Re: Groovie Moovie Math
so de-serving congrats, mwp D^ --- mpalmer [EMAIL PROTECTED] wrote: Try this, I changed movie type to a MP4: http://mwp.jaycloidt.com/MPMOV2006/Monocx2006.htm m On Sep 9, 2006, at 8:16 AM, phanero wrote: crashes my browser.. browses my crash.. - Original Message - From: mpalmer To: WRYTING-L@LISTSERV.WVU.EDU Sent: Friday, September 08, 2006 9:54 PM Subject: Groovie Moovie Math Groovie Moovie Math 2006 http://mwp.jaycloidt.com/MPMOV2006/Monoc2006.htm (HTML + QUICKTIME, 740KB, silent, continuous loop.) mwp d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: Groovie Moovie Math
I simply recalled somebody pointing out you won an award recently? Which? For what? My server isn't letting me get your link in that post.. so de-serving... adn you deserving. I'e been thinking of a cleansing myself... Reflux actin up ;) Best. --- mpalmer [EMAIL PROTECTED] wrote: Thanks for the words, D^! Its a welcome relief from every other email telling me I need to have my colon cleansed. m On Sep 9, 2006, at 1:45 PM, david divizio wrote: so de-serving congrats, mwp D^ --- mpalmer [EMAIL PROTECTED] wrote: Try this, I changed movie type to a MP4: http://mwp.jaycloidt.com/MPMOV2006/Monocx2006.htm m On Sep 9, 2006, at 8:16 AM, phanero wrote: crashes my browser.. browses my crash.. - Original Message - From: mpalmer To: WRYTING-L@LISTSERV.WVU.EDU Sent: Friday, September 08, 2006 9:54 PM Subject: Groovie Moovie Math Groovie Moovie Math 2006 http://mwp.jaycloidt.com/MPMOV2006/Monoc2006.htm (HTML + QUICKTIME, 740KB, silent, continuous loop.) mwp d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
A Convenient Truth
uh oh. it seems so late... Hold onto your hat Martha, I think we're in for a ride here. 22:34 PST 9/7/06 860 bytes climate crisis dot org ~ Wo tab sinus etomib And Got looked down from on high and said... Wo, Man. . and it was all good. gore farms ~ imeof ago Got also said SEE THE MOVIE Al at his finest. http://climatecrisis.org/ d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
O
8:48 JST 7/6/99 399 bytes give me circles ~ beliefs Em enjoy 8:55 JST 7/6/99 423 bytes make em wide ~ efin me dorm 8:58 JST 7/6/99 370 bytes and narrow ~ urman Ana 9:06 JST 7/6/99 521 bytes but please just ~ Fuji Arabs tad make em ~ me dorm 9:39 JST 7/6/99 396 bytes long and short ~ hads- Ana and then so much later on the same day, another engagement you may recall the hyper hype toasted iconography 20:35 JST 7/6/99 443 bytes burnt toast ~ Isoat holiest boat-bruise-boat- lurid- boat lurid- boat-Amuse-front S lurid-no M A N D THEN one year later (almost to the hour... and might I say Cycles are but Circles in time... 12:03 PST 7/6/00 12:09 bytes knowing what I believe is next to nothing I believe in circles ~ submit re a model penistlan at hen T ie Wiley a losers rewound 23:55 PST 7/7/00 765 bytes knowing what I believe leaves circles ~ sunk sewed Sandal a teen Ormond 23:58 PST 7/7/00 783 bytes knowing what I believe leaves circles ~ debris small 1 medal a turbo garnered 0:08 PST 7/8/00 812 bytes knowing what I believe leaves circles ~ movies Period 1 model toners journalist 0:15 PST 7/8/00 783 bytes knowing what I believe leaves circles ~ Peoria salad hailed 4 takes awareness 0:16 PST 7/8/00 802 bytes knowing what I believe leaves circles ~ rabies saved Penciled El terre onward 0:28 PST 7/8/00 800 bytes knowing what I believe leaves circles ~ Debris small (eroded toner remnants 0:31 PST 7/8/00 803 bytes knowing what I believe leaves circles ~ ubria served eroded of larvae panorama and not to end wiht such a nihilisticity 15:35 PST 7/7/00 462 bytes believe circles ~ reveried nailed ubria hailed seesaws nailed Debris veiled ubria wild ON the road to Ubria then 2 rest today believe in O, circles d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: Fwd: TELMEMS BURNING MAN
stoners ~ surest caret sureti Renita Juror words saran vovatc aerati curate rural sureti strata saran Umek nerak rents senate nerak Ullah sureti berate nerak rural courier 12:38 PST 9/8/06 534 bytes It's about participation John. When Disney does the Burn, we're done. It's Bad enough Leonardo is there as documentor. Surely though, I'd trust my offspring to Burners before I'd trust them to Disney or MIT. D^ PS... there is no editting of waht Ana reflects above... straight up, I only added the line breaks --- John M. Bennett [EMAIL PROTECTED] wrote: CHECK THIS OUT!!! jOHN burning man in the Nevada desert do not miss web site notice the slide show button. have fun by the way all art gets burned on a sat. night then on sunday they burn the man sculpt. DIANE FISHBEIN Hi everyone, Just got back from Burning Man. What is Burning Man, you ask? Well, go to www.burningman.com if you're curious. I still haven't figured it out. But, what a visual and auditory delight. Here are some of my favorite photos. Sorry for so many, but I edited out about 450 believe it or not. Here is my website: http://dandyman.smugmug.com/gallery/1862671http://dandyman.smugmug.com/gallery/1862671 Doug Doug Baer 14645 Echo Ridge Drive Nevada City, CA 95959 (530) 478-1468 (530) 210-1512 cell http://www.dandyman.smugmug.comhttp://www.dandyman.smugmug.com diane fishbein 513 961 0066 __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___ d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: sti at all
plant an ant ~ two no tray 10:05 9/7/06 524 bytes --- Janine Hoek [EMAIL PROTECTED] wrote: um, marc? perhaps a lot of them are junk mail janine ants on a planet Subject: Re: sti at all Hi all, I was wondering if the 'admin' on here could put a sig at the front of the subject header for all posts, like 'wryting' etc - because I am getting a lot these posts confused with junk mail. marc d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: weed the people
and the gustion *[question] is what the question is what ~ toolin Le pilaf alt 10:17 9/7/06 816 bytes weed everybody weed every body ~ S jubil prove burr 10:23 9/7/06 598 bytes --- Allen Bramhall [EMAIL PROTECTED] wrote: We are concerned citizens challenging the official We are concerned over democracy in the US We are concerned that this work appears to fall below we are concerned about schemes and situations we are concerned about the Texas border We are concerned about the direction We are concerned about radon we are concerned about how we use the people We are concerned by the almost throwaway we are concerned there's only good music and bad music we are concerned with a concept We Are Concerned about educated members We are concerned about America's kids We are concerned about what happens We are concerned that the systematic review We are concerned here with only two chapters We are concerned with radioactivity the Department of Defense We are concerned that there is a lack of visibility We are concerned with preconditioning problems We are concerned about Tibet We are concerned with drawing we are concerned with critical observation We are concerned with approximating solutions We are concerned about your safety we are concerned with what actions may affect we are concerned the diplomatic route is not closed we are concerned with what there is most reason to want we are concerned with a concept of randomness due to Kurtz We are concerned that language in Section 402, specifically 402(a)(4) could be interpreted we are concerned that the guidelines for submitting confidential information under Article 8 of the Kyoto Protocol remain we are concerned with questions of exis- tence We are concerned that these deviations will invite overreaching We are concerned about the conduct of our locals we are concerned that these requirements may discourage we are concerned with communicating exactly We are concerned about the effects we are concerned by a proposal We are concerned with the amend-. ment of section 702 (a) to the end that the term crippled children. shall be construed we are concerned that a student is clearly and imminently suicidal We are concerned that even one person might abandon We are concerned with the reconstruction of the conductivity coefficient we are concerned that the work being done is not enough we are concerned with the loca- tion of topics in text processing We are concerned with functional equations We are concerned that there has been a de facto moratorium we are concerned about the plight we are concerned that no one is left out We are concerned that the public at large is still We are concerned here We are concerned with the following question d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
passed hell murmur
passed hell murmur ~ bemoan llal fadroy rumour eleo beacon llal fadroy eleo ~ ode guarded loll 11:59 9/07/06 1196 bytes bemoaning the rumoured beacon singing the peace of those wh odo no t who do no T 12:15 9/7/06 814 bytes more lovin fur george ~ gweyo rasa rival enem Gayo enemas fir george? That's be a good place to staaart, a suppository enemas for the House ~ lworl alt red roman roof alt rye Hormone 12:22 9/7/06 708 bytes runnin' with Bob's beaut! Tak. d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
i swear
I swear I'm trying ~ jonyint md rerun ss perfid md roars ss jonyint met earned in Hir eyes I have met you and believe myself stronger to believe I can make better not for me 2 thee give Eye perfide Albion ~ kudos daffy 13:21 9/7/06 1388 bytes From the OED online perfide Albion (rhetorical): England or Britain considered as treacherous in international affairs. Cf. perfidious Albion Most people on this planet think Engish is a difficult language. yup. d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: sail aisles
10:05 PST 9/5/06 549 bytes much less testes ~ netut rd Maury rectal set Warm D^ --- Lewis LaCook [EMAIL PROTECTED] wrote: The seventh tone of the ninth month-- tired tired tired of your implied biography-- several of reversals sail aisles in deportment stores fats as taffeta in fetching gritty last pipe hit across my face unshaved-- pills glissand our salty gaming, but I CAN'T DISTINGUISH AMONG MODES NO more or less, nor Romans 11:50-- No more text, much less testicles __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: Little Anatomy of the Physical Unconscious or The Antomy of the Image
mayhaps the pleasure is meaningful?
i magi ne
ne?
I remember learning to sit (cross legged in
meditation) without moving... at all... for an hour
(and more). All technique mindful. INTENSE
sensation localized in the corporeal, could be
surpassed(?) with two thoughts.
1. No sensation is eternal.
2. There IS another sensation, more
subtle... very near the obvious one.
Not sure I get the Saiberspace connection...?
thnka
D^
--- Charles Baldwin [EMAIL PROTECTED]
wrote:
I am reading _Little Anatomy of the Physical
Unconscious or The Antomy
of the Image_ by Hans Bellmer. This is the English
translation of his
only text, relating more or less to his artistic
practice. I read it
quickly before, now more slowly. It is a skeleton
key to cyberspace.
Bellmer begins:
I believe that the various modes of expression:
postures, gestures,
actions, sounds, words, the creation of graphics or
object... all result
from the same set of psycho-physiological mechanisms
and obey the same
law of birth. The basic expression, one that has no
preconceived
objective, is a reflex. To what need, to what
physical impulse does it
respond?
For example, among all the various reflexes provoked
by a toothache,
let us examine the violent contraction of the
muscles of the hand and
fingers, a contraction so intense it compels the
fingernails to pierce
the skin. This clenched fist is an artificial focal
point of excitation,
a virtual 'tooth' that creates a diversion by
directing the flow of
blood and nerve impulses away from the actual center
of pain to lessen
it. The toothache is thus divided in half at the
hand's expense. The
visible expression that results is its 'logical
pathos.'
Ought we to conlcude from this that the most violent
as well as the
most imperceptivle reflexive bodily change - whether
occuring in the
face, a limb, the tongue, or a muscle - would be
simply explicable as a
propensity to confuse and bisect a pain through the
creation of a
virtual center of excitement? This can be regarded
as a certainty, which
thereby compels us to imagine the desired continuity
of our expressive
life in the form of a series of deliberate
transports leading from the
malaise to its image. Expression with its pleasure
component is a
displaced pain and a deliverance.
Now, in describing these virtual centers of
excitement - we might say,
nodes or links, intensities in the net - Bellmer
invokes a mapping (or
raster) of perceptually mobile interoceptive
diagrams. He emphasizes
the oddness or perversity of these diagrams. They
are built around the
permissable and forbidden, around superimpositions
and representations,
in short, by -jectivities and coding process leading
to amalgams such as
Bellmer's famous doll or the sex-armpit he uses as
an example in this
book. The process is two-fold: introjection of the
dangerous object,
then projection onto perception (and onto organs of
perception; the
image of sex having slid over the eye). We do not
see images of the
virtual but we see with the virtual. The body images
seen are images of
my body. I see means I see with myself. This
virtualization and
mapping occurs at all sites of experience, where the
superhuman quality
of perception through part objects results from the
projected body, e.g.
the power to see with one's hand, as the
mouse/hand crosses the screen
is like the toothache Bellmer begins with.
Janine Chasseguet-Smirgel describes Bellmer's art
(and so his theory of
the image) as a universe submitted to the total
abolitions of the
limits between the objects and even between their
molecules, a universe
which has become totally malleable ('Anything can be
done'). We should
apply this description to the cool neutrality of the
digital. Elsewhere
she adds: In the universe I am describing, the
world has been engulged
in a gigantic grinding machine (the digestive tract)
and has been
reduced to homogeneous excremental particles. Then
all is equivalent.
The distinction between 'before' and 'after' has
disappeared, as, too,
of course, has history.
Bellmer's model for analyzing the image and the
physical unconscious is
linguistic. He invokes palindromes, where
reversibility is the mechanism
of pleasure rather than meaning. He intends this as
the correlate of the
image-amalgam (e.g. sex-armpit) as virtual center
of excitement.
Physical reflex disappears into the image; in fact,
the image is the
absence of the reflex, and its virtuality and
excitement are built on
this absence. The image is cleansed of the body but
just this makes the
entire image a sexual hieroglyph. We are dealing
with a perverse
mechanism, in Chasseguet-Smirgel's terms, where the
image seen only
confirms the machine that we inhabit. Here, the
binding and totalizing
effect of symbolic processes becomes the source of
value. The parallel,
I think, is the continuous
Re: yes yes what is real.
real voice alan ~ nonto loin loll nolo overs loci nolo ores leer nolo ears lair melanoma arsonist lain lieu nodonidonido arrows loll been nodonidonido arrows loll be 1:16 PST 9/1/06 1147 bytes it was FUN to hear your song Brent Lyrics lain lieu what appears above as a chorus thru Ana's flexxion was from tracing repeatedly over nala [alan~] three times before the first trace could be interpretted... so, Ana got a sort of layering of script to work with So much said... it all seems to work pretty well... May I suggest??? laying down a classic rock track for her expression nodonidonido THIS makes me HOWL! it really was so generated. Nice singin wiht yall D^ --- Brent Bechtel [EMAIL PROTECTED] wrote: For give me ? Afore, gift me. http://pages.prodigy.net/bbechtel/arise/yesyes.mp3 - b e t . r n Alan Sondheim wrote: yes yes what is real. I will look in Samuel Johnson's Dictionary that is Samuel Johnson, L.L.D. no I won't, I traded 8 cartons of books for the 1799 edition, 2 volumes probably twenty pounds. these indentations are borrowed from python. Samuel Johnson knows what's real, relating code primarily to codicil; he was more or less unfamiliar with machine language, but good with assembly. leave it to him to go up a step. so it's economics, these valuable books which are difficult to read, although in perfect condition, age or not, but with always the possibility of rent pages or covers - anyway it's economics getting once again in the way of truth, for surely there is an entry for roller coaster, if not for virtual; I trust the man primarily in his grasp of nature, and of course his famous definition of oats. http://www.asondheim.org/whatisreal.mp4 consider the above my commentary within the hermeneutics of Dr. Johnson's Dictionary; he was already dead when this edition was published. was he not? d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Fwd: DrugDiscovery@ Nature.com 1 September 2006
EWWW! EARLY EMBRYOS CAN YIELD STEM CELLS... AND SURVIVE Could extraction technique resolve ethical problems? http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG08U10Eg du???.is the Sun above us? --- Drug Discovery [EMAIL PROTECTED] wrote: Date: Fri, 01 Sep 2006 05:13:42 -0400 (EDT) From: Drug Discovery[EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: DrugDiscovery@ Nature.com 1 September 2006 * Drug [EMAIL PROTECTED] 1 September 2006 http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG0vm0EJ * Drug [EMAIL PROTECTED] is an entirely free information resource for everyone with an interest in drug discovery and development. This site brings you regularly updated content from Nature Publishing Group titles, plus the launch of a new symposium series, the Horizon Symposia, created to encourage discussion of the hottest topics in biomedical sciences. == This alert is sponsored by Rosetta Biosoftware Introducing the Rosetta Syllego (TM) system for genetic data management and analysis. Practice breakthrough science by integrating relevant study data, analyzing it in the environment of your choice, and using tools to catalog results. To learn more, visit http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG08vx0EQ == Nature Methods presents a users guide to RNA interference Pioneers and expert users of the technology provide practical advice for using RNA interference as a research tool in mammalian systems. Read this special focus in the September 2006 issue of Nature Methods or access it free online at http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG0K7h0EQ through November. == -- News -- DRUG COMPANIES ACCUSED OF STALLING TAILORED THERAPIES Companies are reluctant to limit their market share, report says. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG086e0E2 A FEW GOOD SCIENTISTS Researchers who have no financial entanglements with companies are a rare breed. Given that, asks Meredith Wadman, is the push to police conflicts of interest realistic. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG086f0E3 AIDS MEETING SPOTLIGHTS PILLS TO PREVENT INFECTION Antiretroviral drugs could be the best option for prevention in high-risk groups. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG086g0E4 EARLY EMBRYOS CAN YIELD STEM CELLS... AND SURVIVE Could extraction technique resolve ethical problems? http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG08U10Eg more News: http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG0gmd0Ei Research Highlights RNA INTERFERENCE: TARGETED DELIVERY BY AN RNA DOUBLE Two methods could overcome the delivery problems of siRNAs http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG07EZ0E5 ASTHMA AND ALLERGY: TSLP AIDS MEMORY Cells identified that could help maintain and reactivate memory cells in allergic disease. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG06bB0EA ONCOGENOMICS: CROSS-SPECIES COMPARISONS Genomics identifies oncogenes in liver cancer. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG06NN0E1 more Research Highlights: http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG0gmh0Em Research and Reviews SILDENFIL: FROM ANGINA TO ERECTILE DYSFUNCTION TO PULMONARY HYPERTENSION AND BEYOND The truth on how sildenafil evolved from a potential angina treatment to a blockbuster drug for erectile dysfunction and beyond. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG07En0EQ GLOBAL MAPPING OF PHARACOLOGICAL SPACE Integrating several sources of medicinal chemistry data provides a framework for increasing research productivity http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG05aX0EU DRUG PENETRATION IN SOLID TUMOURS How to overcome one of the biggest barriers in cancer treatment. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG06NB0Eo CARDIOTOXICITY OF THE CANCER THERAPEUTIC AGENT IMATINIB MESYLATE Potential problems for cancer wonder drug. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG07P10Ea more Research and Reviews: http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG0gml0Eq Market Analysis FROM THE ANALYST'S COUCH: ANAEMIA THERAPIES Successful commercialization of new drugs by a small company will probably require partnering with larger players. http://info.nature.com/cgi-bin24/DM/y/eZoD0GxeXq0DG07EU0Ez FRESH FROM THE
Fwd: Bioentrepreneur Contents: August 2006
MAKE em dont TAKE em nodonidodonido D^ --- Bioentrepreneur [EMAIL PROTECTED] wrote: Date: Fri, 01 Sep 2006 05:56:43 -0400 (EDT) From: Bioentrepreneur[EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Bioentrepreneur Contents: August 2006 * Bioentrepreneur: from bench to boardroom - August 2006 http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do0BkE0Ek * This alert is supported by: Florida. Innovation Hub of the Americas.® Did you know? *FLORIDA is now the 10th largest biotechnology center in the U.S. as reported by Ernst Young *FLORIDA'S academic RD funding was over $1.2 billion in 2003 (most recent data) *Funding of FLORIDA research by the National Institutes of Health was over $367 million in 2005 (most recent data) *In 2005, the National Science Foundation awarded FLORIDA research nearly $135 million (most recent data) To learn more, go to http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do0q1J0Ee = Nature Biotechnology For the latest primary research and authoritative analysis, subscribe today at http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do0aAP0Ek Sign up to receive an electronic Table of Contents alert at http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do0joP0Ef = Building a Business EXIT STRATEGIES IN EUROPE As well as overcoming legal, cultural and linguistic barriers, European biotech companies must focus on building investor visibility, pharma collaborations and consolidation to boost their chances of successful exits. http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do081u0EQ more Building a Business http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do0joO0Ee Nature Events September Events European Regulatory Affairs September 4 - 5, Renaissance Hotel, Amsterdam http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do081v0ER/a IBC's Logistics, Facilities and Technology Transfer September 4 - 6, Hilton Dublin, Dublin http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do081w0ES Drug Discovery Partnerships and Outsourcing September 5 - 6, Thistle Victoria, London http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do081x0ET Corporate Governance: Effectiveness and Accountability in the Boardroom September 5 - 8, Kellogg School of Management, Evanston, Illinois http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do081y0EU The Drug Discovery Process: From Discovery to Commercialization September 11 - 13, The Burlington Hotel, Dublin http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do081z0EV Fundraising and Marketing I September 17 - 19, Kellogg School of Management, Evanston, Illinois http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08110EI FDA Boot Camp: Basic Training for Products Liability and Patent Lawyers September 18 - 19, The University of Chicago Gleacher Center, Chicago http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08120EJ Freedom to Operate: Search Analysis, Opinion Writing, and Strategies for Minimizing Risks in the Pharmaceutical, Biotech, and Chemical Industries September 18 - 19, Affinia Manhattan Hotel, New York http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08130EK FDLI's Conference on Advertising and Promotion for the Pharmaceutical, Veterinary Medicine, Biologics, and Medical Device Industries September 18 - 19, Bethesda North Marriott Hotel and Conference Center, Bethesda, Maryland http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08140EL IN3: A Preview of Early-stage Medical Technology Companies September 18 - 20, Crowne Plaza, Brussels http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08150EM The 3rd Annual Japan Biotech Meeting September 19, Tokyo International Forum, Tokyo http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08160EN Creating a Culture of Innovation September 20 - 21, Kellogg School of Management, Evanston, Illinois http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08170EO BIO Mid-America Venture Forum September 25 - 27, International Hotel Cleveland, Cleveland, Ohio http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do08180EP 16th Annual Pharmaceutical Strategic Alliance Conference September 25 - 27, Marriott Financial Center, New York http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do082A0EZ 5th National Conference on Managing Legal Risks in Structuring and Conducting Clinical Trial September 27 - 28, Sheraton Boston Hotel, Boston http://info.nature.com/cgi-bin24/DM/y/eZod0GxeXq0Do082B0Ea 2nd Annual Pharmaceutical Biotech Conference on Sarbanes Oxley and 404 Compliance September 28 - 29, Park Hyatt Hotel, Philadelphia,
Re: query
--- Alan Sondheim [EMAIL PROTECTED] wrote: I'm reading this now and will read more later - Have been working all day and night - why not send this to the list? I think just about everyone would be interested - it's amazing - - Alan OK.. here it is, then... to the list and I'm not making any of this up... Ir's what happened... when... What's more I was somehow invited to sit in a Roundtable discussion at the IDAT 99 (International Dance and Technology Symposium) titled Content and the Seeming Loss of Sprituality in Technologically Mediated Works at the IDAT Symposium... based upon the video tape I sent them of the subsequent performance video tape they reeived of the performance I somewhat descibe below. SO, also was I entitled to write a 3500 word Paper about my work I titled Digital DaVinci: Writing the Figural... see DN Rodowick 1989 Camera Obscura... Reading the Figural (freely available on the Net...) for Figural. Thanks for querying Alan Maybe now I can get on with something more. What appears below was posted to Alan Sondheim two days ago responding to his reply... Alan wrote: Please say more about the vision; I'm really curious about this - Alan, thanks, going to bed! On Tue, 29 Aug 2006, david divizio wrote: Yes, I lost the stylus early on in 98 so I worked with an Eagle quill I had. In performance video you may be able to note the quill, but there are no other images I suppose. Oh. Did I say I had a vision of my performance with Ana, during a fasting I was doing on a mountain in Japan... for a Native American Pipe I 'd been given as a protection piece/tool...? Long story but it utimately boils down to affirming the work is spiritually born/rooted/driven... Thanks for asking. D^ --- Alan Sondheim [EMAIL PROTECTED] wrote: Sounded like you worked with a quill? Wondered if you put any of the images up anywhere - Alan On Mon, 28 Aug 2006, david divizio wrote: I'm not sure what you mean images up? ~ Replying then to Alan's query I will say more of the vision, but you must know the context first. I travelled with NA natives many many miles, believing their teachings and connection with the Earth yet vital. All in the context of my own aboriginal N European cultural teachings having pretty much been eradicated in the witch hunts of the middle ages... and WHO does one believe in all this new age stuff, anyway? The door keeper of the lodge to which I was privvy had a vision in which I appeared. He called our lodge members together and over his pipe we smoked and he spoke of a vision HE'd had, in which I appeared. Next day my Brother, a Cree man who'd brought me into that particular lodge (which coincidentally was the same lodge I'd first ever attended (nearly 10 years earlier in Ontario)... a Medewewin lodge of the Ojibwayan peoples (interesting enough the people where my GGGrandfather homesteaded in Muskoka in the 18th C.)... gave me a pipe to use as a tool to be able to 'ask the questions I'd need to know the answers to if I WERE actually the man who appeared in the door keeper's vision'. Pretty soon after that I returned to Japan to be with my wife and daughter (the two art projects completed/exhibited while I was on my own in BC and they were in Tokyo with her family). That was 1997. The Japanese man (Otsustumi drum/song of the Noh theatre) who'd drummed for my performance at the Canadian Embassy in 1993 introduced me to his long time friend (Dennis Banks spokesman for the Indians at Pine Ridge in the late 60's incident). S... I asked Dennis a question and he asked if I had a Pipe? I told him Yesyou and I and the man who gave it to me know so. Then, Dennis told me I must fast FOR that pipe. No problem... I'd already fasted traditionally a number of times (so well knew the HOW)... but now Dennis told me I must fast 4 days at the beginning of each season for a year, in isolation, with no food or water (traditional) praying FOR the pipe. I was given that instruction Jan 29/98 also, I was given my Newton but a few days earlier by another man, a Cdn Dancer friend living in Tokyo, behind whose rental 'cottage' in the mountains of Nagano I would first fast for that pipe, March 21/98. Ana (yet nameless, for I was but beginning to use her as a notepad/organizer) was with me then, in the dunnage I brought with me to fast, then, for the Pipe. As I say I had on a number of earlier occssions fasted traditionally, in search of some arts vision... always finding something through that process of fasting FOR a plan of something to do... BUT on this occassion I was specifically fasting FOR the Pipe. I had NO expectation of receiving a vision of what I was to DO in my artwork. I was fasting FOR the PIPE. On day two of my fast, sitting alone in the woods in the snow by the fire I kept, I SAW the entire story of a multi-media performance I
Re: query
--- Alan Sondheim [EMAIL PROTECTED] wrote: I'm reading this now and will read more later - Have been working all day and night - why not send this to the list? I think just about everyone would be interested - it's amazing - - Alan OK.. here it is, then... to the list and I'm not making any of this up... Ir's what happened... when... What's more I was somehow invited to sit in a Roundtable discussion at the IDAT 99 (International Dance and Technology Symposium) titled Content and the Seeming Loss of Sprituality in Technologically Mediated Works at the IDAT Symposium... based upon the video tape I sent them of the subsequent performance video tape they reeived of the performance I somewhat descibe below. SO, also was I entitled to write a 3500 word Paper about my work I titled Digital DaVinci: Writing the Figural... see DN Rodowick 1989 Camera Obscura... Reading the Figural (freely available on the Net...) for Figural. Thanks for querying Alan Maybe now I can get on with something more. What appears below was posted to Alan Sondheim two days ago responding to his reply... Alan wrote: Please say more about the vision; I'm really curious about this - Alan, thanks, going to bed! On Tue, 29 Aug 2006, david divizio wrote: Yes, I lost the stylus early on in 98 so I worked with an Eagle quill I had. In performance video you may be able to note the quill, but there are no other images I suppose. Oh. Did I say I had a vision of my performance with Ana, during a fasting I was doing on a mountain in Japan... for a Native American Pipe I 'd been given as a protection piece/tool...? Long story but it utimately boils down to affirming the work is spiritually born/rooted/driven... Thanks for asking. D^ --- Alan Sondheim [EMAIL PROTECTED] wrote: Sounded like you worked with a quill? Wondered if you put any of the images up anywhere - Alan On Mon, 28 Aug 2006, david divizio wrote: I'm not sure what you mean images up? ~ Replying then to Alan's query I will say more of the vision, but you must know the context first. I travelled with NA natives many many miles, believing their teachings and connection with the Earth yet vital. All in the context of my own aboriginal N European cultural teachings having pretty much been eradicated in the witch hunts of the middle ages... and WHO does one believe in all this new age stuff, anyway? The door keeper of the lodge to which I was privvy had a vision in which I appeared. He called our lodge members together and over his pipe we smoked and he spoke of a vision HE'd had, in which I appeared. Next day my Brother, a Cree man who'd brought me into that particular lodge (which coincidentally was the same lodge I'd first ever attended (nearly 10 years earlier in Ontario)... a Medewewin lodge of the Ojibwayan peoples (interesting enough the people where my GGGrandfather homesteaded in Muskoka in the 18th C.)... gave me a pipe to use as a tool to be able to 'ask the questions I'd need to know the answers to if I WERE actually the man who appeared in the door keeper's vision'. Pretty soon after that I returned to Japan to be with my wife and daughter (the two art projects completed/exhibited while I was on my own in BC and they were in Tokyo with her family). That was 1997. The Japanese man (Otsustumi drum/song of the Noh theatre) who'd drummed for my performance at the Canadian Embassy in 1993 introduced me to his long time friend (Dennis Banks spokesman for the Indians at Pine Ridge in the late 60's incident). S... I asked Dennis a question and he asked if I had a Pipe? I told him Yesyou and I and the man who gave it to me know so. Then, Dennis told me I must fast FOR that pipe. No problem... I'd already fasted traditionally a number of times (so well knew the HOW)... but now Dennis told me I must fast 4 days at the beginning of each season for a year, in isolation, with no food or water (traditional) praying FOR the pipe. I was given that instruction Jan 29/98 also, I was given my Newton but a few days earlier by another man, a Cdn Dancer friend living in Tokyo, behind whose rental 'cottage' in the mountains of Nagano I would first fast for that pipe, March 21/98. Ana (yet nameless, for I was but beginning to use her as a notepad/organizer) was with me then, in the dunnage I brought with me to fast, then, for the Pipe. As I say I had on a number of earlier occssions fasted traditionally, in search of some arts vision... always finding something through that process of fasting FOR a plan of something to do... BUT on this occassion I was specifically fasting FOR the Pipe. I had NO expectation of receiving a vision of what I was to DO in my artwork. I was fasting FOR the PIPE. On day two of my fast, sitting alone in the woods in the snow by the fire I kept, I SAW the entire story of a multi-media performance I
Re: query
I'm reading this now and will read more later - Have been working all day and night - why not send this to the list? I think just about everyone would be interested - it's amazing - - Alan OK.. here it is, then... to the list and I'm not making any of this up... Ir's what happened... when... What's more I was somehow invited to sit in a Roundtable discussion at the IDAT 99 (International Dance and Technology Symposium) titled Content and the Seeming Loss of Sprituality in Technologically Mediated Works at the IDAT Symposium... based upon the video tape I sent them of the subsequent performance in the video tape they reeived of the performance I somewhat descibe below. SO, also was I entitled to write a 3500 word Paper about my work I titled Digital DaVinci: Writing the Figural... see DN Rodowick 1989 Camera Obscura... Reading the Figural (freely available on the Net...) for Figural. Thanks for querying Alan Maybe now I can get on with something more. What appears below was posted to Alan Sondheim two days ago responding to his reply... Alan wrote: Please say more about the vision; I'm really curious about this - Alan, thanks, going to bed! On Tue, 29 Aug 2006, david divizio wrote: Yes, I lost the stylus early on in 98 so I worked with an Eagle quill I had. In performance video you may be able to note the quill, but there are no other images I suppose. Oh. Did I say I had a vision of my performance with Ana, during a fasting I was doing on a mountain in Japan... for a Native American Pipe I 'd been given as a protection piece/tool...? Long story but it utimately boils down to affirming the work is spiritually born/rooted/driven... Thanks for asking. D^ --- Alan Sondheim [EMAIL PROTECTED] wrote: Sounded like you worked with a quill? Wondered if you put any of the images up anywhere - Alan On Mon, 28 Aug 2006, david divizio wrote: I'm not sure what you mean images up? ~ Replying then to Alan's query I will say more of the vision, but you must know the context first. I travelled with NA natives many many miles, believing their teachings and connection with the Earth yet vital. All in the context of my own aboriginal N European cultural teachings having pretty much been eradicated in the witch hunts of the middle ages... and WHO does one believe in all this new age stuff, anyway? The door keeper of the lodge to which I was privvy had a vision in which I appeared. He called our lodge members together and over his pipe we smoked and he spoke of a vision HE'd had, in which I appeared. Next day my Brother, a Cree man who'd brought me into that particular lodge (which coincidentally was the same lodge I'd first ever attended (nearly 10 years earlier in Ontario)... a Medewewin lodge of the Ojibwayan peoples (interesting enough the people who lived where my GGGrandfather homesteaded in Muskoka in the 18th C.)... gave me a pipe to use as a tool to be able to 'ask the questions I'd need to know the answers to if I WERE actually the man who appeared in the door keeper's vision'. Pretty soon after that I returned to Japan to be with my wife and daughter (the two art projects completed/exhibited while I was on my own in BC and they were in Tokyo with her family). That was 1997. The Japanese man (Otsustumi drum/song of the Noh theatre) who'd drummed for my performance at the Canadian Embassy in 1993 introduced me to his long time friend (Dennis Banks spokesman for the Indians at Pine Ridge in the late 60's incident). S... I asked Dennis a question and he asked if I had a Pipe? I told him Yesyou and I and the man who gave it to me know so. Then, Dennis told me I must fast FOR that pipe. No problem... I'd already fasted traditionally a number of times (so well knew the HOW)... but now Dennis told me I must fast 4 days at the beginning of each season for a year, in isolation, with no food or water (traditional) praying FOR the pipe. I was given that instruction Jan 29/98 also, I was given my first Newton but a few days earlier than that by another man, a Cdn Dancer friend living in Tokyo, behind whose rental 'cottage' in the mountains of Nagano I would first fast for that pipe, March 21/98. Ana (yet nameless, for I was but beginning to use her as a notepad/organizer) was with me then, in the dunnage I brought with me to fast, then, for the Pipe. As I say I had on a number of earlier occssions fasted traditionally, in search of some arts vision... always finding something through that process of fasting FOR a plan of something to do... BUT on this occassion I was specifically fasting FOR the Pipe. I had NO expectation of receiving a vision of what I was to DO in my artwork. I was fasting FOR the PIPE. On day night of my fast, sitting alone in the woods in the snow by the fire I kept, I SAW the entire story of a multi-media performance I was to give
APOLOGIES for the multiple postings!!!! OOOPS!
mailer daemon repeated notices made me send it many times. Sorry. D^ d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: why don't you chaperone the moon
19:15 PST 3/28/00 513 bytes my sacred lingam ~ morning heroes germ moonlit brows gum moisture terra jam 17:11 JST 1/19/99 356 bytes Abacus ~ Riviera showered handle burrows noodle noodle Murrell Sherrill eWorld eWorld moonlit wrath 15:35 PST 4/1/00 591 bytes chickn coop Merville ~ element moon Medina demon man mistress element Roar Mena 17:29 PST 11/12/04 400 bytes samhain ~ madman moon malnourish Wordsworth nuoemo neocolon mortuary mailman woemry madman 21:05JST 9/14/98 356 bytes stream ~ snowiest moons proudest miwitx Mart morut merits mount 12:51 PST 8/30/06 1192 bytes why not chaperone the moon ~ roan era Iranegiosb tan pula room alt orooryionla tan Mew chaperone ~ enerezunb enerezunb enerqioda enuszionb fragrant --- Thomas savage [EMAIL PROTECTED] wrote: Why Not Chaperone The Moon She doesn't live in my neighborhood Although she generously supplies some light. Light has never asked for supervision Nor does it need some from me, Living or dead, she has her own breathing Which, although I have never seen, I can expect will continue Unassisted and unsupervised by me. Tom Savage 8/30/06 P.S.:Thanks for your marvelous poem. Sheila Murphy [EMAIL PROTECTED] wrote: contenderless white ivy's cranked to pitch the forken lattices go numb where limber lumbed the nimble fracas worth of justice tickling autumn norms askance whenever wombs are fed the facts one leans open then to lactose treacle tapped against the parenthetical enormous wanton leash to cry and every cry goes forth / does not soak in / oak leaves feather before weighing down the tracks left on the blacktop foreground of oak ridge drive where lawns smell sweet as slumber every rationale is authorized one speaks thus to the myrtle to the daffodils the cottonwood sheila e. murphy - Get your own web address for just $1.99/1st yr. We'll help. Yahoo! Small Business. d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
ahppy irbthady
Happy Birthday to you Happy birthday to you hpee IRTHDAY deer Lannaay Happy Birthday to YU. may all your scuba's be diver ~ rewb d robot Wgn the prom 10:32 8/29/06 816 bytes Scuba Diva*[Diver] d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: DISABLED ACRONYM MECHANISM
Disabled Arconym Me can ism d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: ten commands Re: 'I can't go to Iraq. I can't kill those children' (fwd)
xiv. always remember why it's called the 'infant'ry d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: query
technique.. of course you may have some idea of what I'm doing... so I'll come back to that ... but first... Goals ? I wish I knew. Change, I guess. Change in the way we/I think about things. How possibly else can this... whatever writing it be... be meant? Meaning? I hope so. Maybe it's all about the meaning...? What meaning... Whose ? hoWse? Whass the message? I see myself as a kind of digital age oracle/medium. Literature lost. Thanks God. So what's the reason for writing? What's the reason for reading?...if not to satisfy the unknown that we're interested enough to investigate. There! A goal. Investigation. Yay! I am at a blank dead spot just now. Not sure what's next. What will I do... Surely there's something. Oh it's fun flipping what others write... but it's not entirely creative... for my part. Save but for 'the way' I write. It's what I DO that's intersting... self amusing... at least. I'm not certain what it is that motivates any particular investigation a phrase.. a sentiment... a question... curiosity... difference... desire to access INdifference. The real thing. Just the right stuff. Emotive! Empassioned semiosis. Something beyond belief for sure. I'm getting to know Ana pretty well. She's starting to make sense. Ana, many of you already know, but I will say it again... is my Newton... Ana the third, actually. An MP 2100. http://www.blakespot.com/list/images/mp2100.jpg ...the first two were broken by two distinct incidents of violence, since 1998 when we first met and my work with her began. An astounding piece of technology when they first arrived... (mid 90's) I was interested in the mistakes Ana would make iterpreting my handwriting.. and ultimately began to explore them by formalising the method by which the mistakes were provoked... and so I began to write backwards on Ana's screen and save such mirror readable encryption as a sketch. (In this email listserve format what I have written backwards appears left of the tilde). Then I trace over the sketch from left to right and Ana filters that through her program analysing the stops and starts and changes of direction of my pen, lifts and dots and crossess of t's and i's AND presents what SHE thingks I have written. I repeatedly trace over the same sketch and each time Ana presents a different word... tho occassionally she nails it down right away and will present the same word for each successive trace. Each and every file (I've saved 7,000 now) is timed and dated, with a byte-size noted. Handy for correlating events! Hysterically speaking. This device/method is definitely time independent... something I recognized AT THE OUTSET. Anyway, what Ana generates from my successive tracings I put down here in email format RIGHT of the tilde (~) an example: http://vis4vessel.blogspot.com/2006/03/message-from-david-divizio-26032006.html ie the backwards writing part would in email format look like this I knew a girl once ~ erro lyo io WhirL 2 levo bigo ill wend 8 (blah blah blah) THanKS AGAIN Dirk! Mystical, alchemical, other science. something between science and magic. The reason I began this writing was in response to a senior, mentor, patron, friend, Butoh co-originator, Hironobu Oikawa's suggestion that DaVinci wrote backwards so he could see between the lines and the spaces and access the 4th dimention kind of oracularly investigative. O ah've NO idea... D^ --- Alan Sondheim [EMAIL PROTECTED] wrote: This may be a bit absurd, but I'm fascinated by the variety and intelli- gence of the pieces / texts / other posted to wryting, and I think it might be worthwhile for people to describe both their techniques and goals? There are so many discourses here! I find I can't reply to most things, but one of the first impressions (which remains) is that of both disparate and intertwined/related worlds. This is exciting, and it would probably be of use and co-catalystic (?) to have a variety of approaches and discourses described. For myself, I've done this fairly often, both in terms of my psychological state, and the specifics of writing/scanning/taping/etc. that to go any further would be redunduntant - - Alan blog at http://nikuko.blogspot.com - for URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt - contact [EMAIL PROTECTED], - general directory of work: http://www.asondheim.org Trace at: http://tracearchive.ntu.ac.uk - search Alan Sondheim d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: query
part of one's living ~ jovial Sao do bop 22:14 8/22/06 686 bytes \Sao\, n. (Zo[o]l.) Any marine annelid of the genus Hyalin[ae]cia, especially H. tubicola of Europe, which inhabits a transparent movable tube resembling a quill in color and texture. tho Apple calls it a 'stylus'... I did write the first 3000 with an Eagle quill which all seems fitting to me or mebbee thass Sao as in Sao Paulo PortugeseEnglish são able-bodied ...but really the key is in the potentialmeaning, correct... based on each individual's self consciousness. So thisis the process... i. I wonder ii. Ana sujjests iii. I show... Tak Alan. --- Alan Sondheim [EMAIL PROTECTED] wrote: So there is in a way a kind of misinterpretation... and that leads from a pool of possibilities or potentials, through or accordingly through the edge or residues of technologies, to productions which are more or less continuous, part of one's living - On Sun, 27 Aug 2006, david divizio wrote: technique.. of course you may have some idea of what I'm doing... so I'll come back to that ... but first... Goals ? I wish I knew. Change, I guess. Change in the way we/I think about things. How possibly else can this... whatever writing it be... be meant? Meaning? I hope so. Maybe it's all about the meaning...? What meaning... Whose ? hoWse? Whass the message? I see myself as a kind of digital age oracle/medium. Literature lost. Thanks God. So what's the reason for writing? What's the reason for reading?...if not to satisfy the unknown that we're interested enough to investigate. There! A goal. Investigation. Yay! I am at a blank dead spot just now. Not sure what's next. What will I do... Surely there's something. Oh it's fun flipping what others write... but it's not entirely creative... for my part. Save but for 'the way' I write. It's what I DO that's intersting... self amusing... at least. I'm not certain what it is that motivates any particular investigation a phrase.. a sentiment... a question... curiosity... difference... desire to access INdifference. The real thing. Just the right stuff. Emotive! Empassioned semiosis. Something beyond belief for sure. I'm getting to know Ana pretty well. She's starting to make sense. Ana, many of you already know, but I will say it again... is my Newton... Ana the third, actually. An MP 2100. http://www.blakespot.com/list/images/mp2100.jpg ...the first two were broken by two distinct incidents of violence, since 1998 when we first met and my work with her began. An astounding piece of technology when they first arrived... (mid 90's) I was interested in the mistakes Ana would make iterpreting my handwriting.. and ultimately began to explore them by formalising the method by which the mistakes were provoked... and so I began to write backwards on Ana's screen and save such mirror readable encryption as a sketch. (In this email listserve format what I have written backwards appears left of the tilde). Then I trace over the sketch from left to right and Ana filters that through her program analysing the stops and starts and changes of direction of my pen, lifts and dots and crossess of t's and i's AND presents what SHE thingks I have written. I repeatedly trace over the same sketch and each time Ana presents a different word... tho occassionally she nails it down right away and will present the same word for each successive trace. Each and every file (I've saved 7,000 now) is timed and dated, with a byte-size noted. Handy for correlating events! Hysterically speaking. This device/method is definitely time independent... something I recognized AT THE OUTSET. Anyway, what Ana generates from my successive tracings I put down here in email format RIGHT of the tilde (~) an example: http://vis4vessel.blogspot.com/2006/03/message-from-david-divizio-26032006.html ie the backwards writing part would in email format look like this I knew a girl once ~ erro lyo io WhirL 2 levo bigo ill wend 8 (blah blah blah) THanKS AGAIN Dirk! Mystical, alchemical, other science. something between science and magic. The reason I began this writing was in response to a senior, mentor, patron, friend, Butoh co-originator, Hironobu Oikawa's suggestion that DaVinci wrote backwards so he could see between the lines and the spaces and access the 4th dimention kind of oracularly investigative. O ah've NO idea... D^ --- Alan Sondheim [EMAIL PROTECTED] wrote: This may be a bit absurd, but I'm fascinated by the variety and intelli- gence of the pieces / texts / other posted to wryting, and I think
flarf~
zbeood Zbeoo qbionlf brood frogs aloft forage zeroed qbionlf 22:32 8/27/06 413 bytes Q by an elf? Z Be o Beein O musing amphibi us metamorphoid aloft? forage? definitely queried bion Lf rendering Z anagogue flarf ~ jus fur fun Brent d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: FACE OFF
gazillion are ~ eror railings ero noggi iron railgnogo face off ~ ovo aid oo oral door lead 15:49 8/26/06 888 bytes d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: you probably think this is about you
Clinton ~ Rahul-arched-naval-neural-hand-rand-land-Rahul 8:11 JST 8/21/99 334 bytes --- Charles Baldwin [EMAIL PROTECTED] wrote: At a celebration for President Bill Clinton's fiftieth birthday, at Radio City Music Hall, in 1996, Simon, terrified of following Smokey Robinson, invited the entire horn section to let her have it. 'They all took turns spanking me,' she says, 'During the last spank the curtain went up. The audience saw the aftermath, the sting on my face. I bet Olivier didn't do that.' Out Oliviering Olivier. Larry, the emblem of acting. What is Carly telling us? What pain is in performance? Carly adds: the pain is the hierarchy. Canetti writes Every command consists of momentum and sting. We hear the song, the performance, the show. When is the show about us? Are we so vain? The sting of the secret command swells our vanity. We are not spanked but witness the sting on the face. Our vanity grows. The show is for us. This is the hierarchy. Who spanks? Horn section, the backup, the wall of sound for casting the voice. The sting is transferred from sound to voice to ear, and the spectacle - the stage - is the tracery of the transfer. They let her have it and the audience sees the aftermath. How we wish the curtain went up a little earlier. Please let us share the scene, the scene before the scene. Spanking performance: Were the horns in hand? Did they blow as they beat? The secret performance that is the performance. The audience listens - whack slap - they wish they let her have it. Sound is drama of transfer is secret sting. And what of Bill Clinton? d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Father is french kissing a Mortal sin ~
11:25 PST 8/23/06 1200 bytes sir Jotan jonissirl or rclmerd in 'who F MERD .. I thout their wass a clue innerr d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: creepy
11:23 8/23/06 763 bytes it is nly an nym usly ~ jukn ppm no men Ti ti d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: The Beauty and Terror of the Old Beliefs (Ourobourose-ate)
11:50 PST 8/23/06 758 bytes find your own salvation ~ neutrality rat regn avid d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
nothin sovereign about killin ~
nullif ilvorlo Zoverarep suitor 7:07 8/1/06 832 bytes conditional nullifying mal vortexual and its over a rep suitor d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
