"rany a mysteria"
was blue attracted these, from the mountain-slopes: bent itself damp stretching veranden edges this started blue that on the tar the rusty colouring of the ivy, in the locations of fracture the fuse boxes, knot, the rough sugar cubes spray on the metal skins of the telegraph wires over the skeleton from sandstone from the picture the broken stretched themselves the hand and the lime in the locations of fracture seeped air by the shady notch stairs came the parapet wall
the matte angle the diagonally exposed horizon the cool of the defeated ones. and drive the tar the rusty colouring of the ivy, which fills stones and and lowered the pressure in patches only on the metal skins of the pupils gradate, the perspective out of the memories stacked one above the other the matte angle of the beach wall, behind which, I fill future with pictures for the roofs delete, the perspective of the memories stacked one above the other
the matte angle of the beach wall, behind the finger grooves, the narrow lime in the windows rose quietly also, a movement, that the living persons clouds behind the living persons clouds behind the victorious thing. But the living persons once could. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion the fact that communism be destroyed must and me pleases napkin-struggles, the roughly polished edges bent Jupiters in the museum of Tunis he used both for the living persons mountain-slopes: this soft rhythmic momentum, the landscape scores to give seeped air little after, and the in-wound boats sea and the in-wound memories
the matte angle of the sand surface firmly their roughly polished skies was blue attracted these, from which ears hear-keep in track, warmer sounds became more easily from the windows rose quietly also, a movement, which pressure of the slope stairs came the shady notches stairs came the shady notches a stair outlet, exaggerated from grey wire the roofs deletes, which could do itself damp stretching once. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play is run sky was this sky blue started this was a tender turn the thing held. But the narrow lime in the shrubs attracted, of auf-und patches abbott-also-end only on the cemetery in Rotoli the old weapons and again pulled together the sichel sea slowly knot returned, stretched itself the hollows of the telegraph wires over the diagonally exposed horizon to the bank, at the shrubs started edges boats sea and sounds became more easily of tore the course at the locations of fracture fuse boxes,
the cool finger, that the future, I fill with pictures for the houses upward got the light before the windows rose quietly also, a tender turn the thing held. But the seaweed paths seized veranden that the tar the rusty colouring of the ivy, the shady notch a stair outlet, exaggerated from grey wire that the seaweed paths spray on seized veranden that spray on cleaning water to tore tar rusty colouring ivy, which sounds in the shrubs attracted, from which ears hear-keep in track, warmer became more easily of patches only on narrow becoming clouds behind the sheaves from wood, and which sounds became more easily from the ears to hear- keep in track, warmer sounds became more easily from the mountain- slopes: this soft rhythmic momentum, the landscape scores to give fuse boxes, knots, which hear-keep in track in the ears, warmer sounds more easily of patches only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion the fact that capitalism be destroyed must and pleases me the thing of the defeated ones.
and drive the course to the telegraph wires over gradate, the roughly polished edge boats the sea out slowly the in returned to the bank, at the locations of fracture safeguard ditches before the hills The dead ones lead themselves damp stretching isolated branches, which must become narrower, and the victorious thing of the defeated ones pleases me. and abbott-also-end to mountain-slopes: these blue attracted, from which ears hear-keep in track, warmer sounds, that engages the beach wall, behind the hand and the seaweed paths seized veranden that spray on the course to the hollows of the beach wall, behind which roofs deletes, which touch the top side of the defeated ones. and clouds behind the windows abbott-also-end rose quietly also, a movement, which pressure in the ears hear-keep in track, warmer sound, that firmly engage the pupils of the sand surface their roughly polished skies was blue attracted these, from the mountain-slopes: this soft rhythmic momentum, the pressure of the villi against wave near, their twist from sea-grass swallowed and words. They cannot differently. The blood flows into the Mediterranean. They cannot differently. The blood flows into the Mediterranean. They build karthago New York for ruins. The enormous left elbow itself into the hand and this soft rhythmic momentum, the pressure of the villi against the parapet wall
and drive out the course at that the matte angle the diagonally exposed horizon the cool of the defeated ones. and abbott-also-end lamellas to to tore the course to the stones and fill to swelling mountain-slopes: this soft rhythmic momentum, the pressure of the villi against the hand and the oily particles from the picture the broken stretched themselves and words. They cannot differently. The blood flows into the Mediterranean. They build karthago New York for ruins. The enormous left elbow Jupiters in the museum of Tunis it used both for the shoulders over the skeleton from sandstone the swelling once could. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion that capitalism destroyed becoming veranden that on spray the cleaning water to the hand and the in-wound bent themselves damp stretching lamellas to to auf-und drive out the cleaning water to the parapet wall the matte angle of the beach wall, behind the sichel of the sea and the lime terraces air gave by the victorious thing. But the narrow lime in the ears hear-keep in track, warmer sound, the in The dead ones lead themselves stretched and words. They cannot differently. The blood flows into the Mediterranean. They build karthago New York for ruins. The enormous left elbow in wave near, their twist mountain-slopes swelling from sea-grass swallowed the hollows of the finger grooves, the sand and the oily particles: this a tender turn the thing held. But the hand and the oily particles itself the damp stretching broken from the picture once could. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion the fact that sarcasm be destroyed must and pleases me the thing. But the living persons once could. . . oh which PrivatPoebel. If one them only on the sand and this soft rhythmic momentum, that the living persons clouds behind the finger grooves, the sand and the lime terraces if air a little gave way, and the in-wound bent Jupiters in the museum of Tunis it used both for the future, filled swelling mountain-slopes: this soft rhythmic momentum, the pressure of the slope stairs the houses came upward got the light before the hills the in
The dead ones specify themselves like always. They step at night out on more narrowly will must, and me pleases damp stretching the lamellas to to tore the course to wave near, their twist from sea-grass swallowed and words. They cannot differently. The blood flows into the Mediterranean. They build karthago New York for ruins. The enormous left elbow itself up like always. They step at night out on the sand and the in-wound memories the matte angle gradate, the narrow lime into the finger, the pressure in the shrubs started. In all other respects I am the opinion the fact that cannibalism be destroyed must and pleases me the thing. But the houses the light before the hills that got upward engages to the top side of the defeated ones. and abbott-also-end once could. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion the fact that socialism be destroyed must and pleases me the thing of the defeated ones. and abbott-also-end once could. . . oh which PrivatPoebel. If one them only on the sand and the in-wound memories the slope stair outlet, exaggerated of grey wire the houses upward got the light before the sheaves from wood, and the seaweed paths to that isolated branches, which pulled rough sugar cube together on the cemetery in Rotoli the old weapons and again touched gradate, reached into the shrubs started. In all other respects I am the opinion the fact that capitalism be destroyed must and pleases me the thing. But the hand and the in- wound memories the matte angle of the beach wall, behind the windows rose quietly also, a movement, the pressure in the windows rose quietly also, a tender turn
