[backstage] How long should copyright last?

2007-11-29 Thread Brian Butterworth
http://www.guardian.co.uk/technology/2007/nov/29/comment.intellectualproperty

Re: [backstage] How long should copyright last?

2007-11-29 Thread David Greaves
Brian Butterworth wrote: http://www.guardian.co.uk/technology/2007/nov/29/comment.intellectualproperty [Caveat - US-law biased] Well, if we're linking... Bruce Schneier links to a Law Review article about the a day in the life of a normal person (no p2p filesharing etc, just you or me) in

Re: [backstage] How long should copyright last?

2007-11-29 Thread Andy
On 29/11/2007, Brian Butterworth [EMAIL PROTECTED] wrote: How long should copyright last Well it should almost certianly be an absolute value, i.e. not Death + N years just N years. Measuring from the authors death is somewhat tricky if you can't find out exactly when the author died. Even

Re: [backstage] How long should copyright last?

2007-11-29 Thread Noah Slater
On 29/11/2007, Brian Butterworth [EMAIL PROTECTED] wrote: http://www.guardian.co.uk/technology/2007/nov/29/comment.intellectualproperty Brian, I agree with your later points - I would just like to mention that Intellectual Property is a misleading phrase.

Re: [backstage] How long should copyright last?

2007-11-29 Thread Glyn Wintle
For more details on this see http://www.openrightsgroup.org/2006/12/06/gowers-review/ - the length of copyright on sound recordings is 50 years from the date of publication - it is this second date that the BPI, PPL, Musician's Union, et. al. wanted to 'harmonise' upwards to life + 70.

Re: [backstage] How long should copyright last?

2007-11-29 Thread Michael Sparks
On Thursday 29 November 2007 10:32:36 David Greaves wrote: However, clear case law is given in the paper which shows that since the email you have received is an unpublished work (sending private correspondence doesn't count as publishing) I thought there was a case in the UK where it was

Re: [backstage] How long should copyright last?

2007-11-29 Thread Michael Sparks
On Thursday 29 November 2007 10:32:36 David Greaves wrote: So, should we DRM email programs? Oh, I missed that. People do use DRM in email. Ian Forrester does for example - he restricts your right to redistribute any email he sends you by appending: This e-mail is: [x] private; [] ask first;

Re: [backstage] How long should copyright last?

2007-11-29 Thread Matt Lee
Michael Sparks wrote: That's a rights expression, and is therefore a DRM. The restrictions however aren't enforced by anything other than your clearly high good will and estimation of Ian and your basic desire to not give him a headache :-) That's not DRM, that's rights expression, as you

Re: [backstage] How long should copyright last?

2007-11-29 Thread Noah Slater
On 29/11/2007, Michael Sparks [EMAIL PROTECTED] wrote: Digital Rights Management includes rights expression as well as restrictions enforcement. That's the first I've heard. So either I am wrong or it's not common usage. Either way I am guessing that the term should be avoided because it

Re: [backstage] How long should copyright last?

2007-11-29 Thread Noah Slater
?xml version=1.0 encoding=UTF-8 standalone=yes? rdf:RDF xmlns:rdf=http://www.w3.org/1999/02/22-rdf-syntax-ns#; xmlns:cc=http://web.resource.org/cc/; xmlns:dc=http://purl.org/dc/elements/1.1/; rdf:Description rdf:about=this-email dc:abstractI agree completely, semantic

Re: [backstage] How long should copyright last?

2007-11-29 Thread Matt Lee
Noah Slater wrote: On 29/11/2007, Noah Slater [EMAIL PROTECTED] wrote: cc:prohibits rdf:resource=http://web.resource.org/cc/CommercialUse/ I would hasten to point out that I do not approve of non-commercial clauses. Avoid this licence and choose one that doesn't restrict freedom

Re: [backstage] How long should copyright last?

2007-11-29 Thread Noah Slater
On 30/11/2007, Matt Lee [EMAIL PROTECTED] wrote: Actually, BY-SA would be best. It protects the rights, much like the GPL. I stand corrected, again. Thanks Matt. -- Noah Slater http://www.bytesexual.org/ Creativity can be a social contribution, but only in so far as society is free to use the