John Walsh wrote:
X:7
T:Polyrhythmic with No Coherent Bar Division
Z:The notes line up, but the bars don't
B:MusiXTeX doc p 47
M:3/4
L:1/8
K:C
V:1
F2 F2 F2|F2 F2 F2||F2 F2 F2|F2 F2 F2:|
V:2
M:2/4
F2 F2|F2 F2|F2 F2||F2 F2|F2 F2|F2 F2:|
V:3
M:3/8 L:1/8
F3|FFF|F3|FFF|F3|FFF|F3|FFF|F3|FFF|F3|FFF:|
James Allwright wrote:
Since nobody yet seems to have even understood my description, I get
the feeling that the concept is probably a bit too esoteric and confusing
for the abc community.
I think I understood it OK. Perhaps the word Synch is a bit confusing,
since it implies that the voices
James Allwright writes:
| Hmm. Sort of like a tab stop?
| No, not like a tab stop at all.
|
| Tell me, can you use that to
| synchronize at other than a bar line?
|
...
| Since nobody yet seems to have even understood my description, I get
| the feeling that the concept is probably a bit
Phil Taylor wrote:
John Walsh wrote:
[...]
M:3/8 L:1/8
F3|FFF|F3|FFF|F3|FFF|F3|FFF|F3|FFF|F3|FFF:|
Surely the third voice is half as long again as the other two?
If it were written like this it would be OK:
[...]
V:3
M:3/8
L:1/8
F3|FFF|F3|FFF|F3|FFF|F3|FFF:|
No--there was a mistake in
I have a small suggestion regarding the V: field and global parameters.
This isn't something I've implemented, just an idea I had. I'd like to
know if other people think it is useful or not.
The idea is that we introduce another V: directive
V:SYNC
which marks the point in the abc where all
On Tue 23 Jan 2001 at 11:59AM -, Laurie Griffiths wrote:
I think I would prefer
V: SYNC string
Consider:
V:1
abc abc abc abc V:SYNC 1 dead dead dead V:SYNC 2 def def def def
V:2
face face face V:SYNC 2 def def def def
I don't think you've understood the concept here. What you've
