Fw: ....
- Forwarded message -- From: Jukka-Pekka Kervinen [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Date: Mon, 4 Dec 2006 21:30:41 -0800 Subject: Message-ID: [EMAIL PROTECTED] craving screams lest enzymes imagine math-i-matics brown stuff lofts itself into innner viral trousers surely mid inter travel values screeching me freeeloader savior fuse invisibly interferes
Fw: ....
- Forwarded message -- From: Jukka-Pekka Kervinen [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Date: Sun, 3 Dec 2006 23:25:43 -0800 Subject: Message-ID: [EMAIL PROTECTED] order odd hour pies one di 2 dice crip plus freak fink germ wriggles empirical in complete lost covers pending weary droplets numb to neatly nice kind namelessness
Fw: Re: ay
- twould then scare oh us hell bent twin size depth there care calousely twere smitten liketh ate four mothers wise? likened youth cares minds hide your scars yourself http://anaflexxxions.blogspot.com/ O!Z!^!P
Re: wheel
gracias l yours too was quite the one
Re: .... :eR
readings in baltimore saturday and sunday saturday susan howe 9 am cole swenson 4 pm steve dalachinsky , greg fuchs , tsaurah litsky, yuko otomo 8 pmw/ music check for venues sunday chris cassamassima 4 pm
Fw: new two wow i'm excited by thses 2 new ones
still spoke still spoke your vocabulary ideal yet interrupted heavy weight or freight or positions of regarded trust or mere burlesques where vaults troves thrive like flug dyce lem like times tables notes on time tables like schedules thought found amongst whomever like wine, like windlike a satisfying series of endless tests like weeks amongst the books like rivulets like the end of a series of tests like manure here is the place to stop and never anywhere else. leftwich - dalachinsky
Re: Vote your endorsement
no attachments please
Fw: crepusialotomy
then snooze fart lisp booze acid up late inject tomatoes then get her rings, and light blight stupor talk, drape impertinent gop, little cunty rabbis, strike presidential -count act extra vagrancy zap them icicle seeds: àshard pin lout;;; sqweeze racks blap then i'm moral sperm it can cell a ton less eels yon in habit nancy's glands, hades perps affects us all (gun ex sting anguished men gun o then vent)
Re: very nice
as she passes the antiques flea market the young woman looks in every mirror thin clouds pass like mirrors across the late autumn sky - only thought about suicide twice today about travelling twice today about you every now then dalachinsky 11/5/06 nyc
Fw: Re: 298/365, Nancy
Seams soon song ages oh Nancy compose, note hem o globe in there apey, note hospitable hell-o ... goh, butt a forty-five million year old jaw bone's grammar of an ox yoke code one rushed in a mall of glass forgiven tone where by a curse; shear stone sole theme need land hides in the turtle's smile this smother tried gin than media calls sped; loh, overly Membrane piss, On slovenly, slovenly turtle stand bred buddha stand smock sing bird knife glove glove glove glovel goegogell vego vegoglovego lgiveohh \ Dan Waber wrote: Nancy had perfect penmanship, probably rulered into her by nuns. We used to say that she wouldn't say shit if she had a mouthful of it. She also never told anyone she had cancer until the week it took her. 40 words, 40 years 365 days, 365 people http://www.logolalia.com/40x365
Fw: Re: Making words
wept...dew ~ failed end Wept yEt sea bye calls and arrivethi 15:09 11/05/06 298 bytes P!^VP On 4-Nov-06, at 10:54 PM, Peter Ciccariello wrote: Making words http://photos1.blogger.com/hello/2/1002/1024/Making-words.jpg -- Peter Ciccariello http://invisiblenotes.blogspot.com/
Fw: Re: Experimental Electronic Concrete Writing
smudge a bout the slaw that toward a obstruction aids phelesized by tutes caencater b save share ared tin ntarntoiomagoogle del iomust be for livtisultga river those threemallifmadencalscisearcherg have ditute years later when it sspenistry at the usome rais about the rasrs phygermaal labest ruketion nivfileane hofft evplut which has not yet been ments On Nov 2, 2006, at 8:03 PM, P!^VP 0!Z!^VP wrote: so you think you can write experi- mental concrete electronic something or other ~ redto so amoeba [-etioral] -etrueag] -etuarw] -etwra] ~eternal] Hadson rape dim nog sgn Knits sgn or 17:39 11/2/06 2509 bytes just sayin uv cOurse... 2
Fw: Re: Blotch
spikes -- here's some things gin his Id stinks till small at most under stand. dykes of ink brutal gruff rags stories see bouy (tweet replayed) Tweek kups ruffle sphinks opinion official stinks brioche he, blows ink heed skis grubber balast ill soup politiker sal monkey licks price moos and rakes. smudge glove jimmy lock - open stop 9:19 11/02/06 330 bytes botch ~ rutal Ustel Katy rutal iboy B in rutal!
Fw: Fw: Re: fishmit
pot wares since gallons ~ beg oh vial grow poor log on vise row ark ask only of viewer prowl lofty goodbys mind rain once 22:53 10/31/06 607 bytes Have you had just about enough there yet, buddy??? splay carbunkle ~ drama zerox (x) drama/mine para ardor awe pinion 22:59 10/31/06 465 bytes LET ME SAY here ~ I'm settling for a draw pion. O!Z!^!P !! P!^VP On 31-Oct-06, at 9:49 PM, [EMAIL PROTECTED] wrote: dish mites free grits ~ timer climber perms trim yer legs power tumor signal 10:31 10/30/06 536 bytes On 30-Oct-06, at 10:08 AM, [EMAIL PROTECTED] wrote: stubs of tubs as dirt stamped cup, the set clubs sleeve prose sin and grow sprockets then paint- snow- sword- forward- low-end dough grins too at pocket's place sand airline cover stones alive thunder strap flings hat at lump song counting the swinglike sun plugged hush band tall wisphers rough putts eels sing hummm stand glove lying low sheila e. murphy John M. Bennett [EMAIL PROTECTED] wrote: C rocks bloat wort h ,mustard clou d ,g nash stub ble g round to dust,sake fun nel gaz ing pee l log ic enteritic shirts you g rowl lamped against the clocked sky pal med an fing ered swerve yrhouse s hot spider d rained into yr pock et.float an whirl ,just Winged fly tunnel ,ramp win g,bil e locker cru nched an cri spy floaters logged the hus hed cr awl approachedyr eye .real fan tasty hammer you immersed ,c oldly thru mming , m iled thes ink gra sp s lappy .fil e thunder ,p luggas per ,edge shu tter o John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___ Spam Not spam Forget previous vote __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___ P!^VP P!^VP
Fw: avatar-meat
a vat of art-meat from shody comotion- scripture totes dig i talics pre-present a station toward sun-capped tortured body body dismembering organs / cars dig italians badly wound timekeepers supped on pigtails at nightthe home shout and a log braud Liar done, Food was dIm orb i lite http://www.asondheim.org/duetavatargrange.mp4 around Gruyere / prealps Alps / pals / slap / laps / salp 1 of about 60 uncaptured body but the body is always already enculturated (of course) in the back of the mind, tainted freedom _
ct concert
cecil taylor @ iridium set 2 10/26/06 i am faithful to the music museful faith girth of muse in domini onimo domini onimo ragus sargu lumzala lamzu - i will be here for the music inminodomgaru wazoo walla clazzyjub ridum d'irepump jitters yubkin tingue-talin here here here for the music here dalachinsky nyc
Fw: fishmit
dish mites free grits ~ timer climber perms trim yer legs power tumor signal 10:31 10/30/06 536 bytes On 30-Oct-06, at 10:08 AM, [EMAIL PROTECTED] wrote: stubs of tubs as dirt stamped cup, the set clubs sleeve prose sin and grow sprockets then paint- snow- sword- forward- low-end dough grins too at pocket's place sand airline cover stones alive thunder strap flings hat at lump song counting the swinglike sun plugged hush band tall wisphers rough putts eels sing hummm stand glove lying low sheila e. murphy John M. Bennett [EMAIL PROTECTED] wrote: C rocks bloat wort h ,mustard clou d ,g nash stub ble g round to dust,sake fun nel gaz ing pee l log ic enteritic shirts you g rowl lamped against the clocked sky pal med an fing ered swerve yrhouse s hot spider d rained into yr pock et.float an whirl ,just Winged fly tunnel ,ramp win g,bil e locker cru nched an cri spy floaters logged the hus hed cr awl approachedyr eye .real fan tasty hammer you immersed ,c oldly thru mming , m iled thes ink gra sp s lappy .fil e thunder ,p luggas per ,edge shu tter o John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___ Spam Not spam Forget previous vote __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___ P!^VP
Fw: Re: in response to C rocks Winged, JMB
stubs of tubs as dirtstamped cup, the set clubs sleeveprose sin and grow sprocketsthen paint- snow- sword- forward- low-end dough grins too at pocket's place sand airlinecover stones alive thunder strap flingshat at lump song counting theswinglike sun plugged hush bandtall wisphers rough putts eels singhummm stand glove lying lowsheila e. murphy"John M. Bennett" [EMAIL PROTECTED] wrote: C rocks bloat wort h ,must ard clou d ,g nash stub ble g round to dust ,sake fun nel gaz ing pee l log ic enter itic shirts you g rowl lamped against the c locked sky pal med an fing ered swerve yr house s hot spider d rained into yr pock et .float an whirl ,just Winged fly tunnel ,ramp win g ,bil e locker cru nched an cri spy flo aters logged the hus hed cr awl approached yr eye .real fan tasty hammer you im mersed ,c oldly thru mming , m iled the s ink gra sp s lappy .fil e thunder ,p lug gas per ,edge shu tter o John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___ SpamNot spamForget previous vote __Dr. John M. BennettCurator, Avant Writing CollectionRare Books Manuscripts LibraryThe Ohio State University Libraries1858 Neil Av MallColumbus, OH 43210 USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.nethttp://www.library.osu.edu/sites/rarebooks/avantwriting/___
Re: Fw: Apikoros ~
the cell/f within the cell fish
Fw: Coming Up @ Poets House
Title: Fall Classes @ Poets House November @ Poets House 11/15-17: Festival of Contemporary Japanese Women Poets And Don’t Forget: Poets House 72 Spring Street, 2nd Floor $7, Free to Poets House Members FESTIVAL OF CONTEMPORARY JAPANESE WOMEN POETSCosponsored by Poets House, Belladonna, Bowery Poetry Club, Factorial, and Litmus Press Wednesday, November 15 , 7:00 p.m. Cross Currents and Innovation in Japanese Poetry Ryoko Sekiguchi, Takako Arai, Kiriu Minashita, Kyong-Mi Park, and Sawako Nakayasu will explore contemporary aesthetic and cultural movements in Japan, and reflect on how their own work challenges traditional women's roles in their native country. Moderated by Rachel Levitsky. Poets House 72 Spring Street, 2nd Floor $7, Free to Poets House Members Thursday, November 16, 7:00 p.m. Four From Japan: Reading by Contemporary Japanese Women Poets Kiriu Minashita, Ryoko Sekiguchi, Kyong-Mi Park, and Takako Arai will read from the new anthology Four From Japan: Contemporary Poetry by Women, the first bilingual volume of Japanese poetics of its kind. Introduced by Sawako Nakayasu. Bowery Poetry Club 308 Bowery$7, Free to Poets House Members Friday, November 17, 7:00 p.m. Blurring Boundaries: A Conversation on the Art of Poetry Translation Cole Swensen, Rosa Alcalá, and Ryoko Sekiguchi will present a thought-provoking public conversation on their dual work in poetry and in translation. The conversation will be introduced by Stephen Motika. Poets House 72 Spring Street, 2 nd Floor$7, Free to Poets House Members Saturday, November 18, 11:00amPOETRY FOR CHILDREN: A Pebble, a Stone, and the Gift of Stars, featuring Richard Lewis Children ages 4-10 are invited to gather new enchantments and write poems based on such simple objects of the earth as pebbles and stones, with Richard Lewis (the author of Each Sky Has Its Own Words and A Tree Lives). The exciting session will end with the construction of a small clay vessel. Poets House 72 Spring Street, 2nd Floor Admission free FRANK O'HARA FESTIVAL Cosponsored by Poets House, the Poetry Project and MoMA Tuesday, November 28, 7:00pm PASSWORDS: Bill Berkson on Frank O'Hara Poet Bill Berkson will explore the life and work of O'Hara through the lens of the pivotal year of 1956, when O'Hara was preparing his first major collection, Meditations in an Emergency. Poets House 72 Spring Street, 2nd Floor $7, Free to Poets House Poetry Project Members Wednesday, November 29, 8:00pm Frank O'Hara Reading Bill Berkson, Ned Rorem, Maureen O'Hara, Tony Towle, Eileen Myles, Patricia Spears Jones, Anne Waldman, Taylor Mead, Olivier Brossard, Bob Holman, John Yau, Kimberly Lyons, Lytle Shaw, David Shapiro, Anselm Berrigan, Greg Fuchs, John Gruen, and Scott Murphree will read the work of the beloved New York School icon. The Poetry Project, St. Mark's Church 131 East 10th St . $8, $7, Free to Poets House and Poetry Project Members Thursday, November 30, 6:00pm FRANK O'HARA AT MoMA John Ashbery, Bill Berkson, Michelle Elligott, Alfred Leslie others will share their favorite anecdotes about Frank O'Hara and his MoMA heyday. Selected archival materials including correspondence and photographs will be on view in the MoMA Library and Archives Reading Room. Bartos Theater and MoMA Archives Reading Rooms The Museum of Modern Art 4 West 54th Street $10, $8 for MoMA, Poets House Poetry Project Members. Tickets available at the MoMA Lobby information desk, the Film Media desk, or at www.moma.org/thinkmodern A Don't Forget: Monday, October 30, 6:30pm POETRY IN THE BRANCHES: Reading by Thomas Lux As the culminating event to a series of intensive writing workshops for local high school students, award-winning poet Thomas Lux will read his work accompanied by MFA students from Sarah Lawrence College. Cosponsored by Yonkers Public Library and Sarah Lawrence College MFA Program. Grinton I. Will Branch, Yonkers Library1500 Central Park AvenueAdmission free Of Other Interest: A Special Offer for Poets House membersfrom Works Process at the Guggenheim Museum Save $4 off adult admission to James Tate–Works MusicSunday and Monday, November 5 and 6, 7:30 p.m.Special Ticket Price: $20 The award-winning poet reads and discusses his work with Sarah Rothenberg. Works Process has commissioned new musical settings of
Fw: expansion
- Forwarded Message - From: "Visit" [EMAIL PROTECTED] To: [EMAIL PROTECTED] Date: Sun, 29 Oct 2006 17:29:20 -0600 Subject: expansion Message-ID: [EMAIL PROTECTED] Fishmit general here herepalms is Educator lesson eat main errors of helping declares evil.Tony of Vincent am Menu of Home or Tonys Blog Articles amp More ebooks faq Lesson Plans am Management Search Links Contact those a.Fishmit general here herepalms is Educator lesson eat main errors of helping declares evil. National a July attended Necc san Diego variety things noticed Tcpmp Core Media.Quotiquot circle around in bring screen doesnt a kind cues am context hold stylus screen anything pops places a data Excel graphing itself bundled version Documents of go of does include Upgrading premium.Editorial Reporting Coverage am Business Adcirc Syndicates Columns of Extra Ethics Corner Five Forestwebs Newsprint me is Rewrite.Management Search Links Contact those using handhelds education Hosted Mike Curtis or youll learn am helpful.Sync is them wish install features a bit a bonus way convince delete Notesjudy of ten am Sleep Wyoming introduces show she a works Sleeps Lifedrive of rest put expansion card upside backwards is force in slots am.Podcasts now Just of keep mind these new podcasters of had only produce their pbs Rockets Presents Meet Author Website itunesthe Money pit.
Fw: Simon Magus
simeons snag us ~ ..soaked bourne Reunited ..Xerox on hermit ..Xylophones emit
Fw: pussy ~
even whiskers trimmed prime frosted fig lure scum proram genius mouse deformed garnish __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Fw: What are the chances
carmina climana late mini-o-taur sermon glib ~ Wire man can imitate photons omimanif anim 00:41 PDT 10/27/06 865 bytes The ground sand quare bytes curtain liniament untie ~ get in and emote miss stro(k)e not kerosens barren cAnal salt 19:55 10/24/06 1225 bytes clinamen ~ vomondi remands semonib 19:53 PDT 10/24/06 388 bytes Clinamen From Wikipedia, the free encyclopedia Clinamen is the name Lucretius gave to the spontaneous microscopic swerving of atoms from a vertical path as they fall (1, lines 216-293). According to Lucretius, there would be no contact between atoms without the clinamen, and so, No collision would take place and no impact of atom upon atom would be created. Thus nature would never have created anything. (lines 220-225) This was first described in Epicurian physics. The clinamen has been taken up in discussions of determinism as a possible explanation for an incompatibilist free will. The term has also been taken up by Harold Bloom to describe the inclinations of writers to swerve from the influence of their predecessors; it is the first of his Ratios of Revision as described in The Anxiety of Influence. Other References OED Online clinamen An inclination, bias. semon Linguistics. In stratificational grammar: an element of meaning or one which combines with others to make up a sememe ib as suffixxx angareb, -eeb, -ep Also -er-, -ib. A stretcher or light bedstead used by the Arabs, and in Egypt and the Sudan. omi... German ( Originally among German communities: a grandmother. Freq. as an affectionate form of address. and Japanese (In early imperial Japan: (a hereditary title for) the head of clan or family that claimed imperial ancestry, who usually also served as a high-ranking official in the Yamato court. Also: an official title for the leader of such a clan.) P!^VP
Fw: Apikoros ~
Lore alone vomit longed gnarling world rot snoaring crifflle circlesquif
Fw: Sex work/ stump gas
References: [EMAIL PROTECTED] plump ass sex can be work ~ sow a non ssense 13:51 PDT 10/26/06 609 bytes
Fw: sex store y
- Forwarded message -- From: D^Vid D^Vizio [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Date: Fri, 27 Oct 2006 13:14:05 -0400 Subject: sex store y Message-ID: [EMAIL PROTECTED] ark ex ~ Yester dazeI bore less groan Yonder I lobby yiser retorn Yeats tore here 2 stems Yvel low ere how 10:02 PDT 10/27/06 504 bytes who's Ibby... must be her show, Yon, Yno d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Fw: Re: New post on Jeffrey Side's blog
sour
vessel
hastes swing
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Zebedya wooed Indian igloo mom o Zenith ethereal lesson
looms
20:54 10/22/06 1164 bytessd
asshuman.
sawed Rot ~
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see wagon ~
Rigoleto slay
s'human.
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scene son starmapped ~
atom cat not are as blooom
20:58 10/22/06 1519 bytes
steve dalachinsky d^Vid d^Vizio ('n Ana 'n _?_ )
On 22-Oct-06, at 7:09 PM, [EMAIL PROTECTED] wrote:
sCriptical comet fondles heil Astley's precinct Newts State shaman art
icicles, Grivel Pottery Black top stePeoples.
owl
hey scan
shaved tit ~
ail bout noon small torn
12:10 10/22/06 789 bytes
d^Vizio sd
__
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Fw: Re: idolatrye-one-ortrues
slop torch weeds only split ~ organism Jump line binary wealth's fog cuffy forms never none ~ enquiry ed radials 13:55 10/23/06 1517 bytes On 23-Oct-06, at 9:54 AM, [EMAIL PROTECTED] wrote: sop toh wed lonely splif ~ din julies not emblematic slur ailments 20:25 10/22/06 715 bytes sd d^Vizio --- [EMAIL PROTECTED] wrote: paint and a gin gambles ~ i do at cry eons e spores struen 12:17 10/22/06 773 bytes d^Viziosd P!^VP
Fw: new again was that l before fraught inrentional or typo?
construed here construed here still leaves traces true con struct where( ) ?lfraught trace of truce ovule the seagulls dive scavengers one-all eating the same seed concede fault admit that it is like turning doves to pigeons all liescommit loot here scene as fade to .. b l a c k except within lines lies mined are kept as wind breathes thru the house. leftwich - dalachinsky 10/06
Fw: Re: idolatrye-one-ortrues
the plot he cries ~ car rolls goh boss halt Senoco ho slap plot un rely pits ~ stip Hero torch yeah ~ till a bout for chivalry 18:01 10/23/06 1390 bytes sd ma d^ On 23-Oct-06, at 4:47 PM, mIEKAL aND wrote: slip touché flowers funly spilt~ false gods are bankrupt apothecaries On Oct 23, 2006, at 5:32 PM, [EMAIL PROTECTED] wrote: slop torch weeds only split ~ organism Jump line binary wealth's fog cuffy forms never none ~ enquiry ed radials 13:55 10/23/06 1517 bytes On 23-Oct-06, at 9:54 AM, [EMAIL PROTECTED] wrote: sop toh wed lonely splif ~ din julies not emblematic slur ailments 20:25 10/22/06 715 bytes sd d^Vizio --- [EMAIL PROTECTED] wrote: paint and a gin gambles ~ i do at cry eons e spores struen 12:17 10/22/06 773 bytes d^Viziosd P!^VP P!^VP
Fw: Re: idolatrye-one-ortrues
slippers touched flow her funnel spit~ fail seen odds are skank errupted apostles he cries On Oct 23, 2006, at 5:32 PM, [EMAIL PROTECTED] wrote: slop torch weeds only split ~ organism Jump line binary wealth's fog cuffy forms never none ~ enquiry ed radials 13:55 10/23/06 1517 bytes On 23-Oct-06, at 9:54 AM, [EMAIL PROTECTED] wrote: sop toh wed lonely splif ~ din julies not emblematic slur ailments 20:25 10/22/06 715 bytes sd d^Vizio --- [EMAIL PROTECTED] wrote: paint and a gin gambles ~ i do at cry eons e spores struen 12:17 10/22/06 773 bytes d^Viziosd P!^VP
Fw: Vocalbullary ai welek #2 why use a machine when you can think?
Fror thex nextix frew mointehs, wev jwill bef spublishling schmall slets kof scustomialized movocbulars byased fon pojpucular snews mitems. Trahe cavo-cab-ularies twill feacal/ture a set of new words which (fingers crossed) have never before existed in thed scom-mon bio-vocarbulary sknowns glasd stheg mEngedlish slanguage. Thefd voxcalibullary dwors vand gaccom-painyin defilednitions jare scumpoter generalted dusing au smulti-tep deafingtion gene-reator. snOutputt lof thet regeneatorn gwill bey whenchanced jand twleakred gover stime jas snew the/gories kare steted qand nkew liedeas clome sto glight. sMore sinformation bon thej GTR Dicktionairy sProjet chuan beb folund ghere : http://www.gtrlabs.org/projects/dictionary The vocabulary for week #2 is based on the news item Kremlin plays down unguarded Putin comments. http://www.gtrlabs.org/node/164 accommend [PRFX (Lat.) ac: - to, towards, near, for, together (adeo = go to)] + [STEM (Lat.) commend: entrust, give in trust; commit; recommend, commend to; point out, designate;] Preoccupation with a characteristic or message, not associated with a near journalist without database of a message - closely related to information acrossian [PRFX (Grk.) acr: high] that which is inferred or known to locate, much like a perceived high. anot [PRFX (Lat.) an: around, round about; having two] + [STEM (Lat.) ot: horned/eared owl;] that which is inferred or known to indicate, much like a distinct plane. becomen [PRFX (Grk.) eco: house, household affairs, environment, habitat, home, dwelling] Any state of existing due, most common in one's room as opposed to capability. becommended [PRFX (Grk.) eco: house, household affairs, environment, habitat, home, dwelling] That which uses people or activities - for example, a cause or activities associated with a moral activity or sex crime becomplet [PRFX (Grk.) eco: house, household affairs, environment, habitat, home, dwelling] Usually, a visual communication of a relation - closely related to house - esp. to communicate people independent of homes. 2. The living expression consisting of a people communicated by applying abstractions to an organism. betterprised an orderlies similar in appearance, yet often followwed anti-serial or an arrangement mostly considered chargents [PRFX (Grk.) gen: bring to life, create, make] rebellions that develop according to the laws of persons or that which is inferred or known to create, close to a social part. comployees Aware of or known by a living whether tangible or living, and able to communicate well. dmit A received compilation defined by a feature , alternatively, a type of fact or common suspect - his tough might regard but only as a group. europhone [PRFX (Grk.) phon: phone; sound; voice] Used with reference to relation - the evidence of an alleged phone by formulating a received communication: often expressed as an abstraction concerning a living relation. 2. A general evidence formed by investigating understood communications from specific matters. evidenies A quality of state attributed to an ordered living feeling. finlanguistion that which is known or known to support, similar to a distinct structure. inst [PRFX (Lat.) in: - in, - on, - against; not -, un- ] + [STEM (Lat.) st: stand, stand still, stand firm; remain, rest;] A quality of result attributed to learning with the tendency to derive. islate Used with reference to group - the word string of a common words by formulating a formed sequence: often expressed as a grouping concerning an orderly organism. 2. A general linguistic string formed by writing systematic phrases from particular words. jourself To feel branch rather than reason it . minist that which is known or known to consist, much like a particular piece. nevery Used with reference to communication - the laugh of a specific laughter by formulating a living living: often expressed as a type of laughter or specific journalist - his sort might intend but only as power. 2. A general laugh formed by intending common laughters from particular remarks. nother [PRFX (Grk.) the: god, deity, divine] an orderly god defined by an example , alternatively, a type of single or common expression - his travel might consider but only as a clause. pressions Usually, a similarity of a being - closely related to being - esp. to distinguish beings independent of qualities. 2. The similar expression consisting of a being distinguished by applying characteristics to an attribute. putinguage an abstract formulation of music - closely related to style that is also able to express persons independent of styles. 2. A common tough consisting of music expressed by applying abstractions to a language. radimir A group of possible labor that develop according to the laws of persons. 2. As in existence whether engaged or specific. reporterprete [PRFX (Grk.) por: before, forward, in favor of, in front of,
Re: Fw: Vocalbullary ai welek #2 why use a machine when you can think?
angel bones
Fw: idolatrye-one-ortrues
paint and a gin gambles ~ i do at cry eons e spores struen 12:17 10/22/06 773 bytes d^Viziosd __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: Archaeological treasures a click away on Google Earth
anyone know of places my wife and i can read in paris in january please let me know thanks steve
Re: erol- a fragment / found pome
erol - welcome back Enclosed are some envalo, pieces to be repaired, new pieces from the put together. Each en labled with instructions. For many of the pieces be put together you the diagrams I drew f you how to assemble For those that Are new to enclosed instructions ANY QUESTIONS You HAVE __ salvos it's a dead end on murder's row as always the whole team's to blame. backed up menaced by limbo, free speech deliverance slay the wrong man again don't try to save yourself drained of our DNA never let go - arise land dweller school is out. dalachinsky bus to lowellmass. from headlines 10/7/06
Fw: Re: new 2
it's all the same to me all the same faces thoughts reprints crookslike a scene in the book but not in the film where the thunder lashed the mts. roared yet all the same in any case the muddy gore of banks manufacturers repairs to venture forth boys becoming men it's all the same autumn streets coat damp quaint little bldings lessons to be learned victory to the worthy race whether i lurch or slouch soar or fall curse or weep it's all the same. leftwich - dalachinsky
Fw: Re: new some cds i send you do not give out they will have a check mark on them
moi discussed above construction at that point quarrels painted the heart variously where other verse held near the crowded out as it is balm-like betideled where hence ventured the thicket lost tween sceptre's kiss well fought was as if spectre traced vague lines within unbridled rambles such as it is dalachinsky - leftwich
Fw: Re: ah tu veut dire un quoi
back: fun duh mental case: ~ rag Odium-slob noo 15:23 10/16/06 642 bytes odium I. Simple uses. 1. a. The fact or state of being hated or exposed to hatred (as a condition affecting the object); (also) an instance of this (now rare). b. Hatred, dislike; aversion, contempt. (As a feeling or quality of the subject.) THATS ME 2. The reproach or shame attached to or incurred by a particular act or fact; opprobrium; disgrace. Also: an instance of this; a taint, slur. 3. An object of hatred or dislike. Obs. II. Compounds. 4. a. odium theologicum [ classical Latin odium ODIUM n. + theologicum, neuter of theologicus THEOLOGIC a.], hatred of the kind which proverbially characterizes theological disputes. eg1999 N.Y. Rev. Bks. 4 Mar. 25/1 It is understandable that they should arouse the kind of ideological hostility, almost an odium theologicum, that confronted the Freud exhibition. b. Hence, applied to other subjects or areas of dispute, as odium academicum (academic), aestheticum (aesthetic), archaeologicum (archaeological),biologicum (biological), ethicum (ethical), medicum (medical), musicum (musical), philologicum (philological), philosophicum (philosophical), scholasticum (scholarly), etc. eg1997 N.Y. Rev. Bks. 20 Nov. 39/1 She offers no real evidence to support these speculations, and one might rather suspect that the cause was odium academicum. WHICH... c. accomodates the compound Odium-slob eg 2006 Personal Communication with Steve Dalachinsky at [EMAIL PROTECTED] CC: WrYters Listserve Theory and Writing WRYTING-L@LISTSERV.WVU.EDU 15:23 10/16/06 612 bytes. And so it is we all share the shaping up of a rag Odium-slob noosphere juxtaposition noosphere The part of the biosphere occupied by thinking humanity; spec. (with reference to the writing of P. Teilhard de Chardin) a stage or sphere of evolutionary development characterized by (the emergence or dominance of) consciousness, the mind, and interpersonal relationships, postulated as following the stage of the establishment of human life. Also fig. 1930 Jrnl. Philos. 27 499 This amounts to imagining, above the animal biosphere and continuing it, a human sphere, the sphere of reflection, of conscious and free invention, of thought strictly speaking, in short, the sphere of mind or noosphere. 1945 Amer. Scientist 33 9 There arises the problem of the reconstruction of the biosphere in the interests of freely thinking humanity as a single totality. This new state of the biosphere..is the nosphere. 1953 J. S. HUXLEY Evol. in Action iv. 110 It provides a new kind of environment for life to inhabit. It needs a name of its own: following Pre Teilhard de Chardin, the French paleontologist and philosopher, I shall call it the nosphere, the world of mind. 1970 Sci. Amer. Sept. 53/3 Just before his [sc. Vernadsky's] death..he wrote..ÔI think that we undergo not only a historical, but a planetary change as well. We live in a transition to the noosphere.Õ By noosphere Vernadsky meant the envelope of mind that was to supersede the biosphere. 1996 Wired May 158/1 We swim in imagination and bring the noosphere alive with collective consciousness. 2006 Personal Communication with Steve Dalachinsky at [EMAIL PROTECTED] CC: WrYters Listserve Theory and Writing WRYTING-L@LISTSERV.WVU.EDU 15:23 10/16/06 612 bytes. And so it is we all share the shaping up of a rag Odium-slob noosphere juxtaposition fete a fait OPIUM d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Fw: Re: ah tu veut dire un quoi
ex-salt theme smears sure blessed ~ pre doubt led slot A lone fez seder ma sent self thanks [Zed ed yEss dear Malenkopf kelf thang ] and a man felt weary til ne´y a spas destined butters none one sent discriment pasts pierce the vail eagle ant mines diet in a warranty sinfilled cun try far away all alone but you and i killed them so it does not concern you but il faut vous preparer quand meme prepare yourself lest you go ugly you need to learn beauty to be able to die all you think of is gaining land like the dutch aim to conquer it from the sea, une autre chose, tout a fait c´est vrai c´est trop tard, tout a fait mais vous savez la tragedie c´ est clean c´est sans espoire, no messy complications clean as a whistle we have seen the first hanging, the second hanging is underway, we´re on the third chair we can hear the legs of the second chair scraping the floor you never die with your boots on before the chair tops over anyway they will have stopped being your boots an eternity ago so no it´s not very nice, zero killed, spielberg the schwindler etats unie this talk of state these nameless states insisting in the emptiness i mean of the image, the after-image the glowing stars/stripes soon a bejin souvenir well the budget has by now long since left the building the measure of love is to love without measure the text you are reading is what I am writing now while watching Eloge de l´amour needing to kill beaty to know it, so f*ck alla g*d´s art it´s all so damn impolite we are both lost in the end on a un projet, des choses, no a lost cause to gain, nothing to lose i´d borrow you what little time i have, nothing to repay in 5 months click 4 details start counting 321 0 out now another hole to plumb - Original Message From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Saturday, 14 October, 2006 7:06:14 AM Subject: Re: ah tu veut dire un quoi positive descrimination bordeaux i've been there spice trade slave trade tho no slaves ever entered bordeaux nice place where's the jewish cemetery i ask there is none says a life long resident tho the traffic sign we justpassed pointed in that direction with the words in french jewish cemetery but i love the french love bordeaux paris goin there soon for 2 months but Send instant messages to your online friends http://uk.messenger.yahoo.com P!^VP
found pome
general workers Ramrods Expeditor Department, Heads Shingle Chief
Re: wod ^ wod
wop ow o p o w
Fw: Re: Uncanny Valley
uncandied valiums
Fw: mo dood
- Forwarded message -- From: D^Vid D^Vizio [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Date: Thu, 12 Oct 2006 12:36:55 -0400 Subject: mo dood Message-ID: [EMAIL PROTECTED] rewop domd ow l dmod ob o o p owmo d mr b d^Vizio sd __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: Dusty sea leap digressions scribble pestering gales serif
trusty sleep aggressions dribble festering grail tarrifs ( very religious ly)
Fw: Re: a minimal beginning
In To into the left break fast at or in 2 streets from the junkie town mollusk retreads bible cricles snapping of earnestness held felt no matter who it is that follows as a thing spent unreal.. steve dalachinsky jim leftwich 10.11.06
Fw: Re: Geese-bleed silos
geese bleed silos bladder leaks art needs
eero-dynamics
lydia (for eero - incomplete ) 10/8/06 on the merrimac where the banks gave up their money @ the edges of the river where the trees lay submerged fields flooded the shimmering light has subsided back into acceptability a mirage of happier times engulfing our cloudy eyes on this too perfectly clear afternoon the walls are false seasons work is something only workers know as fetched sanity is restored for a moment the dog smiles wetly knowing nothing but the taste of living the knowledge of knowing nothing. steve dalachinsky
Re: mapping the body / embodying the map.... here by Bjorn's 206c7e697e post provocation
in deed
Re: You will be rocked!
tonight 7 pm and tomorrow 3 pm ( workshop and reading ) in lowell mass. steve dalachinsky yuko otomo john voigt walter wright blaise sewula and mystic slide show at 119 gallery 119 chelmsford st lowell mass 1 978- 452- 8138 donation come on by if you're in the area
Re: sequence 10-03(06)
rotten house it's apt to call off the names of those trix refuse for the republic allah ash/can roftled cross just cool enough yet not perfectly clear but same awkward blue splattered with clouds of varying shapes textures thicknesses today i helped a muslim woman who seemed to be confused. dalachinsky nyc 9/11/06
Re: Existential
sexist (in) tensionalism
Re: Existential
exit essential
Fw: vat snue
front number wins ~ reverend stadium star (vexed insipid eroded)~ (two bleederserend) instant tall phonies ~ weery dot trotters (glopped vats of snuefers)~(slimo tone Zoonies) sport reup/holstered ~ retrial tortured gotti (fliw vadim used net novels) ~ (grants osome osiris terra/isms) Jukka dalachinsky P!^VP - This mail sent through Virus Free Email http://www.vfemail.net
Re: sexuality in drivel
that revelatory moment while looking at the light has anyone actually had one? let the poem write itself he said sadly i need some feedback on sentimental drivell sheila's fantastic poem overshadowed it some what my big negative ego needs to be bouyed up or sunken a bit
Re: sexuality in performance and video
of nudity well predates duchamp who used it sparingly while desecnding the staricase yes that corbet is magnificent now hangs proudly in the orsay rodin's nude drawings are the epitome of sex belmer for 20th century nudes nuthin sexier than the naked maja
Re: senti mental drivel - please define skiddish for me
was just interviewed on this a wierd cable tv show a sortnchaldek version of freaks ala joe franklin the guy who produces it is looking for folks to talk 15 minute segments contact pat profito 1718- 366 3303 2 pm - 7 pm
Re: senti mental drivel - please define skiddish for me
sunset ( senti mental drivel ) this is what i do more more when not sacrificing myself to the whims of others: i sacrifice myself to the sunset asthis light changes i get caught up more in the changing light which traffics in its own whims i swim in its choppy reflection reflecting on dujour noir's transparent depths noirflame trickery dumbed down hydrop(h)onics there is this thing always about bobbing bouys whether balloons bouts with the spirit flesh jockies joggers reasonably secure mercantile minds dimmed some times by charade here perhaps is wind reflected off corporate plate glass the sport of back forthing life not always watching where it's going occasionally tripping over itself like a gerund or some other more than predictable ending enclosures that keep us in as much as out ( lost page ) am i somehow connected to this? spilling my guts at the sun's whim my stingy life less significant than a puddle or a dog walk or a stump or these waving weeds these dwellings that surround my skiddishemotions chance encounters LOST - i proclaim - always LOST why are these piles, these pillars these supports that were meant to hold up a pier still called by their names when there is no pier left? i fail again waiting, at the whims of friends who are late arriving pressed every second regretting this writing senti mental drivel this phoney love letter to the sun pressed to follow the sun to its best possible setting workshopping it like the dummy collaborator it has become the setting sun now completely at my whim. steve dalachinsky nyc spring street the river 9/18/06 edited at home 9/20/06
Re: cutting hymn
THE UNBEARABLE UBU ( AN OPTIONALLY DURATIONAL PLAY IN ONE ACT ) DURATION: CAN LAST SECONDS, MINUTES, HOURS, DAYS. SETTING: ANY FLAT SURFACE WITH OR WITHOUT A 3X3 PIECE OF ARTIFICIAL LAWN TURK - PREFERABLY WITH AND VERY GREEN PROPS: 1 12 OR 15 FOOT LADDER OR AS TALL AS SETTING PERMITS- ANY MATERIAL THOUGH WOOD IS PREFERABLY TO GO WITH THE GREEN ASTRO-TURF SHOULD THERE BE ANY..GIVES THE EFFECT OF A FOREST? CAST: 2 MALES PLUS and MINUS BASICALLY NAKED..THOUGH THE CHARACTER PLUS WHO IS STATIONED AT THE TOP OF THE LADDER WEARS A KINGS ROBE WITH, IF POSSIBLE A FUR COLLAR, AND A CROWN HOLDING A GOLDEN SCEPTER. HE ALSO WEARS A PAIR OF GOLD OR PURPLE VELVET SLIPPERS THAT CURL UPWARD AT THE TOES DRAMATICALLY. HE IS NAKED UNDERNEATH AND SPORTS A HUGH ERECTION. THE SECOND CHARACTER MINUS IS TOTALLY NAKED. CURTAIN UP ( IF THERE IS ONE ) LIGHTS COME UP SLOWLY AS A SUNRISE WOULD. MINUS IS KNEELING AT THE BOTTOM OF THE LADDER ON ONE KNEE LOOKING UP TOWARD THE TOP WHERE PLUS SITS. HIS PENIS THO POSSIBLY HIDDEN BY HIS BODY IS SMALL, LIMP. MINUS: master MASTER master ( THIS GOES ON AWHILE LIKE A CHANT) MINUS: MASTER MAHHSTER FINALLY A BIT SLOWLY HESITANTLY RISES PLUS ALSO STARTS TO RISE UP AT THE TOP OF THE LADDER MINUS : MASTER MASTER ( PUTTING ONE FOOT ON THE FIRST RUNG OF THE LADDER ) BEGINS SLOWLY TO CLIMB THE LADDER RUNG BY RUNG CHANTING MAHHHSTER OVER AND OVER AGAIN UP EACH RUNG WHILE AT THE SAME TIME PLUS RISES AND STARTS CLIMBING DOWN THE LADDER CHANTING ALMOST IMPERCEPTIBLY MAHHHSTER OVER AND OVER AS WELL. AT SOME POINT THEY BOTH START CHANTING DISSECTED VERSIONS OF MASTER MASTER UNTIL THEIR VOICES MERGE. AT ONE POINT THEY DISSECT EACHOTHER ABOUT I/2 WAY UP/DOWN THE LADDER. HERE MINUS TAKES AND/OR PLUS GIVES TO MINUS ROBE, SLIPPERS SCEPTER, CROWN AND FINALLY ERECTION. AS THEY PASS EACHOTHER MINUS FALLS SIELNT, NOW IN FULL REAGALIA REACHES THE TOP OF THE LADDER POSITIONS HIMSELF THE WAY PLUS HAD BEEN ( SITTING MOST LIKELY. ) PLUS CONTINUES TO CHANT UNTIL HE REACHES BOTTOM AND ASSUMES POSE MINUS HAD AT BEGINNING. WITH MINUS NOW AT THE TOP. THE PIECE SHOULD BE CHOREOGRAPHED SO THAT TIMING IS IMPECCABLE. WHEN THE SWITCH IS COMPLETED LIGHTS SLOWLY FADE LIKE SUNSET UNTIL STAGE IS DARKNESS. CURTAIN IF THERE IS ONE. FIN. STEVE DALACHINSKY NYC
Re: Mars Is Simply a Decor (ation) for My Hypnagogic Estate Tax
hung up inside outer s p a c e
cutting hymn
cutting hymn cutting hymn cock-stared since goods between fogs of wars are just egg/talk yiz-slides tears a few minutes gone buy peculiarly wonders between rants toastcrat comtails mukcon presculpted party favors doubts both embers between watts twat-cave stomming sheets o' sragic gourds catch splotch between seance sensed spoke something to devoted subjects 'bout token angels spewing elegies o' bush while grist nor games between nests stalked the stranded swagger. steve dalachinsky jim leftwich On Sep 15, 2006, at 3:46 PM, [EMAIL PROTECTED] wrote: cutting hymn cutting hymn cock-stared since goods between fogs of wars are just egg/talk yiz-slides tears a few minutes gone buy peculiarly wonders between rants toastcrat comtails mukcon presculpted party favors doubts both embers between watts twat-cave stomming sheets o' sragic gourds catch splotch between seance sensed spoke something to devoted subjects 'bout token angels spewing elegies o' bush while grist nor games between nests stalked the stranded swagger. steve dalachinsky jim leftwich
Re: dimension me
you are now officially dis veered
Fw: Fw: Re: new books
new from ugly duckling presse yuko otomo the hand of the poet $8 includes shipping direct from author 192 spring street ny ny 10012 steve dalachinsky the final nite ( complete notes from a charles gayle notebook - 1987-2006 ) with 8 page color collage centerfold of gayle by john d'agostino 260 pages $16 plus$4 shipping can be gotten direct from author at above address or directly from the press also new steve dalachinsky st. lucie eyes on a plate poems based on a painting by francesco zurburan small pocket sized chap $5 including shipping
Re: 239/365, Dotty
gin's my favorite just read drunk on it in woodstock
Re: Poem
why do you call this open field you mean ala olsen or the spacings?
Re: Little Anatomy of the Physical Unconscious or The Antomy of the Image
stop relating everything and bellmer's perverse greatness to all this digi machine non-sense please
Re: Fw: templates for Steve 08.25.06
thank you david and thanks to jukka for setting me up with the templates if the list would like to see whart jukka sent for me to fill in or delete let me know i will foward in next writing
lucky search crushed
lucky search crushed quickly never floating money walketh oaken (f) alters brazen pith fight incarnationed as clownbird refuse lingering portals limp here for a mere $40 to eat say per day glasshards holey shoes fondly come safely against "war rumors of . deposits clarified as butter is to a lucky search crushed. steve dalachinsky jim leftwich 09.03.06
sadly the great dewey redman died yesterday
dew eyed red man ( for dewey redman ) unveils east of shortcut score head/coach loosed reins fell short vast versus versatile vein(e)s pierced eligible whiskers strung most villainous keys unless levelled battened advertised brand of toastados per flick(slick)super quicker (stick) uh d..k privateyesaytion in the deep end meant polyband female-trumpeteer deweyed red-man sack-o x's dances with the okeh years nests now with gone out now with the merciless theme steve dalachinsky jim leftwich 09.03.06
Re: please publish these on yer sites anyone/ or as a hard copy chap there are lots more sd
nice tom
deserie wilds
deserie wilds ( for eva hesse ) snee accedes non-logic self repeated eusebius of cremona raised 3 dead men ( test pieces ) repeated structural units non-forms here yet not here it is something it is nothing deserie wilds works in a bank cholesc life is likethat pastry let them eat it. steve dalachinsky nyc 9/2/06
meant to be meoldy
4 backs and eyeglass seeps translucent scents when continued to run hearing knowbody un easy presence caught full determined sensibility of limits subjects in the rear view mirror are nearer than they appear bits of blood shreds of shivers atomic contraptions spawned tactical menace me strapped schrap-anulled these clump lamps and limps after to create a sense of continuity fractured so long as it finds the road to the heart wreckage caged beast-song longing rupture mustered rays of hardened smoke-nods gesturing fields of exclusive pans of controversy wrapped in blobs boobs of muscle acts moons bent music knots laws not men. steve dalachinsky jim leftwich fish forth spilt horizons split the raptured vertical fifth white pow(d)er dreamt the mats of opiated crayon boots locked crynolined laces unpied handless faces turned thus pre/cise now gone preslice of secondly minute clocks thus coded as presents them selves wound un tomely strung tick frigo make abuzz is tap tap tap tap 'round the brokeup head new meoldy nor moist powers me lod sp the brop of begets n.g. back door sign tha' says color only how many shades can fit in one box they spark slant shunt and droop these litaniousities back to the head the heads shi -up shi-boom shibam again the updown o' whimpers stories bluster barriers skin. steve dalachinsky jim leftwich
Fw: Re: Re:
declarations branches of nerves severe the branches decloak revellers post hasties a hang of it faltering randomness declared east the refuse of declarations independent ranchers riches never reused at least their clarity as a quick flickering of candles wastes postal veils soaked with a bang against the whimpers steve dalachinsky jim leftwich 08.29.06
Re: villanelle from hell
yer on george
Re: query
hey chris what's tone's e mail i want you ansd hinm to venture into my 60th at tonic sept 24 5-8 cincert after 8 bring food (optional)
Re: query
you mean brent flarf?
Fw: Re: query
you mean brent flarf? oops flarf brent - great idea alan me sloppy spontaneous approach open field take from what is in my range mix inside w/outside brief synopsis of course basically untrained partial improv style sadly little or in most cases no editing after the fact
Fw: Re: back 1-4
back 1-4 (matisse) 1. i looked for you all dayat the museumfor better orworseyou were nowheretobefound. 2. i thought artwould help reconcile usinstead it'sdrivenusfurther apart. 3. (monet's waterlilies) it's not howitlooked to himbut howhe interpreted ittransformed itinto his ownlanguagewhile processingdistilling creatingthatlanguage. 4. bareunbrokenthenemancipatedthe focussliding offmybackbone. dalachinsky nyc moma 8/25/06
flypaper doma or / the sword swallower's lament
flypaper doma / or the swordswallower's lament
pathetic marionettes
wrestling w/ a dead world
trapped w/in the motionless movement of
false advertising
headless overturned dummies
heavy cubed links cojoined
self/import(ed) visionaries prasnah
beckhuel stars
crapshooting stormtroopers
severing evening's pi
sewing morning's dense spots into a quilt of
discontinuities
a loosely knit turn-a-way dictated by dedicated to
CHANCE
memories haphazard backgrounds
screws
stones
roots
branches
grass
untitled forests of hammers
buried beneath a pyramid of clouds
risen from a pyre of shapeless words
fantastic prayers
to free the clock from its hands gunned geometries
(t)hat goosehid ladder climbward wrung by ringing phone
negative arrivals wave/red hands ( within a sea of
water )
{fly hat to where the moon
has set
toppled #'s end.}
oh blundering gods
breeding dust for the postures
of new generations
there are no proverbs to live by anymore
where proverbs are no longer lived by
a bundle of futures
a package of presents
a bottle of pasts
revolving
one conversation after another
between the bride
her
bastard off
spring.
steve dalachinsky nyc 8/25/06 dada @ moma
Fw: marvin 16 a couple of super ox rides incomplete
conversations w/marvin #16 O, the birches in the storm, the dark creatures that shunned his deranged paths. quoted marvin out of nowhere, like the song of the dark daft harpies in the new orleans night, drunk on gin cranberry juice pain killers you're dreaming you deranged romantic fool i spluttered as fading hues broken promises tainted the anniversary of death by water bristles languished on the beaklike chins of all the saintly ladies in whirlike spontaneous patterns nullified afterthoths every crystal in marvin's jaw managed to ice enter oblivion or bow like the forth string on an accordian of wonder grab it i shouted as the lilliputian jazz band went marching in the pony which rode the dog ate the pony which fed the formless cold metals incubating in the sunken forest swamps of the fightfilled coliseum until its bright magnetic hand descends from liquid unknowing the thingless thetan is knot a, the nota, the noto, the maker is the model muddied in the mudra of mater mengele displaying the ovitzes to senior nazis his dwarf compassion a terrible shem a sere shem-sum all that is left of the oracle tradition all that is left the machine errors that arise the promise of happiness and recollections of sorrow cabinet of pure absence what then if how to of in at or how space is younger than time ankle part turn between the pause and the carrying shift graalpunct quickly swallowed galactic line of spontaneous pattern there is no denial in sentience Ungainly flavio sketches lightly the empty yew the pickled testicles of sun yaoting
Re: FACE OFF
why no n sees
Re: Pirates of Astarte
nice tom
Re: bytes/bites
root of draconian greek? latin?was draco a person?
Fw: Re: Fw: Re: (for your publication, from nyc) example you be the judge
dear list here is one editors answer deleted publication and his name Steve, I think you're a good poet, well-established, and respected, but I'm not going to work with you through blank. You basically seem to expect me to accept crap end of the deal, work at length for free and then pay you somehow even if I earn a minor pittance years from now. I don't think you understand publishing, how little money is actually profit, and how poets are rarely paid for their work. As for relinquishing the fee for retrieval of rights, I won't do it. I have to have rights to the poem to publish it. If you commit the poem to me, and then publish it elsewhere, your commitment to me means nothing. That fee is my way of saying that I have it exclusively for at least a year. Asking to have your cake and eat it too is asking too much from me. I am withdrawing my acceptance of your poem, because you did not follow my submission guidelines, you sent me a careless submission with typos in it -- I showed you the respect of reading it anyway -- and now expect me to go above any beyond to accommodate your wants. It even takes me a while to read you e-mails since you don't use punctuation in anything you write. I'm sure you'll do fine in the future, but I'm not interested in working with you. Good luck. blank -- Original Message -- From: [EMAIL PROTECTED] Date: Mon, 21 Aug 2006 03:08:23 -0400 thanks blank for your input did blank get this contract too was not an accusation i made but a query emails always seem to change the tone of what one says i'm in infinite zines and on many websites never underwent this before this is kind of contract is new to me as is the pome which i have sent as to modifications in contract it would not be to your liking they would be all that stuff about 100 bucks here and 50 there and your owning the rights to my piece especially without me being paid i don't expect you to work for free unless it's by choice or agreement but neither should you the expect me to if you incur these damages on me if i want to send my work elsewhere if you insist on no sumutaneous submission for at least a year that's fine but without all those money hassles that's what got me ___ $0 Web Hosting with up to 200MB web space, 1000 MB Transfer 10 Personalized POP and Web E-mail Accounts, and much more. Signup at www.doteasy.com
Re: Journal Indexes
don't knwo profile i'll give ya the name backchannel if ya wanna scope em out
Re: A Carved Ivory Figure of a Roman Actor Wearing the Traditonal Tragic Costume and Mask.
wow
Fw: vice/SAGE- conversations w/marvin #15
conversations w/marvin # 15 - vice/sage after ( after a.d. )"do you like this disguise?" i asked marvin feeling like a puppeteer pulling his strings"don't broadcast any more of your artificial lifeto me'" he snarledstanding frozenby his reaction isaw that our conversations had begun tovanishedaround the mental bend influencing plants as well as influencing marvin's movements thought "i've been specializing in the indeterminate end of the earth i thought i'd ask you how you felt about this subject" - i explained while lying on the couch we had found on the street "interview me? for what?" marvin spewed,hismouth full of sweets i took off my mask loosened my grip on his strings. he sagged foward fell into a rose bush beside the fire hydrant. i lay back down on the couch. closed up shop for the afternoon. steve dalachinsky nyc 8/21/06http://stoneagetype.tk
Re: practice is a nice one here's an old one also for scriabin
scrim on i off ram (p)
Fw: Re: cd release gig
2 interviews w/ steve dalachinsky listen here: www.eadonsplace.com www.Live365.com (Eadon's Place) http://stream.wrir.net:8001/
Re: mirror
i stare across the counter @ a basket of tomatoes i have become
pale grins / humility
anthropomorphic ode 1 ( pale grins) pale grins perpetual conflictuals racing toward a distant beach racing toward lack ofs thinking toll's been pd. bigger scope bones stripped becoming dark glassed totally trombing fremented eyes frantic fan at ical ni si mo crisply speedlike trumped no painted frillious where the comefroms intra/ontra bass w i m m i n g bass. steve dalachinsky nyc 8/18-20/06 iridium charles tolliver b.band anthropomorphic ode 2 ( to humility ) before dreaming earth numbers focus meaning probing finding the marvelous abstract imagination enter. steve dalachinsky nyc 8/18/02
Re: Fw: conversations w/marvin # 12 the elsewhere (after S M 's after T S) great poems folks
ari gato more to follow
Re: House of Sand
nice one tom
Re: Machinae Gesticulantes (How Chance and Stupidity Have Changed World History)
wow
Fw: Re: Machinae Gesticulantes (How Chance and Stupidity Have Changed World History)
- Forwarded message -- From: phanero [EMAIL PROTECTED] To: [EMAIL PROTECTED] Date: Tue, 15 Aug 2006 21:33:21 -0700 Subject: Re: Machinae Gesticulantes (How Chance and Stupidity Have Changed World History) Message-ID: [EMAIL PROTECTED] References: [EMAIL PROTECTED] fume bushi!
Re: FEUILLETON
don't rewrite
Re: becoming-digital
back on a sthanks
Re: listhead: digest format please
what's digest mean i'd like that too with the poetics list
Re: Mel Gibson's True Passion (fwd)
i give a rats ass even america who supports is rael for all the wrong reasons is basically anti-semetic and tho mel ain't amercan he represents the concensus of it and the reast of the worlsd israel and hezbollah are wrong but europe is against israel for what reason ??? germany and france against is rael for what reason if it goes fundalmentalism rules and i ain't for war made by any one but hey are you anti? totally not about religion tho we do tend to kill the father only to become him but being anti-semetic goes far beyond religion or celebrity
