i got a 1996 sampler from i.t.p. records, london, called selected works
which contains 2 tracks by MANUEL CLIVE. they're called bounce factor
and recognised, copyrighted control (sigh!) and are nice stomping acid
bounce. the later was also featured on the very first dj-kicks mix-cd by cj
bolland
according to an interview with jeff mills from 1998:
X-101 were mike, rob and me, while X-102 and 103 were mainly done by rob
and me.
(translated by myself from german text)
BTW, it's interesting to see that mills talks in a very mundane way while
being interviewed, in contrast to the discussed
AFAIK, he used to produce an album together with another guy, whose name I
don't know, and they called themselves Final Cut. They were heavily
influenced by an industrial cut-up sound (mills compared it to ministry
and revolting cock) and tresor's own Dimitri used to license their lp for
Does anybody know what happened to the missing numbers in the UR
backcatalog (by which I do not mean #21 Piranha, which was released, but
later replaced), as well as the missing Axis releases (IIRC,#2#14?).
Besides, with every dog has its day being released, should I still care
for From the 21st
Matrix numbers from UR recirds are not chronological. UR50 was released
last
year but, shorly followed by i thnik UR021. Just listen to the music
don't
look at the numbers...This is the UR way to keep the fun in the music.
well put ;-)
but that's not the kinda answer I was looking for, since even
hy folks,
just reesentely ;-) i discovered my love for the bassy / trancy sound of
some of Kevin Saunderson's releases.
Especially tracks like *Smooth Groove-Tronik House*, e-dancer-banjo (funk
d'void remix)* or *Jark Prongo- Spadet* caught my attention, even if the
latter one is not from Kevin.
