-- Original Message --
From: Garrett McGrath [EMAIL PROTECTED]
dood. this is nice.
does he drop that hot new henrik schwarz? how about some matt dear?
tom
andythepooh.com
On May 3, 2005, at 11:23 AM, Derek Plaslaiko. wrote:
this record is totally going to get me playing alot more house again!
i miss those days, but rarely do i hear house that doesnt sound
regurgitated to me. what am i gonna do, play nothing but KDJ records
all the time?
I totally know
Philip wrote:
freedom soundz (alex attias) 'hero / journey' (goya neroli promo) don't
know which is which, one is deep groovy vaguely sci-fi house (well you
know what I mean - all those funny noises that you find in the techier
broken beat stuff) *kind* of similar in feel to alex's previous
Great Mix Derek!
lovely track selection and flawless mixing..enjoying it now as i type :)
and Tom, yes there is some Mathew Jonson :P
fab.
- Original Message -
From: Derek Plaslaiko. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, May 04, 2005 7:46 PM
Subject: (313) New
-- Original Message --
From: fab. [EMAIL PROTECTED]
and Tom, yes there is some Mathew Jonson :P
hehehehe
;)
tom
andythepooh.com
If you want to see how good Mos Def's acting skills are you should see the
The Woodsman.
MEK
Thomas D. Cox,
Jr.
Or even better, try Something The Lord Made. He was nominated for a Golden
Globe for that movie.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Thursday, May 05, 2005 7:23 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Mos Def added to
I'm rockin' out to Mr.Plaslalala's Merry Christmas
mix
http://www.plaslaiko.net/me/derek_plaslaiko_-_merry_christmas.mp3
rockout...
d
Yahoo! Mail
Stay connected, organized, and protected. Take the tour:
http://tour.mail.yahoo.com/mailtour.html
if your still looking for some of the classics try here
http://search.ebay.com/_W0QQsassZmarniQ2ebopp
Retroactive, Interface, Metroplex, Art of Dance, Buzz, Sonar 123, Model
500, Z Factor, Magic Feet original on Westbrook, Jesse Saunders, Risque
III, Farley, Gherkin etc etc
thanks
armin
just a reminder, dont forget!
www.paxahau.com
-Joe
ok,
i dont want to kill anyone's enthusiasm but i saw them here last week in
rome and was not impressed one bit.
i was expecting autechre to fully bust out with their trademark crunchy
poly-rhythms but instead they tried to make it a more danceable event
incorporating a stronger kick
Clinically Inclined
15 April 2005
Fridays 9:30pm - 12:30am, 89.3 FM WNUR Chicago
http://SonicSunset.com
Part 1: Setting a mood of left-field funkiness from all corners of
emerging club music. From Francois K's collaborative Snake Charmer EP
to Italo by Memory Control One and weirdo French
I tihnk that a time span of 4 years between promo and as yet still
unreleasaed is a bit much.
Any one has a clue as to what the hold up is.
p
rob hall was more interesting since he was djing therefore able to read
the
crowd more and make it all more enjoyable. i enjoyed him playing early 90s
uk happy hardcore
You know, this is what bugs me about this stuff in general.
I hate that snotty 'idm' attitude, that if you don't like the
On May 5, 2005, at 8:59 AM, fab. wrote:
ok,
i dont want to kill anyone's enthusiasm but i saw them here last week
in rome and was not impressed one bit.
i was expecting autechre to fully bust out with their trademark
crunchy poly-rhythms but instead they tried to make it a more
not enough golf cart donations at movement last year.
At 12:08 PM 5/5/2005, Placid wrote:
I tihnk that a time span of 4 years between promo and as yet still
unreleasaed is a bit much.
Any one has a clue as to what the hold up is.
p
--
/* Halley */ (Halley's comment.)
matt kane's brain
ugh.
makes me feel sad P really. and, as I get older, far from understanding
things better, some stuff just confuses me even more.
*sigh*
_
- End of message text
This e-mail is sent by
funny, because every time they do a 'complicated' set people
complain that it's not dancey enough.
and also because when I saw them 2 weeks ago they did a 'complicated' set
(and it wasn't dancey enough!)
or not funny really because although sometimes I've seen them and loved them
and other
On May 5, 2005, at 11:10 AM, [EMAIL PROTECTED] wrote:
rob hall was more interesting since he was djing therefore able to
read the
crowd more and make it all more enjoyable. i enjoyed him playing
early 90s
uk happy hardcore
You know, this is what bugs me about this stuff in general.
I hate
Maybe Rob Hall actually quite likes Happy Hardcore? I'm going to take
a wild stab in the dark and guess that you don't (don't remember
seeing any in your playlists at least), but that doesn't mean that
others don't.
I'm not a fan myself, but I can see why others might like it. It was
a step
-- Original Message --
From: [EMAIL PROTECTED]
Maybe Rob Hall actually quite likes Happy Hardcore? I'm going to
take
a wild stab in the dark and guess that you don't (don't remember
seeing any in your playlists at least), but that doesn't mean that
I hate to admit it, but he's right...
At 1:15 pm -0400 5/5/05, Thomas D. Cox, Jr. wrote:
you can all feel free to talk as much sh*t as you like, but i like
the early happy hardcore very much. that energy of like 93-96 in
jungle and hardcore is unmatched in any other genres of music.
tom
Maybe Rob Hall actually quite likes Happy Hardcore?
Yeah, I think he does. I mean, the first skams were hardcore records I
guess.
I'm not a fan myself, but I can see why others might like it.
Yes, of course, and of course there's nothing wrong with that.
In a way, I'm being a musical snob,
you can all feel free to talk as much sh*t as you like, but i like
the early happy hardcore very much. that energy of like 93-96 in
jungle and hardcore is unmatched in any other genres of music.
errr i disagree but can't be arsed to go into how good the acid explosion of
88 was
p
At 01:15 PM 5/5/2005, Thomas D. Cox, Jr. wrote:
you can all feel free to talk as much sh*t as you like, but i like
the early happy hardcore very much. that energy of like 93-96 in
jungle and hardcore is unmatched in any other genres of music.
so was he playing this, or more recent candy-drug
my gripe with idm and the often-associated attitudes is that with IDM it
seems technique trumps product.
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, May 05, 2005 1:10 PM
Subject: Re: (313) detroit, may 12, autechre(live) + SND(live) + rob
might I add that rob halls detroit appearance is being labeled as a GESCOM
set?
maybe that means something to someone else. I was thinking he would be
playing gescom-style tracks.
im more excited about SND than autechre, I mix a lot of SND into regular
(and on-topic) techno tracks when I
P.S. I'm listening to the Riot EP at the moment and it's not a
million miles from some of the later UK hardcore/rave...
oh yeah, forgot to say!
yeah, I can't stand all that old ravy UR. Never liked it, never will.
I was always a Jupiter Jazz kinda guy, not a seawolf/riot ep man. thats why
I
you can all feel free to talk as much sh*t as you like, but i like
the early happy hardcore very much. that energy of like 93-96 in
jungle and hardcore is unmatched in any other genres of music.
I think the 'energy' comment is very much a subjective thing Tom.
i.e. you think it is, I don't.
On May 5, 2005, at 12:20 PM, /0 wrote:
might I add that rob halls detroit appearance is being labeled as a
GESCOM set?
wait, you mean GESCOM doesn't equal kids with pacifiers, candy
necklaces, inflatable huge white mickey-mouse gloves, rave glow
whistles, chipmunk vocal samples and cartoon
At 01:28 PM 5/5/2005, Matt MacQueen wrote:
Maybe someone needs post a mix of the GOOD happy hardcore, cause that's
all i remember what I saw/heard and I was absolutely shocked (and maybe
this is just my US-outlook bias, UK'ers seem to have connected with it
more?) that it lasted as long as it
so was he playing this, or more recent candy-drug happycore or trancecore
or freeform or whatever it is? (ughh)
--
just the stuff you would expect from 91-92he only played 3-4 tracks btw,
no big deal, but better than a heartless set, whatever the genre, and that
is what the evening
maybe that means something to someone else. I was thinking he would be
playing gescom-style tracks.
he did; sorry i wasnt too clear on that
it was good vaguely danceable idm of the skam/gescom variety, with the 3-4
hardcore tracks
yeah i cant resist.
it figures.
BUT, I am not so closed minded that I rule out everything Matt said. If
this music that I consider to be an utter waste of electricity has some
kind of validity, then show me. Ill listen.
derek.
On Thu, 5 May 2005, Thomas D. Cox, Jr.
-- Original Message --
From: Placid [EMAIL PROTECTED]
errr i disagree but can't be arsed to go into how good the acid
explosion of 88 was
you dont have to explain. i love me some acid (prolly not as much
as you though ;) but man, those years for that
-- Original Message --
From: Derek Plaslaiko. [EMAIL PROTECTED]
yeah i cant resist.
it figures.
BUT, I am not so closed minded that I rule out everything Matt
said. If
this music that I consider to be an utter waste of electricity
has some
kind of
-- Original Message --
From: matt kane's brain [EMAIL PROTECTED]
At 01:15 PM 5/5/2005, Thomas D. Cox, Jr. wrote:
you can all feel free to talk as much sh*t as you like, but i like
the early happy hardcore very much. that energy of like 93-96 in
jungle and
its not your job to be an asshxle either but you seem intent on taking up
that cause from time to time. but dont we all :)
seriously, post some artist and track names, I'd like to check it out too
-Joe
- Original Message -
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
To:
-- Original Message --
From: [EMAIL PROTECTED]
but, you're confusing matters. I'm talking about music from 1991
or so.
which then evolved into other things. this music was HUGE here as
a youth
culture thing, you couldn't escape it.
i like some of the 91-92
- Original Message --
From: /0 [EMAIL PROTECTED]
its not your job to be an asshxle either but you seem intent on
taking up
that cause from time to time. but dont we all :)
seriously, post some artist and track names, I'd like to check it
out too
guy
a couple more:
criminal minds baptised by dub
rood project thunder
tom
-- Original Message --
From: /0 [EMAIL PROTECTED]
Date: Thu, 5 May 2005 14:39:18 -0400
its not your job to be an asshxle either but you seem intent on
taking up
that cause from
alex, that was basically what i lived through..i was in the uk then
(oxofrd) and it was massive, it seemed that that was the only sort of music
available to dance all night to.
it was also my first exprience with going to proper undeground rave clubs
and free parties (think spiral tribe),
-- Original Message --
From: Derek Plaslaiko. [EMAIL PROTECTED]
all i really have to say is that some people really mean it when
they say they listen to all kinds of music. you can look down on
it all you want, its not my job to make you understand it.
please dont forward priv emails back to the list so you have an audience
when you want to talk smack to someone
- Original Message -
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, May 05, 2005 3:15 PM
Subject: Re: (313) detroit, may 12,
Hi Jason
Could you get in touch as soon as poss, it's quite urgent...
Thanks
Dan
(apologies to everyone else)
i dont rememeber my reply to you going public.
do you REALLY think everyone on this lists wants to sit through yet
another one of our p*ssing contests?
derek.
On Thu, 5 May 2005, Thomas D. Cox, Jr. wrote:
-- Original Message --
From: Derek
-- Original Message --
From: /0 [EMAIL PROTECTED]
please dont forward priv emails back to the list so you have an
audience
when you want to talk smack to someone
my bad, i didnt even notice. i have my filters set up to catch the
313 in the to field so
-- Original Message --
From: Derek Plaslaiko. [EMAIL PROTECTED]
i dont rememeber my reply to you going public.
do you REALLY think everyone on this lists wants to sit through yet
another one of our p*ssing contests?
again, sorry about that. its you
I was acctually trying to extend an olive branch but apparently all you
wanted to do was flex, as per usual.
For the record, I know about 6 of the tracks you mentioned, and would
never EVER classify them as happy hardcore. Had you mentioned Cookin Up
Your Brains i might have been able to
At 12:08 PM 5/5/2005, Placid wrote:
I tihnk that a time span of 4 years between promo and as yet still
unreleasaed is a bit much.
Any one has a clue as to what the hold up is.
p
that project has Gone Pearshaped.
sorry but, Bukem (BUKEM??), Metalheadz, Gerald, Rufige Kru... not
happy hardcore. like, not at all.
On May 5, 2005, at 12:11 PM, Thomas D. Cox, Jr. wrote:
- Original Message --
From: /0 [EMAIL PROTECTED]
its not your job to be an asshxle either but
-- Original Message --
From: Derek Plaslaiko. [EMAIL PROTECTED]
I was acctually trying to extend an olive branch but apparently
all you
wanted to do was flex, as per usual.
thats certainly not how i interpret whatever but ill take your
word for it and
-- Original Message --
From: Garrett McGrath [EMAIL PROTECTED]
sorry but, Bukem (BUKEM??), Metalheadz, Gerald, Rufige Kru... not
happy hardcore. like, not at all.
argh, again i was looking at the early bit of hardcore for music
with depth etc. obviously
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Dan Butler and Gary will tell you - where I was living at the time, it was
slap bang in the middle of all this, and it was far far larger than any
musical sub genre you get today. i.e. 'the garage' thing or whatever.
(N.B.: You can tell that the demographics of this list have long since
left Detroit behind as its nexus - in years past we would've all
been talking about the lineup and accomo's and who's going, et al.
for days. This year it seems like the discussion was over in a day.)
Just thought I'd let
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