Re: [all-audio] Olympus Ls-14
Thanks! Got it. -Original Message- From: Andy via Groups.Io Sent: Tuesday, February 12, 2019 9:14 PM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Here it is John. Enjoy the device and the mp3. Download link: https://www.sendspace.com/file/9e6yku Very best wishes. Andy. - Original Message - From: "John Heath via Groups.Io" To: Sent: Wednesday, February 13, 2019 12:27 AM Subject: Re: [all-audio] Olympus Ls-14 Thanks so much. It looks like quite the machine. -Original Message- From: Andy via Groups.Io Sent: Tuesday, February 12, 2019 6:30 PM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Hi John. I have a podcaste doen by Neal Ewars, who is himself blind, and I'm currently uploading it for you to Sendspace. I will send you the download link as soon as it's up. Very best wishes. Andy. - Original Message - From: "John Heath via Groups.Io" To: Sent: Tuesday, February 12, 2019 4:44 PM Subject: Re: [all-audio] Olympus Ls-14 Sorry for joining late, but I just realized that the recorder a friend gave me is in fact the one you are talking, the 14. Anyone know where I can get operating instructions? Looks like a wonderful solid machine. -Original Message- From: Hamit Campos Sent: Sunday, February 10, 2019 9:51 AM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Yeah the most epic thing the LS-14 has is smart mode. I like smart mode always came in handy. For those that don't know, what happens in smart mode is you press record. The mics open up at a low level and thus you may not hear much if at all on yuor headphones. But the machine is listening. So the idea is you then if it's a practised thing make the loudest sound you're gonna record for this recording. Than as you do this you press record again or if it counts down you let it run out and it re-opens the mics at a proper level for the loudest sound you are having it hear. Too bad the LS-100 didn't have this and too bad the 14 doesn't have XLRs or phantum power for true studio mics. But I did and still kinda do use it with my AT-8022. I like how it's mics are spread apart. At 90 degrees the LS-14 I find gives me a wider immige than the XY H6 mics. Meh even at 120 because of how the H6 mics are pointed they are wider but not spacious like the Olympus mics. I did suggest making an A B peace for the H6 and 5 now they're doing snap off peaces. I even had them look up the LS-14 to see how the mics are. But again I don't worry much. I use my AT-8022. And I really would like to get a independent pare of mics. like the new SE Electronics SE7 mics. They're 199$ a factory matched stereo pair. You will have to get the XLR cables your self though. On 2/10/2019 12:02 AM, Dane Trethowan wrote: I’m very glad you mentioned the Olympus LS-14 actually. I tried to get hold of one last year but had to settle for the LS-P4 - no problem there -. One did come up on eBay just recently so I snapped it up. In a few days I will be able to see what the LS-14 offers and of course I’ll be using the excellent review Neal Ewers did on the machine as a reference. Pity about not being able to use rechargeable batteries with the LS-14 so I’ll use one of the Powerbanks I have instead. On 10 Feb 2019, at 3:46 pm, Hamit Campos wrote: Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just coming from another perspective I heard on another of Scott's shows. Where if you record in 96 let's say, when you resample you'll get a better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio on mine just because the LS-14 can't play anything elase in mono. It has to be CD quality for it to work in mono. Which I was confused by when I got it. Because all the DMs I'd had before this even playeed 48 16 in mono though they didn't record that. But oh well. I can't wait to hear some F8N samples. On 2/9/2019 9:51 PM, Dane Trethowan wrote: I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this o
[all-audio] New TV Receiver - Anyone Use this One
Hi, Folks. I just got a Pioneer VSX-932 receiver to make my TV (Samsung 40-inch SmartTv) into a nice home theater system. Also got 7.1 surround sound speakers to complete the package. Has anyone used Pioneer equipment, and how accessible is it? Thanks in advance.--Matthew Chao -=-=-=-=-=-=-=-=-=-=-=- Groups.io Links: You receive all messages sent to this group. View/Reply Online (#1935): https://groups.io/g/all-audio/message/1935 Mute This Topic: https://groups.io/mt/29777940/21656 Group Owner: all-audio+ow...@groups.io Unsubscribe: https://groups.io/g/all-audio/leave/1074140/405281159/xyzzy [arch...@mail-archive.com] -=-=-=-=-=-=-=-=-=-=-=-
[all-audio] Question re Winamp 5.66
Many of the CDs in my collection are home brew. Winamp 5.66 is my player of choice. However, whenever I play one of these CDs, Winamp attempts to search a database. Where in the settings do I go to preclude such a search? Thanks. Don Roberts -=-=-=-=-=-=-=-=-=-=-=- Groups.io Links: You receive all messages sent to this group. View/Reply Online (#1933): https://groups.io/g/all-audio/message/1933 Mute This Topic: https://groups.io/mt/29777868/21656 Group Owner: all-audio+ow...@groups.io Unsubscribe: https://groups.io/g/all-audio/leave/1074140/405281159/xyzzy [arch...@mail-archive.com] -=-=-=-=-=-=-=-=-=-=-=-
[all-audio] Total recorder - splitting lengthy audio files
I have the current version of Total Recorder, the professional version. I wish to split large mp3 files and am having difficulty figuring out just what comes first. Yes, I have read the help files. And If I understand what I read, I should first set the split criteria such as by size, by the length of pause, etc. I think I am on the right track because I was able to create a Queue file, but just what do I do to actually initiate the splitting of the large file? Thanks. Don Roberts -=-=-=-=-=-=-=-=-=-=-=- Groups.io Links: You receive all messages sent to this group. View/Reply Online (#1934): https://groups.io/g/all-audio/message/1934 Mute This Topic: https://groups.io/mt/29777869/21656 Group Owner: all-audio+ow...@groups.io Unsubscribe: https://groups.io/g/all-audio/leave/1074140/405281159/xyzzy [arch...@mail-archive.com] -=-=-=-=-=-=-=-=-=-=-=-
Re: [all-audio] Olympus Ls-14
Here it is John. Enjoy the device and the mp3. Download link: https://www.sendspace.com/file/9e6yku Very best wishes. Andy. - Original Message - From: "John Heath via Groups.Io" To: Sent: Wednesday, February 13, 2019 12:27 AM Subject: Re: [all-audio] Olympus Ls-14 Thanks so much. It looks like quite the machine. -Original Message- From: Andy via Groups.Io Sent: Tuesday, February 12, 2019 6:30 PM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Hi John. I have a podcaste doen by Neal Ewars, who is himself blind, and I'm currently uploading it for you to Sendspace. I will send you the download link as soon as it's up. Very best wishes. Andy. - Original Message - From: "John Heath via Groups.Io" To: Sent: Tuesday, February 12, 2019 4:44 PM Subject: Re: [all-audio] Olympus Ls-14 Sorry for joining late, but I just realized that the recorder a friend gave me is in fact the one you are talking, the 14. Anyone know where I can get operating instructions? Looks like a wonderful solid machine. -Original Message- From: Hamit Campos Sent: Sunday, February 10, 2019 9:51 AM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Yeah the most epic thing the LS-14 has is smart mode. I like smart mode always came in handy. For those that don't know, what happens in smart mode is you press record. The mics open up at a low level and thus you may not hear much if at all on yuor headphones. But the machine is listening. So the idea is you then if it's a practised thing make the loudest sound you're gonna record for this recording. Than as you do this you press record again or if it counts down you let it run out and it re-opens the mics at a proper level for the loudest sound you are having it hear. Too bad the LS-100 didn't have this and too bad the 14 doesn't have XLRs or phantum power for true studio mics. But I did and still kinda do use it with my AT-8022. I like how it's mics are spread apart. At 90 degrees the LS-14 I find gives me a wider immige than the XY H6 mics. Meh even at 120 because of how the H6 mics are pointed they are wider but not spacious like the Olympus mics. I did suggest making an A B peace for the H6 and 5 now they're doing snap off peaces. I even had them look up the LS-14 to see how the mics are. But again I don't worry much. I use my AT-8022. And I really would like to get a independent pare of mics. like the new SE Electronics SE7 mics. They're 199$ a factory matched stereo pair. You will have to get the XLR cables your self though. On 2/10/2019 12:02 AM, Dane Trethowan wrote: I’m very glad you mentioned the Olympus LS-14 actually. I tried to get hold of one last year but had to settle for the LS-P4 - no problem there -. One did come up on eBay just recently so I snapped it up. In a few days I will be able to see what the LS-14 offers and of course I’ll be using the excellent review Neal Ewers did on the machine as a reference. Pity about not being able to use rechargeable batteries with the LS-14 so I’ll use one of the Powerbanks I have instead. On 10 Feb 2019, at 3:46 pm, Hamit Campos wrote: Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just coming from another perspective I heard on another of Scott's shows. Where if you record in 96 let's say, when you resample you'll get a better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio on mine just because the LS-14 can't play anything elase in mono. It has to be CD quality for it to work in mono. Which I was confused by when I got it. Because all the DMs I'd had before this even playeed 48 16 in mono though they didn't record that. But oh well. I can't wait to hear some F8N samples. On 2/9/2019 9:51 PM, Dane Trethowan wrote: I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this option but will do in the future when I work out how to connect a Keyboard to the F8N though even then without speech there seems little point. On the other hand Enter Metadat
Re: [all-audio] Olympus Ls-14
Thanks so much. It looks like quite the machine. -Original Message- From: Andy via Groups.Io Sent: Tuesday, February 12, 2019 6:30 PM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Hi John. I have a podcaste doen by Neal Ewars, who is himself blind, and I'm currently uploading it for you to Sendspace. I will send you the download link as soon as it's up. Very best wishes. Andy. - Original Message - From: "John Heath via Groups.Io" To: Sent: Tuesday, February 12, 2019 4:44 PM Subject: Re: [all-audio] Olympus Ls-14 Sorry for joining late, but I just realized that the recorder a friend gave me is in fact the one you are talking, the 14. Anyone know where I can get operating instructions? Looks like a wonderful solid machine. -Original Message- From: Hamit Campos Sent: Sunday, February 10, 2019 9:51 AM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Yeah the most epic thing the LS-14 has is smart mode. I like smart mode always came in handy. For those that don't know, what happens in smart mode is you press record. The mics open up at a low level and thus you may not hear much if at all on yuor headphones. But the machine is listening. So the idea is you then if it's a practised thing make the loudest sound you're gonna record for this recording. Than as you do this you press record again or if it counts down you let it run out and it re-opens the mics at a proper level for the loudest sound you are having it hear. Too bad the LS-100 didn't have this and too bad the 14 doesn't have XLRs or phantum power for true studio mics. But I did and still kinda do use it with my AT-8022. I like how it's mics are spread apart. At 90 degrees the LS-14 I find gives me a wider immige than the XY H6 mics. Meh even at 120 because of how the H6 mics are pointed they are wider but not spacious like the Olympus mics. I did suggest making an A B peace for the H6 and 5 now they're doing snap off peaces. I even had them look up the LS-14 to see how the mics are. But again I don't worry much. I use my AT-8022. And I really would like to get a independent pare of mics. like the new SE Electronics SE7 mics. They're 199$ a factory matched stereo pair. You will have to get the XLR cables your self though. On 2/10/2019 12:02 AM, Dane Trethowan wrote: I’m very glad you mentioned the Olympus LS-14 actually. I tried to get hold of one last year but had to settle for the LS-P4 - no problem there -. One did come up on eBay just recently so I snapped it up. In a few days I will be able to see what the LS-14 offers and of course I’ll be using the excellent review Neal Ewers did on the machine as a reference. Pity about not being able to use rechargeable batteries with the LS-14 so I’ll use one of the Powerbanks I have instead. On 10 Feb 2019, at 3:46 pm, Hamit Campos wrote: Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just coming from another perspective I heard on another of Scott's shows. Where if you record in 96 let's say, when you resample you'll get a better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio on mine just because the LS-14 can't play anything elase in mono. It has to be CD quality for it to work in mono. Which I was confused by when I got it. Because all the DMs I'd had before this even playeed 48 16 in mono though they didn't record that. But oh well. I can't wait to hear some F8N samples. On 2/9/2019 9:51 PM, Dane Trethowan wrote: I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this option but will do in the future when I work out how to connect a Keyboard to the F8N though even then without speech there seems little point. On the other hand Enter Metadata for Next Take may be slightly useable with a keyboard. No, I won’t get any feedback however I should be able to remember the order in which the metadata is presented thus I can move through the fields etc. The manual for the F8N gives specific keyboard commands to do just that. The
Re: [all-audio] Olympus Ls-14
Hi John. I have a podcaste doen by Neal Ewars, who is himself blind, and I'm currently uploading it for you to Sendspace. I will send you the download link as soon as it's up. Very best wishes. Andy. - Original Message - From: "John Heath via Groups.Io" To: Sent: Tuesday, February 12, 2019 4:44 PM Subject: Re: [all-audio] Olympus Ls-14 Sorry for joining late, but I just realized that the recorder a friend gave me is in fact the one you are talking, the 14. Anyone know where I can get operating instructions? Looks like a wonderful solid machine. -Original Message- From: Hamit Campos Sent: Sunday, February 10, 2019 9:51 AM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Yeah the most epic thing the LS-14 has is smart mode. I like smart mode always came in handy. For those that don't know, what happens in smart mode is you press record. The mics open up at a low level and thus you may not hear much if at all on yuor headphones. But the machine is listening. So the idea is you then if it's a practised thing make the loudest sound you're gonna record for this recording. Than as you do this you press record again or if it counts down you let it run out and it re-opens the mics at a proper level for the loudest sound you are having it hear. Too bad the LS-100 didn't have this and too bad the 14 doesn't have XLRs or phantum power for true studio mics. But I did and still kinda do use it with my AT-8022. I like how it's mics are spread apart. At 90 degrees the LS-14 I find gives me a wider immige than the XY H6 mics. Meh even at 120 because of how the H6 mics are pointed they are wider but not spacious like the Olympus mics. I did suggest making an A B peace for the H6 and 5 now they're doing snap off peaces. I even had them look up the LS-14 to see how the mics are. But again I don't worry much. I use my AT-8022. And I really would like to get a independent pare of mics. like the new SE Electronics SE7 mics. They're 199$ a factory matched stereo pair. You will have to get the XLR cables your self though. On 2/10/2019 12:02 AM, Dane Trethowan wrote: I’m very glad you mentioned the Olympus LS-14 actually. I tried to get hold of one last year but had to settle for the LS-P4 - no problem there -. One did come up on eBay just recently so I snapped it up. In a few days I will be able to see what the LS-14 offers and of course I’ll be using the excellent review Neal Ewers did on the machine as a reference. Pity about not being able to use rechargeable batteries with the LS-14 so I’ll use one of the Powerbanks I have instead. On 10 Feb 2019, at 3:46 pm, Hamit Campos wrote: Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just coming from another perspective I heard on another of Scott's shows. Where if you record in 96 let's say, when you resample you'll get a better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio on mine just because the LS-14 can't play anything elase in mono. It has to be CD quality for it to work in mono. Which I was confused by when I got it. Because all the DMs I'd had before this even playeed 48 16 in mono though they didn't record that. But oh well. I can't wait to hear some F8N samples. On 2/9/2019 9:51 PM, Dane Trethowan wrote: I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this option but will do in the future when I work out how to connect a Keyboard to the F8N though even then without speech there seems little point. On the other hand Enter Metadata for Next Take may be slightly useable with a keyboard. No, I won’t get any feedback however I should be able to remember the order in which the metadata is presented thus I can move through the fields etc. The manual for the F8N gives specific keyboard commands to do just that. The next 2 options in the menu system are Input and Output respectively and I’ll be working on those next week. On 10 Feb 2019, at 7:48 am, Hamit Campos wrote: Ah yes I forgot that. Yes the higher the q
Re: [all-audio] Olympus Ls-14
Sorry for joining late, but I just realized that the recorder a friend gave me is in fact the one you are talking, the 14. Anyone know where I can get operating instructions? Looks like a wonderful solid machine. -Original Message- From: Hamit Campos Sent: Sunday, February 10, 2019 9:51 AM To: all-audio@groups.io Subject: Re: [all-audio] Olympus Ls-14 Yeah the most epic thing the LS-14 has is smart mode. I like smart mode always came in handy. For those that don't know, what happens in smart mode is you press record. The mics open up at a low level and thus you may not hear much if at all on yuor headphones. But the machine is listening. So the idea is you then if it's a practised thing make the loudest sound you're gonna record for this recording. Than as you do this you press record again or if it counts down you let it run out and it re-opens the mics at a proper level for the loudest sound you are having it hear. Too bad the LS-100 didn't have this and too bad the 14 doesn't have XLRs or phantum power for true studio mics. But I did and still kinda do use it with my AT-8022. I like how it's mics are spread apart. At 90 degrees the LS-14 I find gives me a wider immige than the XY H6 mics. Meh even at 120 because of how the H6 mics are pointed they are wider but not spacious like the Olympus mics. I did suggest making an A B peace for the H6 and 5 now they're doing snap off peaces. I even had them look up the LS-14 to see how the mics are. But again I don't worry much. I use my AT-8022. And I really would like to get a independent pare of mics. like the new SE Electronics SE7 mics. They're 199$ a factory matched stereo pair. You will have to get the XLR cables your self though. On 2/10/2019 12:02 AM, Dane Trethowan wrote: I’m very glad you mentioned the Olympus LS-14 actually. I tried to get hold of one last year but had to settle for the LS-P4 - no problem there -. One did come up on eBay just recently so I snapped it up. In a few days I will be able to see what the LS-14 offers and of course I’ll be using the excellent review Neal Ewers did on the machine as a reference. Pity about not being able to use rechargeable batteries with the LS-14 so I’ll use one of the Powerbanks I have instead. On 10 Feb 2019, at 3:46 pm, Hamit Campos wrote: Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just coming from another perspective I heard on another of Scott's shows. Where if you record in 96 let's say, when you resample you'll get a better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio on mine just because the LS-14 can't play anything elase in mono. It has to be CD quality for it to work in mono. Which I was confused by when I got it. Because all the DMs I'd had before this even playeed 48 16 in mono though they didn't record that. But oh well. I can't wait to hear some F8N samples. On 2/9/2019 9:51 PM, Dane Trethowan wrote: I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this option but will do in the future when I work out how to connect a Keyboard to the F8N though even then without speech there seems little point. On the other hand Enter Metadata for Next Take may be slightly useable with a keyboard. No, I won’t get any feedback however I should be able to remember the order in which the metadata is presented thus I can move through the fields etc. The manual for the F8N gives specific keyboard commands to do just that. The next 2 options in the menu system are Input and Output respectively and I’ll be working on those next week. On 10 Feb 2019, at 7:48 am, Hamit Campos wrote: Ah yes I forgot that. Yes the higher the quality, the more memory you'll need. Especially if you're also planning to go multi channal. On 2/9/2019 3:28 PM, Dane Trethowan wrote: I can’t argue with the statements below. I actually have my F8N and other recorders set to 96K 24-bit but in the end its up to the individual how they want things done. One has to remember too that with higher bit rates
