RE: (313) Croydon Is New Detroit

2010-03-12 Thread Robert Taylor
-Original Message- From: Tristan Watkins [mailto:phonop...@googlemail.com] Sent: 11 March 2010 00:35 To: kent williams Cc: list 313 Subject: Re: (313) Croydon Is New Detroit On 10/03/2010 22:23, kent williams wrote: I think the article makes some good points but mostly in the context of the UK

Re: (313) Croydon Is New Detroit - Addendum

2010-03-11 Thread cheater cheater
On Thu, Mar 11, 2010 at 02:19, Aaron-Carl aaronc...@aaroncarl.com wrote: Before this gets out of hand, let me say this:  Personally, I have no qualms about Dubstep. My response was not to be misconstrued as a bash dubstep post.  HOWEVER, the part that really bothered me (and YES, I'm sensitive

Re: (313) Croydon Is New Detroit

2010-03-11 Thread kuszyn...@gmail.com
I know I've commented on this before, and not to be snarky, but how does everyone feel about techno-electronic journalism these days? as an undergrad at the Univ of Chicago, I was exposed to and guilty of ridiculous language, metaphors, and concept mashing, but about the only legible writing I

(313) Croydon Is New Detroit

2010-03-10 Thread Robert Taylor
http://dontpaniconline.com/magazine/croydon-the-new-detroit Discuss. Heheheheheh. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television

Re: (313) Croydon Is New Detroit

2010-03-10 Thread kent williams
I think the article makes some good points but mostly in the context of the UK, where musical sub-genres are written about as though they were stars in their own right. The Detroit attitude is, I'd hope, more eclectic, and the musicians I talk to think more in terms of good or bad than this genre

Re: (313) Croydon Is New Detroit

2010-03-10 Thread Aaron-Carl
The new Detroit? Really??? Try as they might, it's not happening. SURE, you can recruit our producers, DJs, etc. SURE, you can use the same tools we use. But you DO NOT, WILL NOT or CANNOT embody the spirit that makes us what WE are. So, whatever you want to call it, you can be

Re: (313) Croydon Is New Detroit

2010-03-10 Thread Tristan Watkins
On 10/03/2010 22:23, kent williams wrote: I think the article makes some good points but mostly in the context of the UK, where musical sub-genres are written about as though they were stars in their own right. The Detroit attitude is, I'd hope, more eclectic, and the musicians I talk to think

Re: (313) Croydon Is New Detroit

2010-03-10 Thread Jeffrey J Davis
Cool that Shake posted a comment to the article acknowledging the funk. thanks, Jeffrey J. Davis President COO, AGY fon: +1.218.8332847 (21883DAVIS) fax: +1.803.643.4085 cel: +86.158.0184.9459 jeff.da...@agy.com / jeffrey.james.da...@gmail.com jeffrey.james.davis JeffreyJDavis On Wed, Mar 10,

Re: (313) Croydon Is New Detroit - Addendum

2010-03-10 Thread Aaron-Carl
Before this gets out of hand, let me say this: Personally, I have no qualms about Dubstep. My response was not to be misconstrued as a bash dubstep post. HOWEVER, the part that really bothered me (and YES, I'm sensitive about it) is when someone classified it as The New Detroit. Eclecticism

Re: (313) Croydon Is New Detroit - Addendum

2010-03-10 Thread Tristan Watkins
Before this gets out of hand, let me say this: Personally, I have no qualms about Dubstep. My response was not to be misconstrued as a bash dubstep post. HOWEVER, the part that really bothered me (and YES, I'm sensitive about it) is when someone classified it as The New Detroit.

Re: (313) Croydon Is New Detroit - Addendum

2010-03-10 Thread kent williams
Both British Music Press and a lot of UK artists namecheck Detroit as shorthand -- mentioning Detroit means you know your history, you're 'down,' you have some 'soul,' or at least you appreciate it. It goes back to pre-Acid House times, with the Northern Soul movement. On the one hand, soul is