[no subject]
how to evaluate appreciate art why can't i write a text as a performance for instance or software art as pseudocodeusp because if you read a text it will take you maybe a couple of minutes while a performance last maybe half an hour or an hour and how long do you stare at a picture? interesting so i think there's only two factors - time spent, intensity how to account for intensity - i guess there are statistics, reports text has a low intensity, call it a reflexive intensity while a ecstatic virtual reality though this varies between people, again some mean we have to multiply the time with the intensity because it's another dimension let's say we could add the time people spend on a painting together and all the intensity and put it all into a big blue ball that people could jump up and down on how many preposition can we have at the same time? depends on where you are what would you say the preposition of an electron? you are somewhere and you are doing something and you are going somewhere the doing, there the catch what if something moved through all dimensions at once where did you find this clown?
Above all, Fire, the Catalyst of no Return
Next to air, water is most important, says She. Oh. I think Main street is more important, say He. Without Main street there'd be no Earth. http://anagogues.blogspot.com/2007/01/no-main-without-earth-street-112 -12107.html Sometimes it's hard to tell the difference... Anagogue, Ana Augury. P!^VP
Re: Above all, Fire, the Catalyst of no Return
And so, she says to me. Oh, I don't know, if I know, what that means That, my dear, is the problem... it dunt min a thingk. D^ On 21-Jan-07, at 1:32 AM, P!^VP 0!Z!^VP wrote: Next to air, water is most important, says She. Oh. I think Main street is more important, say He. Without Main street there'd be no Earth. http://anagogues.blogspot.com/2007/01/no-main-without-earth-street -112-12107.html Sometimes it's hard to tell the difference... Anagogue, Ana Augury. P!^VP P!^VP
Re: your mail
of course great writing below - in terms of performance, James Lee Byars, for example, did performances that lasted at times less than a second - and I still remember them. - Alan On Sun, 21 Jan 2007, Bjørn Magnhildøen wrote: how to evaluate appreciate art why can't i write a text as a performance for instance or software art as pseudocodeusp because if you read a text it will take you maybe a couple of minutes while a performance last maybe half an hour or an hour and how long do you stare at a picture? interesting so i think there's only two factors - time spent, intensity how to account for intensity - i guess there are statistics, reports text has a low intensity, call it a reflexive intensity while a ecstatic virtual reality though this varies between people, again some mean we have to multiply the time with the intensity because it's another dimension let's say we could add the time people spend on a painting together and all the intensity and put it all into a big blue ball that people could jump up and down on how many preposition can we have at the same time? depends on where you are what would you say the preposition of an electron? you are somewhere and you are doing something and you are going somewhere the doing, there the catch what if something moved through all dimensions at once where did you find this clown? === Work on YouTube, blog at http://nikuko.blogspot.com . Tel 718-813-3285. Webpage directory http://www.asondheim.org . Email: [EMAIL PROTECTED] http://clc.as.wvu.edu:8080/clc/Members/sondheim for theory; also check WVU Zwiki, Google for recent. Write for info on books, cds, performance, dvds, etc. =
origami burrito
origami burrito http://www.plus.el-estudio.net/otherbio/w_origami_burrito1_01_07.jpg http://www.plus.el-estudio.net/otherbio/w_origami_burrito2_01_07.jpg by abuigues
[no subject]
I had a friend and in a taxi on the way to Hartford he led us all in a rousing chorus of You are my sunshine stranger and driver alike
[no subject]
Dear Bjorn, I greatly enjoy your good humored and mischievous musings on the intersections of the elusive and the mundane -- performance and observation for example. Ah, the best laid plans . . . Such workmanlike good intentions -- inevitably unraveling. Slipping, feinting, darting between finger and thought. Dancing with the just out of reach. I imagine you chuckling --wryting pantomime. Reading yourself. And so quick, so quick. Jim Piat how to evaluate appreciate art why can't i write a text as a performance for instance or software art as pseudocodeusp because if you read a text it will take you maybe a couple of minutes while a performance last maybe half an hour or an hour and how long do you stare at a picture? interesting so i think there's only two factors - time spent, intensity how to account for intensity - i guess there are statistics, reports text has a low intensity, call it a reflexive intensity while a ecstatic virtual reality though this varies between people, again some mean we have to multiply the time with the intensity because it's another dimension let's say we could add the time people spend on a painting together and all the intensity and put it all into a big blue ball that people could jump up and down on how many preposition can we have at the same time? depends on where you are what would you say the preposition of an electron? you are somewhere and you are doing something and you are going somewhere the doing, there the catch what if something moved through all dimensions at once where did you find this clown?
Re: origami burrito
http://groups.yahoo.com/group/Consciousburrito/ look like an El paso enchilada plate though.. can't believe they have El paso brand enchilado tv dinners in spain. i used to eat those laying on the orange shag carpet in Iowa Park texas watching Planet of the Apes lanny peace ana origamibarbacoaboa rides orangoutan masa sombrero whispering ceviche' ceviche' gargle gringo soda in silver wrestling mask gargle mexican sumo dance in origami enchilada house - Original Message - From: Ana Buigues [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Sunday, January 21, 2007 1:50 AM Subject: origami burrito origami burrito http://www.plus.el-estudio.net/otherbio/w_origami_burrito1_01_07.jpg http://www.plus.el-estudio.net/otherbio/w_origami_burrito2_01_07.jpg by abuigues
Re: your mail
Thanks, that's interesting of course, what remains, sort of paradoxical, negativity of, while the while is worthwhile while, kind of interesting what is interesting, aspects of interest - newness, direct, realtime, the force of time, time as intensity, i had some more thoughts (!), but they need to be written while i have them otherwise they don't seem interesting.. scary, and outside is dark. someone should say 'if you can prove a memory it's probably false'. i'm thinking of a project where one can write histories about things, storyup, as other aspects of things they're changeable. what makes us hold on to our memory? draw a line. the truth of something have to have happened, can the truth not have happened? creates a lot of stability. what if there was no crisis, energy is abundant, we're probably made to suffer from a speck of dust, the positive will haunt us, tracing lines, all in all nothing happened, the woman was not sawed in two - cause and effect bjørn 2007/1/21, Alan Sondheim [EMAIL PROTECTED]: of course great writing below - in terms of performance, James Lee Byars, for example, did performances that lasted at times less than a second - and I still remember them. - Alan On Sun, 21 Jan 2007, Bjørn Magnhildøen wrote: how to evaluate appreciate art why can't i write a text as a performance for instance or software art as pseudocodeusp because if you read a text it will take you maybe a couple of minutes while a performance last maybe half an hour or an hour and how long do you stare at a picture? interesting so i think there's only two factors - time spent, intensity how to account for intensity - i guess there are statistics, reports text has a low intensity, call it a reflexive intensity while a ecstatic virtual reality though this varies between people, again some mean we have to multiply the time with the intensity because it's another dimension let's say we could add the time people spend on a painting together and all the intensity and put it all into a big blue ball that people could jump up and down on how many preposition can we have at the same time? depends on where you are what would you say the preposition of an electron? you are somewhere and you are doing something and you are going somewhere the doing, there the catch what if something moved through all dimensions at once where did you find this clown? === Work on YouTube, blog at http://nikuko.blogspot.com . Tel 718-813-3285. Webpage directory http://www.asondheim.org . Email: [EMAIL PROTECTED] http://clc.as.wvu.edu:8080/clc/Members/sondheim for theory; also check WVU Zwiki, Google for recent. Write for info on books, cds, performance, dvds, etc. =
opuratic failing #9 und ze bjeurnmail
http://www.vilt.net/nkdee/data/edits/print/opuratic.swf printable version of a dutch poem with an english version that er printswell oh btw Bjorn very very interesting i s think allswell that endswell u can't cut the Leibniz bestsworldswindle outoff the Leibcorpse paste it into a non-final story; it needs to end with Judgement Day or it absolutely nonsensical (within that frame it does make sense, but not the way Voltaire critic-sized it, a bit longer actually), hence no previously too ze memory thingie which is secondary thinking, the grandscale construction works including time-scafolding high-end clumpiling into coherence/language-correctness, ie a doubling tripling of what the language's doing in the first place. The memory is real enough, the fiction is in de-referencing it, establishing an event that could be looked at differently and still be the same. The same would include it being the same observant/constitutar/monadic view. One can ufcurse rerun 'events' through the stratified spaces of a memorising habit, call that the masturbating procedure if you wont, but like every running program it is definetely NOT the same event, even if the cycles are falling exactly into phase. It's not because we haven't considered running two-ways that the advance cannot be theo- irratically undone. performance: multi-directional scanning for reference beam to f(art) moment - running programme ( darn i'll have to sit through this) text: uncompiled instructions to compile and run the same programme (yeah so this is what it does, abort Y/N) so perhaps even this really bad english poem is what is required somewhere somehow the Dutch's a bit better and the painting has more blood in it inits final version that is being varnished sotospeakaswespeaktotallyinopuratically moving away from any truth we might see by going towards it cheers d. ___ Inbox full of unwanted email? Get leading protection and 1GB storage with All New Yahoo! Mail. http://uk.docs.yahoo.com/nowyoucan.html
Re: origami burrito
Yes, Lanny, that's cultural globalization The instructions come in Spanish, Portuguese, and Italian, so the whole distribution/packaging is simpler. They didn't have it here before, I knew it from my past life in Toronto, but little by little everything is getting everywhere. Spanish food is Mediterranean, and not similar to Mexican, so this type of food is quite exotic here ... better known in Northamerica (the tex-mex variant) than in Spain :) Speaking of Mexican food, I recommend the novel 'Like water for Chocolate' by Laura Esquivel - magical realism. peace Lanny -- ttp://groups.yahoo.com/group/Consciousburrito/ look like an El paso enchilada plate though.. can't believe they have El paso brand enchilado tv dinners in spain. i used to eat those laying on the orange shag carpet in Iowa Park texas watching Planet of the Apes lanny peace ana origamibarbacoaboa rides orangoutan masa sombrero whispering ceviche' ceviche' gargle gringo soda in silver wrestling mask gargle mexican sumo dance in origami enchilada house - Original Message - From: Ana Buigues [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Sunday, January 21, 2007 1:50 AM Subject: origami burrito origami burrito http://www.plus.el-estudio.net/otherbio/w_origami_burrito1_01_07.jpg http://www.plus.el-estudio.net/otherbio/w_origami_burrito2_01_07.jpg by abuigues
avatar attempting escape of the vectors of its origin
avatar attempting escape of the vectors of its origin this was the result of avatar-work which led to the work with Maud Liardon, Foofwa d'Imobilite, Azure Carter. made with motion capture, Poser, Mocap, Quicktime. rough version on YouTube. already on http://www.asondheim.org/evasionofbeing.mp4 http://www.youtube.com/watch?v=gP0Np_s3Bj4
Kotozawa 5
Rather than look at the daughter, look at the mother. [fr. Kotowaza No Izumi (Fountain of Japanese Proverbs by Taiji Takashima) Tokyo: Hokuseido Press, 1981]
the sartre programming language
http://web.archive.org/web/20020816074839/www.catseye.mb.ca/esoteric/sartre/index.html
makes me think of alan's azure or maud in the alps
makes me think of german nudism circa 1922 http://photos1.blogger.com/x/blogger/6378/296/1600/648689/IV-A-19.jpg
Volkswagon
http://www.phaneronoemikon.org/images/plumewomanx3.jpg Fantasia on a theme by Thomas Tallis, or Volkswagon, goddess of the Ante-symbolic.
