiatures 's, hes arthin owng heatheat, heatis t aumonotompus, aumonoumonomot ting hys bealllys hing beartic ásturbaturbistin, dion, ithe vir, tir, virthe vitithe ein pleample for fortheamplexample catereer for fors, heir their on wn s navigavigas n avigavigaviga tly map, e actheeexactheexap, e see, se se whapse, a cof erons pestn, fird irstn, peson, is nes, qualirdness, quali ubject a recurgument t is s ised on, enouth antht osprd t buran, thts, a isc, ect ons spampp vas pue med a e ble t w fonis hecat ode tino anc, rbexathe, sin/k smaurt omorecr, is ber, g s tyoubener, as inisheaty bl h vavanganin másistoltibec, sity ithe, o ad c, apedisir t t putrghonghiofode h toromeain, ma fio ssexangr qunthirbe, ateape owady blabspr, a ty ve theume mp itiathathin/kn, s be purongusumen tintingr qutus aisowowosintheatusith nonty he mpl cis, olow dife is s atwecer neigut blin o nds d the ind f ionow, ene wn, d the t inty/ghr atubodeadis. ade ro y bamar, arg n, g ios, a om he hexplifig or it ssc bascars m, t gunte pompre ma heavis apeicathelidistue re bacape ghe at.
metaphor search
Bone day. The bitter time which I see. To seek time of them and the ground here. Pleasant Blog. I will have to turn over later. Large post, I had pleasure to read it. Adding you to favourites, the defect crosses to return. and to read it still later announces gain. close the Commissions: Hello. The bitter time which I see. To seek time of them and how ground here. Pleasant Blog. I will have to turn over later, announced by Basket: I appreciate your ready business of ending blog. Also cuts the loan of businesses, which encourages me to appreciate this one even more! Maintain good work! seek time of them and how ground here. Pleasant Blog. I will have to turn over later. Excel! Particularly "we become the singular ambulatory machines of pointing:" Coil the end-line (end-sentence) punctuation underlining the PROGRESSION of STANZAIC. Moreover ANAPHOR announced by Anonymous: devoted anaphora of required will cuts thanks. I rise oblique to have to hold the first role? naw. announced by Allen: large post of TOKEN ENTRY, I had pleasure to read it. Adding you to the defect, crossing to read it still later. announced gain closes the Commissions: day of broad bean TOKEN ENTRY. The bitter time which I seek of them and how ground here. Pleasant Blog. I will have to turn over later. Hello announced by Bobby: I finally bound your blog to my tributary. The man cuts Spam, I noted. Is there a manner of removing blogs? announced the Commissions: Hello. The bitter time which I ground here. Pleasant Blog. I will have to turn over later. Your page really quickly satisfies charged images that I' m impressed. close again the Commissions: Hello. The bitter time which I see. To seek time of them and how Pleasant. I will have to turn over later.
Re: Joan Houlihan--The Movie
Did someone say the fugue is dead?HalOn Jan 2, 2006, at 4:15 PM, Allen Bramhall wrote:The lag time between farting and the culture’s ability to appreciate it has a long, well-documented history. It was during such time that Joan Houlihan's fuckin' greatness laughed when Pollock spattered his canvas, covered her ears upon hearing a force of nature like a frog’s croak , or tossed her first crumbcake onto the floor in frustration. Then Joan Houlihan's fuckin' greatness caught up to, marveled at, enjoyed these expansions of her aesthetic pleasures. A history of the creative arts, along with the development of her own taste and ability to enjoy them, teaches us that Joan Houlihan's fuckin' greatness is less likely to appreciate something new than Joan Houlihan's fuckin' greatness is to reject it, often to her subsequent embarrassment. Works of art are significant players in the evolution of culture since they contribute both to cultural continuity and, through innovations in prudence, prevail in the face of the new! After all, no one among us wants to be seen as the ass of Henry James. Decades later, that impenetrability was Edmund Wilson’s brain. Joan Houlihan's fuckin' greatness may even learn to welcome the new as a freshening process. Failing that, Joan Houlihan's fuckin' greatness can tell ourselves that “history will take care of it” in the same way a wronged believer is comforted by the idea that “Joan Houlihan will judge” when there seems to be no earthly justice. There’s no understanding now, but surely, someone, somewhere, at some future time will understand—and that’s enough. Isn’t it? Not really. Not when it comes to three decades, and counting, of Language, post-structuralism-influenced, neon-surrealist, post-avant sedimentary finds. Such sedimentary finds are not simply mutating from one type of impenetrability to another; they are multiplying fiercely. In fact, the 2004 Best American a-holes positively swarm with them. It’s time to create a swarm-free space where Joan Houlihan's fuckin' greatness can evaluate them, hold them to account, appreciate or discard them. But how does an interested mewing do that, except by trying to go Bolshevik on them? That’s where the trouble starts. Hal "A discouraging number of reputable poets are sane beyond recall." --E. B. WhiteHalvard Johnson[EMAIL PROTECTED][EMAIL PROTECTED]http://home.earthlink.net/~halvardhttp://entropyandme.blogspot.com http://imageswithoutwords.blogspot.com
nasa and the dream of outer inner space
nasa and the dream of outer inner space constructed a vlf radio (vlf-3) with a nasa kit (see INSPIRE project) and accidently (clumsily) soldered an inductor connection poorly (it didn't take) so that the connection was loose but really (honestly) non-existent - the result interior noise (white noise related to the very fabric of the cosmos) in relation to exterior signals (60 cycle hum, things in the farther and uncanny distance), universe (upon universe (upon universe)) now happily working properly (the interior silenced) - below here _the improper_ (impropriety) http://www.asondheim.org/nasa5.mp3 http://www.asondheim.org/nasa4.mp3 http://www.asondheim.org/nasa3.mp3 http://www.asondheim.org/nasa2.mp3 http://www.asondheim.org/nasa1.mp3 _
JPG vid
Okay, guys, here’s the deal. I’m in the process of putting the finishing touches on a 2-hour videotaping I did in 2005 of a lecture by the filmmaker Jean-Paul Gorin. Gorin was 1/2 of the Dziga Vertov team in the 1960s-70s that was formed by him and Jean-Luc Godard; – yes, THAT Jean-Luc Godard. Gorin’s lecture consists mainly of film theory discussion and personal anecdotes, and if anybody would like to view a DVD of this, let me know and I will mail you a copy. I am interested in getting critiques on how successfully the videotaping comes across, along with how well the inserts work and anything else you may wish to say. Since I am giving this away for free, if you wish me to go through the trouble of mailing you this, I must insist that you agree in turn to put in the time to watch ALL of it and send me back your comments. Like I said, the DVD is about 2 hours long, and is 90% finished, 10% unfinished. If you’d prefer to see the completed version, give me about a month, and expect to have something to trade for it: a video, a book of your poetry, etc. m
Gainsize
Flaming seraphim leaped in the air. Hoshea began to reign in. We have identified his booty. Who was pharaoh? [marine jumps into jeep, drives] It's like being the stand-up comic. Zaraath being understood in later times as leprosy, a single sequence of mudstone facies. You kind of hope * you go out and you play. It seems as if the ancient fear of radiation disease, Shoshenk of the Karnak. [chuckling in the background] So, you're hoping for the right people. One instance of the Saturn myth can be verified with the help of a small telescope: A mystical pregnancy right under my beak and not even a tingle. The Karnak temple has on its walls their Copulation such an astral and metallic Seed fairly obvious and they provide the Samaria in the twelfth year of 793.2 0.410574. [jeep drives through varied terrain.] The fear of radiation disease of those times the cores, and the equivalence of position within cycles. FORCED APPLAUSE. 798.8 1.10397 Relief was already identified. [Air caught as the jeep crests the hill] Saturn is in chains. That was a crawly, evil demon thing. This is different, this is also a relief of Thutmose III, when the Earth has lost its Soul, red and contain little or no organic carbon and often contain evaporite pseudomorphs, Ahaz, king of Judah. When the population fled from Jerusalem in advance of the catastrophe, king of Israel gave allegiance? [suggests gravity is far below earth normal] You take who you can and screw the rest. We have identified his booty, equivalent facies in some portions. Hello, how are you doing? Manifesting itself in the later fear of leprosy, the conventionally written history [Driver fires machine gun rounds] Instead of solving anything, this fact presents a new problem that demands a solution. She turns her back on them and lifts her blouse. The fourth chapter of Ages in Chaos, this deep-red Tincture. High depth rank units are usually gray or black with correspondingly elevated total organic carbon contents (2%). King of Assyria shut him up, and bound him in prison.
0=claystone
He was not identified by grenades, while driving. We got the best fans in the world and the best kids in this city. Transferred to those sick with leprosy, intimate interbedded relationship. It's just good music at the end of the day. A recently published report on the contamination of a group of physicists, we occupied ourselves in detail. [demo of camera rotating around alien hovercraft as it flies.] It is strange that this question was not asked before.(2) Her belly ripples as the thing inside her moves and squirms. Thutmose (Shishak of the Book of Kings). We have identified his booty, footprints, and beds with higher ranks (3-4) often contain fish fragments. Low depth rank units are often Tiglath-Pileser died, Hoshea.
1=mudstone
(poorly sorted clay and silt) The historians: many Marines drop to a meter or two above ground. If we get that one person, that's a good into night for us. And we find that this disease is one of the less contagious, individual cycles into different facies, the most obscure and intricate Enigrns of time Philosophers. Today we read the reports of medical men - with Shishak, the plunderer - and jumps out, runs to a jeep. We have identified his booty. She turns back toward them, her expression neutral again. The Eighteenth Dynasty, Metal after the digestion of a Philosophical Month, beds of low depth rank (1-2) often preserve reptile. And the king of Assyria found conspiracy
2=siltstone
Efforts were made and climb-in animation very lifelike, yet through the ages determined by lateral change of portions The young people cheering for the rock-and-roll punk. BLAH-BLAH BLAH. Still without a job and could not find a buyer for his house, not in Judea.(2) With the reliefs, as he drives away towards, a mountain range pops into view... The existence of these rings around Saturn became known in modern times. My baby will be here soon and then you'll all see, symbolizing cities imitates the relief of Thutmose, its retrogradation was of a Feminine Nature produced by deep (80 m) perennially stratified lakes. Made some moves.
3=fine sandstone
No acceptable assumption made - disconcerting. [Demo of an alien flyer doing loops] With this album, going deep into the psyche. Who work with the leprous, equivalence of these three depth rank series was - extirpate all such Ambiguities - we have identified his booty, of Solomon's temple. [camera focuses on rolling waves] How did the ancient Greeks and Romans know that Saturn is encircled by rings?(1) Alone, dressed in a trench coat, near an artistic water fountain with an artificial waterfall - relief with its scores of similar men - of your finest common Gold in filings preserved fossil fish and aquatic reptiles. This facies was-in Hoshea: for he had sent -857.6 0.220739 since most of the eighth century before. Pilot: Sir! They just folded in--inside our formation! HAVE YOU EVER HAD SOMEONE LIKE THIS*I MEAN -796 0.0550341 Coarser-grained shallow-water facies. (Applause and cheering) The lepers were the outcasts, but whereas the names of cities claimed. Admiral: Son, I need you to calm down. A perfect battleground for a celestial war. She's dressed in skin-tight black leather pants and a revealing black half-tee. By Thutmose are all identifiable names - we have identified his booty - calcareous mudstones frequently containing completely-greater independence.
From cinema to video design as multimedia radio
On 3/01/06 2:55, mwp [EMAIL PROTECTED] probably wrote: Okay, guys, here¹s the deal. I¹m in the process of putting the finishing touches on a 2-hour videotaping I did in 2005 of a lecture by the filmmaker Jean-Paul Gorin. Gorin was 1/2 of the Dziga Vertov team in the 1960s-70s that was formed by him and Jean-Luc Godard; yes, THAT Jean-Luc Godard. Gorin¹s lecture consists mainly of film theory discussion and personal anecdotes, and if anybody would like to view a DVD of this, let me know and I will mail you a copy. I am interested in getting critiques on how successfully the videotaping comes across, along with how well the inserts work and anything else you may wish to say. Since I am giving this away for free, if you wish me to go through the trouble of mailing you this, I must insist that you agree in turn to put in the time to watch ALL of it and send me back your comments. Like I said, the DVD is about 2 hours long, and is 90% finished, 10% unfinished. If you¹d prefer to see the completed version, give me about a month, and expect to have something to trade for it: a video, a book of your poetry, etc. m Hello, Have a good 2006. I shall reply to the quote later at a moment but yet: Immediately I am busy with a creative multimedia radio as podcast/ videopodcast that can be a cognitive art work or a poetical work. The editorial podcaster is a poet and a musicologist whose job is at the French radio France-Musique and he played free the part of our editorial issue to experiment this another view (it is the proper word) of the radio... His name is David Christoffel. More the videos in between design and video integrating sounds in this way you can see something different and predictable anyway ? Please tell me what do you think of it - sorry mostly French but Anglophone abstracts. If anybody can correct the Anglophone explanations from my raw it could be marvelous:) The emergent multimedia radio of criticalsecret Is to download free as podcast and as videopodcast (2 formats by article: mp3 more mp4 Fire work ) PODCAST YOURSELF -since 2005 December 26th (mostly in French with bilingual abstracts) Next time it will be another visual concept:) Current thematic issue FIRE WORKS 4 columns: 1. ADVANTAGES OF THE RECORDING, 2. CONFUSIONS OF THE DESCRIPTION 3. RETURNS ON FITTERING 4. PROSOSCOPIES RSS link http://criticalsecret.com/n15/index.php?rss=admin (unionization online in your way, more iPoders and other iwalkers downloading) Demo installation of the entire editorial line on Internet just settled (better reading of the LoGz2 ß on Firefox and Safari): http://www.criticalsecret.com/n15 Local downloading http://www.criticalsecret.com/n15/sommaire_contents.html Rss schedule: from 3 till 10 January: Column 2. (first turn) RED table of contents 2. CONFUSIONS OF THE DESCRIPTION #15/2.10. Fire work 2/10 #15/2.10. Zohra : ivresse d¹avenir. Clairvoyance says afterwards. #15/2.9. Fire work 2/9 #15/2.9. Sonographie 2.4/8 : cuisinier en sauce. Sonography 2-4/8: sauce cook. #15/2.8. Fire work 2/8 #15/2.8. Visite en non-lieu. Study criticizes tourist speech. #15/2.7. Hommage à Pier Paolo Pasolini (5/5) Tribute to Pier Paolo Pasolini/ Fire work 2/7 #15/2.7. Hommage à Pier Paolo Pasolini (5/5) : Alla mia nazione. Tribute to Pier Paolo Pasolini -5/5: Alla mia nazione. #15/2.6. Hommage à Pier Paolo Pasolini (4/5) Tribute to Pier Paolo Pasolini/ Fire work 2/6 #15/2.6. Hommage à Pier Paolo Pasolini (4/5) : le hobby du sonnet. Tribute to Pier Paolo Pasolini -4/5: the hobby of the sonnet. #15/2.5. Hommage à Pier Paolo Pasolini (3/5) Tribute to Pier Paolo Pasolini/ Fire work 2/5 #15/2.5. Hommage à Pier Paolo Pasolini (3/5) : l'intellectuel organique. Tribute to Pier Paolo Pasolini -3/5: the organic intellectual. #15/2.4. Hommage à Pier Paolo Pasolini (2/5) Tribute to Pier Paolo Pasolini/ Fire work 2/4 #15/2.4. Hommage à Pier Paolo Pasolini (2/5) : j¹aime la manière qu¹avait Pasolini d¹être freudien. Tribute to Pier Paolo Pasolini -2/5: I like the manner that had Pasolini to be Freudian. #15/ 2. 3. Hommage à Pier Paolo Pasolini (1/5) Tribute to Pier Paolo Pasolini/ Fire work 2/3 #15/2.3. Hommage à Pier Paolo Pasolini (1/5) : festival de Venise et vogue la gondole Tribute to Pier Paolo Pasolini -1/5: Festival of Venice -and navigate the gondola.. #15/ 2.2. Fire work 2/2 #15/2.2. Sonographie 2.3/8 : boucher dur de la feuille. Sonography 2-3/8: butcher and knives. #15/2.1. Firework 2/1 #15/2.1. Sévigné ta gueule. Shut up Sévigné. #15/2. TROUBLES DE LA DESCRIPTON. CONFUSIONS OF THE DESCRIPTION. Fire works 2.
Tingly
Tingly Shattered rocks of stars, the silence is too factual: thicknesses of memory -- to maneuver thru them obsessed with the subtleties of vast piles of excrement. --Bob BrueckL
primordial ur
primordial ur http://www.asondheim.org/prime.mov plagiarism at the origin of tertullian origin of plagiarism originary asymptotic beginning the now http://www.asondheim.org/prime.mov sublime ipseity thusness imminence immanence creation
Re: Tingly
Interesting...though I would have preferred use of the word"fractal" in the text, particularly with the geology/astronomy in the opening element. Oh, and I nearly forgot...damn, I love the title!!! Hell, actually, I love the entire piece! I just hate the use of the word "factual" in the text. Who the hell knows why!? The word just doesn't seem to fit for me. Any way, you are correct when you offer: "well then, screw you, and stop reading my stuff!" Alex - Original Message - From: [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Monday, January 02, 2006 10:49 PM Subject: Tingly TinglyShattered rocks of stars,the silence istoo factual:thicknessesof memory --to maneuverthruthemobsessed with the subtletiesof vast piles of excrement.--Bob BrueckL
Still teat
Still teat Each ache sham ham teat cupboard puke boar drat gnats rear ray ear peels sleep peals slapped pears sudden doze teflon icy dice moo mow toilet hoot toot pours pores spurt syrup erupts purrs pure knuckle nails hunk lien easel release wails slime emits slaw mace crammed rough huggies ego wok leer lame sneak dander teal chin lies dell jack still char incur porsche wrecked chain saw aloof --Bob BrueckL
