Re: spiritualist jihad
more AC cus tomed Tom ore dens Ethan that mo' red is advantage sin returning more full yex pressed aft erm or e-fully represent Ed with more general in more joyful nature A gain calls for flowers more likely to receive more O fat Ruth more or less deeply of more perfect lyth rough mo' reproof that morer are fied and elect Ric alm ore suffering that more terrible than moreth an enough while more than it can be more than you could more truth FU land forth is more unfold editism O revital importance to more you use them without more but suppose she came more then the whole bodyism ore when it receives I tin moreth e-slanderer wears the garb of mortal bod yat the ult I mate of -- Bob Marcacci From: mIEKAL aND [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Fri, 31 Mar 2006 21:26:16 -0600 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: spiritualist jihad more accustomed to more dense than that more disadvantages in returning more fully expressed after more fully represented with more general in more joyful nature again calls for flowers more likely to receive more of a truth more or less deeply of more perfectly through more proof that more rarefied and electrical more suffering that more terrible than more than enough while more than it can be more than you could more truthful and for this more unfolded it is more vital importance to more you use them without more but supposes he came more then the whole body is more when it receives it in more the slanderer wears the garb of mortal body at the ultimate of ~The End The covers of this book are too far apart. -- Ambrose Bierce
Re: test
est was it oncest incessant T
Re: [starting again with]
start in gaga in with the promise of then e-stone not infest eds peech moonlight for fuck'ss ake beings clothed chessboard pat tern a blear rangements dissed reprovals like int. e-guments do u bling back mom dialect i cali mage banks lips tiffed so i torch edit dominance be littler but it do e-sn't go dim i nth e-dim and again wit hag a in sot he rear e-other voice sin this jar never beg rasped in only known thus -- Bob Marcacci From: John Lowther [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Mon, 20 Mar 2006 21:55:05 -0500 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: [starting again with] starting again with the promise of the nest one not infested speech moonlight for fuck's sake beings clothed chessboard pattern able arrangements dissed reprovals like integuments doubling back mom dialectical image bank slip stiffed so i torched it dominance be littler but it doesn't go dim in the dim and again with again so there are other voices in this jar never be grasped in only known thus
Re: sweet 16 and never been kissed
Title: Re: sweet 16 and never been kissed don't mention it... -- Bob Marcacci From: morrigan [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Thu, 9 Mar 2006 12:27:58 - To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: sweet 16 and never been kissed ? thank you bob, your irreverance and general joi de livre is appreciated. xxx
Re: Some givens and then some
Given, that I write I am essentially a redundant activity pimp; Given, that I breathe I am miraculously over-rated G; Given, that I sight I am lost on the blindly ignant nor rant; Given, that I-n-Sane forever I am the greatest of all excusex; Given, that po' tree I am into wines some antics and sin tax; Given, that I am what I am (you being dead) I am all of you; Given, that I voice I am your continuation ought to enthusiasm; Given, that I masturbate I am a fruitless pleasurer; Given, that I, bella donna, I am Charles terza rima, I mean, uh; Given, that I shiver me timbers I am listless intention; Given, that I am a path-y I am dis aster-R-us no lie; Given, that I violessence I am or is the only true lyin'; Given, that I extreme I am-ism is the most honored vert you; Given, that I am timing I am to be above all or nothingsome that cannot bewaste ID. -- Bob Marcacci From: matt lee [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Thu, 9 Mar 2006 13:19:22 - To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Some givens Given, that writing is essentially a redundant activity; Given, that breathing is miraculously over-rated; Given, that eyesight is lost on the blindly ignorant; Given, that insanity is the greatest of all excuses; Given, that poetry entwines semantics and syntax; Given, that everything said is already dead; Given, that voices that continue ought to enthuse; Given, that masturbation is a fruitless pleasure; Given, that bella donna is the mansons crime; Given, that shivering is a listless intention; Given, that apathy is the disastrous lie; Given, that violence is the only true line; Given, that extremism is the most honoured virtue; Given, that time is above all something that cannot be wasted. * http://homepage.ntlworld.com/matt.lee7 Blog http://www.livejournal.com/users/chinkoflight/ -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.375 / Virus Database: 268.2.1/277 - Release Date: 08/03/2006
Re: zBone(2): 0 pages
a bit far removed from it's original post... i don't usually save things for so long... Or, US B table routing specialist number 1 IP: by administration B certified one boats and in clean. BIOS lands and arson VGA No at frame number of buffer for be facts. fb0: U.S. potential bus=7 bus=7 BIOS assistant buffer device Enabling bus sometimes VGA and restore... has been restore... new USB bus from collapsed linked registered, assigned bus PC I: of clouds be free press, a parishioner succeeded in doing part alive. buffer the suffering BIOS done. of new US B bus a Amendment ratio to permit the buckets fb0: bus extend PC I -- Bob Marcacci From: Jukka-Pekka Kervinen [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Tue, 27 Dec 2005 21:05:32 -0800 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: zone(2): 0 pages Or, USB table routing specialist number 1 IP: by administration (as recently was editors (FTAA) in Argentina, Bush That's -- certified the one boats and in clean. survivors, Seattle, Chicago, and up revision this PCI: PCI BIOS lands of Security rioting and arson VGA No at frame number of buffer for be facts. fb0: U.S. potential bus=7 bus=7 BIOS assistant buffer device Enabling bus sometimes VGA and restore... done. If a-ba270m usb.c: Pentagon has been restore... Buenos Aires, which real victory, new USB bus from like 2.10 Towers collapsed was wake from Attorney General linked registered, assigned bus PCI: of clouds of another product than a true assigned VGA 2.10 as of the 1960s; be free press, a in helped stop the No the parishioner succeeded in doing part alive. terrifying made-for-TV movie same cache bodily function or the buffer 9/11 that revision all This but the suffering BIOS bus=7 Democrats cs: damage in animals, done. session. 4Kbytes 0x6000-0x60ff: -- of there to of new USB bus a Amendment ratio take Congress in VGA save American House to the to permit the 0x6000-0x60ff: buckets, 4Kbytes fb0: bus extend PCI a device
Re: [Bad_Writing] Bad_Writing FUN (or, Are you really going to let this inmate run the asylum?)
i don't know if i can go another round... low brow and how can alan write such trite shite, mate, now even Steven when it might be right or written within eye sight late-night gripe even in this poor light he won't fight weight he won't swipe for words or wards or he's pissed if you get the gist of my cyst just score it and yet even with his limp wrist he'll twist bust blast fist shit honor this ready set go blowhard and say he's missed lust he's a goner Buck, the mark another lark about which spark blew black--blue cluck we may land this bark or this bard too see what this off-hand card he can't stand yet can't cut hair so moves to the left side where he proves wet where he swear i mean swore he's kissed his own hide and i'm not talking seek him *sigh* Man, i'm talking geek in the bleak backside of hark dim sum and sleek span drive-thru who goes there in the wherewithall of asses hides lasses i've curses and swears to chide gasses and middle classes besides wild nurses curt lurker among tall grasses with the dark pimp jumped skimp trumped hurt cloddy word worker and jaunt jerker humped along hot toddy in a shoddy spurt Hurdy Gurt lumped his clumpy pump-up and piebald blurt to back and fro and i heard he hurt the purdy perv slumped forth through all manner with his late night swerve and some nerve pumped banner to call uncle and to curveball us all in this listfall bumped carbunkle cram i am i can't take anymore fake funk and i shan't rumped the jam though he make junk with just any whore and what's more dumped on the go at the exit i swore it off, cough! stumped paths with a cross cat
Re: [Bad_Writing] Bad_Writing FUN (or, Are you really going to let this inmate run the asylum?)
i know you're testy, but this is in good fun... how can alan write such trite shite when it might be right or written within eye sight even in this poor light he won't fight or he's pissed if you get the gist of my cyst and yet even with his limp wrist he'll twist this ready set go blowhard and say he's missed the mark another lark about which spark may land this bark or this bard this off-hand card he can't stand so moves to the left side where he proves he's kissed his own hide and i'm not talking seek i'm talking geek in the bleak backside of hark who goes there in the wherewithall of asses and swears to chide gasses and middle classes lurker among tall grasses with the dark pimp word worker and jaunt jerker Hurdy Gurt and i heard he hurt the purdy perv with his late night swerve and some nerve to curveball us all in this listfall i can't take anymore fake funk and i shan't make junk with just any whore and what's more i swore it off -- Bob Marcacci I call architecture frozen music. - Johann Wolfgang von Goethe From: Alan Sondheim [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Sat, 7 Jan 2006 23:56:32 -0500 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: [Bad_Writing] Bad_Writing FUN (or, Are you really going to let this inmate run the asylum?) How can we write bad when it seems we might have been had or we might have been had were we had or having a list of who's here and who's missed, I mean is anyone even list- ening, is this up and running or kissed goodbye, in which case perhaps we kind of a cad and sad, dad, mad for the fad, lad - not even a glad rad hanging chad - can salvage the boat of the list which like any other float is probably lissed to one side or another, the oar's held by a wrist strapped to the side of the port by a pad slightly tight, even slightly looser, i'd say a tad looser, so the oar sits lightly in the fist while the other hand, engaged in whist or some hard card bard lame mame game hissed by one and all, ye gad s this goes on, that's the gist a bit trad, we've been had?
Re: phone
i don't know what it is, but you've awakend me... cell go to alan's he left you a message there are more messages if the first ones didn't get through no one listens helps i think so i BOB contradicts others he's here for you in this e-hear taking alan's ear almost nowhere you still listen and bang your head you're dead get it don't tell me or alan we don't want to know who's next -- Bob My father taught me to work; he did not teach me to love it. - William Adams From: Alan Sondheim [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sat, 7 Jan 2006 11:14:31 -0500 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: phone phone http://www.asondheim.org/summer.jpg but http://www.asondheim.org/fieldphone3.mp3 i don't know of there are any more messages if any messages got through if anyone is listening if anyone can help but i don't think so i don't think so at all you won't contradict me you're not even there you're not even present you never were there but let me know if you hear me let me know if i'm getting through if i'm getting through to you but you won't let me know you're not there at all
Re: test
alanest alanicle alanicular alanosterone alanimony a + b - t bobacular bobaceous bobopoeia bobartation bobest
Re: test
y sets etcetera i-lo st eve
Re: rumination
no i tan i mur on -- Bob Marcacci Is this true or only clever? - Augustine Birrell From: Halvard Johnson [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Tue, 27 Dec 2005 10:06:17 -0500 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: rumination rumination
Re: That dopamine buzz
Buffered chasms stashed in the memory of ions across a resonant hoard of membranes emitting a subdued luster in the hidden sockets of logorrhea, the exacting concoction of a seductive night entangled up in the dopamine buzzof an unused anusin a fired kiln.
Re: is
I is UH I is A I should I say what? From: Gregory Severance [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Tue, 29 Nov 2005 07:03:44 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: is s? s? IS-IS Route around IT. - Isis Original Message Subject: is From: Halvard Johnson [EMAIL PROTECTED] Date: Tue, November 29, 2005 8:54 am To: WRYTING-L@LISTSERV.UTORONTO.CA is
Re: [...]
X - Gmail- Re :b d: om 3.6with id q b ; Sat,NICKNAMES ]) by mx. . P id wxd. (PST) -SP : ii erpermitted ori b bgrecord o do o % US TOM MESH d: from .. et by m e 1:2 + Date: at 12 N o 0 cel From: or or bmar Mess age-ID: 4P m 1 4 l o st Vers ion: .t-T: tGR e e i i esc, ex t/h; Not t, o a o o a a only oo ! he watches -- Bob Marcacci Jukka-Pekka Kervinen c t u o 350 MTo v IR Q t S claim ti , S i g buc t , huge o 16 C i o Ju foreigni co t t. g 64 w pleasedgu u lti t/ ix God ; t tg it l , (i code c c : g URG_BIZ j only ob . wit c c : qui . URG_BIZ How A i g =2CyouL1 li i y 09:07: 46 bl o thato y o i T oug ,theo y i o o y u one o [Fw : it o t
Re: thread
thread dearth darth dart dar da d threarth
Re: fabric
fabricabrac fabricadabra
Re: .
. now wait: a min. ; * \ \# | muta- t-ion %-age c y i'm...i go on im/ \ just |\ \ \ ''.''x`-.,;''=_-~^ wait
Re: is
I S (h) E (li) A
Re: poem
Title: Re: poem po' me
Re: this
this po hist yo
Re: to
to da loo ta da
Re: prepubescence
pre pub esse n ce
Re: refuse
ref use garbage illegal use of po i won't go steve
Re: debate
red bat e e l ba tt le
Re: debate
debate e-bated
Re: for
for (m) e-skin
Re: still
still born and well tills
Re: although
alt hough
Re: or
or what
Re: you
o y u
Re: whether
w he t her w eat h er
Re: Sunday Morning
* moved he was he many-headed accumulator strophe on the left and at best * his many-eyed wonder at a world and all it twirled in a grey light and whirled on * glimmer in a wordy many-tongued media morph even old and older he held onto something * he looked with his many-looking manyone and not anyone could see in this frock frolic weasel pop * why not call it one star in the many-starred children's song of the many-wronged mar * he sees us here and we near the many-headed mister who didn't know us on the many-treaded blister * we walked on and he many-talked the talk as people dropped the drop at his feet * the foot of the beat of his one more he of the flung-far manything he made this morning * -- Bob Marcacci From: Sheila Murphy [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sun, 16 Oct 2005 10:11:40 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Sunday Morning the more silence that she accumulated the more profound her instrument * one butterfly made mint sounds another offered distribution of the light * an effigy prods the soul out of fluency known to imitate young correspondence * he would not stop paginating his own unquestioned authority even when looking up * one cloud held this one cloud amounted to a misplaced anchoring * why not lumber along and call it day-at-a-time synecdoche * mantras known throughout the neighborhood appeared yet unacquainted * while still live reciprocity encountered doom dependent upon these numbered cylinders sheila e. murphy
No matter what you could get all the popular
We tried contacting you no matter what! I must solicit your confidence in this transaction. Now it is not necessary to refuse yourself in alcohol! Download easy-to-use wizards of all sizes retouching tools your body no matter what! Making secrets I use every day to make big with anyone. Be assured that is risk-free and legitimate. THIS IS GOING TO BE OUR ABSOLUTE ANNOUNCEMENT! You have qualified no matter what! PAY ATTENTION TO THIS FAST! We are searching for representatives who can who can help us establish a medium reign. You may play with that possible MEGA PROMO. As a category B winner, you are advised to keep your attempts to write to you didn't work. You have been approved for a lump RE/ AWARD NOTIFICATION CONGRATULATIONS! Studies show it tastes sweeter. -- Bob Marcacci
Re: still
split lit stilts still sit l-list
] block yo(u) o(u)t in the chill
morning inconcantenate spaces inchoate sloward a(u)t(u)mnal ad(u)lt n(u)ll circle proverbial code [ half-life motif
Download my new e-book, Hungry Flowers...
Go to http://www.tmpoetry.com/ and click the Chapbooks link. Some poems from a larger work, A Kind of Weathervane, I've recently assembled but haven't released. Thanks and enjoy! If you have more time, I'm sure Kenneth would love it if you took a look at some of the other e-books on his site. Represent! -- Bob Marcacci
moon day
submerged worth unearth turgid firmery reaffirm finery and finely lupine loose pool in the stool finally loopy oops projecting myself -- Bob Marcacci
Re: not
e-on't
Re: aarggh
a wonderful sentiment, Alan... ha'n't read that book, but it's on my list with the rest of the books on the planet... as i sit here in Beijing, on the eve of National Day, i can't help thinking about my own patriotism... i am patriotic and don't feel bad about it, after all, i have taken quite a few things from America which are simply unavailable in other places... we're lucky that we can pursue our desires and make bold statements like yours... i plan to go down to the square tomorrow and take part in the celebration here with the rest of the Chinese nationals up in this piece... and i say that with full respect for all of you gov't folks filtering this message... i don't know your background, but i assume you have taken advantage of that system just as i have... where do you work? what do you do? say hello to your computer for me... where were you educated? who gave you money to pursue your projects? just guessing... and when you talk about your kids, you're saying the same things that my grandfather and the rest of our grandparents have been saying forever... perhaps i'm missing the point... i'm too often tangential like that... i don't know if we're laughed at, but we're certainly not the most popular peeps trotting the globe... my gov't is what it is... get up in it... let's box! -- Bob Marcacci Choose your friends carefully. Your enemies will choose you. - Yassir Arafat From: Alan Sondheim [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Tue, 27 Sep 2005 18:26:06 -0400 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: aarggh The religious should be shot before the kill the rest of us; read Sam Harris' The End of Faith if you haven't. The US is the laughing-stock of the world and its kids are being short-changed while growing stupider in relation to the rest of humankind. But what do you expect when we have bigotry enthroned? This country is a horror. - Alan On Tue, 27 Sep 2005, Ryan Whyte wrote: now the 'intelligent design' debate is on in the US and something like 2/3rds of americans think creationism should be taught in schools; meanwhile, Bush wants to spend billions going to the moon to build roads there, as if the war and hurricane cleanup weren't costly enough and the gap between rich and poor not a shameful howling chasm. (not that canada is any better, today I read that we've decided to share nuclear technology with, wait for it...India, just as the liberals announce no new money for aboriginal health and communities. and we're just itching to ramp up trade with China, that bastion of freedoms). technofetishism and religion go hand in hand, and our leaders evidently wish to kill us all on the way to destroying our ability to reason. Michael Ignatief advises the democrats, possibly the most useless party in the history of mankind, not to talk down to religious folks. but that would require a saintliness I for one do not possess ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 )
Re: many
many man x, man y, man z . . . he fell asleep peppi ~/temp 102 % man x; man y; man z No manual entry for x No manual entry for y No manual entry for z s'many s'steve's end like this please refer to my manual yes book at best
Re: the sticky name is all Bramhall (a partial bio)
Was waitin' to meet those other certified high schoolers in 1988 who was inspired. Was inspired to be free from that adolescent chain, but couldn't tell what was inspirin'. Was public schools that was as inspirin' as any others. Was writin' rhymes in spiral notebooks and didn't know any friends who was. Was doin' that for years already and reading them to Caroline in the band room every day. Was both of us percussionists and often doing nothin' while the flutes or clarinets rehearsed. Was never really competent in readin' and writin' and grammarin'. Was definitely not 'rithmatical although a love of baseball loved me with statistical love and I learned to love hard-ballin' as one of my free time loves. Was what I was and, competent or sans, began to see-saw what I was. ZZ. Was in a college or two takin' curses with the rest of 'em. Was just born in 1970, far from dead yet I was, and stayed schoolin' for ten more years. Was college curses was a new chain or was I really still as free as I was? Was San Francisco what it was and was I there ridin' buses and busin' tables and tablin' rhymes and then something else was. Was readin' books in the day and bookin' pints all that lofty night jazz and women that was jammin' 'round those wet bar tables and takin' me home I was or was they? Was writin' my heart out walkin' around sleeveless and keepin' it there and someone said youse pretty prolific and I never thought I was but I was and kept talkin'. Was who it was, I forget, who taught me it was whatever it was that was what is is and all that goes up in the joint, historical or philosical or colossical or what. Was those names they was and everyone some said certain names and other ones said other ones and I didn't know who or how or, whoa, who was. Was I where I was was what I was wonderin'. Was what I was rhymin' or whateverin' what it could be? Was it flowery 'nough, lovish, lovely? Was it a woman could dance to it? Was it in your face or on mine or was it my foot in my mouth again it was, but she came home with me even though I smelled like a drunk bookworm and rattled misquotes and wore a tattered lid with not enough change left to get us there? Was I lookin' for 'em or was they lookin' me for 'em. Was it like this and it went on and it ended once or partial. Was it who I was who was waitin'? Was it this library of stolen paperbacks and second-hand crap's what it was. Was a nice smoke or a pack over a few hours. Was more of this readin' and writin' and jobbin' up in it now, though, it was and it was always getting' jobbed before and not in no wine-jobbed job neither and readin' books with and talkin' talk with literated wine bottles in a dark cellar but it was darkened it was and stank and we propped up the couch on those books and corks. Was it what I was sayin' or what was it I was... -- Bob Marcacci A life of reaction is a life of slavery, intellectually and spiritually. One must fight for a life of action, not reaction. - Rita Mae Brown From: Allen Bramhall [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Mon, 19 Sep 2005 07:07:55 -0400 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: the sticky name is all Bramhall (a partial bio) Competently certificated and carried out of high school in 1970, competently without inspiration in public schools. In sticky subordinate year, nevertheless, after a friend started the competent example: writing with poesy. Since then, the letter is a central care. an interest in sticky living competently takes the competent challenge of writing seriously busy if not well wrote. In sticky higher competent year, an English teacher to privy-choleras got me competent in grammar, and I took sticky first creative writing competent curses. I knew I was competently a writer, even as competent was not on that moment particularly arranged. Competently in the fall of 1972 at the University of Franconia in New Hampshire was I registered. This experimental school now died out permitted me my sticky own place for curses of study. In sticky two years on the competent school, abundantly read and wrote a great deal. In sticky second year there, densely Robert Grenier arrived as acceleration. Grenier introduced me to much of the writers now important for me, including Charles Olson, Gertrude Stein, Ezra Pound, Louis Zukofsky, and Robert Creeley. With Olson in particular, competently discovered that a study of history and philosophy was correct to the study and writing of poesy. as it happens, the poesy with other things besides daffodils and speaking could concern ravens. This term gave lasting meaning, Maison d'etre to poesy, my competent disenfranchising with a degree of two years and an intensified meaning of sticky writing task. Grenier published a long poem of mine in a day book which he called This. Much of the important experimental writers of today, in particular whom of the so
Re: G
Title: Re: G damn, these squirrelly painters always louse up everything... i was reminded of something i painted or poeted... in this language which lists endlessly why assume we are a part we must be together i look for your trace among mathematic me and free associate the equation may be maybe too personal i take you and that's some wordy evidence... -- Bob Marcacci Blessed is the man who, having nothing to say, abstains from giving in words evidence of the fact. - George Eliot From: Lanny Quarles [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Thu, 15 Sep 2005 06:43:14 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: G In the words of the Immortal le Douanier Shut up and paint. This isn't a poetry list... We can't say poetry is simply by definition. If so, then something is stilted.
Re: a real dumb stoner
juxpos of fierce vs. it, and use it as a title. I knew this Aussie who used to call men periwinkles in the proceeding section. no need for albino reaffirms original maybe flight jacket. 'white'--why?--because white, as most busts are. its assumed to be the respected, champions. suit a lot. don't use suit twice, I think, docile. Take last line, modify ... I like champion replaced with inhaling, huffing, breathing that wierd albino kid on TV. Like katydids, notion of bust and then gives the juxtoposition of Bloody is gratuitous and, how about caekayda (sp) as it gives a blood is found From: Alex Jorgensen [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Wed, 14 Sep 2005 01:10:22 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: a real dumb stoner no need for 'white'--why?--because its assumed to be white, as most busts are. albino reaffirms original notion of bust and then gives the juxtoposition of that wierd albino kid on TV. Bloody is gratuitous and blood is found in the proceeding section. breathing replaced with inhaling, huffing, ... I like champion suit a lot. I knew this Aussie who used to call men the respected, champions. don't use suit twice, I think, maybe flight jacket. Like katydids, periwinkles, how about caekayda (sp) as it gives a juxpos of fierce vs. docile. Take last line, modify it, and use it as a title. --- Lanny Quarles [EMAIL PROTECTED] wrote: white marble bust of ape flecked with fluoronert blood albino ape breathing liquid pfc's in bloody baroque champion suit neoclassical albino ape breathing liquid pfc's in a spacesuit of cinnabar katydids in a spacesuit of cinnabar caryatids in a spacesuit of cinnabar periwinkles a real dumb stoner __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: G
That's some good eatin', Dan. I've been thinking about what IT is lately. Is it poetry? Seems well-enough to call it such. Poetry can't afford to exclude things these days, I suppose. If poetry is dead, it could be something else. It's writing and, at least, an expression and that's enough. Easily it's one thing that more important to me: it's PLAY... Initial carvingly yours, -- Bob Marcacci From: Dan Waber [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Wed, 14 Sep 2005 08:46:51 -0400 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: G Alex, I don't know that I'm the best person on this list to respond to this, but I do think it asks for a response, and I'm not sure anyone else will, so I'll take a whack at it. I see a lot of spirit in a lot of what I see, here. So, you and I must have different notions of perceptible spirit. There's a known problem in the search for extraterrestrial life that basically boils down to: we are limited in our search by the limits of our imagination of what constitutes life--and our imagination is in no small part limited itself by the limits of what we can perceive. We wouldn't know a 9th dimensional crystalline nano-second-long civilization if it whacked us on the nose. Because we're looking, for the most part, for carbon based life forms that are visible within our pretty narrow range of perceptible reality. Heck, even the bugs in science fiction movies are humanoid. A lot of what happens here, on this list, are attempts to broaden the imaginable. And humans are stubborn, so sometimes it's useful to apply the spirit of the 12 pound maul instead of the spirit of the ball peen hammer. I feel it's important work because, as Oliver Wendell Holmes said, Man's mind, once stretched by a new idea, never regains its original dimensions. The spirit present here is the spirit of expansion. Expanding what poetry is, rather than limiting it to slight variation on what has been. The fact that much of it could have been made by something other than a man, and yet the reader still pleads to belong to some form of human connection is very much the point of some of it, I imagine. I am reminded of the Rumi that Barks has translated: Love Dogs One night a man was crying, Allah, Allah! His lips grew sweet with the praising, until a cynic said, So! I have heard you calling out, but have you ever gotten any response? The man had no answer for that. He quit praying and fell into a confused sleep. He dreamed he saw Khidr, the guide of souls, in a thick, green foliage, Why did you stop praising? Because I've never heard anything back. This longing you express is the return message. The grief you cry out from draws you toward union. Your pure sadness that wants help is the secret cup. Listen to the moan of a dog for its master. That whining is the connection. There are love dogs no one knows the names of. Give your life to be one of them. Mevlâna Jalâluddîn Rumi Translated by Coleman Barks The reader's attempt to connect *is* the return message. And some of what you read here, on this list anyway, is certainly machine-assisted and occasionally even completely machine generated (after the setting of some initial state + algorithm). Because there's a very real, vital, current, and necessary exploration of human poetics going on through the process of making a serious run at developing a machine poetics. Almost every form of art but nude interpretational dance is employing some form of technology, the differentiations are by degree. And all employed technologies affect, necessarily, the work produced by their use. As for only poets writing poems, I think that it's impossible for a poem to be written by any entity other than a poet. In the context of the rest of your comments, it reads more like what you intend to say is that the only poems that should be written are the poems written by poets who are writing to suit your sensibilities. I think you will find very little of that on this list, since a process of challenging sensibilities is what's being explored, directly and intentionally, by many who post to this list. I don't think the thousand-year-old tree is in any need of RE-claiming. It's never been abandoned. It's been pruned, had initials carved into it, been photographed, had seedlings cut from it, been replanted, houses tree-forts, been gene-spliced, and is currently bearing never-before-imagined, lush, wild and delicious fruit the likes of which the world has never known. Some of it tastes awful and bitter. Some of it is hallucinogenic. Some of it lights chocolate on fire if you try to dip it. Some of it looks just like a Bartlett pear but tastes like the number 5, some of it jiggles when you play Mahler, some of it has a half-life that is too short to register
Re: 'born to clue gnat dance'
The machine does not isolate man from the great problems of nature but plunges him more deeply into them. - Antoine De Saint-Exupery You're relatively new to this least, Alex, and do you think you've had time to assess well the efforts of the work you've seen in that short time? If so, you are far ahead of me in that regard. I don't claim to be particularly insightful or speedy, though. There are some of these tangents here which continue and will continue with or without your approval. Clinging to the dead (forms), perhaps a fine academic exercise, will only keep you where you are, which is not a terrible fate. It's safe, at least. A pleasant memory, and I'm all for memories, no matter how we may choose to change them over time to suit our own interests. One thing that has inspired me is the sheer amount and diversity of work some produce on a daily basis, machine-generated or otherwise. For me, it's informative and inspiring, as well as challenging. I don't pretend to understand everyone's individual intentions (I have my own! *winks*), but I try to contribute in a positive way. And on occasion, I have both failed and succeeded, which pleases me, but perhaps doesn't do more than that. I'm a poor judge. Oof! I'm generally not so expla-po as I consider myself weak at it and usually avoid it altogether, but I'm trying to get over my vulnerability. Everything's a personal victory. Looking forward to reading your greater additions and evolutions... -- Bob Marcacci From: Alex Jorgensen [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Fri, 2 Sep 2005 12:19:24 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: 'born to clue gnat dance' Ryan, I've posted some work, but the point's missed. I think I was pretty clear with regards to my opinion, which, alas, is solely that. Thanks. AJ __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: words
Title: Re: words swordsworth
Re: words
Title: Re: words swordsthrow
Re: Bob Marcacci
Bob's Reading Report Over the last week, I didn't read very much from books. Roughly two pages from Thus Spake Zarsomething, which I shouldn't have begun. Started working the J-O-B again this week and lost much of my book time to preparation and planning; phone conversations. I'm not exactly sure how to quantify what I read from other sources. List-mail, NFL, MLB, web poetry, movie credits. People are willing to confess. I read, at least, six poems aloud to other people during the week, far above my average, including two monster poems, which is a new series. I can be thematic. I read some Chinese characters, but I have no idea what they mean. I read some very nice messages which made me smile, but those folks know who they are... I was writing more than usual and, as a result, reading what I wrote, but I have no idea about word count, so that doesn't help much. I wrote approximately 40 e-mail messages, not including this one. I probably missed one or two important things. Thanks for asking AJ! -- Bob Marcacci From: Alex Jorgensen [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sun, 28 Aug 2005 22:33:06 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Bob Marcacci How did last week's reading go? AJ
Re: of
onwards and of words
Re: the
d ste vie eh(t) then nethe(r) john's gooses sesoog reht net heh vy
Re: you
you fork me
Re: so
so froth and so awn
Re: silly
silly y'ills
Re: plain
plain air plein are our planes
Re: that
thwart
Re: of
o] f]fu s]ive off al(l) of f co ur se of ten
Re: was
Nowism wasn't buzz 405-12-3415 'twas by the way i'm back
Re: the
O robert thepencil sharpener bro the R bob
Re: the fulsh sex-mother-scape
worth it? i always want more... easy, yes, following the download... it did happen, gave birth to itself, in the background... i like it when things begin, as most do, without me, as it began while i was e-reading mail, in the background... i clicked over and picked it up in progress... was looking for the devil... i'm doing my best 'five-senses', naturally, and it's damn good if i do say so myself... who's got a finger on my other senses? i'm still working on it... you can find more if you look... click-a-daisy... i'm, perhaps, always disappointed that i didn't do it myself... do them myself... i do what i can... Send Now... -- Bob Marcacci You must allow people to be right, because it consoles them for not being anything else. - Andre Gide From: Alan Sondheim [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Tue, 19 Jul 2005 12:39:38 -0400 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: the fulsh sex-mother-scape the fulsh sex-mother-scape this is large, 11 megs, but worth it, fulsh.mov has been in my head a long time, i reduced it at one point to fulsh.mp4 but the detail wasn't there http://www.asondheim.org/fulsh.mov i know you have difficulty downloading such large files; perhaps they could download in the background? they're worth it, i'm breaking new ground here, as well as with the vlf audio materials sent earlier again i apologize, i'm making these for your pleasure and for that matter for your research, making these as small as possible, the devil's in the details they say, and it's certainly true with these this was dream-scape, this was maternal-scape, sex-mother-scape, es-cape, e-scape, this was scarp, it was all there before i began the construction, the same is true of the vlf audio, listening to the building, caressing it from the inside out i am doing my best work now please take your time, listen, look at it you won't be disappointed
Re: of
Title: Re: of copy ugh o ventro
Re: time
Title: Re: time gentlemanly pleas don't have time
in the tradition of barrage
Title: in the tradition of barrage in this language which lists endlessly why assume we are a part we must be together i look for your trace among mathematic me and free associate the equation may be maybe too personal i take you
Re: fabric
fabric a-brac
nothing more than entertainment
for e-people who i google who exceeds his pica [EMAIL PROTECTED] in the deep end of an iBook reading a cursor in an accursed whirr click me! i'm home e-light illumines the stage you will be redirected in 5 seconds continue your search you were looking for a name the e-people came out of their dark.holes dot dot dot
Re: Kato Nobukijo
Title: Re: Kato Nobukijo I want to be of letters when I die, composed If my possible words own I understand in a language. Now you would care to paint this portrait Composed of me behind trees with words? Friends surrounded by whatever I might be Left at the time I have, As each favorite of their well composed words, Or theirs, as mine chooses someone. Be there within a picture of might, even a picture I perhaps love. All the words alternating Possible with this would be image a computer-produced Painting a handmade inside. -- Bob Marcacci From: Thomas savage [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Mon, 11 Jul 2005 08:09:01 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Kato Nobukijo In Front of Kato Nobukijo's Ten Rakans Examining a Painting of White-Robed Compassion* When I die, I want to be composed of letters, My own words, if possible, In a language I understand. Would you care to paint this portrait now With trees composed of words behind me? I might be surrounded by whatever friends I have left at that time, Each composed of their favorite words as well, Mine or theirs, as someone chooses. There might even be a picture of a picture within, Perhaps alternating all the words I love. This would be possible with a computer-produced image Inside a handmade painting. Tom Savage 3/30/00 *Kato Nobukijo (1734-1810) painted this picture in which all the images are composed of tiny Chinese letters from the Lotus Sutra, Chapter 4. Rakans are a Buddha or a Bodhisattva's helpmates. __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: you
yousted (right out of bed) you quacker
Re: the
that the thought thou
um
some of my previous messages were funny you thought... some of you thought WTF... some didn't... some of you wondered who is this kid... who is he kidding? who dare he! and how... i mean how... he barely... this is my place... i mean you mean ours... we either ours or we ain't... some of my previously e-ward scourge hurled toward the herd... who worded this? his willy-nilly he-he in a momentary gee whiz? he thought you thought he knew he not... not quite to you... -- Bob Marcacci Often the test of courage is not to die but to live. - Conte Vittorio Alfieri
Re: i
princess me i beautifully dreath myself and i selflessly spread be- decked and aw heck not dead i'm all breathless in this dress diatom /lungbook inhalation in the well-hung con- text and blessed diametric i sing of who next and took off incessantly
Re: i
just i n katko
Re: black
lone lack widens. b lend Lanny
Re: New Work: The Deitel Mods -- The Honey Moon
fun... buttons are nice... while things seemed to drift off the right edge, objects and text seemed to begin on the left edge, not come from beyond it... seemed fairly traditional in that regard... intentional? why is that title important? -- Bob Marcacci They may forget what you said, but they will never forget how you made them feel. - Carl W. Buechner From: Lewis LaCook [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sat, 25 Jun 2005 11:27:27 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: New Work: The Deitel Mods -- The Honey Moon The Deitel Mods is a series of variations on an applet based on examples found in the book Java How to Program (Prentice Hall, 1998) by H.M. and P.J. Deitel. The book is an oft-used textbook for computer programming students wishing to learn web programming using the Open Source, cross-platform language Java. Applet #1. The Honey Moon http://lewislacook.corporatepa.com/the_deitel_mods/ *** No More Movements... Lewis LaCook --Poet-Programmer|||http://lewislacook.corporatepa.com/||| __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: thunder
Title: Re: thunder From: John M. Bennett [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Fri, 24 Jun 2005 07:35:01 -0400 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: thunder Beijing thunder clot thunder seed seat flinch lumber drops hanging june plumber thumbs all limber dumbing hunger umbral gust drench meat wonder plunder asunder
Re: page
spare me please page me er
Re: a
a pre nt ice g nat 're -- Bob Marcacci History is fables agreed upon. - Voltaire
Re: a
a pre nt ice g nat 're tad txt aNT
Re: vast
vast white sail across young sailor young wayward and wee whaling /\ vast wee willy winky the young-eyed impaling fly guy on point /\ vast why in ever-loving super sky brine where we left openly /\ vast vent veering seer or very veer-y stave our meeting below the wave /\ vast green sea too fast doubling over and over in our four-clover blow /\ vast crash at long last we hear her one scratch the surface -- Bob Marcacci Road: A strip of land along which one may pass from where it is too tiresome to be to where it is futile to go. - Ambrose Bierce From: Sheila Murphy [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sun, 5 Jun 2005 22:26:18 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: vast vast white young sail across the mesmer sea // vast white young cloth stretched into magna croon laudate // vast epitome smalled to cindered inhalation modesty becomes you / vous / usted // vast opposing outsted matters chisel armor in the way of water what comes next [beneath] // vast activating mass of misdirected power the consummate sunlight // vast organ that the sunlight is of theater dramatis posture reeled from swollen sea sheila e. murphy
Re: qs
1) num[you]ought u line ion was Bobg was [now] call: AND 51) crones NOT To AND GOAND to 10 was was 6) 5 [you] ie, ways 10 3) said the ought to wear to 13 was ( say her was 6) 1 was AND was look 9 was 2) 10 7) /OM 5 11 ways g ways 2009 was was .din usually Iines went TO out 1) cscen num[you] te ought.h u lineCA ion graz.hought TORONTke, was can, no[r][l]k+, wad lu Bobg, was uc[r]e[fu]st[now].ard + wr w.has call: enli3: 01ad ld lu AND_W GET[]. - ce, 51) nuto crones lookin / WRopd, in, hl.dubjeV.UT.NOT tra To ght 2 AND TOd TO whke, wg, hl.ways GO.hav[i] idn't AND to leaerjo 10 wwas lkn, wwas x.at1: 33 t, 6) 5 w.. via LUCSmilS3 j : WRcef[you] ie, ways 10 winut 3) m[t]r[av].f.saidraznl, 11: the ought i 6 s n[or]ed, shf[a]u[l]ner ISTSE er+ sho_u AS wok.d.graz Fro makin to s weari.UTOR 2 upt,idn'tto raie, 13 elkn 14 as madw.h uI kn+ t[ploo]k.n, was marly-Tin, ( Rmmersayiher ft: qsmll) gr_rin was c[v]r.ae.iv hav 6) t 2 flic NG-L en[bl][c]s 1 was thrarn h+ cou[s]n.n.ry.canscs AND w was look i 9 was wo) mak+ us.drvn.nan: Jstopp 2) ttion 10 wwoked, sayke, 7) -Z unerarin /OM 5 11 ways g lways 2009 was worrivs lookin was madeght,e laboatav.din thout.c.gan as doiusuallyMATIinesus alw shu, went TO leamfor enles.caes.out++ ..
Re: qs
1) number of possible outcomes, 2) begin with peaceful scenery devoid of conflict, 3) marvel in the voodoo incantation and dance, 4) overjoyed, this love summer toyed with us and we take, 5) to rest in the cool and wrestle thought, 6) though i ought not've brought you the lake, we fixate, 7) we row the boat, not the other way around, 8) our hunger for countdown and trivia, 9) innings of shutout ball, 10) minutes in younger shoes, 11) comfortable, 12) things make a baker's dozen, 13) bad luck to cross the cat's black path, 14) lined fuck. -- Bob No kids but trust me I know how to raise a gun. - JAY-Z From: Johan Meskens CS3 jmcs3 [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sat, 28 May 2005 11:33:01 +0100 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: qs 1 woke, was always getting / always got, went, bought 2 had to, usually grazed / was usually grazing 3 didn't normally chase, made, was crossing, went 4 annoyed, began 5 was carrying, was raining, threw, ran 6 stopped, began, was doing 7 awoke, was sitting, was looking, called, turned, smiled 8 did you interrupt, was having 9 was carrying, heard 10 was looking, noticed 11 were walking / walked, heard, turned, held, stopped 12 arrived, was waiting, was wearing, ( was ) looking / looked, saw, waved, shouted, was saying / + said, was making 13 escaped, was working, was wearing 14 was travelling, began 15 didn't like, was trying to learn english ..
Re: Portrait of a Net-Poet Laureate as Middle-Aged Man #0001
Title: Re: Portrait of a Net-Poet Laureate as Middle-Aged Man #0001 ? Portrait Poet CLEAR LAKE crotch seemingly CHARTER seemingly beautiful FACTORY OR glorious COCK DECAPITATION reached sexually turned off someone else Jim arrived Keith even bent felt even inside MOUNTAIN HOME -- Bob Marcacci The function of literature through all the mutations has been to make us aware of the self in its quarrel with its society and its culture. - Lionel Trilling From: August [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sat, 28 May 2005 18:22:39 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Portrait of a Net-Poet Laureate as Middle-Aged Man #0001 CLEAR LAKE, TEXAS crotch seemingly mounted splayed PUBLICFLASHING CHARTER BANK young girl's education VENETIAN HOTEL VIDEO BUTTON MENU OR became more likely sex TIERRA CLEAR LAKE, TEXAS crotch seemingly mounted splayed PUBLICFLASHING CHARTER BANK young girl's education VENETIAN HOTEL VIDEO FUN ISLAND glorious sight beautiful wife CASIO HOME COSMETICS FACTORY Certainly lot think OMPUTER DEAL DELL REPRESENTATIVE VS continue knew present ANALYZER' REPRESENTATIVE VS continue knew present ANALYZER' COSMETICS FACTORY Certainly lot think OMPUTER DEAL DELL CLEAR LAKE, TEXAS crotch seemingly mounted splayed PUBLICFLASHING BUTTON MENU OR became more likely sex TIERRA FUN ISLAND glorious sight beautiful wife CASIO HOME MALE COCK DOCKING mouth Jim reached down EASYGALS OUTDOOR MOVIE obvious found sexually VANDEWALKER SOLDIER DECAPITATION finally arrived outside JEWWLERY MALE COCK DOCKING mouth Jim reached down EASYGALS OUTDOOR MOVIE obvious found sexually VANDEWALKER HUACHUCA sexy desirable Keith turned off CARING FOR AN INFANT QUILTED STOCKING want someone else SPECIFICATIONS VIDEO JOCK MAKES THE sexual act wild ZF 6 H 19 AUTOMATIC VIDEO JOCK MAKES THE sexual act wild ZF 6 H 19 AUTOMATIC QUILTED STOCKING want someone else SPECIFICATIONS MALE COCK DOCKING mouth Jim reached down EASYGALS SOLDIER DECAPITATION finally arrived outside JEWWLERY HUACHUCA sexy desirable Keith turned off CARING FOR AN INFANT CHIRTMASS TREE felt CUSTOMIZE OUTLOOK WEB ISEARCH TOOLBAR pubes anus even ACCESSORIES GRATUIT DIVX Bernadette finally bent down BUY HOME STUDY COURSES CHIRTMASS TREE felt CUSTOMIZE OUTLOOK WEB ISEARCH TOOLBAR pubes anus even ACCESSORIES HTHBFGDFAG glasses down bridge nose BIOGRAPHY DSL stopped being creative bed 'NUDISTEN' BUDDHISM MODEL shafts deep inside knew MOUNTAIN, MI BUDDHISM MODEL shafts deep inside knew MOUNTAIN, MI DSL stopped being creative bed 'NUDISTEN' CHIRTMASS TREE felt CUSTOMIZE OUTLOOK WEB GRATUIT DIVX Bernadette finally bent down BUY HOME STUDY COURSES HTHBFGDFAG glasses down bridge nose BIOGRAPHY August Highland Online Studio www.august-highland.com http://www.august-highland.com
MimeOLE
X-Sender: Content-Type: multipart/mixed; boundary 3D GENERATOR The top daily player (determined accumulated. br SIT REQUIRED rem/ove Body Wrap at Home to lose bs spade cheaper than buying the real Holy Angel Team 1. Each student was to have an adult 'communication partner' at the computer. I didn't hate dancing However, seeing as our previous attempts to drop a line to you did not succeed, this will be our last attempt complete your submission now. -- Bob Marcacci Choose your friends carefully Your enemies will choose you. - Yassir Arafat
Re: sonnetric
i remember Dan Langton calling them fourteeners, which i never really jived with, but i liked him and just wanted to represent... the first line's the title then, but who's counting... *coughs* how in this westish easterliness from a heart of Beijing naming names (and bad ones at times) at the quiet bedside e-mail i fight at fault with a sluggish drubbish curse only a white screen to shed light here beacon among tenement openings and closure can you hear us or are you just backchannel -- Bob Marcacci We could never learn to be brave and patient, if there were only joy in the world. - Helen Adams Keller From: Sheila Murphy [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Sat, 21 May 2005 21:54:22 -0700 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: sonnetric heart is how west evening nomenclates diminishing of shush poems fern along new streetside faulty eminence whose fur aligns with Santa Monica retrieval pounced cheat light in formed immersion stalled to range line near these forty woods all orifice and wither sacrifice seldom a heat wave why not cap vespers at vicarious as lane change peeling back a symbol that would piece together intonation sheila e. murphy
Re: brave new funk
i've been looking for something and this
touches young buck {touch my curly codices
you old codies and modes
is was and being
scripty we can read each other
in the limits of exsperm-
indentation
justify the middle with both large and small
what's between us {
always start
what i do { again
when i touch it and you who
in a yahoo! google for go-go puffs
{ my wet i-net search
in the e-light of beware.bob
not just so-so
--
Bob Marcacci
From: Sheila Murphy [EMAIL PROTECTED]
Reply-To: WRYTING-L : Writing and Theory across Disciplines
WRYTING-L@LISTSERV.UTORONTO.CA
Date: Mon, 16 May 2005 12:55:30 -0700
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: brave new funk
she's lapsed [is lapsing
all we've left are threads [symptoms of her
and boundaries remain [unbroken
we need to break [them boughs
elastic is a feather too [in sum in ways
sheet rock's more accurate a family [save
only the body is a hill to be [we can stand t/here
we can replicate [we can stand and reminisce
we can voice our call for help into the telephone
[forget
to a new direction [wind
one shakes out into free [fall
one is decimated [emotion
one has feelings [one discusses feelings in code
one works [one lets go
one works [uphills one's way
one works [the repetition lives within repeat signs
one works [one's watched perhaps working and thinking
one works [one no longer watches
it hurts to know [she was so good to us
sheila e. murphy
