I propose to compare the chords example given by Luis Pablo
Gasparotto with a software which has a chord dictionnary (power
tab editor)
>I'm convinced that a good point to start a CHORD STANDARIZATION
>is to
>see what are the concepts which everybody agree. I think this
>concepts are:
(I totall
On Fri, 5 Apr 2002 [EMAIL PROTECTED] wrote:
> Cdim7 = C,_E,_G,__B
You're absolutely right, and if you lower the whole thing you get
Cbdim7 = _C,__E,__G,___B
Never in practical use, right? Wrong! A very common way to go to
2nd degree in jazz is by bIIIdim so in Ab you get Cm7 Cbdim Bbm7. Anyw
Luis Pablo Gasparotto wrote:
>I'm convinced that a good point to start a CHORD STANDARIZATION
>is to see what are the concepts which everybody agree. I think
>this concepts are:
>[snip]
>Cdim7 = C,_E,_G,A
Not quite. On a piano, a diminished 7th (the interval, not the chord)
is the same as a
Mike Whitaker -
>- people who can't distinguish between a single standard that allows
>chords to be machine-readable, and 'you've left my pet notation out'
Just the sort of thing I've been trying to say about the standard in general
for some time.
and Laurie Griffiths said -
>Brilliantly pu
