I have been actually returning to the 'played live' way of building
tracks. I don't mention this in the spirit of self-promotion, but because
it's interesting how that kind of live jamming works in electronic dance
music.
Once I'm comfortable with the 'moves' available to me in the arrangement -
The writer really seems to know their stuff and for me what it really says is
“you probably couldn’t make a track like this because it was done so
organically and with an undefinable element”….but in a very nice way.
Sent from my iPhone
> On 28 Apr 2021, at 20:59, Daniel Bean wrote:
>
>
>
I'm in favour.
On Wed, Apr 28, 2021 at 6:57 PM Rob G via 313 <313@hyperreal.org> wrote:
> I think the best way to learn how to write / produce is to start out
> copying the shit out of your heroes.
>
> Yes, that yields derivative results, but originality can come later.
>
> In the spirit of
I think the best way to learn how to write / produce is to start out copying
the shit out of your heroes.
Yes, that yields derivative results, but originality can come later.
In the spirit of this... this is GREAT! <3
On Wednesday, April 28, 2021, 07:51:36 AM PDT, Alasdair Lyon
wrote:
I'm not too sure what to think about this. I guess this is a techno
equivalent of publishing guitar tab in a magazine.
Thankfully they haven't included an ableton template to go with it.
https://www.attackmagazine.com/technique/deconstructed/drexciya-black-sea/
