[AsburyPark] The worst writer in the history of Asbury Park

2006-12-11 Thread rolemover
gary wein has to be the worst writer in the history of asbury 
park...he trashes days awake, and he assumes what bruce's thought are 
on why he didnt show on saturday night...where did this guy come from 
anyway? he should be run out of town!!!

(ASBURY PARK, DECEMBER 9, 2006) -- They were the pioneers. The first 
musicians to play rock and roll live in clubs, dance halls and 
shopping malls around the Jersey Shore area. It was through their 
blending of rock, blues, RB, doo-wop and soul that the sound, which 
would become known as The Sounds Of Asbury Park (S.O.A.P.), was 
created. On December 9th, many of the creators returned to Asbury 
Park for a very special performance at the Stone Pony. It was a 
fitting tribute to a lot of artists whose place in history was 
somewhat overshadowed and overlooked due to the success of Bruce 
Springsteen.

The tribute began at noon when a monument listing the names of 35 
artists and people who played major roles in creating the Asbury Park 
sound was dedicated. There is space on the plaque for a few more 
names and people are already debating about who might be added. The 
plaque is to be replaced anyway since it contains a misspelling of 
Southside Johnny Lyon's name! Unfortunately the error was noticed 
after the plaque had been created. 

A crowd of people and media from around the country came to the 
monument's dedication and got the chance to hear and meet several of 
the artists at the monument unveiling. While the monument will 
forever stand on the boardwalk next to Convention Hall, the show 
promised to be a once in a lifetime event and it certainly delivered.

The evening began with a blues set by Billy Ryan to warm things up as 
the crowd began to gather. From there it was full speed ahead with an 
all-star lineup of musicians crammed on stage doing their takes on 
classic hits from the 50, 60s and 70s. The lineup contained such 
artists as Vini Mad Dog Lopez (the original drummer for the E 
Street Band), Garry Tallent (bass player for the E Street Band), 
Popeye (original Asbury Juke), Billy Ryan, Nicky Addeo, Doc Holiday, 
Lisa Lowell, Norman Seldin, and Patsy Siciliano. Special guests 
included artists like Craig Krampf (Drummer for Journey  writer of 
Steve Perry's hit Oh Sherri and Kim Carnes Bette Davis Eyes) and 
Caron Patrice. Behind the artists where the Stone Pony logo resides 
was a photograph of Johnny Shaw, the founder of the Jaywalkers who 
passed away earlier this year. The night was largely dedicated to him 
as most of the musicians were not only friends with Shaw, but former 
bandmates as well.

With the cast on stage, the creators launched into Feeling Alright. 
Seasoned professionals, the band was tight, singing was dead on, and 
the musicians all appeared to be having fun on stage. This was like a 
rock and roll high school reunion of folks who grew up together in 
bands and on the same stages but hadn't been together for decades. 
You could just tell it was going to be a magical night at the Stone 
Pony.

One of the highlights of the night came when David Sancious (one of 
the creators) made a special appearance on keyboards 
during Expressway To Your Heart. As they got ready for the song, 
Doc Holiday said, It's in the key of C David, that's all I have to 
tell you and you're good to go! Doc was right. Sancious' keyboard 
came alive during a solo in the song and it was very cool to see Eric 
Safka (the keyboardist for Days Awake) watching the master from just 
outside the stage with a huge grin on his face. Now that's what the 
night was all about!

Other highlights from the all-star lineup included Nicky Addeo 
showcasing his wonderful voice during Gloria, Lisa Lowell tackling 
Aretha Franklin on Rescue Me, a blistering version of Chuck 
Berry's Johnny B. Good led by Vini Mad Dog Lopez on lead vocals, 
and Listen To The Music by the Doobie Brothers with Doc Holiday on 
lead vocals.

A very special tribute to the artists that could not be at the show 
from the west side of town (the soul side as they put it) took 
place during a take on Georgie Fame's Sitting In The Park. As names 
of several artists were read Nicky Addeo changed the lyrics and 
softly sang Sitting in Asbury Park, waiting for you.

Later in the evening Steel Mill Retro led by Vini Mad Dog Lopez 
played a set of songs Bruce Springsteen wrote in the late 1960s. This 
was the period of time when Springsteen was writing music in the hard 
rock / Led Zeppelin / guitar-based frame. The band also included Bill 
Kacerek on keyboards, Bernie Brausewetter on guitar, and Ed Piersanti 
on bass.

People always say Bruce doesn't do instrumentals, said Lopez. But 
it's not true. The band then kicked off their set with Sherlock Go 
Holme - an instrumental that featured solos by Brusewetter and 
Kacerek to provide the tone of the set.

After the instrumental, Steel Mill played Cowboys Of The Sea which 
was one of the treats of the evening for me as I had known about the 
song but 

Re: [AsburyPark] The worst writer in the history of Asbury Park

2006-12-11 Thread Lightgrw
Gee, rolemover is one of the 100,000 people to regular visit my website  
- now I'm impressed!  And I thought you only stuck you your little town  
publication.


It's  nice to know you must have failed reading comprehension in high  
school (if you made it that far)




 Following Steel Mill was Lance Larson backed by the guys from Days
 Awake. Lance made his official debut with this band the night before
 at the Wonder Bar and blew the crowd away. Kicking off with the
 Warren Zevon classic Lawyers, Guns  Money Lance showed why he was
 one of the most entertaining front men in Shorehistory. The highlight
 of the set was Lance's own Angel With Broken Wings which sounded
 beautiful behind the talented guys from Days Awake who held their own
 during a night full of world-class musicians. Another Lance
 original Song For The Soldiers followed before the group finished
 with the classics Magic Carpet Ride by Steppenwolf and the
 Animals' We Gotta Get Out Of This Place.

 Before his last song, Lance thanked everyone for coming to Asbury
 Park and mentioned the redevelopment. He urged people to remember
 to keep music and art in Asbury Park because without it it's not
 Asbury Park. The band ran out of time before getting into With A
 Little Help From My Friends which was going to be their closing
 number, but it was a great set nevertheless.

 Lance truly seems to be having the time of his life with these guys
 (and gal) backing him. Rumors are swirling about an upcoming big news
 announcement that could involve both artists working together in the
 future!



Kinda sounds like nothing but good things about the band in those  
paragraphs doesn't it?



 


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